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Color name
RGB 165 37 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 37 68 it is the complementary color RGB 90 218 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 37 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 37 68 shade: RGB 170 37 63, RGB 187 55 82, RGB 204 73 101, RGB 221 91 120 and RGB 238 109 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 37 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 37 68 shade: RGB 165 37 68, RGB 148 19 49, RGB 131 1 30, RGB 114 0 11 and RGB 97 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 37 68 shade: RGB 166 37 68 and RGB 166 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 37 68 shade: RGB 166 37 68, RGB 166 37 103, RGB 166 37 138, RGB 159 37 166 and RGB 125 37 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 37 68 shade matches the following richer shades: RGB 166 37 68, RGB 182 21 60 and RGB 199 4 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 37 68 shade: RGB 166 37 68, RGB 149 54 77, RGB 133 70 85, RGB 116 87 94 and RGB 100 103 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 37 68 shade: RGB 166 37 138, RGB 166 37 104, RGB 166 37 69, RGB 166 39 37 and RGB 166 74 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 37 68 shade: RGB 99 22 41, RGB 132 30 54, RGB 166 37 68, RGB 199 45 82 and RGB 213 72 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 37 68 shade: RGB 165 37 68, RGB 166 159 37 and RGB 37 121 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 37 68 shade: RGB 165 37 68, RGB 69 166 37 and RGB 37 69 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 37 68 shade: RGB 165 37 68, RGB 166 159 37, RGB 37 166 134 and RGB 37 44 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 37 68 shade: RGB 165 37 68, RGB 134 166 37, RGB 37 166 134 and RGB 69 37 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 59 / 35

HEX #A52544

RGB 165 37 68

HSL 345.47, 0.63%, 0.4%

LAB 37.37, 52.88, 14.09

 

Complementary color

CMYK 59 / 0 / 14 / 15

HEX #5ADABB

RGB 90 218 187

HSL 165.47, 0.63%, 0.6%

LAB 79.56, -42.72, 4.72

 

CMYK 0 / 78 / 63 / 33

HEX #AA253F

RGB 170 37 63

HSL 348.27, 0.64%, 0.41%

LAB 38.25, 54.02, 18.62

 

CMYK 0 / 71 / 56 / 27

HEX #BB3752

RGB 187 55 82

HSL 347.73, 0.55%, 0.47%

LAB 44.1, 54.25, 15.12

 

CMYK 0 / 64 / 50 / 20

HEX #CC4965

RGB 204 73 101

HSL 347.18, 0.56%, 0.54%

LAB 50.15, 53.92, 12.32

 

CMYK 0 / 59 / 46 / 13

HEX #DD5B78

RGB 221 91 120

HSL 346.62, 0.66%, 0.61%

LAB 56.3, 53.29, 10.03

 

CMYK 0 / 54 / 42 / 7

HEX #EE6D8B

RGB 238 109 139

HSL 346.05, 0.79%, 0.68%

LAB 62.49, 52.5, 8.12

 

CMYK 0 / 78 / 59 / 35

HEX #A52544

RGB 165 37 68

HSL 345.47, 0.63%, 0.4%

LAB 37.37, 52.88, 14.09

 

CMYK 0 / 87 / 67 / 42

HEX #941331

RGB 148 19 49

HSL 346.05, 0.77%, 0.33%

LAB 31.77, 51.71, 18.36

 

CMYK 0 / 99 / 77 / 49

HEX #83011E

RGB 131 1 30

HSL 346.62, 0.98%, 0.26%

LAB 26.57, 49.42, 23.64

 

CMYK 0 / 100 / 90 / 55

HEX #72000B

RGB 114 0 11

HSL 354.21, 1%, 0.22%

LAB 22.31, 44.46, 29.27

 

CMYK 0 / 100 / 100 / 62

HEX #610000

RGB 97 0 0

HSL 0, 1%, 0.19%

LAB 18.1, 39.46, 27.92

 

CMYK 0 / 78 / 59 / 35

HEX #A62544

RGB 166 37 68

HSL 345.58, 0.64%, 0.4%

LAB 37.57, 53.18, 14.39

 

CMYK 0 / 78 / 78 / 35

HEX #A62525

RGB 166 37 37

HSL 0, 0.64%, 0.4%

LAB 37.05, 51.51, 33.03

 

CMYK 0 / 78 / 59 / 35

HEX #A62544

RGB 166 37 68

HSL 345.58, 0.64%, 0.4%

LAB 37.57, 53.18, 14.39

 

CMYK 0 / 78 / 38 / 35

HEX #A62567

RGB 166 37 103

HSL 329.3, 0.64%, 0.4%

LAB 38.57, 56.3, -6.5

 

CMYK 0 / 78 / 17 / 35

HEX #A6258A

RGB 166 37 138

HSL 313.02, 0.64%, 0.4%

LAB 40.02, 60.67, -26.06

 

CMYK 4 / 78 / 0 / 35

HEX #9F25A6

RGB 159 37 166

HSL 296.74, 0.64%, 0.4%

LAB 40.32, 63.49, -42.62

 

CMYK 25 / 78 / 0 / 35

HEX #7D25A6

RGB 125 37 166

HSL 280.93, 0.64%, 0.4%

LAB 34.88, 56.8, -51.67

 

CMYK 0 / 78 / 59 / 35

HEX #A62544

RGB 166 37 68

HSL 345.58, 0.64%, 0.4%

LAB 37.57, 53.18, 14.39

 

CMYK 0 / 88 / 67 / 29

HEX #B6153C

RGB 182 21 60

HSL 345.47, 0.79%, 0.4%

LAB 39.25, 61.08, 22.3

 

CMYK 0 / 98 / 74 / 22

HEX #C70433

RGB 199 4 51

HSL 345.54, 0.96%, 0.4%

LAB 41.95, 67.09, 32

 

CMYK 0 / 78 / 59 / 35

HEX #A62544

RGB 166 37 68

HSL 345.58, 0.64%, 0.4%

LAB 37.57, 53.18, 14.39

 

CMYK 0 / 64 / 48 / 42

HEX #95364D

RGB 149 54 77

HSL 345.47, 0.47%, 0.4%

LAB 37.05, 41.87, 7.44

 

CMYK 0 / 47 / 36 / 48

HEX #854655

RGB 133 70 85

HSL 345.71, 0.31%, 0.4%

LAB 37.88, 28.64, 3.22

 

CMYK 0 / 25 / 19 / 55

HEX #74575E

RGB 116 87 94

HSL 345.52, 0.14%, 0.4%

LAB 40.14, 13.16, 0.61

 

CMYK 3 / 0 / 1 / 60

HEX #646766

RGB 100 103 102

HSL 160, 0.01%, 0.4%

LAB 43.31, -1.37, 0.15

 

CMYK 0 / 78 / 17 / 35

HEX #A6258A

RGB 166 37 138

HSL 313.02, 0.64%, 0.4%

LAB 40.02, 60.67, -26.06

 

CMYK 0 / 78 / 37 / 35

HEX #A62568

RGB 166 37 104

HSL 328.84, 0.64%, 0.4%

LAB 38.6, 56.41, -7.08

 

CMYK 0 / 78 / 58 / 35

HEX #A62545

RGB 166 37 69

HSL 345.12, 0.64%, 0.4%

LAB 37.59, 53.25, 13.78

 

CMYK 0 / 77 / 78 / 35

HEX #A62725

RGB 166 39 37

HSL 0.93, 0.64%, 0.4%

LAB 37.28, 50.85, 33.29

 

CMYK 0 / 55 / 78 / 35

HEX #A64A25

RGB 166 74 37

HSL 17.21, 0.64%, 0.4%

LAB 42.97, 35.63, 39.25

 

CMYK 0 / 78 / 59 / 61

HEX #631629

RGB 99 22 41

HSL 345.19, 0.64%, 0.24%

LAB 21.53, 35.45, 8.29

 

CMYK 0 / 77 / 59 / 48

HEX #841E36

RGB 132 30 54

HSL 345.88, 0.63%, 0.32%

LAB 29.66, 44.19, 11.66

 

CMYK 0 / 78 / 59 / 35

HEX #A62544

RGB 166 37 68

HSL 345.58, 0.64%, 0.4%

LAB 37.57, 53.18, 14.39

 

CMYK 0 / 77 / 59 / 22

HEX #C72D52

RGB 199 45 82

HSL 345.58, 0.63%, 0.48%

LAB 45.12, 61.18, 16.88

 

CMYK 0 / 66 / 50 / 16

HEX #D5486A

RGB 213 72 106

HSL 345.53, 0.63%, 0.56%

LAB 51.63, 57.6, 11.61

 

CMYK 0 / 78 / 59 / 35

HEX #A52544

RGB 165 37 68

HSL 345.47, 0.63%, 0.4%

LAB 37.37, 52.88, 14.09

 

CMYK 0 / 4 / 78 / 35

HEX #A69F25

RGB 166 159 37

HSL 56.74, 0.64%, 0.4%

LAB 64.19, -11.15, 59.59

 

CMYK 78 / 27 / 0 / 35

HEX #2579A6

RGB 37 121 166

HSL 200.93, 0.64%, 0.4%

LAB 48.03, -8.95, -31.1

 

CMYK 0 / 78 / 59 / 35

HEX #A52544

RGB 165 37 68

HSL 345.47, 0.63%, 0.4%

LAB 37.37, 52.88, 14.09

 

CMYK 58 / 0 / 78 / 35

HEX #45A625

RGB 69 166 37

HSL 105.12, 0.64%, 0.4%

LAB 60.49, -51.2, 54.04

 

CMYK 78 / 58 / 0 / 35

HEX #2545A6

RGB 37 69 166

HSL 225.12, 0.64%, 0.4%

LAB 32.71, 24.31, -55.58

 

CMYK 0 / 78 / 59 / 35

HEX #A52544

RGB 165 37 68

HSL 345.47, 0.63%, 0.4%

LAB 37.37, 52.88, 14.09

 

CMYK 0 / 4 / 78 / 35

HEX #A69F25

RGB 166 159 37

HSL 56.74, 0.64%, 0.4%

LAB 64.19, -11.15, 59.59

 

CMYK 78 / 0 / 19 / 35

HEX #25A686

RGB 37 166 134

HSL 165.12, 0.64%, 0.4%

LAB 61.12, -41.6, 6.95

 

CMYK 78 / 73 / 0 / 35

HEX #252CA6

RGB 37 44 166

HSL 236.74, 0.64%, 0.4%

LAB 26.59, 40.44, -65.61

 

CMYK 0 / 78 / 59 / 35

HEX #A52544

RGB 165 37 68

HSL 345.47, 0.63%, 0.4%

LAB 37.37, 52.88, 14.09

 

CMYK 19 / 0 / 78 / 35

HEX #86A625

RGB 134 166 37

HSL 74.88, 0.64%, 0.4%

LAB 63.73, -28.52, 58.26

 

CMYK 78 / 0 / 19 / 35

HEX #25A686

RGB 37 166 134

HSL 165.12, 0.64%, 0.4%

LAB 61.12, -41.6, 6.95

 

CMYK 58 / 78 / 0 / 35

HEX #4525A6

RGB 69 37 166

HSL 254.88, 0.64%, 0.4%

LAB 27.69, 47.73, -63.71

 

Description

Color code: RGB 165 37 68 | qconv.com Color code: RGB 165 37 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 37 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 37 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 59 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 59% 35% C M Y K

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Provide designers and agencies with accurate color values.

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