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Color name
RGB 165 151 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 151 108 it is the complementary color RGB 90 104 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 151 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 151 108 shade: RGB 170 151 103, RGB 187 169 122, RGB 204 187 141, RGB 221 205 160 and RGB 238 223 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 151 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 151 108 shade: RGB 165 151 108, RGB 148 133 89, RGB 131 115 70, RGB 114 97 51 and RGB 97 79 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 151 108 shade: RGB 165 152 109, RGB 165 136 109, RGB 165 121 109 and RGB 165 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 151 108 shade: RGB 165 152 109, RGB 164 165 109, RGB 149 165 109, RGB 134 165 109 and RGB 118 165 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 151 108 shade matches the following richer shades: RGB 165 152 109, RGB 184 161 90, RGB 203 171 71, RGB 222 180 52 and RGB 241 190 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 151 108 shade: RGB 165 152 109, RGB 146 142 128, RGB 127 132 147, RGB 108 123 166 and RGB 89 113 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 151 108 shade: RGB 165 121 109, RGB 165 136 109, RGB 165 151 109, RGB 164 165 109 and RGB 149 165 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 151 108 shade: RGB 119 108 73, RGB 145 131 88, RGB 165 152 109, RGB 181 170 135 and RGB 197 188 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 151 108 shade: RGB 165 151 108, RGB 112 165 109 and RGB 129 109 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 151 108 shade: RGB 165 151 108, RGB 109 165 151 and RGB 151 109 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 151 108 shade: RGB 165 151 108, RGB 112 165 109, RGB 109 123 165 and RGB 163 109 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 151 108 shade: RGB 165 151 108, RGB 109 165 123, RGB 109 123 165 and RGB 165 109 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 35 / 35

HEX #A5976C

RGB 165 151 108

HSL 45.26, 0.24%, 0.54%

LAB 62.69, -1.45, 24.56

 

Complementary color

CMYK 39 / 29 / 0 / 42

HEX #5A6893

RGB 90 104 147

HSL 225.26, 0.24%, 0.46%

LAB 44.49, 6.02, -25.24

 

CMYK 0 / 11 / 39 / 33

HEX #AA9767

RGB 170 151 103

HSL 42.99, 0.28%, 0.54%

LAB 63.06, 0.01, 27.87

 

CMYK 0 / 10 / 35 / 27

HEX #BBA97A

RGB 187 169 122

HSL 43.38, 0.32%, 0.61%

LAB 69.72, -0.49, 26.66

 

CMYK 0 / 8 / 31 / 20

HEX #CCBB8D

RGB 204 187 141

HSL 43.81, 0.38%, 0.68%

LAB 76.25, -0.92, 25.53

 

CMYK 0 / 7 / 28 / 13

HEX #DDCDA0

RGB 221 205 160

HSL 44.26, 0.47%, 0.75%

LAB 82.69, -1.28, 24.46

 

CMYK 0 / 6 / 25 / 7

HEX #EEDFB3

RGB 238 223 179

HSL 44.75, 0.63%, 0.82%

LAB 89.02, -1.6, 23.45

 

CMYK 0 / 8 / 35 / 35

HEX #A5976C

RGB 165 151 108

HSL 45.26, 0.24%, 0.54%

LAB 62.69, -1.45, 24.56

 

CMYK 0 / 10 / 40 / 42

HEX #948559

RGB 148 133 89

HSL 44.75, 0.25%, 0.46%

LAB 55.88, -0.96, 25.8

 

CMYK 0 / 12 / 47 / 49

HEX #837346

RGB 131 115 70

HSL 44.26, 0.3%, 0.39%

LAB 48.92, -0.36, 27.12

 

CMYK 0 / 15 / 55 / 55

HEX #726133

RGB 114 97 51

HSL 43.81, 0.38%, 0.32%

LAB 41.79, 0.41, 28.52

 

CMYK 0 / 19 / 67 / 62

HEX #614F20

RGB 97 79 32

HSL 43.38, 0.5%, 0.25%

LAB 34.47, 1.44, 29.91

 

CMYK 0 / 8 / 34 / 35

HEX #A5986D

RGB 165 152 109

HSL 46.07, 0.24%, 0.54%

LAB 62.98, -1.87, 24.4

 

CMYK 0 / 18 / 34 / 35

HEX #A5886D

RGB 165 136 109

HSL 28.93, 0.24%, 0.54%

LAB 58.71, 7, 18.64

 

CMYK 0 / 27 / 34 / 35

HEX #A5796D

RGB 165 121 109

HSL 12.86, 0.24%, 0.54%

LAB 54.84, 15.49, 13.32

 

CMYK 0 / 34 / 34 / 35

HEX #A56D6D

RGB 165 109 109

HSL 0, 0.24%, 0.54%

LAB 51.88, 22.31, 9.17

 

CMYK 0 / 8 / 34 / 35

HEX #A5986D

RGB 165 152 109

HSL 46.07, 0.24%, 0.54%

LAB 62.98, -1.87, 24.4

 

CMYK 1 / 0 / 34 / 35

HEX #A4A56D

RGB 164 165 109

HSL 61.07, 0.24%, 0.54%

LAB 66.45, -9.28, 28.96

 

CMYK 10 / 0 / 34 / 35

HEX #95A56D

RGB 149 165 109

HSL 77.14, 0.24%, 0.54%

LAB 65.28, -15.26, 27.21

 

CMYK 19 / 0 / 34 / 35

HEX #86A56D

RGB 134 165 109

HSL 93.21, 0.24%, 0.54%

LAB 64.23, -21.04, 25.63

 

CMYK 28 / 0 / 34 / 35

HEX #76A56D

RGB 118 165 109

HSL 110.36, 0.24%, 0.54%

LAB 63.23, -26.87, 24.12

 

CMYK 0 / 8 / 34 / 35

HEX #A5986D

RGB 165 152 109

HSL 46.07, 0.24%, 0.54%

LAB 62.98, -1.87, 24.4

 

CMYK 0 / 13 / 51 / 28

HEX #B8A15A

RGB 184 161 90

HSL 45.32, 0.4%, 0.54%

LAB 66.84, -0.89, 39.78

 

CMYK 0 / 16 / 65 / 20

HEX #CBAB47

RGB 203 171 71

HSL 45.45, 0.56%, 0.54%

LAB 71.06, 0.45, 54.23

 

CMYK 0 / 19 / 77 / 13

HEX #DEB434

RGB 222 180 52

HSL 45.18, 0.72%, 0.54%

LAB 75.09, 2.95, 66.47

 

CMYK 0 / 21 / 86 / 5

HEX #F1BE21

RGB 241 190 33

HSL 45.29, 0.88%, 0.54%

LAB 79.41, 5.33, 76.48

 

CMYK 0 / 8 / 34 / 35

HEX #A5986D

RGB 165 152 109

HSL 46.07, 0.24%, 0.54%

LAB 62.98, -1.87, 24.4

 

CMYK 0 / 3 / 12 / 43

HEX #928E80

RGB 146 142 128

HSL 46.67, 0.08%, 0.54%

LAB 58.99, -1.07, 7.98

 

CMYK 14 / 10 / 0 / 42

HEX #7F8493

RGB 127 132 147

HSL 225, 0.08%, 0.54%

LAB 55.2, 1.36, -8.67

 

CMYK 35 / 26 / 0 / 35

HEX #6C7BA6

RGB 108 123 166

HSL 224.48, 0.25%, 0.54%

LAB 51.96, 5.21, -24.74

 

CMYK 52 / 39 / 0 / 27

HEX #5971B9

RGB 89 113 185

HSL 225, 0.41%, 0.54%

LAB 48.81, 11.9, -40.77

 

CMYK 0 / 27 / 34 / 35

HEX #A5796D

RGB 165 121 109

HSL 12.86, 0.24%, 0.54%

LAB 54.84, 15.49, 13.32

 

CMYK 0 / 18 / 34 / 35

HEX #A5886D

RGB 165 136 109

HSL 28.93, 0.24%, 0.54%

LAB 58.71, 7, 18.64

 

CMYK 0 / 8 / 34 / 35

HEX #A5976D

RGB 165 151 109

HSL 45, 0.24%, 0.54%

LAB 62.71, -1.32, 24.04

 

CMYK 1 / 0 / 34 / 35

HEX #A4A56D

RGB 164 165 109

HSL 61.07, 0.24%, 0.54%

LAB 66.45, -9.28, 28.96

 

CMYK 10 / 0 / 34 / 35

HEX #95A56D

RGB 149 165 109

HSL 77.14, 0.24%, 0.54%

LAB 65.28, -15.26, 27.21

 

CMYK 0 / 9 / 39 / 53

HEX #776C49

RGB 119 108 73

HSL 45.65, 0.24%, 0.38%

LAB 45.81, -1.28, 21.17

 

CMYK 0 / 10 / 39 / 43

HEX #918358

RGB 145 131 88

HSL 45.26, 0.24%, 0.46%

LAB 55.03, -1.24, 25.19

 

CMYK 0 / 8 / 34 / 35

HEX #A5986D

RGB 165 152 109

HSL 46.07, 0.24%, 0.54%

LAB 62.98, -1.87, 24.4

 

CMYK 0 / 6 / 25 / 29

HEX #B5AA87

RGB 181 170 135

HSL 45.65, 0.24%, 0.62%

LAB 69.7, -1.68, 19.5

 

CMYK 0 / 5 / 19 / 23

HEX #C5BCA0

RGB 197 188 160

HSL 45.41, 0.24%, 0.7%

LAB 76.3, -1.46, 15.32

 

CMYK 0 / 8 / 35 / 35

HEX #A5976C

RGB 165 151 108

HSL 45.26, 0.24%, 0.54%

LAB 62.69, -1.45, 24.56

 

CMYK 32 / 0 / 34 / 35

HEX #70A56D

RGB 112 165 109

HSL 116.79, 0.24%, 0.54%

LAB 62.89, -28.94, 23.61

 

CMYK 22 / 34 / 0 / 35

HEX #816DA5

RGB 129 109 165

HSL 261.43, 0.24%, 0.54%

LAB 49.88, 19.79, -27.23

 

CMYK 0 / 8 / 35 / 35

HEX #A5976C

RGB 165 151 108

HSL 45.26, 0.24%, 0.54%

LAB 62.69, -1.45, 24.56

 

CMYK 34 / 0 / 8 / 35

HEX #6DA597

RGB 109 165 151

HSL 165, 0.24%, 0.54%

LAB 63.67, -21.56, 1.41

 

CMYK 8 / 34 / 0 / 35

HEX #976DA5

RGB 151 109 165

HSL 285, 0.24%, 0.54%

LAB 52.1, 26.92, -23.62

 

CMYK 0 / 8 / 35 / 35

HEX #A5976C

RGB 165 151 108

HSL 45.26, 0.24%, 0.54%

LAB 62.69, -1.45, 24.56

 

CMYK 32 / 0 / 34 / 35

HEX #70A56D

RGB 112 165 109

HSL 116.79, 0.24%, 0.54%

LAB 62.89, -28.94, 23.61

 

CMYK 34 / 25 / 0 / 35

HEX #6D7BA5

RGB 109 123 165

HSL 225, 0.24%, 0.54%

LAB 51.99, 5.24, -24.11

 

CMYK 1 / 34 / 0 / 35

HEX #A36DA5

RGB 163 109 165

HSL 297.86, 0.24%, 0.54%

LAB 53.43, 30.9, -21.47

 

CMYK 0 / 8 / 35 / 35

HEX #A5976C

RGB 165 151 108

HSL 45.26, 0.24%, 0.54%

LAB 62.69, -1.45, 24.56

 

CMYK 34 / 0 / 25 / 35

HEX #6DA57B

RGB 109 165 123

HSL 135, 0.24%, 0.54%

LAB 63, -27.44, 16.06

 

CMYK 34 / 25 / 0 / 35

HEX #6D7BA5

RGB 109 123 165

HSL 225, 0.24%, 0.54%

LAB 51.99, 5.24, -24.11

 

CMYK 0 / 34 / 8 / 35

HEX #A56D97

RGB 165 109 151

HSL 315, 0.24%, 0.54%

LAB 53.14, 28.94, -13.72

 

Description

Color code: RGB 165 151 108 | qconv.com Color code: RGB 165 151 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 151 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 151 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 35 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 35% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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