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Color name
RGB 166 37 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 37 129 it is the complementary color RGB 89 218 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 37 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 37 129 shade: RGB 171 37 124, RGB 188 55 143, RGB 205 73 162, RGB 222 91 181 and RGB 239 109 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 37 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 37 129 shade: RGB 166 37 129, RGB 149 19 110, RGB 132 1 91, RGB 115 0 72 and RGB 98 0 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 37 129 shade: RGB 167 36 129, RGB 167 36 94, RGB 167 36 59 and RGB 167 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 37 129 shade: RGB 167 36 129, RGB 167 36 165, RGB 134 36 167, RGB 99 36 167 and RGB 63 36 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 37 129 shade matches the following richer shades: RGB 167 36 129, RGB 183 20 136 and RGB 200 3 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 37 129 shade: RGB 167 36 129, RGB 150 53 122, RGB 134 69 115, RGB 117 86 108 and RGB 101 102 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 37 129 shade: RGB 134 36 167, RGB 167 36 165, RGB 167 36 130, RGB 167 36 95 and RGB 167 36 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 37 129 shade: RGB 99 21 77, RGB 133 29 103, RGB 167 36 129, RGB 201 44 156 and RGB 214 71 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 37 129 shade: RGB 166 37 129, RGB 167 99 36 and RGB 36 167 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 37 129 shade: RGB 166 37 129, RGB 130 167 36 and RGB 36 130 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 37 129 shade: RGB 166 37 129, RGB 167 99 36, RGB 36 167 73 and RGB 36 104 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 37 129 shade: RGB 166 37 129, RGB 167 138 36, RGB 36 167 73 and RGB 36 65 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 22 / 35

HEX #A62581

RGB 166 37 129

HSL 317.21, 0.64%, 0.4%

LAB 39.61, 59.44, -21.17

 

Complementary color

CMYK 59 / 0 / 42 / 15

HEX #59DA7E

RGB 89 218 126

HSL 137.21, 0.64%, 0.6%

LAB 78.33, -55.32, 34.88

 

CMYK 0 / 78 / 27 / 33

HEX #AB257C

RGB 171 37 124

HSL 321.04, 0.64%, 0.41%

LAB 40.31, 60.03, -16.92

 

CMYK 0 / 71 / 24 / 26

HEX #BC378F

RGB 188 55 143

HSL 320.3, 0.55%, 0.48%

LAB 46.19, 60.89, -19.26

 

CMYK 0 / 64 / 21 / 20

HEX #CD49A2

RGB 205 73 162

HSL 319.55, 0.57%, 0.55%

LAB 52.23, 61.11, -21.05

 

CMYK 0 / 59 / 18 / 13

HEX #DE5BB5

RGB 222 91 181

HSL 318.78, 0.66%, 0.61%

LAB 58.37, 60.92, -22.48

 

CMYK 0 / 54 / 16 / 6

HEX #EF6DC8

RGB 239 109 200

HSL 318, 0.8%, 0.68%

LAB 64.53, 60.49, -23.64

 

CMYK 0 / 78 / 22 / 35

HEX #A62581

RGB 166 37 129

HSL 317.21, 0.64%, 0.4%

LAB 39.61, 59.44, -21.17

 

CMYK 0 / 87 / 26 / 42

HEX #95136E

RGB 149 19 110

HSL 318, 0.77%, 0.33%

LAB 33.94, 57.55, -18.27

 

CMYK 0 / 99 / 31 / 48

HEX #84015B

RGB 132 1 91

HSL 318.78, 0.98%, 0.26%

LAB 28.6, 54.46, -14.51

 

CMYK 0 / 100 / 37 / 55

HEX #730048

RGB 115 0 72

HSL 322.43, 1%, 0.23%

LAB 24.04, 48.7, -9.09

 

CMYK 0 / 100 / 46 / 62

HEX #620035

RGB 98 0 53

HSL 327.55, 1%, 0.19%

LAB 19.45, 42.68, -3.19

 

CMYK 0 / 78 / 23 / 35

HEX #A72481

RGB 167 36 129

HSL 317.4, 0.65%, 0.4%

LAB 39.69, 59.98, -21.03

 

CMYK 0 / 78 / 44 / 35

HEX #A7245E

RGB 167 36 94

HSL 333.44, 0.65%, 0.4%

LAB 38.35, 55.96, -1.09

 

CMYK 0 / 78 / 65 / 35

HEX #A7243B

RGB 167 36 59

HSL 349.47, 0.65%, 0.4%

LAB 37.47, 53.2, 20.03

 

CMYK 0 / 78 / 78 / 35

HEX #A72424

RGB 167 36 36

HSL 0, 0.65%, 0.4%

LAB 37.12, 52.1, 33.76

 

CMYK 0 / 78 / 23 / 35

HEX #A72481

RGB 167 36 129

HSL 317.4, 0.65%, 0.4%

LAB 39.69, 59.98, -21.03

 

CMYK 0 / 78 / 1 / 35

HEX #A724A5

RGB 167 36 165

HSL 300.92, 0.65%, 0.4%

LAB 41.52, 65.25, -40.04

 

CMYK 20 / 78 / 0 / 35

HEX #8624A7

RGB 134 36 167

HSL 284.89, 0.65%, 0.4%

LAB 36.21, 59.05, -50.04

 

CMYK 41 / 78 / 0 / 35

HEX #6324A7

RGB 99 36 167

HSL 268.85, 0.65%, 0.4%

LAB 31.12, 52.84, -58.54

 

CMYK 62 / 78 / 0 / 35

HEX #3F24A7

RGB 63 36 167

HSL 252.37, 0.65%, 0.4%

LAB 27.04, 47.78, -65.4

 

CMYK 0 / 78 / 23 / 35

HEX #A72481

RGB 167 36 129

HSL 317.4, 0.65%, 0.4%

LAB 39.69, 59.98, -21.03

 

CMYK 0 / 89 / 26 / 28

HEX #B71488

RGB 183 20 136

HSL 317.3, 0.8%, 0.4%

LAB 41.76, 68.04, -21.89

 

CMYK 0 / 99 / 29 / 22

HEX #C8038F

RGB 200 3 143

HSL 317.36, 0.97%, 0.4%

LAB 44.7, 74.24, -21.36

 

CMYK 0 / 78 / 23 / 35

HEX #A72481

RGB 167 36 129

HSL 317.4, 0.65%, 0.4%

LAB 39.69, 59.98, -21.03

 

CMYK 0 / 65 / 19 / 41

HEX #96357A

RGB 150 53 122

HSL 317.32, 0.48%, 0.4%

LAB 38.61, 48.31, -18.6

 

CMYK 0 / 49 / 14 / 47

HEX #864573

RGB 134 69 115

HSL 317.54, 0.32%, 0.4%

LAB 38.83, 34.18, -14.13

 

CMYK 0 / 26 / 8 / 54

HEX #75566C

RGB 117 86 108

HSL 317.42, 0.15%, 0.4%

LAB 40.44, 16.75, -7.57

 

CMYK 1 / 0 / 1 / 60

HEX #656665

RGB 101 102 101

HSL 120, 0%, 0.4%

LAB 43.08, -0.59, 0.42

 

CMYK 20 / 78 / 0 / 35

HEX #8624A7

RGB 134 36 167

HSL 284.89, 0.65%, 0.4%

LAB 36.21, 59.05, -50.04

 

CMYK 0 / 78 / 1 / 35

HEX #A724A5

RGB 167 36 165

HSL 300.92, 0.65%, 0.4%

LAB 41.52, 65.25, -40.04

 

CMYK 0 / 78 / 22 / 35

HEX #A72482

RGB 167 36 130

HSL 316.95, 0.65%, 0.4%

LAB 39.73, 60.11, -21.58

 

CMYK 0 / 78 / 43 / 35

HEX #A7245F

RGB 167 36 95

HSL 332.98, 0.65%, 0.4%

LAB 38.38, 56.05, -1.68

 

CMYK 0 / 78 / 64 / 35

HEX #A7243C

RGB 167 36 60

HSL 349.01, 0.65%, 0.4%

LAB 37.49, 53.26, 19.42

 

CMYK 0 / 79 / 22 / 61

HEX #63154D

RGB 99 21 77

HSL 316.92, 0.65%, 0.24%

LAB 22.74, 40.11, -14.77

 

CMYK 0 / 78 / 23 / 48

HEX #851D67

RGB 133 29 103

HSL 317.31, 0.64%, 0.32%

LAB 31.45, 50.15, -17.9

 

CMYK 0 / 78 / 23 / 35

HEX #A72481

RGB 167 36 129

HSL 317.4, 0.65%, 0.4%

LAB 39.69, 59.98, -21.03

 

CMYK 0 / 78 / 22 / 21

HEX #C92C9C

RGB 201 44 156

HSL 317.2, 0.64%, 0.48%

LAB 47.78, 69.23, -24.42

 

CMYK 0 / 67 / 19 / 16

HEX #D647AD

RGB 214 71 173

HSL 317.2, 0.64%, 0.56%

LAB 53.84, 65.8, -24.92

 

CMYK 0 / 78 / 22 / 35

HEX #A62581

RGB 166 37 129

HSL 317.21, 0.64%, 0.4%

LAB 39.61, 59.44, -21.17

 

CMYK 0 / 41 / 78 / 35

HEX #A76324

RGB 167 99 36

HSL 28.85, 0.65%, 0.4%

LAB 48.59, 22.48, 45.39

 

CMYK 78 / 0 / 9 / 35

HEX #24A798

RGB 36 167 152

HSL 173.13, 0.65%, 0.4%

LAB 61.89, -37.3, -2.03

 

CMYK 0 / 78 / 22 / 35

HEX #A62581

RGB 166 37 129

HSL 317.21, 0.64%, 0.4%

LAB 39.61, 59.44, -21.17

 

CMYK 22 / 0 / 78 / 35

HEX #82A724

RGB 130 167 36

HSL 76.95, 0.65%, 0.4%

LAB 63.76, -30.69, 58.51

 

CMYK 78 / 22 / 0 / 35

HEX #2482A7

RGB 36 130 167

HSL 196.95, 0.65%, 0.4%

LAB 50.84, -13.85, -27.31

 

CMYK 0 / 78 / 22 / 35

HEX #A62581

RGB 166 37 129

HSL 317.21, 0.64%, 0.4%

LAB 39.61, 59.44, -21.17

 

CMYK 0 / 41 / 78 / 35

HEX #A76324

RGB 167 99 36

HSL 28.85, 0.65%, 0.4%

LAB 48.59, 22.48, 45.39

 

CMYK 78 / 0 / 56 / 35

HEX #24A749

RGB 36 167 73

HSL 136.95, 0.65%, 0.4%

LAB 60.33, -54.39, 38.53

 

CMYK 78 / 38 / 0 / 35

HEX #2468A7

RGB 36 104 167

HSL 208.85, 0.65%, 0.4%

LAB 42.86, 1.59, -39.83

 

CMYK 0 / 78 / 22 / 35

HEX #A62581

RGB 166 37 129

HSL 317.21, 0.64%, 0.4%

LAB 39.61, 59.44, -21.17

 

CMYK 0 / 17 / 78 / 35

HEX #A78A24

RGB 167 138 36

HSL 46.72, 0.65%, 0.4%

LAB 58.53, 0.58, 54.78

 

CMYK 78 / 0 / 56 / 35

HEX #24A749

RGB 36 167 73

HSL 136.95, 0.65%, 0.4%

LAB 60.33, -54.39, 38.53

 

CMYK 78 / 61 / 0 / 35

HEX #2441A7

RGB 36 65 167

HSL 226.72, 0.65%, 0.4%

LAB 31.68, 27.27, -57.85

 

Description

Color code: RGB 166 37 129 | qconv.com Color code: RGB 166 37 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 37 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 37 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 22 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 22% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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