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Color name
RGB 165 119 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 119 129 it is the complementary color RGB 90 136 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 119 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 119 129 shade: RGB 170 119 124, RGB 187 137 143, RGB 204 155 162, RGB 221 173 181 and RGB 238 191 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 119 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 119 129 shade: RGB 165 119 129, RGB 148 101 110, RGB 131 83 91, RGB 114 65 72 and RGB 97 47 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 119 129 shade: RGB 165 120 130 and RGB 165 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 119 129 shade: RGB 165 120 130, RGB 165 120 142, RGB 165 120 154, RGB 164 120 165 and RGB 151 120 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 119 129 shade matches the following richer shades: RGB 165 120 130, RGB 183 102 119, RGB 201 84 109, RGB 219 65 99 and RGB 237 47 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 119 129 shade: RGB 165 120 130, RGB 147 138 140, RGB 128 156 150, RGB 110 174 160 and RGB 92 192 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 119 129 shade: RGB 165 120 154, RGB 165 120 142, RGB 165 120 130, RGB 165 121 120 and RGB 165 133 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 119 129 shade: RGB 121 81 90, RGB 146 97 108, RGB 165 120 130, RGB 181 145 153 and RGB 198 169 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 119 129 shade: RGB 165 119 129, RGB 165 163 120 and RGB 120 148 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 119 129 shade: RGB 165 119 129, RGB 130 165 120 and RGB 120 130 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 119 129 shade: RGB 165 119 129, RGB 165 163 120, RGB 120 165 154 and RGB 120 121 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 119 129 shade: RGB 165 119 129, RGB 153 165 120, RGB 120 165 154 and RGB 132 120 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 22 / 35

HEX #A57781

RGB 165 119 129

HSL 346.96, 0.2%, 0.56%

LAB 54.84, 19.53, 1.68

 

Complementary color

CMYK 34 / 0 / 7 / 47

HEX #5A887E

RGB 90 136 126

HSL 166.96, 0.2%, 0.44%

LAB 53.26, -18.02, 0.37

 

CMYK 0 / 30 / 27 / 33

HEX #AA777C

RGB 170 119 124

HSL 354.12, 0.23%, 0.57%

LAB 55.27, 20.71, 5.29

 

CMYK 0 / 27 / 24 / 27

HEX #BB898F

RGB 187 137 143

HSL 352.8, 0.27%, 0.64%

LAB 62.03, 19.97, 4.32

 

CMYK 0 / 24 / 21 / 20

HEX #CC9BA2

RGB 204 155 162

HSL 351.43, 0.32%, 0.7%

LAB 68.67, 19.31, 3.45

 

CMYK 0 / 22 / 18 / 13

HEX #DDADB5

RGB 221 173 181

HSL 350, 0.41%, 0.77%

LAB 75.2, 18.71, 2.63

 

CMYK 0 / 20 / 16 / 7

HEX #EEBFC8

RGB 238 191 200

HSL 348.51, 0.58%, 0.84%

LAB 81.63, 18.17, 1.87

 

CMYK 0 / 28 / 22 / 35

HEX #A57781

RGB 165 119 129

HSL 346.96, 0.2%, 0.56%

LAB 54.84, 19.53, 1.68

 

CMYK 0 / 32 / 26 / 42

HEX #94656E

RGB 148 101 110

HSL 348.51, 0.19%, 0.49%

LAB 47.92, 20.3, 2.63

 

CMYK 0 / 37 / 31 / 49

HEX #83535B

RGB 131 83 91

HSL 350, 0.22%, 0.42%

LAB 40.84, 21.17, 3.71

 

CMYK 0 / 43 / 37 / 55

HEX #724148

RGB 114 65 72

HSL 351.43, 0.27%, 0.35%

LAB 33.62, 22.17, 4.99

 

CMYK 0 / 52 / 45 / 62

HEX #612F35

RGB 97 47 53

HSL 352.8, 0.35%, 0.28%

LAB 26.25, 23.29, 6.62

 

CMYK 0 / 27 / 21 / 35

HEX #A57882

RGB 165 120 130

HSL 346.67, 0.2%, 0.56%

LAB 55.12, 19.12, 1.5

 

CMYK 0 / 27 / 27 / 35

HEX #A57878

RGB 165 120 120

HSL 0, 0.2%, 0.56%

LAB 54.85, 17.6, 6.94

 

CMYK 0 / 27 / 21 / 35

HEX #A57882

RGB 165 120 130

HSL 346.67, 0.2%, 0.56%

LAB 55.12, 19.12, 1.5

 

CMYK 0 / 27 / 14 / 35

HEX #A5788E

RGB 165 120 142

HSL 330.67, 0.2%, 0.56%

LAB 55.47, 21.11, -4.98

 

CMYK 0 / 27 / 7 / 35

HEX #A5789A

RGB 165 120 154

HSL 314.67, 0.2%, 0.56%

LAB 55.85, 23.25, -11.38

 

CMYK 1 / 27 / 0 / 35

HEX #A478A5

RGB 164 120 165

HSL 298.67, 0.2%, 0.56%

LAB 56.13, 25, -17.33

 

CMYK 8 / 27 / 0 / 35

HEX #9778A5

RGB 151 120 165

HSL 281.33, 0.2%, 0.56%

LAB 54.79, 20.56, -19.49

 

CMYK 0 / 27 / 21 / 35

HEX #A57882

RGB 165 120 130

HSL 346.67, 0.2%, 0.56%

LAB 55.12, 19.12, 1.5

 

CMYK 0 / 44 / 35 / 28

HEX #B76677

RGB 183 102 119

HSL 347.41, 0.36%, 0.56%

LAB 52.84, 34.41, 4.94

 

CMYK 0 / 58 / 46 / 21

HEX #C9546D

RGB 201 84 109

HSL 347.18, 0.52%, 0.56%

LAB 51.68, 48.77, 9.59

 

CMYK 0 / 70 / 55 / 14

HEX #DB4163

RGB 219 65 99

HSL 346.75, 0.68%, 0.56%

LAB 51.54, 61.54, 15.85

 

CMYK 0 / 80 / 62 / 7

HEX #ED2F59

RGB 237 47 89

HSL 346.74, 0.84%, 0.56%

LAB 52.68, 71.46, 23.97

 

CMYK 0 / 27 / 21 / 35

HEX #A57882

RGB 165 120 130

HSL 346.67, 0.2%, 0.56%

LAB 55.12, 19.12, 1.5

 

CMYK 0 / 6 / 5 / 42

HEX #938A8C

RGB 147 138 140

HSL 346.67, 0.04%, 0.56%

LAB 58.3, 3.73, 0.13

 

CMYK 18 / 0 / 4 / 39

HEX #809C96

RGB 128 156 150

HSL 167.14, 0.12%, 0.56%

LAB 62.14, -11.02, -0.11

 

CMYK 37 / 0 / 8 / 32

HEX #6EAEA0

RGB 110 174 160

HSL 166.88, 0.28%, 0.56%

LAB 66.62, -23.76, 0.7

 

CMYK 52 / 0 / 11 / 25

HEX #5CC0AB

RGB 92 192 171

HSL 167.4, 0.44%, 0.56%

LAB 71.5, -34.4, 1.66

 

CMYK 0 / 27 / 7 / 35

HEX #A5789A

RGB 165 120 154

HSL 314.67, 0.2%, 0.56%

LAB 55.85, 23.25, -11.38

 

CMYK 0 / 27 / 14 / 35

HEX #A5788E

RGB 165 120 142

HSL 330.67, 0.2%, 0.56%

LAB 55.47, 21.11, -4.98

 

CMYK 0 / 27 / 21 / 35

HEX #A57882

RGB 165 120 130

HSL 346.67, 0.2%, 0.56%

LAB 55.12, 19.12, 1.5

 

CMYK 0 / 27 / 27 / 35

HEX #A57978

RGB 165 121 120

HSL 1.33, 0.2%, 0.56%

LAB 55.1, 17.03, 7.3

 

CMYK 0 / 19 / 27 / 35

HEX #A58578

RGB 165 133 120

HSL 17.33, 0.2%, 0.56%

LAB 58.16, 10.22, 11.63

 

CMYK 0 / 33 / 26 / 53

HEX #79515A

RGB 121 81 90

HSL 346.5, 0.2%, 0.4%

LAB 39.05, 18.15, 1.57

 

CMYK 0 / 34 / 26 / 43

HEX #92616C

RGB 146 97 108

HSL 346.53, 0.2%, 0.48%

LAB 46.64, 21.53, 1.94

 

CMYK 0 / 27 / 21 / 35

HEX #A57882

RGB 165 120 130

HSL 346.67, 0.2%, 0.56%

LAB 55.12, 19.12, 1.5

 

CMYK 0 / 20 / 15 / 29

HEX #B59199

RGB 181 145 153

HSL 346.67, 0.2%, 0.64%

LAB 63.65, 14.82, 0.92

 

CMYK 0 / 15 / 11 / 22

HEX #C6A9B0

RGB 198 169 176

HSL 345.52, 0.2%, 0.72%

LAB 71.9, 11.7, 0.32

 

CMYK 0 / 28 / 22 / 35

HEX #A57781

RGB 165 119 129

HSL 346.96, 0.2%, 0.56%

LAB 54.84, 19.53, 1.68

 

CMYK 0 / 1 / 27 / 35

HEX #A5A378

RGB 165 163 120

HSL 57.33, 0.2%, 0.56%

LAB 66.17, -6.35, 22.67

 

CMYK 27 / 10 / 0 / 35

HEX #7894A5

RGB 120 148 165

HSL 202.67, 0.2%, 0.56%

LAB 59.79, -5.77, -12.16

 

CMYK 0 / 28 / 22 / 35

HEX #A57781

RGB 165 119 129

HSL 346.96, 0.2%, 0.56%

LAB 54.84, 19.53, 1.68

 

CMYK 21 / 0 / 27 / 35

HEX #82A578

RGB 130 165 120

HSL 106.67, 0.2%, 0.56%

LAB 64.17, -20.78, 19.52

 

CMYK 27 / 21 / 0 / 35

HEX #7882A5

RGB 120 130 165

HSL 226.67, 0.2%, 0.56%

LAB 54.74, 4.5, -19.82

 

CMYK 0 / 28 / 22 / 35

HEX #A57781

RGB 165 119 129

HSL 346.96, 0.2%, 0.56%

LAB 54.84, 19.53, 1.68

 

CMYK 0 / 1 / 27 / 35

HEX #A5A378

RGB 165 163 120

HSL 57.33, 0.2%, 0.56%

LAB 66.17, -6.35, 22.67

 

CMYK 27 / 0 / 7 / 35

HEX #78A59A

RGB 120 165 154

HSL 165.33, 0.2%, 0.56%

LAB 64.35, -17.52, 0.8

 

CMYK 27 / 27 / 0 / 35

HEX #7879A5

RGB 120 121 165

HSL 238.67, 0.2%, 0.56%

LAB 52.27, 9.79, -23.6

 

CMYK 0 / 28 / 22 / 35

HEX #A57781

RGB 165 119 129

HSL 346.96, 0.2%, 0.56%

LAB 54.84, 19.53, 1.68

 

CMYK 7 / 0 / 27 / 35

HEX #99A578

RGB 153 165 120

HSL 76, 0.2%, 0.56%

LAB 65.78, -12.13, 21.97

 

CMYK 27 / 0 / 7 / 35

HEX #78A59A

RGB 120 165 154

HSL 165.33, 0.2%, 0.56%

LAB 64.35, -17.52, 0.8

 

CMYK 20 / 27 / 0 / 35

HEX #8478A5

RGB 132 120 165

HSL 256, 0.2%, 0.56%

LAB 53.01, 14.23, -22.38

 

Description

Color code: RGB 165 119 129 | qconv.com Color code: RGB 165 119 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 119 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 119 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 22 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 22% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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