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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 42 170 it is the complementary color RGB 90 213 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 42 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 42 170 shade: RGB 170 42 165, RGB 187 60 184, RGB 204 78 203, RGB 221 96 222 and RGB 238 114 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 42 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 42 170 shade: RGB 165 42 170, RGB 148 24 151, RGB 131 6 132, RGB 114 0 113 and RGB 97 0 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 42 170 shade: RGB 166 42 171, RGB 171 42 141, RGB 171 42 107, RGB 171 42 72 and RGB 171 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 42 170 shade: RGB 166 42 171, RGB 131 42 171, RGB 97 42 171, RGB 62 42 171 and RGB 42 42 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 42 170 shade matches the following richer shades: RGB 166 42 171, RGB 182 25 188 and RGB 198 8 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 42 170 shade: RGB 166 42 171, RGB 150 60 154, RGB 134 77 136, RGB 118 94 119 and RGB 102 112 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 42 170 shade: RGB 96 42 171, RGB 130 42 171, RGB 164 42 171, RGB 171 42 143 and RGB 171 42 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 42 170 shade: RGB 102 26 105, RGB 134 34 138, RGB 166 42 171, RGB 198 51 204 and RGB 207 84 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 42 170 shade: RGB 165 42 170, RGB 171 62 42 and RGB 42 171 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 42 170 shade: RGB 165 42 170, RGB 171 164 42 and RGB 42 171 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 42 170 shade: RGB 165 42 170, RGB 171 62 42, RGB 49 171 42 and RGB 42 152 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 42 170 shade: RGB 165 42 170, RGB 171 100 42, RGB 49 171 42 and RGB 42 113 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 75 / 0 / 33

HEX #A52AAA

RGB 165 42 170

HSL 297.66, 0.6%, 0.42%

LAB 42.09, 63.88, -42.14

 

Complementary color

CMYK 58 / 0 / 60 / 16

HEX #5AD555

RGB 90 213 85

HSL 117.66, 0.6%, 0.58%

LAB 76.33, -58.85, 51.99

 

CMYK 0 / 75 / 3 / 33

HEX #AA2AA5

RGB 170 42 165

HSL 302.34, 0.6%, 0.42%

LAB 42.64, 64.13, -38.23

 

CMYK 0 / 68 / 2 / 27

HEX #BB3CB8

RGB 187 60 184

HSL 301.42, 0.51%, 0.48%

LAB 48.58, 64.91, -39.86

 

CMYK 0 / 62 / 0 / 20

HEX #CC4ECB

RGB 204 78 203

HSL 300.48, 0.55%, 0.55%

LAB 54.66, 65.1, -41.08

 

CMYK 0 / 57 / 0 / 13

HEX #DD60DE

RGB 221 96 222

HSL 299.52, 0.66%, 0.62%

LAB 60.79, 64.91, -42.02

 

CMYK 1 / 53 / 0 / 5

HEX #EE72F1

RGB 238 114 241

HSL 298.58, 0.82%, 0.7%

LAB 66.95, 64.49, -42.76

 

CMYK 3 / 75 / 0 / 33

HEX #A52AAA

RGB 165 42 170

HSL 297.66, 0.6%, 0.42%

LAB 42.09, 63.88, -42.14

 

CMYK 2 / 84 / 0 / 41

HEX #941897

RGB 148 24 151

HSL 298.58, 0.73%, 0.34%

LAB 36.34, 62.21, -40.05

 

CMYK 1 / 95 / 0 / 48

HEX #830684

RGB 131 6 132

HSL 299.52, 0.91%, 0.27%

LAB 30.93, 59.17, -37.14

 

CMYK 0 / 100 / 1 / 55

HEX #720071

RGB 114 0 113

HSL 300.53, 1%, 0.22%

LAB 26.07, 54.08, -33.05

 

CMYK 0 / 100 / 3 / 62

HEX #61005E

RGB 97 0 94

HSL 301.86, 1%, 0.19%

LAB 21.39, 47.91, -28.31

 

CMYK 3 / 75 / 0 / 33

HEX #A62AAB

RGB 166 42 171

HSL 297.67, 0.61%, 0.42%

LAB 42.31, 64.26, -42.37

 

CMYK 0 / 75 / 18 / 33

HEX #AB2A8D

RGB 171 42 141

HSL 313.95, 0.61%, 0.42%

LAB 41.59, 60.75, -25.39

 

CMYK 0 / 75 / 37 / 33

HEX #AB2A6B

RGB 171 42 107

HSL 329.77, 0.61%, 0.42%

LAB 40.21, 56.49, -6.47

 

CMYK 0 / 75 / 58 / 33

HEX #AB2A48

RGB 171 42 72

HSL 346.05, 0.61%, 0.42%

LAB 39.21, 53.31, 14.23

 

CMYK 0 / 75 / 75 / 33

HEX #AB2A2A

RGB 171 42 42

HSL 0, 0.61%, 0.42%

LAB 38.69, 51.6, 32.18

 

CMYK 3 / 75 / 0 / 33

HEX #A62AAB

RGB 166 42 171

HSL 297.67, 0.61%, 0.42%

LAB 42.31, 64.26, -42.37

 

CMYK 23 / 75 / 0 / 33

HEX #832AAB

RGB 131 42 171

HSL 281.4, 0.61%, 0.42%

LAB 36.78, 57.14, -51.54

 

CMYK 43 / 75 / 0 / 33

HEX #612AAB

RGB 97 42 171

HSL 265.58, 0.61%, 0.42%

LAB 32.12, 50.92, -59.33

 

CMYK 64 / 75 / 0 / 33

HEX #3E2AAB

RGB 62 42 171

HSL 249.3, 0.61%, 0.42%

LAB 28.43, 45.81, -65.52

 

CMYK 75 / 75 / 0 / 33

HEX #2A2AAB

RGB 42 42 171

HSL 240, 0.61%, 0.42%

LAB 26.99, 43.74, -67.96

 

CMYK 3 / 75 / 0 / 33

HEX #A62AAB

RGB 166 42 171

HSL 297.67, 0.61%, 0.42%

LAB 42.31, 64.26, -42.37

 

CMYK 3 / 87 / 0 / 26

HEX #B619BC

RGB 182 25 188

HSL 297.79, 0.77%, 0.42%

LAB 44.62, 74.21, -48.56

 

CMYK 4 / 96 / 0 / 19

HEX #C608CE

RGB 198 8 206

HSL 297.58, 0.93%, 0.42%

LAB 47.8, 81.73, -53.78

 

CMYK 3 / 75 / 0 / 33

HEX #A62AAB

RGB 166 42 171

HSL 297.67, 0.61%, 0.42%

LAB 42.31, 64.26, -42.37

 

CMYK 3 / 61 / 0 / 40

HEX #963C9A

RGB 150 60 154

HSL 297.45, 0.44%, 0.42%

LAB 41.29, 50.57, -33.97

 

CMYK 1 / 43 / 0 / 47

HEX #864D88

RGB 134 77 136

HSL 297.97, 0.28%, 0.42%

LAB 41.46, 33.65, -22.98

 

CMYK 1 / 21 / 0 / 53

HEX #765E77

RGB 118 94 119

HSL 297.6, 0.12%, 0.42%

LAB 43.05, 14.51, -10.38

 

CMYK 9 / 0 / 9 / 56

HEX #667066

RGB 102 112 102

HSL 120, 0.05%, 0.42%

LAB 46.14, -5.87, 4.27

 

CMYK 44 / 75 / 0 / 33

HEX #602AAB

RGB 96 42 171

HSL 265.12, 0.61%, 0.42%

LAB 32, 50.76, -59.54

 

CMYK 24 / 75 / 0 / 33

HEX #822AAB

RGB 130 42 171

HSL 280.93, 0.61%, 0.42%

LAB 36.63, 56.95, -51.79

 

CMYK 4 / 75 / 0 / 33

HEX #A42AAB

RGB 164 42 171

HSL 296.74, 0.61%, 0.42%

LAB 41.98, 63.84, -42.91

 

CMYK 0 / 75 / 16 / 33

HEX #AB2A8F

RGB 171 42 143

HSL 313.02, 0.61%, 0.42%

LAB 41.68, 61.03, -26.46

 

CMYK 0 / 75 / 36 / 33

HEX #AB2A6D

RGB 171 42 109

HSL 328.84, 0.61%, 0.42%

LAB 40.28, 56.71, -7.62

 

CMYK 3 / 75 / 0 / 59

HEX #661A69

RGB 102 26 105

HSL 297.72, 0.6%, 0.26%

LAB 25.51, 43.77, -28.9

 

CMYK 3 / 75 / 0 / 46

HEX #86228A

RGB 134 34 138

HSL 297.69, 0.6%, 0.34%

LAB 34.08, 54.28, -35.81

 

CMYK 3 / 75 / 0 / 33

HEX #A62AAB

RGB 166 42 171

HSL 297.67, 0.61%, 0.42%

LAB 42.31, 64.26, -42.37

 

CMYK 3 / 75 / 0 / 20

HEX #C633CC

RGB 198 51 204

HSL 297.65, 0.6%, 0.5%

LAB 50.37, 73.55, -48.5

 

CMYK 2 / 60 / 0 / 17

HEX #CF54D4

RGB 207 84 212

HSL 297.66, 0.6%, 0.58%

LAB 56.45, 64.87, -43.36

 

CMYK 3 / 75 / 0 / 33

HEX #A52AAA

RGB 165 42 170

HSL 297.66, 0.6%, 0.42%

LAB 42.09, 63.88, -42.14

 

CMYK 0 / 64 / 75 / 33

HEX #AB3E2A

RGB 171 62 42

HSL 9.3, 0.61%, 0.42%

LAB 41.64, 43.56, 35.43

 

CMYK 75 / 0 / 34 / 33

HEX #2AAB71

RGB 42 171 113

HSL 153.02, 0.61%, 0.42%

LAB 62.35, -47.95, 20.28

 

CMYK 3 / 75 / 0 / 33

HEX #A52AAA

RGB 165 42 170

HSL 297.66, 0.6%, 0.42%

LAB 42.09, 63.88, -42.14

 

CMYK 0 / 4 / 75 / 33

HEX #ABA42A

RGB 171 164 42

HSL 56.74, 0.61%, 0.42%

LAB 66.04, -11.35, 59.79

 

CMYK 75 / 0 / 4 / 33

HEX #2AABA4

RGB 42 171 164

HSL 176.74, 0.61%, 0.42%

LAB 63.59, -35.05, -6.24

 

CMYK 3 / 75 / 0 / 33

HEX #A52AAA

RGB 165 42 170

HSL 297.66, 0.6%, 0.42%

LAB 42.09, 63.88, -42.14

 

CMYK 0 / 64 / 75 / 33

HEX #AB3E2A

RGB 171 62 42

HSL 9.3, 0.61%, 0.42%

LAB 41.64, 43.56, 35.43

 

CMYK 71 / 0 / 75 / 33

HEX #31AB2A

RGB 49 171 42

HSL 116.74, 0.61%, 0.42%

LAB 61.61, -57.02, 53.25

 

CMYK 75 / 11 / 0 / 33

HEX #2A98AB

RGB 42 152 171

HSL 188.84, 0.61%, 0.42%

LAB 57.93, -23.6, -18.69

 

CMYK 3 / 75 / 0 / 33

HEX #A52AAA

RGB 165 42 170

HSL 297.66, 0.6%, 0.42%

LAB 42.09, 63.88, -42.14

 

CMYK 0 / 42 / 75 / 33

HEX #AB642A

RGB 171 100 42

HSL 26.98, 0.61%, 0.42%

LAB 49.42, 23.93, 43.62

 

CMYK 71 / 0 / 75 / 33

HEX #31AB2A

RGB 49 171 42

HSL 116.74, 0.61%, 0.42%

LAB 61.61, -57.02, 53.25

 

CMYK 75 / 34 / 0 / 33

HEX #2A71AB

RGB 42 113 171

HSL 206.98, 0.61%, 0.42%

LAB 45.96, -1.71, -37.26

 

Description

Color code: RGB 165 42 170 | qconv.com Color code: RGB 165 42 170 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 42 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 42 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 75 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 75% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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