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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 82 179 it is the complementary color RGB 91 173 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 82 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 82 179 shade: RGB 169 82 174, RGB 186 100 193, RGB 203 118 212, RGB 220 136 231 and RGB 237 154 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 82 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 82 179 shade: RGB 164 82 179, RGB 147 64 160, RGB 130 46 141, RGB 113 28 122 and RGB 96 10 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 82 179 shade: RGB 163 81 178, RGB 178 81 167, RGB 178 81 141, RGB 178 81 115 and RGB 178 81 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 82 179 shade: RGB 163 81 178, RGB 137 81 178, RGB 111 81 178, RGB 84 81 178 and RGB 81 81 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 82 179 shade matches the following richer shades: RGB 163 81 178, RGB 177 61 198, RGB 191 40 219 and RGB 205 20 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 82 179 shade: RGB 163 81 178, RGB 149 101 158, RGB 135 121 138, RGB 121 141 118 and RGB 107 162 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 82 179 shade: RGB 110 81 178, RGB 136 81 178, RGB 162 81 178, RGB 178 81 169 and RGB 178 81 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 82 179 shade: RGB 112 54 123, RGB 138 66 152, RGB 163 81 178, RGB 178 109 191 and RGB 193 138 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 82 179 shade: RGB 164 82 179, RGB 178 84 81 and RGB 81 178 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 82 179 shade: RGB 164 82 179, RGB 178 162 81 and RGB 81 178 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 82 179 shade: RGB 164 82 179, RGB 178 84 81, RGB 97 178 81 and RGB 81 175 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 82 179 shade: RGB 164 82 179, RGB 178 113 81, RGB 97 178 81 and RGB 81 146 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 54 / 0 / 30

HEX #A452B3

RGB 164 82 179

HSL 290.72, 0.39%, 0.51%

LAB 48.49, 48.53, -37.31

 

Complementary color

CMYK 47 / 0 / 56 / 32

HEX #5BAD4C

RGB 91 173 76

HSL 110.72, 0.39%, 0.49%

LAB 63.86, -44.08, 41.67

 

CMYK 3 / 53 / 0 / 32

HEX #A952AE

RGB 169 82 174

HSL 296.74, 0.36%, 0.5%

LAB 48.92, 48.95, -33.67

 

CMYK 4 / 48 / 0 / 24

HEX #BA64C1

RGB 186 100 193

HSL 295.48, 0.43%, 0.57%

LAB 55.49, 48.31, -34.23

 

CMYK 4 / 44 / 0 / 17

HEX #CB76D4

RGB 203 118 212

HSL 294.26, 0.52%, 0.65%

LAB 62, 47.59, -34.68

 

CMYK 5 / 41 / 0 / 9

HEX #DC88E7

RGB 220 136 231

HSL 293.05, 0.66%, 0.72%

LAB 68.46, 46.84, -35.06

 

CMYK 5 / 38 / 0 / 2

HEX #ED9AFA

RGB 237 154 250

HSL 291.88, 0.91%, 0.79%

LAB 74.84, 46.11, -35.4

 

CMYK 8 / 54 / 0 / 30

HEX #A452B3

RGB 164 82 179

HSL 290.72, 0.39%, 0.51%

LAB 48.49, 48.53, -37.31

 

CMYK 8 / 60 / 0 / 37

HEX #9340A0

RGB 147 64 160

HSL 291.88, 0.43%, 0.44%

LAB 41.86, 49.05, -36.71

 

CMYK 8 / 67 / 0 / 45

HEX #822E8D

RGB 130 46 141

HSL 293.05, 0.51%, 0.37%

LAB 35.25, 49.25, -35.84

 

CMYK 7 / 77 / 0 / 52

HEX #711C7A

RGB 113 28 122

HSL 294.26, 0.63%, 0.29%

LAB 28.76, 48.77, -34.5

 

CMYK 7 / 90 / 0 / 60

HEX #600A67

RGB 96 10 103

HSL 295.48, 0.82%, 0.22%

LAB 22.6, 46.96, -32.33

 

CMYK 8 / 54 / 0 / 30

HEX #A351B2

RGB 163 81 178

HSL 290.72, 0.39%, 0.51%

LAB 48.12, 48.56, -37.32

 

CMYK 0 / 54 / 6 / 30

HEX #B251A7

RGB 178 81 167

HSL 306.8, 0.39%, 0.51%

LAB 49.67, 50.75, -28.3

 

CMYK 0 / 54 / 21 / 30

HEX #B2518D

RGB 178 81 141

HSL 322.89, 0.39%, 0.51%

LAB 48.6, 46.58, -14.51

 

CMYK 0 / 54 / 35 / 30

HEX #B25173

RGB 178 81 115

HSL 338.97, 0.39%, 0.51%

LAB 47.74, 43.04, -0.15

 

CMYK 0 / 54 / 51 / 30

HEX #B25158

RGB 178 81 88

HSL 355.67, 0.39%, 0.51%

LAB 47.05, 40.12, 15.23

 

CMYK 8 / 54 / 0 / 30

HEX #A351B2

RGB 163 81 178

HSL 290.72, 0.39%, 0.51%

LAB 48.12, 48.56, -37.32

 

CMYK 23 / 54 / 0 / 30

HEX #8951B2

RGB 137 81 178

HSL 274.64, 0.39%, 0.51%

LAB 44.83, 41.5, -42.74

 

CMYK 38 / 54 / 0 / 30

HEX #6F51B2

RGB 111 81 178

HSL 258.56, 0.39%, 0.51%

LAB 41.97, 34.77, -47.48

 

CMYK 53 / 54 / 0 / 30

HEX #5451B2

RGB 84 81 178

HSL 241.86, 0.39%, 0.51%

LAB 39.55, 28.53, -51.48

 

CMYK 54 / 54 / 0 / 30

HEX #5151B2

RGB 81 81 178

HSL 240, 0.39%, 0.51%

LAB 39.32, 27.91, -51.86

 

CMYK 8 / 54 / 0 / 30

HEX #A351B2

RGB 163 81 178

HSL 290.72, 0.39%, 0.51%

LAB 48.12, 48.56, -37.32

 

CMYK 11 / 69 / 0 / 22

HEX #B13DC6

RGB 177 61 198

HSL 290.8, 0.55%, 0.51%

LAB 47.96, 64.72, -49.09

 

CMYK 13 / 82 / 0 / 14

HEX #BF28DB

RGB 191 40 219

HSL 290.61, 0.71%, 0.51%

LAB 49.14, 77.71, -59.14

 

CMYK 14 / 92 / 0 / 6

HEX #CD14EF

RGB 205 20 239

HSL 290.68, 0.87%, 0.51%

LAB 51.51, 86.82, -66.53

 

CMYK 8 / 54 / 0 / 30

HEX #A351B2

RGB 163 81 178

HSL 290.72, 0.39%, 0.51%

LAB 48.12, 48.56, -37.32

 

CMYK 6 / 36 / 0 / 38

HEX #95659E

RGB 149 101 158

HSL 290.53, 0.23%, 0.51%

LAB 49.7, 29.39, -23.25

 

CMYK 2 / 12 / 0 / 46

HEX #87798A

RGB 135 121 138

HSL 289.41, 0.07%, 0.51%

LAB 52.58, 8.67, -7.27

 

CMYK 14 / 0 / 16 / 45

HEX #798D76

RGB 121 141 118

HSL 112.17, 0.09%, 0.51%

LAB 56.51, -11.81, 9.9

 

CMYK 34 / 0 / 40 / 36

HEX #6BA261

RGB 107 162 97

HSL 110.77, 0.26%, 0.51%

LAB 61.51, -31.13, 28.2

 

CMYK 38 / 54 / 0 / 30

HEX #6E51B2

RGB 110 81 178

HSL 257.94, 0.39%, 0.51%

LAB 41.87, 34.53, -47.64

 

CMYK 24 / 54 / 0 / 30

HEX #8851B2

RGB 136 81 178

HSL 274.02, 0.39%, 0.51%

LAB 44.71, 41.23, -42.94

 

CMYK 9 / 54 / 0 / 30

HEX #A251B2

RGB 162 81 178

HSL 290.1, 0.39%, 0.51%

LAB 47.98, 48.28, -37.54

 

CMYK 0 / 54 / 5 / 30

HEX #B251A9

RGB 178 81 169

HSL 305.57, 0.39%, 0.51%

LAB 49.76, 51.09, -29.33

 

CMYK 0 / 54 / 20 / 30

HEX #B2518F

RGB 178 81 143

HSL 321.65, 0.39%, 0.51%

LAB 48.68, 46.88, -15.59

 

CMYK 9 / 56 / 0 / 52

HEX #70367B

RGB 112 54 123

HSL 290.43, 0.39%, 0.35%

LAB 32.95, 36.86, -28.49

 

CMYK 9 / 57 / 0 / 40

HEX #8A4298

RGB 138 66 152

HSL 290.23, 0.39%, 0.43%

LAB 40.52, 44.03, -34.1

 

CMYK 8 / 54 / 0 / 30

HEX #A351B2

RGB 163 81 178

HSL 290.72, 0.39%, 0.51%

LAB 48.12, 48.56, -37.32

 

CMYK 7 / 43 / 0 / 25

HEX #B26DBF

RGB 178 109 191

HSL 290.49, 0.39%, 0.59%

LAB 56.25, 40.82, -31.96

 

CMYK 5 / 32 / 0 / 20

HEX #C18ACB

RGB 193 138 203

HSL 290.77, 0.38%, 0.67%

LAB 64.82, 32.03, -25.36

 

CMYK 8 / 54 / 0 / 30

HEX #A452B3

RGB 164 82 179

HSL 290.72, 0.39%, 0.51%

LAB 48.49, 48.53, -37.31

 

CMYK 0 / 53 / 54 / 30

HEX #B25451

RGB 178 84 81

HSL 1.86, 0.39%, 0.51%

LAB 47.49, 37.96, 20.04

 

CMYK 54 / 0 / 31 / 30

HEX #51B27B

RGB 81 178 123

HSL 145.98, 0.39%, 0.51%

LAB 65.76, -41.36, 19.67

 

CMYK 8 / 54 / 0 / 30

HEX #A452B3

RGB 164 82 179

HSL 290.72, 0.39%, 0.51%

LAB 48.49, 48.53, -37.31

 

CMYK 0 / 9 / 54 / 30

HEX #B2A251

RGB 178 162 81

HSL 50.1, 0.39%, 0.51%

LAB 66.44, -4.77, 43.69

 

CMYK 54 / 0 / 9 / 30

HEX #51B2A2

RGB 81 178 162

HSL 170.1, 0.39%, 0.51%

LAB 66.67, -32.45, -0.47

 

CMYK 8 / 54 / 0 / 30

HEX #A452B3

RGB 164 82 179

HSL 290.72, 0.39%, 0.51%

LAB 48.49, 48.53, -37.31

 

CMYK 0 / 53 / 54 / 30

HEX #B25451

RGB 178 84 81

HSL 1.86, 0.39%, 0.51%

LAB 47.49, 37.96, 20.04

 

CMYK 46 / 0 / 54 / 30

HEX #61B251

RGB 97 178 81

HSL 110.1, 0.39%, 0.51%

LAB 65.73, -43.74, 41.53

 

CMYK 54 / 2 / 0 / 30

HEX #51AFB2

RGB 81 175 178

HSL 181.86, 0.39%, 0.51%

LAB 66.23, -26.74, -10

 

CMYK 8 / 54 / 0 / 30

HEX #A452B3

RGB 164 82 179

HSL 290.72, 0.39%, 0.51%

LAB 48.49, 48.53, -37.31

 

CMYK 0 / 37 / 54 / 30

HEX #B27151

RGB 178 113 81

HSL 19.79, 0.39%, 0.51%

LAB 53.89, 22.29, 28.35

 

CMYK 46 / 0 / 54 / 30

HEX #61B251

RGB 97 178 81

HSL 110.1, 0.39%, 0.51%

LAB 65.73, -43.74, 41.53

 

CMYK 54 / 18 / 0 / 30

HEX #5192B2

RGB 81 146 178

HSL 199.79, 0.39%, 0.51%

LAB 57.58, -11.52, -23.1

 

Description

Color code: RGB 164 82 179 | qconv.com Color code: RGB 164 82 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 82 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 82 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 54 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 54% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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