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Color name
RGB 166 229 164

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 229 164 it is the complementary color RGB 89 26 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 229 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 229 164 shade: RGB 171 229 159, RGB 188 247 178, RGB 205 255 197, RGB 222 255 216 and RGB 239 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 229 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 229 164 shade: RGB 166 229 164, RGB 149 211 145, RGB 132 193 126, RGB 115 175 107 and RGB 98 157 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 229 164 shade: RGB 165 229 163, RGB 183 229 163, RGB 200 229 163, RGB 218 229 163 and RGB 229 222 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 229 164 shade: RGB 165 229 163, RGB 163 229 179, RGB 163 229 196, RGB 163 229 214 and RGB 163 226 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 229 164 shade matches the following richer shades: RGB 165 229 163, RGB 156 238 154 and RGB 147 248 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 229 164 shade: RGB 165 229 163, RGB 174 219 172, RGB 183 210 182, RGB 192 200 191 and RGB 201 191 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 229 164 shade: RGB 200 229 163, RGB 183 229 163, RGB 165 229 163, RGB 163 229 178 and RGB 163 229 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 229 164 shade: RGB 102 211 99, RGB 134 220 131, RGB 165 229 163, RGB 197 238 195 and RGB 228 247 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 229 164 shade: RGB 166 229 164, RGB 163 218 229 and RGB 229 163 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 229 164 shade: RGB 166 229 164, RGB 163 165 229 and RGB 229 163 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 229 164 shade: RGB 166 229 164, RGB 163 218 229, RGB 227 163 229 and RGB 229 174 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 229 164 shade: RGB 166 229 164, RGB 163 198 229, RGB 227 163 229 and RGB 229 194 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 28 / 10

HEX #A6E5A4

RGB 166 229 164

HSL 118.15, 0.56%, 0.77%

LAB 85.42, -32.31, 25.48

 

Complementary color

CMYK 2 / 71 / 0 / 64

HEX #591A5B

RGB 89 26 91

HSL 298.15, 0.56%, 0.23%

LAB 22.37, 37.81, -24.86

 

CMYK 25 / 0 / 31 / 10

HEX #ABE59F

RGB 171 229 159

HSL 109.71, 0.57%, 0.76%

LAB 85.6, -31.46, 28.35

 

CMYK 24 / 0 / 28 / 3

HEX #BCF7B2

RGB 188 247 178

HSL 111.3, 0.81%, 0.83%

LAB 91.88, -31.27, 27.32

 

CMYK 20 / 0 / 23 / 0

HEX #CDFFC5

RGB 205 255 197

HSL 111.72, 1%, 0.89%

LAB 95.38, -26.4, 22.64

 

CMYK 13 / 0 / 15 / 0

HEX #DEFFD8

RGB 222 255 216

HSL 110.77, 1%, 0.92%

LAB 96.82, -17.63, 15.11

 

CMYK 6 / 0 / 8 / 0

HEX #EFFFEB

RGB 239 255 235

HSL 108, 1%, 0.96%

LAB 98.38, -8.75, 7.75

 

CMYK 28 / 0 / 28 / 10

HEX #A6E5A4

RGB 166 229 164

HSL 118.15, 0.56%, 0.77%

LAB 85.42, -32.31, 25.48

 

CMYK 29 / 0 / 31 / 17

HEX #95D391

RGB 149 211 145

HSL 116.36, 0.43%, 0.7%

LAB 79.05, -32.54, 26.55

 

CMYK 32 / 0 / 35 / 24

HEX #84C17E

RGB 132 193 126

HSL 114.63, 0.35%, 0.63%

LAB 72.6, -32.77, 27.67

 

CMYK 34 / 0 / 39 / 31

HEX #73AF6B

RGB 115 175 107

HSL 112.94, 0.3%, 0.55%

LAB 66.03, -33, 28.86

 

CMYK 38 / 0 / 44 / 38

HEX #629D58

RGB 98 157 88

HSL 111.3, 0.28%, 0.48%

LAB 59.36, -33.2, 30.12

 

CMYK 28 / 0 / 29 / 10

HEX #A5E5A3

RGB 165 229 163

HSL 118.18, 0.56%, 0.77%

LAB 85.34, -32.8, 25.89

 

CMYK 20 / 0 / 29 / 10

HEX #B7E5A3

RGB 183 229 163

HSL 101.82, 0.56%, 0.77%

LAB 86.38, -26.77, 27.47

 

CMYK 13 / 0 / 29 / 10

HEX #C8E5A3

RGB 200 229 163

HSL 86.36, 0.56%, 0.77%

LAB 87.47, -20.79, 29.12

 

CMYK 5 / 0 / 29 / 10

HEX #DAE5A3

RGB 218 229 163

HSL 70, 0.56%, 0.77%

LAB 88.73, -14.21, 31.03

 

CMYK 0 / 3 / 29 / 10

HEX #E5DEA3

RGB 229 222 163

HSL 53.64, 0.56%, 0.77%

LAB 87.75, -6.58, 29.87

 

CMYK 28 / 0 / 29 / 10

HEX #A5E5A3

RGB 165 229 163

HSL 118.18, 0.56%, 0.77%

LAB 85.34, -32.8, 25.89

 

CMYK 29 / 0 / 22 / 10

HEX #A3E5B3

RGB 163 229 179

HSL 134.55, 0.56%, 0.77%

LAB 85.54, -30.7, 17.85

 

CMYK 29 / 0 / 14 / 10

HEX #A3E5C4

RGB 163 229 196

HSL 150, 0.56%, 0.77%

LAB 85.91, -27.5, 9.48

 

CMYK 29 / 0 / 7 / 10

HEX #A3E5D6

RGB 163 229 214

HSL 166.36, 0.56%, 0.77%

LAB 86.35, -23.83, 0.65

 

CMYK 29 / 1 / 0 / 10

HEX #A3E2E5

RGB 163 226 229

HSL 182.73, 0.56%, 0.77%

LAB 85.92, -19.06, -7.88

 

CMYK 28 / 0 / 29 / 10

HEX #A5E5A3

RGB 165 229 163

HSL 118.18, 0.56%, 0.77%

LAB 85.34, -32.8, 25.89

 

CMYK 34 / 0 / 35 / 7

HEX #9CEE9A

RGB 156 238 154

HSL 118.57, 0.71%, 0.77%

LAB 87.27, -41.17, 32.98

 

CMYK 41 / 0 / 42 / 3

HEX #93F890

RGB 147 248 144

HSL 118.27, 0.88%, 0.77%

LAB 89.56, -49.66, 40.86

 

CMYK 28 / 0 / 29 / 10

HEX #A5E5A3

RGB 165 229 163

HSL 118.18, 0.56%, 0.77%

LAB 85.34, -32.8, 25.89

 

CMYK 21 / 0 / 21 / 14

HEX #AEDBAC

RGB 174 219 172

HSL 117.45, 0.39%, 0.77%

LAB 83.25, -23.56, 18.41

 

CMYK 13 / 0 / 13 / 18

HEX #B7D2B6

RGB 183 210 182

HSL 117.86, 0.24%, 0.77%

LAB 81.59, -14.28, 10.87

 

CMYK 4 / 0 / 5 / 22

HEX #C0C8BF

RGB 192 200 191

HSL 113.33, 0.08%, 0.77%

LAB 79.77, -4.4, 3.54

 

CMYK 0 / 5 / 0 / 21

HEX #C9BFC9

RGB 201 191 201

HSL 300, 0.08%, 0.77%

LAB 78.4, 5.32, -3.77

 

CMYK 13 / 0 / 29 / 10

HEX #C8E5A3

RGB 200 229 163

HSL 86.36, 0.56%, 0.77%

LAB 87.47, -20.79, 29.12

 

CMYK 20 / 0 / 29 / 10

HEX #B7E5A3

RGB 183 229 163

HSL 101.82, 0.56%, 0.77%

LAB 86.38, -26.77, 27.47

 

CMYK 28 / 0 / 29 / 10

HEX #A5E5A3

RGB 165 229 163

HSL 118.18, 0.56%, 0.77%

LAB 85.34, -32.8, 25.89

 

CMYK 29 / 0 / 22 / 10

HEX #A3E5B2

RGB 163 229 178

HSL 133.64, 0.56%, 0.77%

LAB 85.52, -30.88, 18.35

 

CMYK 29 / 0 / 14 / 10

HEX #A3E5C4

RGB 163 229 196

HSL 150, 0.56%, 0.77%

LAB 85.91, -27.5, 9.48

 

CMYK 52 / 0 / 53 / 17

HEX #66D363

RGB 102 211 99

HSL 118.39, 0.56%, 0.61%

LAB 76.26, -53.41, 45.61

 

CMYK 39 / 0 / 40 / 14

HEX #86DC83

RGB 134 220 131

HSL 117.98, 0.56%, 0.69%

LAB 80.68, -43.53, 35.74

 

CMYK 28 / 0 / 29 / 10

HEX #A5E5A3

RGB 165 229 163

HSL 118.18, 0.56%, 0.77%

LAB 85.34, -32.8, 25.89

 

CMYK 17 / 0 / 18 / 7

HEX #C5EEC3

RGB 197 238 195

HSL 117.21, 0.56%, 0.85%

LAB 90.3, -21.21, 16.5

 

CMYK 8 / 0 / 8 / 3

HEX #E4F7E3

RGB 228 247 227

HSL 117, 0.56%, 0.93%

LAB 95.4, -9.81, 7.48

 

CMYK 28 / 0 / 28 / 10

HEX #A6E5A4

RGB 166 229 164

HSL 118.15, 0.56%, 0.77%

LAB 85.42, -32.31, 25.48

 

CMYK 29 / 5 / 0 / 10

HEX #A3DAE5

RGB 163 218 229

HSL 190, 0.56%, 0.77%

LAB 83.75, -15.03, -11.11

 

CMYK 0 / 29 / 17 / 10

HEX #E5A3BF

RGB 229 163 191

HSL 334.55, 0.56%, 0.77%

LAB 73.94, 28.51, -4.59

 

CMYK 28 / 0 / 28 / 10

HEX #A6E5A4

RGB 166 229 164

HSL 118.15, 0.56%, 0.77%

LAB 85.42, -32.31, 25.48

 

CMYK 29 / 28 / 0 / 10

HEX #A3A5E5

RGB 163 165 229

HSL 238.18, 0.56%, 0.77%

LAB 69.72, 13.46, -32.43

 

CMYK 0 / 29 / 28 / 10

HEX #E5A3A5

RGB 229 163 165

HSL 358.18, 0.56%, 0.77%

LAB 73.26, 24.7, 8.73

 

CMYK 28 / 0 / 28 / 10

HEX #A6E5A4

RGB 166 229 164

HSL 118.15, 0.56%, 0.77%

LAB 85.42, -32.31, 25.48

 

CMYK 29 / 5 / 0 / 10

HEX #A3DAE5

RGB 163 218 229

HSL 190, 0.56%, 0.77%

LAB 83.75, -15.03, -11.11

 

CMYK 1 / 29 / 0 / 10

HEX #E3A3E5

RGB 227 163 229

HSL 298.18, 0.56%, 0.77%

LAB 74.94, 34.34, -23.92

 

CMYK 0 / 24 / 29 / 10

HEX #E5AEA3

RGB 229 174 163

HSL 10, 0.56%, 0.77%

LAB 75.81, 18.55, 13.43

 

CMYK 28 / 0 / 28 / 10

HEX #A6E5A4

RGB 166 229 164

HSL 118.15, 0.56%, 0.77%

LAB 85.42, -32.31, 25.48

 

CMYK 29 / 14 / 0 / 10

HEX #A3C6E5

RGB 163 198 229

HSL 208.18, 0.56%, 0.77%

LAB 78.36, -4.62, -19.2

 

CMYK 1 / 29 / 0 / 10

HEX #E3A3E5

RGB 227 163 229

HSL 298.18, 0.56%, 0.77%

LAB 74.94, 34.34, -23.92

 

CMYK 0 / 15 / 29 / 10

HEX #E5C2A3

RGB 229 194 163

HSL 28.18, 0.56%, 0.77%

LAB 80.68, 7.92, 20.23

 

Description

Color code: RGB 166 229 164 | qconv.com Color code: RGB 166 229 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 229 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 229 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 28 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 28% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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