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Color name
RGB 164 80 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 80 109 it is the complementary color RGB 91 175 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 80 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 80 109 shade: RGB 169 80 104, RGB 186 98 123, RGB 203 116 142, RGB 220 134 161 and RGB 237 152 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 80 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 80 109 shade: RGB 164 80 109, RGB 147 62 90, RGB 130 44 71, RGB 113 26 52 and RGB 96 8 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 80 109 shade: RGB 164 80 109, RGB 164 80 87 and RGB 164 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 80 109 shade: RGB 164 80 109, RGB 164 80 131, RGB 164 80 154, RGB 151 80 164 and RGB 128 80 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 80 109 shade matches the following richer shades: RGB 164 80 109, RGB 183 60 103, RGB 203 41 97, RGB 223 21 91 and RGB 243 1 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 80 109 shade: RGB 164 80 109, RGB 144 100 115, RGB 124 120 121, RGB 104 140 127 and RGB 84 160 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 80 109 shade: RGB 164 80 154, RGB 164 80 132, RGB 164 80 109, RGB 164 80 87 and RGB 164 96 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 80 109 shade: RGB 108 53 72, RGB 136 67 91, RGB 164 80 109, RGB 181 104 131 and RGB 194 132 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 80 109 shade: RGB 164 80 109, RGB 164 151 80 and RGB 80 143 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 80 109 shade: RGB 164 80 109, RGB 109 164 80 and RGB 80 109 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 80 109 shade: RGB 164 80 109, RGB 164 151 80, RGB 80 164 134 and RGB 80 93 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 80 109 shade: RGB 164 80 109, RGB 151 164 80, RGB 80 164 134 and RGB 93 80 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

Complementary color

CMYK 48 / 0 / 17 / 31

HEX #5BAF92

RGB 91 175 146

HSL 159.29, 0.34%, 0.52%

LAB 65.72, -32.59, 7.05

 

CMYK 0 / 53 / 38 / 34

HEX #A95068

RGB 169 80 104

HSL 343.82, 0.36%, 0.49%

LAB 45.87, 39.06, 3.65

 

CMYK 0 / 47 / 34 / 27

HEX #BA627B

RGB 186 98 123

HSL 342.95, 0.39%, 0.56%

LAB 52.51, 38.13, 2.15

 

CMYK 0 / 43 / 30 / 20

HEX #CB748E

RGB 203 116 142

HSL 342.07, 0.46%, 0.63%

LAB 59.1, 37.22, 0.89

 

CMYK 0 / 39 / 27 / 14

HEX #DC86A1

RGB 220 134 161

HSL 341.16, 0.55%, 0.69%

LAB 65.62, 36.35, -0.2

 

CMYK 0 / 36 / 24 / 7

HEX #ED98B4

RGB 237 152 180

HSL 340.24, 0.7%, 0.76%

LAB 72.07, 35.52, -1.18

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 58 / 39 / 42

HEX #933E5A

RGB 147 62 90

HSL 340.24, 0.41%, 0.41%

LAB 38.53, 38.73, 1.27

 

CMYK 0 / 66 / 45 / 49

HEX #822C47

RGB 130 44 71

HSL 341.16, 0.49%, 0.34%

LAB 31.81, 39.37, 3.4

 

CMYK 0 / 77 / 54 / 56

HEX #711A34

RGB 113 26 52

HSL 342.07, 0.63%, 0.27%

LAB 25.25, 39.46, 6.31

 

CMYK 0 / 92 / 66 / 62

HEX #600821

RGB 96 8 33

HSL 342.95, 0.85%, 0.2%

LAB 19.1, 38.34, 10.53

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 51 / 47 / 36

HEX #A45057

RGB 164 80 87

HSL 355, 0.34%, 0.48%

LAB 44.69, 35.32, 12.25

 

CMYK 0 / 51 / 51 / 36

HEX #A45050

RGB 164 80 80

HSL 0, 0.34%, 0.48%

LAB 44.53, 34.62, 16.29

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 51 / 20 / 36

HEX #A45083

RGB 164 80 131

HSL 323.57, 0.34%, 0.48%

LAB 46, 41.03, -12.64

 

CMYK 0 / 51 / 6 / 36

HEX #A4509A

RGB 164 80 154

HSL 307.14, 0.34%, 0.48%

LAB 46.93, 44.85, -25.01

 

CMYK 8 / 51 / 0 / 36

HEX #9750A4

RGB 151 80 164

HSL 290.71, 0.34%, 0.48%

LAB 45.63, 42.88, -33.1

 

CMYK 22 / 51 / 0 / 36

HEX #8050A4

RGB 128 80 164

HSL 274.29, 0.34%, 0.48%

LAB 42.77, 36.28, -37.8

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 67 / 44 / 28

HEX #B73C67

RGB 183 60 103

HSL 339.02, 0.51%, 0.48%

LAB 44.63, 52.9, 2.77

 

CMYK 0 / 80 / 52 / 20

HEX #CB2961

RGB 203 41 97

HSL 339.26, 0.66%, 0.48%

LAB 45.83, 64.5, 8.69

 

CMYK 0 / 91 / 59 / 13

HEX #DF155B

RGB 223 21 91

HSL 339.21, 0.83%, 0.48%

LAB 48.23, 73.08, 16.33

 

CMYK 0 / 100 / 65 / 5

HEX #F30154

RGB 243 1 84

HSL 339.42, 0.99%, 0.48%

LAB 51.52, 79.17, 25.69

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 31 / 20 / 44

HEX #906473

RGB 144 100 115

HSL 339.55, 0.18%, 0.48%

LAB 47.34, 20.11, -1.27

 

CMYK 0 / 3 / 2 / 51

HEX #7C7879

RGB 124 120 121

HSL 345, 0.02%, 0.48%

LAB 50.8, 1.72, -0.01

 

CMYK 26 / 0 / 9 / 45

HEX #688C7F

RGB 104 140 127

HSL 158.33, 0.15%, 0.48%

LAB 55.31, -15.44, 2.87

 

CMYK 48 / 0 / 16 / 37

HEX #54A086

RGB 84 160 134

HSL 159.47, 0.31%, 0.48%

LAB 60.56, -29.99, 6.31

 

CMYK 0 / 51 / 6 / 36

HEX #A4509A

RGB 164 80 154

HSL 307.14, 0.34%, 0.48%

LAB 46.93, 44.85, -25.01

 

CMYK 0 / 51 / 20 / 36

HEX #A45084

RGB 164 80 132

HSL 322.86, 0.34%, 0.48%

LAB 46.04, 41.18, -13.19

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 51 / 47 / 36

HEX #A45057

RGB 164 80 87

HSL 355, 0.34%, 0.48%

LAB 44.69, 35.32, 12.25

 

CMYK 0 / 41 / 51 / 36

HEX #A46050

RGB 164 96 80

HSL 11.43, 0.34%, 0.48%

LAB 48.05, 25.89, 21.01

 

CMYK 0 / 51 / 33 / 58

HEX #6C3548

RGB 108 53 72

HSL 339.27, 0.34%, 0.32%

LAB 29.92, 26.79, -0.47

 

CMYK 0 / 51 / 33 / 47

HEX #88435B

RGB 136 67 91

HSL 339.13, 0.34%, 0.4%

LAB 37.85, 32.26, -0.55

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 43 / 28 / 29

HEX #B56883

RGB 181 104 131

HSL 338.96, 0.34%, 0.56%

LAB 53.34, 34.2, -1.45

 

CMYK 0 / 32 / 21 / 24

HEX #C2849A

RGB 194 132 154

HSL 338.71, 0.34%, 0.64%

LAB 61.92, 27.03, -2.02

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 8 / 51 / 36

HEX #A49750

RGB 164 151 80

HSL 50.71, 0.34%, 0.48%

LAB 62.17, -4.96, 38.81

 

CMYK 51 / 13 / 0 / 36

HEX #508FA4

RGB 80 143 164

HSL 195, 0.34%, 0.48%

LAB 56.12, -14.3, -17.35

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 34 / 0 / 51 / 36

HEX #6DA450

RGB 109 164 80

HSL 99.29, 0.34%, 0.48%

LAB 61.98, -33.71, 37.65

 

CMYK 51 / 34 / 0 / 36

HEX #506DA4

RGB 80 109 164

HSL 219.29, 0.34%, 0.48%

LAB 46.07, 5.48, -32.87

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 0 / 8 / 51 / 36

HEX #A49750

RGB 164 151 80

HSL 50.71, 0.34%, 0.48%

LAB 62.17, -4.96, 38.81

 

CMYK 51 / 0 / 18 / 36

HEX #50A486

RGB 80 164 134

HSL 158.57, 0.34%, 0.48%

LAB 61.63, -32.91, 7.83

 

CMYK 51 / 43 / 0 / 36

HEX #505DA4

RGB 80 93 164

HSL 230.71, 0.34%, 0.48%

LAB 41.56, 15.49, -40.01

 

CMYK 0 / 51 / 34 / 36

HEX #A4506D

RGB 164 80 109

HSL 339.29, 0.34%, 0.48%

LAB 45.27, 37.89, -0.36

 

CMYK 8 / 0 / 51 / 36

HEX #97A450

RGB 151 164 80

HSL 69.29, 0.34%, 0.48%

LAB 64.73, -17.34, 41.61

 

CMYK 51 / 0 / 18 / 36

HEX #50A486

RGB 80 164 134

HSL 158.57, 0.34%, 0.48%

LAB 61.63, -32.91, 7.83

 

CMYK 43 / 51 / 0 / 36

HEX #5D50A4

RGB 93 80 164

HSL 249.29, 0.34%, 0.48%

LAB 39.15, 26.88, -43.79

 

Description

Color code: RGB 164 80 109 | qconv.com Color code: RGB 164 80 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 80 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 80 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 34 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 34% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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