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Color name
RGB 165 99 148

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 99 148 it is the complementary color RGB 90 156 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 99 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 99 148 shade: RGB 170 99 143, RGB 187 117 162, RGB 204 135 181, RGB 221 153 200 and RGB 238 171 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 99 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 99 148 shade: RGB 165 99 148, RGB 148 81 129, RGB 131 63 110, RGB 114 45 91 and RGB 97 27 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 99 148 shade: RGB 165 99 148, RGB 165 99 130, RGB 165 99 112 and RGB 165 99 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 99 148 shade: RGB 165 99 148, RGB 164 99 165, RGB 147 99 165, RGB 129 99 165 and RGB 111 99 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 99 148 shade matches the following richer shades: RGB 165 99 148, RGB 185 79 158, RGB 205 59 167, RGB 225 40 177 and RGB 244 20 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 99 148 shade: RGB 165 99 148, RGB 145 119 139, RGB 126 139 129, RGB 106 158 119 and RGB 86 178 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 99 148 shade: RGB 146 99 165, RGB 164 99 165, RGB 165 99 149, RGB 165 99 131 and RGB 165 99 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 99 148 shade: RGB 116 66 103, RGB 142 81 126, RGB 165 99 148, RGB 180 125 166 and RGB 195 151 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 99 148 shade: RGB 165 99 148, RGB 165 129 99 and RGB 99 165 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 99 148 shade: RGB 165 99 148, RGB 149 165 99 and RGB 99 149 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 99 148 shade: RGB 165 99 148, RGB 165 129 99, RGB 99 165 116 and RGB 99 135 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 99 148 shade: RGB 165 99 148, RGB 165 149 99, RGB 99 165 116 and RGB 99 116 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

Complementary color

CMYK 42 / 0 / 31 / 39

HEX #5A9C6B

RGB 90 156 107

HSL 135.45, 0.27%, 0.48%

LAB 58.99, -32.1, 19.25

 

CMYK 0 / 42 / 16 / 33

HEX #AA638F

RGB 170 99 143

HSL 322.82, 0.29%, 0.53%

LAB 51.21, 34.85, -11.86

 

CMYK 0 / 37 / 13 / 27

HEX #BB75A2

RGB 187 117 162

HSL 321.43, 0.34%, 0.6%

LAB 57.94, 34.05, -12.61

 

CMYK 0 / 34 / 11 / 20

HEX #CC87B5

RGB 204 135 181

HSL 320, 0.4%, 0.66%

LAB 64.56, 33.29, -13.28

 

CMYK 0 / 31 / 10 / 13

HEX #DD99C8

RGB 221 153 200

HSL 318.53, 0.5%, 0.73%

LAB 71.09, 32.57, -13.89

 

CMYK 0 / 28 / 8 / 7

HEX #EEABDB

RGB 238 171 219

HSL 317.01, 0.66%, 0.8%

LAB 77.53, 31.9, -14.45

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 0 / 45 / 13 / 42

HEX #945181

RGB 148 81 129

HSL 317.01, 0.29%, 0.45%

LAB 43.9, 34.79, -14.83

 

CMYK 0 / 52 / 16 / 49

HEX #833F6E

RGB 131 63 110

HSL 318.53, 0.35%, 0.38%

LAB 36.94, 35.56, -13.93

 

CMYK 0 / 61 / 20 / 55

HEX #722D5B

RGB 114 45 91

HSL 320, 0.43%, 0.31%

LAB 29.94, 36.19, -12.75

 

CMYK 0 / 72 / 26 / 62

HEX #611B48

RGB 97 27 72

HSL 321.43, 0.56%, 0.24%

LAB 22.98, 36.38, -11.05

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 0 / 40 / 21 / 35

HEX #A56382

RGB 165 99 130

HSL 331.82, 0.27%, 0.52%

LAB 50.14, 30.99, -5.82

 

CMYK 0 / 40 / 32 / 35

HEX #A56370

RGB 165 99 112

HSL 348.18, 0.27%, 0.52%

LAB 49.61, 28.35, 4.14

 

CMYK 0 / 40 / 40 / 35

HEX #A56363

RGB 165 99 99

HSL 0, 0.27%, 0.52%

LAB 49.28, 26.68, 11.43

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 1 / 40 / 0 / 35

HEX #A463A5

RGB 164 99 165

HSL 299.09, 0.27%, 0.52%

LAB 51.3, 36.79, -24.73

 

CMYK 11 / 40 / 0 / 35

HEX #9363A5

RGB 147 99 165

HSL 283.64, 0.27%, 0.52%

LAB 49.31, 31.37, -27.99

 

CMYK 22 / 40 / 0 / 35

HEX #8163A5

RGB 129 99 165

HSL 267.27, 0.27%, 0.52%

LAB 47.38, 25.74, -31.14

 

CMYK 33 / 40 / 0 / 35

HEX #6F63A5

RGB 111 99 165

HSL 250.91, 0.27%, 0.52%

LAB 45.66, 20.33, -33.95

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 0 / 57 / 15 / 27

HEX #B94F9E

RGB 185 79 158

HSL 315.28, 0.43%, 0.52%

LAB 49.95, 52.25, -22.47

 

CMYK 0 / 71 / 19 / 20

HEX #CD3BA7

RGB 205 59 167

HSL 315.62, 0.59%, 0.52%

LAB 50.57, 67.02, -26.57

 

CMYK 0 / 82 / 21 / 12

HEX #E128B1

RGB 225 40 177

HSL 315.57, 0.76%, 0.52%

LAB 52.62, 78.13, -28.99

 

CMYK 0 / 92 / 23 / 4

HEX #F414BB

RGB 244 20 187

HSL 315.27, 0.91%, 0.52%

LAB 55.4, 86.29, -30.22

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 0 / 18 / 4 / 43

HEX #91778B

RGB 145 119 139

HSL 313.85, 0.11%, 0.52%

LAB 53.03, 13.72, -7.07

 

CMYK 9 / 0 / 7 / 45

HEX #7E8B81

RGB 126 139 129

HSL 133.85, 0.05%, 0.52%

LAB 56.57, -6.75, 3.73

 

CMYK 33 / 0 / 25 / 38

HEX #6A9E77

RGB 106 158 119

HSL 135, 0.21%, 0.52%

LAB 60.65, -25.73, 14.99

 

CMYK 52 / 0 / 38 / 30

HEX #56B26E

RGB 86 178 110

HSL 135.65, 0.37%, 0.52%

LAB 65.71, -42.54, 26.6

 

CMYK 12 / 40 / 0 / 35

HEX #9263A5

RGB 146 99 165

HSL 282.73, 0.27%, 0.52%

LAB 49.19, 31.06, -28.17

 

CMYK 1 / 40 / 0 / 35

HEX #A463A5

RGB 164 99 165

HSL 299.09, 0.27%, 0.52%

LAB 51.3, 36.79, -24.73

 

CMYK 0 / 40 / 10 / 35

HEX #A56395

RGB 165 99 149

HSL 314.55, 0.27%, 0.52%

LAB 50.8, 34.16, -16.1

 

CMYK 0 / 40 / 21 / 35

HEX #A56383

RGB 165 99 131

HSL 330.91, 0.27%, 0.52%

LAB 50.17, 31.14, -6.37

 

CMYK 0 / 40 / 32 / 35

HEX #A56371

RGB 165 99 113

HSL 347.27, 0.27%, 0.52%

LAB 49.64, 28.48, 3.58

 

CMYK 0 / 43 / 11 / 55

HEX #744267

RGB 116 66 103

HSL 315.6, 0.27%, 0.36%

LAB 35.18, 27.4, -12.41

 

CMYK 0 / 43 / 11 / 44

HEX #8E517E

RGB 142 81 126

HSL 315.74, 0.27%, 0.44%

LAB 42.98, 32.2, -14.48

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 0 / 31 / 8 / 29

HEX #B47DA6

RGB 180 125 166

HSL 315.27, 0.27%, 0.6%

LAB 59.09, 27.9, -13.26

 

CMYK 0 / 23 / 6 / 24

HEX #C397B8

RGB 195 151 184

HSL 315, 0.27%, 0.68%

LAB 67.42, 21.93, -10.78

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 0 / 22 / 40 / 35

HEX #A58163

RGB 165 129 99

HSL 27.27, 0.27%, 0.52%

LAB 56.68, 9.69, 21.56

 

CMYK 40 / 0 / 6 / 35

HEX #63A59B

RGB 99 165 155

HSL 170.91, 0.27%, 0.52%

LAB 63.28, -23.46, -1.45

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 10 / 0 / 40 / 35

HEX #95A563

RGB 149 165 99

HSL 74.55, 0.27%, 0.52%

LAB 65.12, -16.57, 32.33

 

CMYK 40 / 10 / 0 / 35

HEX #6395A5

RGB 99 149 165

HSL 194.55, 0.27%, 0.52%

LAB 58.85, -12.48, -13.7

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 0 / 22 / 40 / 35

HEX #A58163

RGB 165 129 99

HSL 27.27, 0.27%, 0.52%

LAB 56.68, 9.69, 21.56

 

CMYK 40 / 0 / 30 / 35

HEX #63A574

RGB 99 165 116

HSL 135.45, 0.27%, 0.52%

LAB 62.36, -31.91, 18.95

 

CMYK 40 / 18 / 0 / 35

HEX #6387A5

RGB 99 135 165

HSL 207.27, 0.27%, 0.52%

LAB 54.76, -4.65, -19.91

 

CMYK 0 / 40 / 10 / 35

HEX #A56394

RGB 165 99 148

HSL 315.45, 0.27%, 0.52%

LAB 50.76, 33.99, -15.56

 

CMYK 0 / 10 / 40 / 35

HEX #A59563

RGB 165 149 99

HSL 45.45, 0.27%, 0.52%

LAB 61.99, -1.45, 28.56

 

CMYK 40 / 0 / 30 / 35

HEX #63A574

RGB 99 165 116

HSL 135.45, 0.27%, 0.52%

LAB 62.36, -31.91, 18.95

 

CMYK 40 / 30 / 0 / 35

HEX #6374A5

RGB 99 116 165

HSL 224.55, 0.27%, 0.52%

LAB 49.33, 6.52, -28.29

 

Description

Color code: RGB 165 99 148 | qconv.com Color code: RGB 165 99 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 99 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 99 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 10 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 10% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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