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Color name
RGB 166 142 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 142 88 it is the complementary color RGB 89 113 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 142 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 142 88 shade: RGB 171 142 83, RGB 188 160 102, RGB 205 178 121, RGB 222 196 140 and RGB 239 214 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 142 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 142 88 shade: RGB 166 142 88, RGB 149 124 69, RGB 132 106 50, RGB 115 88 31 and RGB 98 70 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 142 88 shade: RGB 167 142 87, RGB 167 121 87, RGB 167 100 87 and RGB 167 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 142 88 shade: RGB 167 142 87, RGB 167 164 87, RGB 148 167 87, RGB 127 167 87 and RGB 106 167 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 142 88 shade matches the following richer shades: RGB 167 142 87, RGB 187 150 67, RGB 208 158 46, RGB 228 166 26 and RGB 249 174 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 142 88 shade: RGB 167 142 87, RGB 146 134 108, RGB 125 126 129, RGB 105 118 149 and RGB 84 110 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 142 88 shade: RGB 167 99 87, RGB 167 120 87, RGB 167 141 87, RGB 167 163 87 and RGB 149 167 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 142 88 shade: RGB 112 96 59, RGB 140 119 73, RGB 167 142 87, RGB 181 160 114 and RGB 195 179 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 142 88 shade: RGB 166 142 88, RGB 97 167 87 and RGB 110 87 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 142 88 shade: RGB 166 142 88, RGB 87 167 141 and RGB 141 87 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 142 88 shade: RGB 166 142 88, RGB 97 167 87, RGB 87 113 167 and RGB 157 87 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 142 88 shade: RGB 166 142 88, RGB 87 167 102, RGB 87 113 167 and RGB 167 87 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 47 / 35

HEX #A68E58

RGB 166 142 88

HSL 41.54, 0.31%, 0.5%

LAB 60.03, 1.61, 32.01

 

Complementary color

CMYK 47 / 32 / 0 / 35

HEX #5971A7

RGB 89 113 167

HSL 221.54, 0.31%, 0.5%

LAB 47.91, 6.24, -31.71

 

CMYK 0 / 17 / 51 / 33

HEX #AB8E53

RGB 171 142 83

HSL 40.23, 0.35%, 0.5%

LAB 60.45, 3.27, 35.31

 

CMYK 0 / 15 / 46 / 26

HEX #BCA066

RGB 188 160 102

HSL 40.47, 0.39%, 0.57%

LAB 67.12, 2.5, 33.97

 

CMYK 0 / 13 / 41 / 20

HEX #CDB279

RGB 205 178 121

HSL 40.71, 0.46%, 0.64%

LAB 73.68, 1.86, 32.7

 

CMYK 0 / 12 / 37 / 13

HEX #DEC48C

RGB 222 196 140

HSL 40.98, 0.55%, 0.71%

LAB 80.12, 1.31, 31.5

 

CMYK 0 / 10 / 33 / 6

HEX #EFD69F

RGB 239 214 159

HSL 41.25, 0.71%, 0.78%

LAB 86.48, 0.83, 30.37

 

CMYK 0 / 14 / 47 / 35

HEX #A68E58

RGB 166 142 88

HSL 41.54, 0.31%, 0.5%

LAB 60.03, 1.61, 32.01

 

CMYK 0 / 17 / 54 / 42

HEX #957C45

RGB 149 124 69

HSL 41.25, 0.37%, 0.43%

LAB 53.21, 2.41, 33.38

 

CMYK 0 / 20 / 62 / 48

HEX #846A32

RGB 132 106 50

HSL 40.98, 0.45%, 0.36%

LAB 46.24, 3.41, 34.76

 

CMYK 0 / 23 / 73 / 55

HEX #73581F

RGB 115 88 31

HSL 40.71, 0.58%, 0.29%

LAB 39.11, 4.69, 36.01

 

CMYK 0 / 29 / 88 / 62

HEX #62460C

RGB 98 70 12

HSL 40.47, 0.78%, 0.22%

LAB 31.81, 6.37, 36.55

 

CMYK 0 / 15 / 48 / 35

HEX #A78E57

RGB 167 142 87

HSL 41.25, 0.31%, 0.5%

LAB 60.11, 1.94, 32.67

 

CMYK 0 / 28 / 48 / 35

HEX #A77957

RGB 167 121 87

HSL 25.5, 0.31%, 0.5%

LAB 54.64, 13.72, 25.67

 

CMYK 0 / 40 / 48 / 35

HEX #A76457

RGB 167 100 87

HSL 9.75, 0.31%, 0.5%

LAB 49.52, 25.58, 18.91

 

CMYK 0 / 48 / 48 / 35

HEX #A75757

RGB 167 87 87

HSL 0, 0.31%, 0.5%

LAB 46.6, 32.73, 14.96

 

CMYK 0 / 15 / 48 / 35

HEX #A78E57

RGB 167 142 87

HSL 41.25, 0.31%, 0.5%

LAB 60.11, 1.94, 32.67

 

CMYK 0 / 2 / 48 / 35

HEX #A7A457

RGB 167 164 87

HSL 57.75, 0.31%, 0.5%

LAB 66.1, -9.96, 40.06

 

CMYK 11 / 0 / 48 / 35

HEX #94A757

RGB 148 167 87

HSL 74.25, 0.31%, 0.5%

LAB 65.45, -19.38, 38.92

 

CMYK 24 / 0 / 48 / 35

HEX #7FA757

RGB 127 167 87

HSL 90, 0.31%, 0.5%

LAB 64.03, -27.65, 36.86

 

CMYK 37 / 0 / 48 / 35

HEX #6AA757

RGB 106 167 87

HSL 105.75, 0.31%, 0.5%

LAB 62.84, -35.24, 35.11

 

CMYK 0 / 15 / 48 / 35

HEX #A78E57

RGB 167 142 87

HSL 41.25, 0.31%, 0.5%

LAB 60.11, 1.94, 32.67

 

CMYK 0 / 20 / 64 / 27

HEX #BB9643

RGB 187 150 67

HSL 41.5, 0.47%, 0.5%

LAB 63.98, 4.56, 47.88

 

CMYK 0 / 24 / 78 / 18

HEX #D09E2E

RGB 208 158 46

HSL 41.48, 0.64%, 0.5%

LAB 68.07, 8.34, 61.56

 

CMYK 0 / 27 / 89 / 11

HEX #E4A61A

RGB 228 166 26

HSL 41.58, 0.8%, 0.5%

LAB 72.12, 12.21, 71.72

 

CMYK 0 / 30 / 98 / 2

HEX #F9AE05

RGB 249 174 5

HSL 41.56, 0.96%, 0.5%

LAB 76.33, 16.74, 79

 

CMYK 0 / 15 / 48 / 35

HEX #A78E57

RGB 167 142 87

HSL 41.25, 0.31%, 0.5%

LAB 60.11, 1.94, 32.67

 

CMYK 0 / 8 / 26 / 43

HEX #92866C

RGB 146 134 108

HSL 41.05, 0.15%, 0.5%

LAB 56.33, 0.19, 15.66

 

CMYK 3 / 2 / 0 / 49

HEX #7D7E81

RGB 125 126 129

HSL 225, 0.02%, 0.5%

LAB 52.8, 0.24, -1.76

 

CMYK 30 / 21 / 0 / 42

HEX #697695

RGB 105 118 149

HSL 222.27, 0.17%, 0.5%

LAB 49.65, 2.69, -18.37

 

CMYK 51 / 35 / 0 / 33

HEX #546EAA

RGB 84 110 170

HSL 221.86, 0.34%, 0.5%

LAB 46.89, 7.76, -35.08

 

CMYK 0 / 41 / 48 / 35

HEX #A76357

RGB 167 99 87

HSL 9, 0.31%, 0.5%

LAB 49.29, 26.14, 18.6

 

CMYK 0 / 28 / 48 / 35

HEX #A77857

RGB 167 120 87

HSL 24.75, 0.31%, 0.5%

LAB 54.38, 14.29, 25.34

 

CMYK 0 / 16 / 48 / 35

HEX #A78D57

RGB 167 141 87

HSL 40.5, 0.31%, 0.5%

LAB 59.85, 2.49, 32.34

 

CMYK 0 / 2 / 48 / 35

HEX #A7A357

RGB 167 163 87

HSL 57, 0.31%, 0.5%

LAB 65.82, -9.43, 39.72

 

CMYK 11 / 0 / 48 / 35

HEX #95A757

RGB 149 167 87

HSL 73.5, 0.31%, 0.5%

LAB 65.53, -18.98, 39.03

 

CMYK 0 / 14 / 47 / 56

HEX #70603B

RGB 112 96 59

HSL 41.89, 0.31%, 0.34%

LAB 41.42, 0.92, 23.47

 

CMYK 0 / 15 / 48 / 45

HEX #8C7749

RGB 140 119 73

HSL 41.19, 0.31%, 0.42%

LAB 50.98, 1.66, 28.24

 

CMYK 0 / 15 / 48 / 35

HEX #A78E57

RGB 167 142 87

HSL 41.25, 0.31%, 0.5%

LAB 60.11, 1.94, 32.67

 

CMYK 0 / 12 / 37 / 29

HEX #B5A072

RGB 181 160 114

HSL 41.19, 0.31%, 0.58%

LAB 66.66, 0.95, 26.82

 

CMYK 0 / 8 / 27 / 24

HEX #C3B38E

RGB 195 179 142

HSL 41.89, 0.31%, 0.66%

LAB 73.41, -0.06, 21

 

CMYK 0 / 14 / 47 / 35

HEX #A68E58

RGB 166 142 88

HSL 41.54, 0.31%, 0.5%

LAB 60.03, 1.61, 32.01

 

CMYK 42 / 0 / 48 / 35

HEX #61A757

RGB 97 167 87

HSL 112.5, 0.31%, 0.5%

LAB 62.4, -38.21, 34.47

 

CMYK 34 / 48 / 0 / 35

HEX #6E57A7

RGB 110 87 167

HSL 257.25, 0.31%, 0.5%

LAB 42.64, 27.9, -39.91

 

CMYK 0 / 14 / 47 / 35

HEX #A68E58

RGB 166 142 88

HSL 41.54, 0.31%, 0.5%

LAB 60.03, 1.61, 32.01

 

CMYK 48 / 0 / 16 / 35

HEX #57A78D

RGB 87 167 141

HSL 160.5, 0.31%, 0.5%

LAB 63, -30.95, 5.91

 

CMYK 16 / 48 / 0 / 35

HEX #8D57A7

RGB 141 87 167

HSL 280.5, 0.31%, 0.5%

LAB 46, 36.78, -34.38

 

CMYK 0 / 14 / 47 / 35

HEX #A68E58

RGB 166 142 88

HSL 41.54, 0.31%, 0.5%

LAB 60.03, 1.61, 32.01

 

CMYK 42 / 0 / 48 / 35

HEX #61A757

RGB 97 167 87

HSL 112.5, 0.31%, 0.5%

LAB 62.4, -38.21, 34.47

 

CMYK 48 / 32 / 0 / 35

HEX #5771A7

RGB 87 113 167

HSL 220.5, 0.31%, 0.5%

LAB 47.79, 5.72, -31.92

 

CMYK 6 / 48 / 0 / 35

HEX #9D57A7

RGB 157 87 167

HSL 292.5, 0.31%, 0.5%

LAB 47.97, 41.54, -31.15

 

CMYK 0 / 14 / 47 / 35

HEX #A68E58

RGB 166 142 88

HSL 41.54, 0.31%, 0.5%

LAB 60.03, 1.61, 32.01

 

CMYK 48 / 0 / 39 / 35

HEX #57A766

RGB 87 167 102

HSL 131.25, 0.31%, 0.5%

LAB 62.19, -38.89, 26.23

 

CMYK 48 / 32 / 0 / 35

HEX #5771A7

RGB 87 113 167

HSL 220.5, 0.31%, 0.5%

LAB 47.79, 5.72, -31.92

 

CMYK 0 / 48 / 9 / 35

HEX #A75798

RGB 167 87 152

HSL 311.25, 0.31%, 0.5%

LAB 48.63, 41.81, -21.15

 

Description

Color code: RGB 166 142 88 | qconv.com Color code: RGB 166 142 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 142 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 142 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 47 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 47% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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