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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 206 81 it is the complementary color RGB 90 49 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 206 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 206 81 shade: RGB 170 206 76, RGB 187 224 95, RGB 204 242 114, RGB 221 255 133 and RGB 238 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 206 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 206 81 shade: RGB 165 206 81, RGB 148 188 62, RGB 131 170 43, RGB 114 152 24 and RGB 97 134 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 206 81 shade: RGB 164 205 79, RGB 198 205 79, RGB 205 179 79, RGB 205 145 79 and RGB 205 111 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 206 81 shade: RGB 164 205 79, RGB 130 205 79, RGB 96 205 79, RGB 79 205 97 and RGB 79 205 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 206 81 shade matches the following richer shades: RGB 164 205 79, RGB 170 223 61 and RGB 176 241 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 206 81 shade: RGB 164 205 79, RGB 158 187 98, RGB 151 169 116, RGB 145 151 134 and RGB 139 133 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 206 81 shade: RGB 205 178 79, RGB 199 205 79, RGB 165 205 79, RGB 132 205 79 and RGB 98 205 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 206 81 shade: RGB 121 158 44, RGB 145 190 53, RGB 164 205 79, RGB 181 214 112 and RGB 197 223 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 206 81 shade: RGB 165 206 81, RGB 79 205 144 and RGB 195 79 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 206 81 shade: RGB 165 206 81, RGB 79 165 205 and RGB 205 79 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 206 81 shade: RGB 165 206 81, RGB 79 205 144, RGB 119 79 205 and RGB 205 79 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 206 81 shade: RGB 165 206 81, RGB 79 205 182, RGB 119 79 205 and RGB 205 79 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 61 / 19

HEX #A5CE51

RGB 165 206 81

HSL 79.68, 0.56%, 0.56%

LAB 77.72, -32.18, 56.26

 

Complementary color

CMYK 48 / 72 / 0 / 32

HEX #5A31AE

RGB 90 49 174

HSL 259.68, 0.56%, 0.44%

LAB 32.76, 47.15, -60.12

 

CMYK 17 / 0 / 63 / 19

HEX #AACE4C

RGB 170 206 76

HSL 76.62, 0.57%, 0.55%

LAB 78, -30.62, 58.77

 

CMYK 17 / 0 / 58 / 12

HEX #BBE05F

RGB 187 224 95

HSL 77.21, 0.68%, 0.63%

LAB 84.33, -30.95, 57.94

 

CMYK 16 / 0 / 53 / 5

HEX #CCF272

RGB 204 242 114

HSL 77.81, 0.83%, 0.7%

LAB 90.58, -31.2, 56.96

 

CMYK 13 / 0 / 48 / 0

HEX #DDFF85

RGB 221 255 133

HSL 76.72, 1%, 0.76%

LAB 95.41, -29.07, 54.29

 

CMYK 7 / 0 / 40 / 0

HEX #EEFF98

RGB 238 255 152

HSL 69.9, 1%, 0.8%

LAB 96.81, -20.75, 47.29

 

CMYK 20 / 0 / 61 / 19

HEX #A5CE51

RGB 165 206 81

HSL 79.68, 0.56%, 0.56%

LAB 77.72, -32.18, 56.26

 

CMYK 21 / 0 / 67 / 26

HEX #94BC3E

RGB 148 188 62

HSL 79.05, 0.5%, 0.49%

LAB 71.29, -31.83, 56.94

 

CMYK 23 / 0 / 75 / 33

HEX #83AA2B

RGB 131 170 43

HSL 78.43, 0.6%, 0.42%

LAB 64.76, -31.34, 57.17

 

CMYK 25 / 0 / 84 / 40

HEX #729818

RGB 114 152 24

HSL 77.81, 0.73%, 0.35%

LAB 58.13, -30.64, 56.5

 

CMYK 28 / 0 / 96 / 47

HEX #618605

RGB 97 134 5

HSL 77.21, 0.93%, 0.27%

LAB 51.38, -29.69, 54.35

 

CMYK 20 / 0 / 61 / 20

HEX #A4CD4F

RGB 164 205 79

HSL 79.52, 0.56%, 0.56%

LAB 77.35, -32.26, 56.69

 

CMYK 3 / 0 / 61 / 20

HEX #C6CD4F

RGB 198 205 79

HSL 63.33, 0.56%, 0.56%

LAB 79.75, -18.63, 59.98

 

CMYK 0 / 13 / 61 / 20

HEX #CDB34F

RGB 205 179 79

HSL 47.62, 0.56%, 0.56%

LAB 73.41, -2.4, 53.24

 

CMYK 0 / 29 / 61 / 20

HEX #CD914F

RGB 205 145 79

HSL 31.43, 0.56%, 0.56%

LAB 64.8, 15.87, 43.46

 

CMYK 0 / 46 / 61 / 20

HEX #CD6F4F

RGB 205 111 79

HSL 15.24, 0.56%, 0.56%

LAB 56.99, 34.21, 34.12

 

CMYK 20 / 0 / 61 / 20

HEX #A4CD4F

RGB 164 205 79

HSL 79.52, 0.56%, 0.56%

LAB 77.35, -32.26, 56.69

 

CMYK 37 / 0 / 61 / 20

HEX #82CD4F

RGB 130 205 79

HSL 95.71, 0.56%, 0.56%

LAB 75.43, -44.66, 54.03

 

CMYK 53 / 0 / 61 / 20

HEX #60CD4F

RGB 96 205 79

HSL 111.9, 0.56%, 0.56%

LAB 74.01, -55, 52.04

 

CMYK 61 / 0 / 53 / 20

HEX #4FCD61

RGB 79 205 97

HSL 128.57, 0.56%, 0.56%

LAB 73.67, -56.95, 43.25

 

CMYK 61 / 0 / 36 / 20

HEX #4FCD83

RGB 79 205 131

HSL 144.76, 0.56%, 0.56%

LAB 74.17, -51.45, 26.78

 

CMYK 20 / 0 / 61 / 20

HEX #A4CD4F

RGB 164 205 79

HSL 79.52, 0.56%, 0.56%

LAB 77.35, -32.26, 56.69

 

CMYK 24 / 0 / 73 / 13

HEX #AADF3D

RGB 170 223 61

HSL 79.63, 0.72%, 0.56%

LAB 82.73, -39.34, 69.26

 

CMYK 27 / 0 / 82 / 5

HEX #B0F12B

RGB 176 241 43

HSL 79.7, 0.88%, 0.56%

LAB 88.12, -45.72, 79.5

 

CMYK 20 / 0 / 61 / 20

HEX #A4CD4F

RGB 164 205 79

HSL 79.52, 0.56%, 0.56%

LAB 77.35, -32.26, 56.69

 

CMYK 16 / 0 / 48 / 27

HEX #9EBB62

RGB 158 187 98

HSL 79.55, 0.4%, 0.56%

LAB 72.02, -24.21, 41.61

 

CMYK 11 / 0 / 31 / 34

HEX #97A974

RGB 151 169 116

HSL 80.38, 0.24%, 0.56%

LAB 66.68, -15.58, 25.33

 

CMYK 4 / 0 / 11 / 41

HEX #919786

RGB 145 151 134

HSL 81.18, 0.08%, 0.56%

LAB 61.55, -5.37, 8.21

 

CMYK 9 / 13 / 0 / 40

HEX #8B8598

RGB 139 133 152

HSL 258.95, 0.08%, 0.56%

LAB 56.62, 6.09, -9.33

 

CMYK 0 / 13 / 61 / 20

HEX #CDB24F

RGB 205 178 79

HSL 47.14, 0.56%, 0.56%

LAB 73.14, -1.87, 52.95

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 20 / 0 / 61 / 20

HEX #A5CD4F

RGB 165 205 79

HSL 79.05, 0.56%, 0.56%

LAB 77.42, -31.87, 56.78

 

CMYK 36 / 0 / 61 / 20

HEX #84CD4F

RGB 132 205 79

HSL 94.76, 0.56%, 0.56%

LAB 75.53, -43.98, 54.17

 

CMYK 52 / 0 / 61 / 20

HEX #62CD4F

RGB 98 205 79

HSL 110.95, 0.56%, 0.56%

LAB 74.08, -54.47, 52.14

 

CMYK 23 / 0 / 72 / 38

HEX #799E2C

RGB 121 158 44

HSL 79.47, 0.56%, 0.4%

LAB 60.52, -29.63, 52.42

 

CMYK 24 / 0 / 72 / 25

HEX #91BE35

RGB 145 190 53

HSL 79.71, 0.56%, 0.48%

LAB 71.63, -34.51, 60.64

 

CMYK 20 / 0 / 61 / 20

HEX #A4CD4F

RGB 164 205 79

HSL 79.52, 0.56%, 0.56%

LAB 77.35, -32.26, 56.69

 

CMYK 15 / 0 / 48 / 16

HEX #B5D670

RGB 181 214 112

HSL 79.41, 0.55%, 0.64%

LAB 81.34, -26.92, 46.5

 

CMYK 12 / 0 / 35 / 13

HEX #C5DF90

RGB 197 223 144

HSL 79.75, 0.55%, 0.72%

LAB 85.33, -21.52, 35.93

 

CMYK 20 / 0 / 61 / 19

HEX #A5CE51

RGB 165 206 81

HSL 79.68, 0.56%, 0.56%

LAB 77.72, -32.18, 56.26

 

CMYK 61 / 0 / 30 / 20

HEX #4FCD90

RGB 79 205 144

HSL 150.95, 0.56%, 0.56%

LAB 74.41, -48.91, 20.27

 

CMYK 5 / 61 / 0 / 20

HEX #C34FCD

RGB 195 79 205

HSL 295.24, 0.56%, 0.56%

LAB 53.6, 62.83, -43.98

 

CMYK 20 / 0 / 61 / 19

HEX #A5CE51

RGB 165 206 81

HSL 79.68, 0.56%, 0.56%

LAB 77.72, -32.18, 56.26

 

CMYK 61 / 20 / 0 / 20

HEX #4FA5CD

RGB 79 165 205

HSL 199.05, 0.56%, 0.56%

LAB 64.14, -13.96, -28.18

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA5

RGB 205 79 165

HSL 319.05, 0.56%, 0.56%

LAB 53.26, 59.03, -21.24

 

CMYK 20 / 0 / 61 / 19

HEX #A5CE51

RGB 165 206 81

HSL 79.68, 0.56%, 0.56%

LAB 77.72, -32.18, 56.26

 

CMYK 61 / 0 / 30 / 20

HEX #4FCD90

RGB 79 205 144

HSL 150.95, 0.56%, 0.56%

LAB 74.41, -48.91, 20.27

 

CMYK 42 / 61 / 0 / 20

HEX #774FCD

RGB 119 79 205

HSL 259.05, 0.56%, 0.56%

LAB 44.12, 45.15, -59.69

 

CMYK 0 / 61 / 32 / 20

HEX #CD4F8C

RGB 205 79 140

HSL 330.95, 0.56%, 0.56%

LAB 52.36, 55.73, -7.85

 

CMYK 20 / 0 / 61 / 19

HEX #A5CE51

RGB 165 206 81

HSL 79.68, 0.56%, 0.56%

LAB 77.72, -32.18, 56.26

 

CMYK 61 / 0 / 11 / 20

HEX #4FCDB6

RGB 79 205 182

HSL 169.05, 0.56%, 0.56%

LAB 75.27, -40.2, 1.13

 

CMYK 42 / 61 / 0 / 20

HEX #774FCD

RGB 119 79 205

HSL 259.05, 0.56%, 0.56%

LAB 44.12, 45.15, -59.69

 

CMYK 0 / 61 / 50 / 20

HEX #CD4F67

RGB 205 79 103

HSL 348.57, 0.56%, 0.56%

LAB 51.32, 51.82, 12.78

 

Description

Color code: RGB 165 206 81 | qconv.com Color code: RGB 165 206 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 206 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 206 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 61 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 61% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

55% - Ana Sayfa - Akobey W...
Link: http://www.webgrafiktasarim.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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