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Color name
RGB 165 51 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 51 42 it is the complementary color RGB 90 204 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 51 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 51 42 shade: RGB 170 51 37, RGB 187 69 56, RGB 204 87 75, RGB 221 105 94 and RGB 238 123 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 51 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 51 42 shade: RGB 165 51 42, RGB 148 33 23, RGB 131 15 4, RGB 114 0 0 and RGB 97 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 51 42 shade: RGB 166 51 42 and RGB 166 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 51 42 shade: RGB 166 51 42, RGB 166 85 42, RGB 166 118 42, RGB 166 151 42 and RGB 147 166 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 51 42 shade matches the following richer shades: RGB 166 51 42, RGB 183 37 25 and RGB 200 23 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 51 42 shade: RGB 166 51 42, RGB 149 66 59, RGB 132 80 76, RGB 115 95 93 and RGB 98 109 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 51 42 shade: RGB 166 42 100, RGB 166 42 67, RGB 166 51 42, RGB 166 83 42 and RGB 166 116 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 51 42 shade: RGB 100 31 25, RGB 133 41 34, RGB 166 51 42, RGB 199 62 51 and RGB 210 90 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 51 42 shade: RGB 165 51 42, RGB 133 166 42 and RGB 42 83 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 51 42 shade: RGB 165 51 42, RGB 42 166 51 and RGB 51 42 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 51 42 shade: RGB 165 51 42, RGB 133 166 42, RGB 42 158 166 and RGB 75 42 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 51 42 shade: RGB 165 51 42, RGB 96 166 42, RGB 42 158 166 and RGB 112 42 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 75 / 35

HEX #A5332A

RGB 165 51 42

HSL 4.39, 0.59%, 0.41%

LAB 38.78, 46.23, 31.96

 

Complementary color

CMYK 58 / 4 / 0 / 16

HEX #5ACCD5

RGB 90 204 213

HSL 184.39, 0.59%, 0.59%

LAB 76.17, -29.52, -14.23

 

CMYK 0 / 70 / 78 / 33

HEX #AA3325

RGB 170 51 37

HSL 6.32, 0.64%, 0.41%

LAB 39.66, 47.72, 36.04

 

CMYK 0 / 63 / 70 / 27

HEX #BB4538

RGB 187 69 56

HSL 5.95, 0.54%, 0.48%

LAB 45.78, 46.79, 32.91

 

CMYK 0 / 57 / 63 / 20

HEX #CC574B

RGB 204 87 75

HSL 5.58, 0.56%, 0.55%

LAB 52.02, 45.65, 30.19

 

CMYK 0 / 52 / 57 / 13

HEX #DD695E

RGB 221 105 94

HSL 5.2, 0.65%, 0.62%

LAB 58.31, 44.44, 27.85

 

CMYK 0 / 48 / 53 / 7

HEX #EE7B71

RGB 238 123 113

HSL 4.8, 0.79%, 0.69%

LAB 64.59, 43.25, 25.82

 

CMYK 0 / 69 / 75 / 35

HEX #A5332A

RGB 165 51 42

HSL 4.39, 0.59%, 0.41%

LAB 38.78, 46.23, 31.96

 

CMYK 0 / 78 / 84 / 42

HEX #942117

RGB 148 33 23

HSL 4.8, 0.73%, 0.34%

LAB 32.8, 46.68, 35.49

 

CMYK 0 / 89 / 97 / 49

HEX #830F04

RGB 131 15 4

HSL 5.2, 0.94%, 0.26%

LAB 27.23, 46.14, 38.22

 

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

 

CMYK 0 / 100 / 100 / 62

HEX #610000

RGB 97 0 0

HSL 0, 1%, 0.19%

LAB 18.1, 39.46, 27.92

 

CMYK 0 / 69 / 75 / 35

HEX #A6332A

RGB 166 51 42

HSL 4.35, 0.6%, 0.41%

LAB 38.97, 46.57, 32.22

 

CMYK 0 / 75 / 75 / 35

HEX #A62A2A

RGB 166 42 42

HSL 0, 0.6%, 0.41%

LAB 37.72, 50.02, 30.81

 

CMYK 0 / 69 / 75 / 35

HEX #A6332A

RGB 166 51 42

HSL 4.35, 0.6%, 0.41%

LAB 38.97, 46.57, 32.22

 

CMYK 0 / 49 / 75 / 35

HEX #A6552A

RGB 166 85 42

HSL 20.81, 0.6%, 0.41%

LAB 45.32, 30.05, 39.13

 

CMYK 0 / 29 / 75 / 35

HEX #A6762A

RGB 166 118 42

HSL 36.77, 0.6%, 0.41%

LAB 53.2, 11.58, 47.24

 

CMYK 0 / 9 / 75 / 35

HEX #A6972A

RGB 166 151 42

HSL 52.74, 0.6%, 0.41%

LAB 62, -6.69, 55.82

 

CMYK 11 / 0 / 75 / 35

HEX #93A62A

RGB 147 166 42

HSL 69.19, 0.6%, 0.41%

LAB 64.68, -22.81, 57.82

 

CMYK 0 / 69 / 75 / 35

HEX #A6332A

RGB 166 51 42

HSL 4.35, 0.6%, 0.41%

LAB 38.97, 46.57, 32.22

 

CMYK 0 / 80 / 86 / 28

HEX #B72519

RGB 183 37 25

HSL 4.56, 0.76%, 0.41%

LAB 40.35, 56.33, 43.87

 

CMYK 0 / 89 / 96 / 22

HEX #C81709

RGB 200 23 9

HSL 4.4, 0.91%, 0.41%

LAB 42.63, 64.08, 53.39

 

CMYK 0 / 69 / 75 / 35

HEX #A6332A

RGB 166 51 42

HSL 4.35, 0.6%, 0.41%

LAB 38.97, 46.57, 32.22

 

CMYK 0 / 56 / 60 / 42

HEX #95423B

RGB 149 66 59

HSL 4.67, 0.43%, 0.41%

LAB 38.9, 34.35, 21.24

 

CMYK 0 / 39 / 42 / 48

HEX #84504C

RGB 132 80 76

HSL 4.29, 0.27%, 0.41%

LAB 39.86, 21.33, 11.6

 

CMYK 0 / 17 / 19 / 55

HEX #735F5D

RGB 115 95 93

HSL 5.45, 0.11%, 0.41%

LAB 42.18, 7.73, 4.16

 

CMYK 11 / 1 / 0 / 57

HEX #626D6E

RGB 98 109 110

HSL 185, 0.06%, 0.41%

LAB 45.16, -3.93, -1.98

 

CMYK 0 / 75 / 40 / 35

HEX #A62A64

RGB 166 42 100

HSL 331.94, 0.6%, 0.41%

LAB 39.04, 54.36, -3.9

 

CMYK 0 / 75 / 60 / 35

HEX #A62A43

RGB 166 42 67

HSL 347.9, 0.6%, 0.41%

LAB 38.14, 51.44, 15.8

 

CMYK 0 / 69 / 75 / 35

HEX #A6332A

RGB 166 51 42

HSL 4.35, 0.6%, 0.41%

LAB 38.97, 46.57, 32.22

 

CMYK 0 / 50 / 75 / 35

HEX #A6532A

RGB 166 83 42

HSL 19.84, 0.6%, 0.41%

LAB 44.89, 31.12, 38.67

 

CMYK 0 / 30 / 75 / 35

HEX #A6742A

RGB 166 116 42

HSL 35.81, 0.6%, 0.41%

LAB 52.69, 12.71, 46.73

 

CMYK 0 / 69 / 75 / 61

HEX #641F19

RGB 100 31 25

HSL 4.8, 0.6%, 0.25%

LAB 22.86, 30.71, 20.9

 

CMYK 0 / 69 / 74 / 48

HEX #852922

RGB 133 41 34

HSL 4.24, 0.59%, 0.33%

LAB 31.09, 38.88, 26.4

 

CMYK 0 / 69 / 75 / 35

HEX #A6332A

RGB 166 51 42

HSL 4.35, 0.6%, 0.41%

LAB 38.97, 46.57, 32.22

 

CMYK 0 / 69 / 74 / 22

HEX #C73E33

RGB 199 62 51

HSL 4.46, 0.59%, 0.49%

LAB 46.75, 53.59, 37.42

 

CMYK 0 / 57 / 61 / 18

HEX #D25A51

RGB 210 90 81

HSL 4.19, 0.59%, 0.57%

LAB 53.61, 46.78, 28.93

 

CMYK 0 / 69 / 75 / 35

HEX #A5332A

RGB 165 51 42

HSL 4.39, 0.59%, 0.41%

LAB 38.78, 46.23, 31.96

 

CMYK 20 / 0 / 75 / 35

HEX #85A62A

RGB 133 166 42

HSL 75.97, 0.6%, 0.41%

LAB 63.69, -28.68, 56.53

 

CMYK 75 / 50 / 0 / 35

HEX #2A53A6

RGB 42 83 166

HSL 220.16, 0.6%, 0.41%

LAB 36.8, 15.55, -48.93

 

CMYK 0 / 69 / 75 / 35

HEX #A5332A

RGB 165 51 42

HSL 4.39, 0.59%, 0.41%

LAB 38.78, 46.23, 31.96

 

CMYK 75 / 0 / 69 / 35

HEX #2AA633

RGB 42 166 51

HSL 124.35, 0.6%, 0.41%

LAB 59.89, -55.79, 48.01

 

CMYK 69 / 75 / 0 / 35

HEX #332AA6

RGB 51 42 166

HSL 244.35, 0.6%, 0.41%

LAB 27.05, 42.96, -64.81

 

CMYK 0 / 69 / 75 / 35

HEX #A5332A

RGB 165 51 42

HSL 4.39, 0.59%, 0.41%

LAB 38.78, 46.23, 31.96

 

CMYK 20 / 0 / 75 / 35

HEX #85A62A

RGB 133 166 42

HSL 75.97, 0.6%, 0.41%

LAB 63.69, -28.68, 56.53

 

CMYK 75 / 5 / 0 / 35

HEX #2A9EA6

RGB 42 158 166

HSL 183.87, 0.6%, 0.41%

LAB 59.62, -28.22, -13.3

 

CMYK 55 / 75 / 0 / 35

HEX #4B2AA6

RGB 75 42 166

HSL 255.97, 0.6%, 0.41%

LAB 29.17, 46.06, -61.25

 

CMYK 0 / 69 / 75 / 35

HEX #A5332A

RGB 165 51 42

HSL 4.39, 0.59%, 0.41%

LAB 38.78, 46.23, 31.96

 

CMYK 42 / 0 / 75 / 35

HEX #60A62A

RGB 96 166 42

HSL 93.87, 0.6%, 0.41%

LAB 61.59, -42.72, 53.76

 

CMYK 75 / 5 / 0 / 35

HEX #2A9EA6

RGB 42 158 166

HSL 183.87, 0.6%, 0.41%

LAB 59.62, -28.22, -13.3

 

CMYK 33 / 75 / 0 / 35

HEX #702AA6

RGB 112 42 166

HSL 273.87, 0.6%, 0.41%

LAB 33.68, 52.38, -53.71

 

Description

Color code: RGB 165 51 42 | qconv.com Color code: RGB 165 51 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 51 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 51 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 75 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 75% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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