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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 124 77 it is the complementary color RGB 88 131 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 124 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 124 77 shade: RGB 172 124 72, RGB 189 142 91, RGB 206 160 110, RGB 223 178 129 and RGB 240 196 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 124 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 124 77 shade: RGB 167 124 77, RGB 150 106 58, RGB 133 88 39, RGB 116 70 20 and RGB 99 52 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 124 77 shade: RGB 167 124 77, RGB 167 99 77 and RGB 167 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 124 77 shade: RGB 167 124 77, RGB 167 148 77, RGB 162 167 77, RGB 137 167 77 and RGB 113 167 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 124 77 shade matches the following richer shades: RGB 167 124 77, RGB 187 125 57, RGB 207 126 37 and RGB 227 127 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 124 77 shade: RGB 167 124 77, RGB 147 123 96, RGB 128 122 116, RGB 108 121 136 and RGB 88 120 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 124 77 shade: RGB 167 77 78, RGB 167 99 77, RGB 167 123 77, RGB 167 148 77 and RGB 163 167 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 124 77 shade: RGB 111 82 51, RGB 139 103 64, RGB 167 124 77, RGB 184 144 101 and RGB 197 165 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 124 77 shade: RGB 167 124 77, RGB 102 167 77 and RGB 87 77 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 124 77 shade: RGB 167 124 77, RGB 77 167 123 and RGB 123 77 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 124 77 shade: RGB 167 124 77, RGB 102 167 77, RGB 77 120 167 and RGB 142 77 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 124 77 shade: RGB 167 124 77, RGB 77 167 78, RGB 77 120 167 and RGB 167 77 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

Complementary color

CMYK 51 / 26 / 0 / 30

HEX #5883B2

RGB 88 131 178

HSL 211.33, 0.37%, 0.52%

LAB 53.52, -1.37, -29.35

 

CMYK 0 / 28 / 58 / 33

HEX #AC7C48

RGB 172 124 72

HSL 31.2, 0.41%, 0.48%

LAB 55.74, 12.8, 35.43

 

CMYK 0 / 25 / 52 / 26

HEX #BD8E5B

RGB 189 142 91

HSL 31.22, 0.43%, 0.55%

LAB 62.44, 11.7, 33.94

 

CMYK 0 / 22 / 47 / 19

HEX #CEA06E

RGB 206 160 110

HSL 31.25, 0.49%, 0.62%

LAB 69.03, 10.78, 32.54

 

CMYK 0 / 20 / 42 / 13

HEX #DFB281

RGB 223 178 129

HSL 31.28, 0.59%, 0.69%

LAB 75.52, 9.98, 31.23

 

CMYK 0 / 18 / 38 / 6

HEX #F0C494

RGB 240 196 148

HSL 31.3, 0.75%, 0.76%

LAB 81.92, 9.28, 30

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 0 / 29 / 61 / 41

HEX #966A3A

RGB 150 106 58

HSL 31.3, 0.44%, 0.41%

LAB 48.38, 12.23, 33.53

 

CMYK 0 / 34 / 71 / 48

HEX #855827

RGB 133 88 39

HSL 31.28, 0.55%, 0.34%

LAB 41.39, 13.67, 35.1

 

CMYK 0 / 40 / 83 / 55

HEX #744614

RGB 116 70 20

HSL 31.25, 0.71%, 0.27%

LAB 34.28, 15.47, 36.39

 

CMYK 0 / 47 / 99 / 61

HEX #633401

RGB 99 52 1

HSL 31.22, 0.98%, 0.2%

LAB 27.05, 17.64, 36.92

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 0 / 41 / 54 / 35

HEX #A7634D

RGB 167 99 77

HSL 14.67, 0.37%, 0.48%

LAB 49.1, 25.17, 24.2

 

CMYK 0 / 54 / 54 / 35

HEX #A74D4D

RGB 167 77 77

HSL 0, 0.37%, 0.48%

LAB 44.32, 37.06, 17.9

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 0 / 11 / 54 / 35

HEX #A7944D

RGB 167 148 77

HSL 47.33, 0.37%, 0.48%

LAB 61.59, -2.3, 39.71

 

CMYK 3 / 0 / 54 / 35

HEX #A2A74D

RGB 162 167 77

HSL 63.33, 0.37%, 0.48%

LAB 66.41, -14.56, 45.25

 

CMYK 18 / 0 / 54 / 35

HEX #89A74D

RGB 137 167 77

HSL 80, 0.37%, 0.48%

LAB 64.56, -24.85, 42.62

 

CMYK 32 / 0 / 54 / 35

HEX #71A74D

RGB 113 167 77

HSL 96, 0.37%, 0.48%

LAB 63.08, -34.02, 40.51

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 0 / 33 / 70 / 27

HEX #BB7D39

RGB 187 125 57

HSL 31.38, 0.53%, 0.48%

LAB 57.59, 17.74, 45.65

 

CMYK 0 / 39 / 82 / 19

HEX #CF7E25

RGB 207 126 37

HSL 31.41, 0.7%, 0.48%

LAB 60.18, 24.93, 57.63

 

CMYK 0 / 44 / 93 / 11

HEX #E37F11

RGB 227 127 17

HSL 31.43, 0.86%, 0.48%

LAB 62.97, 32.33, 66.78

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 0 / 16 / 35 / 42

HEX #937B60

RGB 147 123 96

HSL 31.76, 0.21%, 0.48%

LAB 53.18, 5.16, 18.23

 

CMYK 0 / 5 / 9 / 50

HEX #807A74

RGB 128 122 116

HSL 30, 0.05%, 0.48%

LAB 51.58, 1.15, 4.09

 

CMYK 21 / 11 / 0 / 47

HEX #6C7988

RGB 108 121 136

HSL 212.14, 0.11%, 0.48%

LAB 50.26, -1.36, -9.78

 

CMYK 44 / 23 / 0 / 39

HEX #58789C

RGB 88 120 156

HSL 211.76, 0.28%, 0.48%

LAB 49.38, -1.55, -22.99

 

CMYK 0 / 54 / 53 / 35

HEX #A74D4E

RGB 167 77 78

HSL 359.33, 0.37%, 0.48%

LAB 44.34, 37.15, 17.33

 

CMYK 0 / 41 / 54 / 35

HEX #A7634D

RGB 167 99 77

HSL 14.67, 0.37%, 0.48%

LAB 49.1, 25.17, 24.2

 

CMYK 0 / 26 / 54 / 35

HEX #A77B4D

RGB 167 123 77

HSL 30.67, 0.37%, 0.48%

LAB 54.99, 11.62, 31.67

 

CMYK 0 / 11 / 54 / 35

HEX #A7944D

RGB 167 148 77

HSL 47.33, 0.37%, 0.48%

LAB 61.59, -2.3, 39.71

 

CMYK 2 / 0 / 54 / 35

HEX #A3A74D

RGB 163 167 77

HSL 62.67, 0.37%, 0.48%

LAB 66.49, -14.13, 45.37

 

CMYK 0 / 26 / 54 / 56

HEX #6F5233

RGB 111 82 51

HSL 31, 0.37%, 0.32%

LAB 37.21, 8.01, 22.81

 

CMYK 0 / 26 / 54 / 45

HEX #8B6740

RGB 139 103 64

HSL 31.2, 0.37%, 0.4%

LAB 46.39, 9.56, 27.5

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 0 / 22 / 45 / 28

HEX #B89065

RGB 184 144 101

HSL 31.08, 0.37%, 0.56%

LAB 62.57, 9.49, 28.59

 

CMYK 0 / 16 / 35 / 23

HEX #C5A581

RGB 197 165 129

HSL 31.76, 0.37%, 0.64%

LAB 69.73, 6.55, 23.05

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 39 / 0 / 54 / 35

HEX #66A74D

RGB 102 167 77

HSL 103.33, 0.37%, 0.48%

LAB 62.51, -37.86, 39.69

 

CMYK 48 / 54 / 0 / 35

HEX #574DA7

RGB 87 77 167

HSL 246.67, 0.37%, 0.48%

LAB 38.06, 28.22, -47.35

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 54 / 0 / 26 / 35

HEX #4DA77B

RGB 77 167 123

HSL 150.67, 0.37%, 0.48%

LAB 62.21, -37.47, 14.74

 

CMYK 26 / 54 / 0 / 35

HEX #7B4DA7

RGB 123 77 167

HSL 270.67, 0.37%, 0.48%

LAB 41.7, 37.33, -41.32

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 39 / 0 / 54 / 35

HEX #66A74D

RGB 102 167 77

HSL 103.33, 0.37%, 0.48%

LAB 62.51, -37.86, 39.69

 

CMYK 54 / 28 / 0 / 35

HEX #4D78A7

RGB 77 120 167

HSL 211.33, 0.37%, 0.48%

LAB 49.25, -0.93, -29.67

 

CMYK 15 / 54 / 0 / 35

HEX #8E4DA7

RGB 142 77 167

HSL 283.33, 0.37%, 0.48%

LAB 44.01, 42.55, -37.51

 

CMYK 0 / 26 / 54 / 35

HEX #A77C4D

RGB 167 124 77

HSL 31.33, 0.37%, 0.48%

LAB 55.24, 11.05, 31.99

 

CMYK 54 / 0 / 53 / 35

HEX #4DA74E

RGB 77 167 78

HSL 120.67, 0.37%, 0.48%

LAB 61.45, -45.36, 37.67

 

CMYK 54 / 28 / 0 / 35

HEX #4D78A7

RGB 77 120 167

HSL 211.33, 0.37%, 0.48%

LAB 49.25, -0.93, -29.67

 

CMYK 0 / 54 / 1 / 35

HEX #A74DA6

RGB 167 77 166

HSL 300.67, 0.37%, 0.48%

LAB 47.34, 49.37, -31.46

 

Description

Color code: RGB 167 124 77 | qconv.com Color code: RGB 167 124 77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 124 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 124 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 54 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 54% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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