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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 73 145 it is the complementary color RGB 90 182 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 73 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 73 145 shade: RGB 170 73 140, RGB 187 91 159, RGB 204 109 178, RGB 221 127 197 and RGB 238 145 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 73 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 73 145 shade: RGB 165 73 145, RGB 148 55 126, RGB 131 37 107, RGB 114 19 88 and RGB 97 1 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 73 145 shade: RGB 166 73 146, RGB 166 73 121, RGB 166 73 95 and RGB 166 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 73 145 shade: RGB 166 73 146, RGB 161 73 166, RGB 136 73 166, RGB 111 73 166 and RGB 86 73 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 73 145 shade matches the following richer shades: RGB 166 73 146, RGB 185 53 157, RGB 205 34 168 and RGB 224 14 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 73 145 shade: RGB 166 73 146, RGB 147 92 135, RGB 127 111 124, RGB 108 131 113 and RGB 89 150 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 73 145 shade: RGB 136 73 166, RGB 161 73 166, RGB 166 73 146, RGB 166 73 121 and RGB 166 73 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 73 145 shade: RGB 109 47 95, RGB 137 60 121, RGB 166 73 146, RGB 185 95 165 and RGB 197 124 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 73 145 shade: RGB 165 73 145, RGB 166 112 73 and RGB 73 166 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 73 145 shade: RGB 165 73 145, RGB 146 166 73 and RGB 73 146 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 73 145 shade: RGB 165 73 145, RGB 166 112 73, RGB 73 166 93 and RGB 73 127 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 73 145 shade: RGB 165 73 145, RGB 166 140 73, RGB 73 166 93 and RGB 73 99 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 12 / 35

HEX #A54991

RGB 165 73 145

HSL 313.04, 0.39%, 0.47%

LAB 45.37, 47.09, -22.02

 

Complementary color

CMYK 51 / 0 / 40 / 29

HEX #5AB66E

RGB 90 182 110

HSL 133.04, 0.39%, 0.53%

LAB 67.09, -43.19, 28.46

 

CMYK 0 / 57 / 18 / 33

HEX #AA498C

RGB 170 73 140

HSL 318.56, 0.4%, 0.48%

LAB 45.91, 47.81, -18.12

 

CMYK 0 / 51 / 15 / 27

HEX #BB5B9F

RGB 187 91 159

HSL 317.5, 0.41%, 0.55%

LAB 52.45, 47.23, -19.19

 

CMYK 0 / 47 / 13 / 20

HEX #CC6DB2

RGB 204 109 178

HSL 316.42, 0.48%, 0.61%

LAB 58.96, 46.53, -20.06

 

CMYK 0 / 43 / 11 / 13

HEX #DD7FC5

RGB 221 127 197

HSL 315.32, 0.58%, 0.68%

LAB 65.42, 45.79, -20.8

 

CMYK 0 / 39 / 9 / 7

HEX #EE91D8

RGB 238 145 216

HSL 314.19, 0.73%, 0.75%

LAB 71.82, 45.04, -21.45

 

CMYK 0 / 56 / 12 / 35

HEX #A54991

RGB 165 73 145

HSL 313.04, 0.39%, 0.47%

LAB 45.37, 47.09, -22.02

 

CMYK 0 / 63 / 15 / 42

HEX #94377E

RGB 148 55 126

HSL 314.19, 0.46%, 0.4%

LAB 38.79, 47.46, -20.83

 

CMYK 0 / 72 / 18 / 49

HEX #83256B

RGB 131 37 107

HSL 315.32, 0.56%, 0.33%

LAB 32.28, 47.35, -19.2

 

CMYK 0 / 83 / 23 / 55

HEX #721358

RGB 114 19 88

HSL 316.42, 0.71%, 0.26%

LAB 26, 46.29, -16.84

 

CMYK 0 / 99 / 29 / 62

HEX #610145

RGB 97 1 69

HSL 317.5, 0.98%, 0.19%

LAB 20.01, 44.01, -13.55

 

CMYK 0 / 56 / 12 / 35

HEX #A64992

RGB 166 73 146

HSL 312.9, 0.39%, 0.47%

LAB 45.56, 47.56, -22.32

 

CMYK 0 / 56 / 27 / 35

HEX #A64979

RGB 166 73 121

HSL 329.03, 0.39%, 0.47%

LAB 44.59, 43.76, -8.65

 

CMYK 0 / 56 / 43 / 35

HEX #A6495F

RGB 166 73 95

HSL 345.81, 0.39%, 0.47%

LAB 43.8, 40.51, 6.14

 

CMYK 0 / 56 / 56 / 35

HEX #A64949

RGB 166 73 73

HSL 0, 0.39%, 0.47%

LAB 43.29, 38.38, 18.94

 

CMYK 0 / 56 / 12 / 35

HEX #A64992

RGB 166 73 146

HSL 312.9, 0.39%, 0.47%

LAB 45.56, 47.56, -22.32

 

CMYK 3 / 56 / 0 / 35

HEX #A149A6

RGB 161 73 166

HSL 296.77, 0.39%, 0.47%

LAB 45.76, 49.64, -33.98

 

CMYK 18 / 56 / 0 / 35

HEX #8849A6

RGB 136 73 166

HSL 280.65, 0.39%, 0.47%

LAB 42.39, 42.81, -39.54

 

CMYK 33 / 56 / 0 / 35

HEX #6F49A6

RGB 111 73 166

HSL 264.52, 0.39%, 0.47%

LAB 39.41, 36.22, -44.47

 

CMYK 48 / 56 / 0 / 35

HEX #5649A6

RGB 86 73 166

HSL 248.39, 0.39%, 0.47%

LAB 36.92, 30.18, -48.59

 

CMYK 0 / 56 / 12 / 35

HEX #A64992

RGB 166 73 146

HSL 312.9, 0.39%, 0.47%

LAB 45.56, 47.56, -22.32

 

CMYK 0 / 71 / 15 / 27

HEX #B9359D

RGB 185 53 157

HSL 312.73, 0.55%, 0.47%

LAB 46.04, 62.77, -27.94

 

CMYK 0 / 83 / 18 / 20

HEX #CD22A8

RGB 205 34 168

HSL 312.98, 0.72%, 0.47%

LAB 48.2, 74.06, -30.85

 

CMYK 0 / 94 / 20 / 12

HEX #E00EB3

RGB 224 14 179

HSL 312.86, 0.88%, 0.47%

LAB 51.17, 82.13, -32.43

 

CMYK 0 / 56 / 12 / 35

HEX #A64992

RGB 166 73 146

HSL 312.9, 0.39%, 0.47%

LAB 45.56, 47.56, -22.32

 

CMYK 0 / 37 / 8 / 42

HEX #935C87

RGB 147 92 135

HSL 313.09, 0.23%, 0.47%

LAB 46.45, 29.35, -14.57

 

CMYK 0 / 13 / 2 / 50

HEX #7F6F7C

RGB 127 111 124

HSL 311.25, 0.07%, 0.47%

LAB 48.68, 8.73, -4.88

 

CMYK 18 / 0 / 14 / 49

HEX #6C8371

RGB 108 131 113

HSL 133.04, 0.1%, 0.47%

LAB 52.52, -12.1, 6.99

 

CMYK 41 / 0 / 32 / 41

HEX #599666

RGB 89 150 102

HSL 132.79, 0.26%, 0.47%

LAB 56.97, -30.5, 19.28

 

CMYK 18 / 56 / 0 / 35

HEX #8849A6

RGB 136 73 166

HSL 280.65, 0.39%, 0.47%

LAB 42.39, 42.81, -39.54

 

CMYK 3 / 56 / 0 / 35

HEX #A149A6

RGB 161 73 166

HSL 296.77, 0.39%, 0.47%

LAB 45.76, 49.64, -33.98

 

CMYK 0 / 56 / 12 / 35

HEX #A64992

RGB 166 73 146

HSL 312.9, 0.39%, 0.47%

LAB 45.56, 47.56, -22.32

 

CMYK 0 / 56 / 27 / 35

HEX #A64979

RGB 166 73 121

HSL 329.03, 0.39%, 0.47%

LAB 44.59, 43.76, -8.65

 

CMYK 0 / 56 / 42 / 35

HEX #A64960

RGB 166 73 96

HSL 345.16, 0.39%, 0.47%

LAB 43.82, 40.62, 5.56

 

CMYK 0 / 57 / 13 / 57

HEX #6D2F5F

RGB 109 47 95

HSL 313.55, 0.4%, 0.31%

LAB 29.69, 34.19, -15.79

 

CMYK 0 / 56 / 12 / 46

HEX #893C79

RGB 137 60 121

HSL 312.47, 0.39%, 0.39%

LAB 37.72, 40.94, -19.53

 

CMYK 0 / 56 / 12 / 35

HEX #A64992

RGB 166 73 146

HSL 312.9, 0.39%, 0.47%

LAB 45.56, 47.56, -22.32

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 37 / 8 / 23

HEX #C57CB5

RGB 197 124 181

HSL 313.15, 0.39%, 0.63%

LAB 61.33, 36.88, -18.26

 

CMYK 0 / 56 / 12 / 35

HEX #A54991

RGB 165 73 145

HSL 313.04, 0.39%, 0.47%

LAB 45.37, 47.09, -22.02

 

CMYK 0 / 33 / 56 / 35

HEX #A67049

RGB 166 112 73

HSL 25.16, 0.39%, 0.47%

LAB 52.04, 17.06, 30.18

 

CMYK 56 / 0 / 10 / 35

HEX #49A695

RGB 73 166 149

HSL 169.03, 0.39%, 0.47%

LAB 62.39, -31.78, 0.48

 

CMYK 0 / 56 / 12 / 35

HEX #A54991

RGB 165 73 145

HSL 313.04, 0.39%, 0.47%

LAB 45.37, 47.09, -22.02

 

CMYK 12 / 0 / 56 / 35

HEX #92A649

RGB 146 166 73

HSL 72.9, 0.39%, 0.47%

LAB 64.85, -21.08, 45.05

 

CMYK 56 / 12 / 0 / 35

HEX #4992A6

RGB 73 146 166

HSL 192.9, 0.39%, 0.47%

LAB 56.81, -16.89, -17.47

 

CMYK 0 / 56 / 12 / 35

HEX #A54991

RGB 165 73 145

HSL 313.04, 0.39%, 0.47%

LAB 45.37, 47.09, -22.02

 

CMYK 0 / 33 / 56 / 35

HEX #A67049

RGB 166 112 73

HSL 25.16, 0.39%, 0.47%

LAB 52.04, 17.06, 30.18

 

CMYK 56 / 0 / 44 / 35

HEX #49A65D

RGB 73 166 93

HSL 132.9, 0.39%, 0.47%

LAB 61.2, -43.74, 29.63

 

CMYK 56 / 23 / 0 / 35

HEX #497FA6

RGB 73 127 166

HSL 205.16, 0.39%, 0.47%

LAB 51.09, -6.27, -26.24

 

CMYK 0 / 56 / 12 / 35

HEX #A54991

RGB 165 73 145

HSL 313.04, 0.39%, 0.47%

LAB 45.37, 47.09, -22.02

 

CMYK 0 / 16 / 56 / 35

HEX #A68C49

RGB 166 140 73

HSL 43.23, 0.39%, 0.47%

LAB 59.29, 1.31, 39

 

CMYK 56 / 0 / 44 / 35

HEX #49A65D

RGB 73 166 93

HSL 132.9, 0.39%, 0.47%

LAB 61.2, -43.74, 29.63

 

CMYK 56 / 40 / 0 / 35

HEX #4963A6

RGB 73 99 166

HSL 223.23, 0.39%, 0.47%

LAB 42.9, 10.74, -39.08

 

Description

Color code: RGB 165 73 145 | qconv.com Color code: RGB 165 73 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 73 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 73 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 12 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 12% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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