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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 104 170 it is the complementary color RGB 87 151 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 104 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 104 170 shade: RGB 173 104 165, RGB 190 122 184, RGB 207 140 203, RGB 224 158 222 and RGB 241 176 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 104 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 104 170 shade: RGB 168 104 170, RGB 151 86 151, RGB 134 68 132, RGB 117 50 113 and RGB 100 32 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 104 170 shade: RGB 168 104 170, RGB 170 104 154, RGB 170 104 137, RGB 170 104 119 and RGB 170 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 104 170 shade: RGB 168 104 170, RGB 150 104 170, RGB 133 104 170, RGB 115 104 170 and RGB 104 104 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 104 170 shade matches the following richer shades: RGB 168 104 170, RGB 186 85 189, RGB 204 66 208, RGB 222 47 227 and RGB 239 28 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 104 170 shade: RGB 168 104 170, RGB 150 123 151, RGB 132 142 132, RGB 115 161 113 and RGB 97 180 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 104 170 shade: RGB 133 104 170, RGB 150 104 170, RGB 168 104 170, RGB 170 104 155 and RGB 170 104 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 104 170 shade: RGB 121 69 123, RGB 147 84 149, RGB 168 104 170, RGB 183 131 185 and RGB 198 157 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 104 170 shade: RGB 168 104 170, RGB 170 115 104 and RGB 104 170 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 104 170 shade: RGB 168 104 170, RGB 170 168 104 and RGB 104 170 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 104 170 shade: RGB 168 104 170, RGB 170 115 104, RGB 107 170 104 and RGB 104 159 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 104 170 shade: RGB 168 104 170, RGB 170 135 104, RGB 107 170 104 and RGB 104 139 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

Complementary color

CMYK 42 / 0 / 44 / 41

HEX #579755

RGB 87 151 85

HSL 118.18, 0.28%, 0.46%

LAB 56.9, -34.51, 28.46

 

CMYK 0 / 40 / 5 / 32

HEX #AD68A5

RGB 173 104 165

HSL 306.96, 0.3%, 0.54%

LAB 53.49, 36.97, -21.27

 

CMYK 0 / 36 / 3 / 25

HEX #BE7AB8

RGB 190 122 184

HSL 305.29, 0.34%, 0.61%

LAB 60.18, 36.2, -21.78

 

CMYK 0 / 32 / 2 / 19

HEX #CF8CCB

RGB 207 140 203

HSL 303.58, 0.41%, 0.68%

LAB 66.77, 35.47, -22.25

 

CMYK 0 / 29 / 1 / 12

HEX #E09EDE

RGB 224 158 222

HSL 301.82, 0.52%, 0.75%

LAB 73.27, 34.77, -22.67

 

CMYK 0 / 27 / 0 / 5

HEX #F1B0F1

RGB 241 176 241

HSL 300, 0.7%, 0.82%

LAB 79.67, 34.11, -23.08

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 0 / 43 / 0 / 41

HEX #975697

RGB 151 86 151

HSL 300, 0.27%, 0.46%

LAB 46.27, 37.07, -24.38

 

CMYK 0 / 49 / 1 / 47

HEX #864484

RGB 134 68 132

HSL 301.82, 0.33%, 0.4%

LAB 39.36, 37.83, -23.81

 

CMYK 0 / 57 / 3 / 54

HEX #753271

RGB 117 50 113

HSL 303.58, 0.4%, 0.33%

LAB 32.38, 38.45, -23.04

 

CMYK 0 / 68 / 6 / 61

HEX #64205E

RGB 100 32 94

HSL 305.29, 0.52%, 0.26%

LAB 25.41, 38.7, -21.91

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 0 / 39 / 9 / 33

HEX #AA689A

RGB 170 104 154

HSL 314.55, 0.28%, 0.54%

LAB 52.71, 33.99, -16.07

 

CMYK 0 / 39 / 19 / 33

HEX #AA6889

RGB 170 104 137

HSL 330, 0.28%, 0.54%

LAB 52.12, 31.13, -6.95

 

CMYK 0 / 39 / 30 / 33

HEX #AA6877

RGB 170 104 119

HSL 346.36, 0.28%, 0.54%

LAB 51.59, 28.43, 2.91

 

CMYK 0 / 39 / 39 / 33

HEX #AA6868

RGB 170 104 104

HSL 0, 0.28%, 0.54%

LAB 51.21, 26.47, 11.25

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 12 / 39 / 0 / 33

HEX #9668AA

RGB 150 104 170

HSL 281.82, 0.28%, 0.54%

LAB 51.02, 30.55, -28.22

 

CMYK 22 / 39 / 0 / 33

HEX #8568AA

RGB 133 104 170

HSL 266.36, 0.28%, 0.54%

LAB 49.24, 25.22, -31.13

 

CMYK 32 / 39 / 0 / 33

HEX #7368AA

RGB 115 104 170

HSL 250, 0.28%, 0.54%

LAB 47.56, 19.81, -33.88

 

CMYK 39 / 39 / 0 / 33

HEX #6868AA

RGB 104 104 170

HSL 240, 0.28%, 0.54%

LAB 46.64, 16.68, -35.39

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 2 / 55 / 0 / 26

HEX #BA55BD

RGB 186 85 189

HSL 298.27, 0.44%, 0.54%

LAB 52.52, 54.95, -36.57

 

CMYK 2 / 68 / 0 / 18

HEX #CC42D0

RGB 204 66 208

HSL 298.31, 0.6%, 0.54%

LAB 53.26, 70.55, -46.14

 

CMYK 2 / 79 / 0 / 11

HEX #DE2FE3

RGB 222 47 227

HSL 298.33, 0.76%, 0.54%

LAB 55.18, 82.89, -53.71

 

CMYK 3 / 89 / 0 / 4

HEX #EF1CF6

RGB 239 28 246

HSL 298.07, 0.92%, 0.54%

LAB 57.88, 92.18, -59.9

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 1 / 19 / 0 / 41

HEX #967B97

RGB 150 123 151

HSL 297.86, 0.12%, 0.54%

LAB 54.95, 15.58, -11.14

 

CMYK 7 / 0 / 7 / 44

HEX #848E84

RGB 132 142 132

HSL 120, 0.04%, 0.54%

LAB 57.96, -5.62, 4.07

 

CMYK 29 / 0 / 30 / 37

HEX #73A171

RGB 115 161 113

HSL 117.5, 0.2%, 0.54%

LAB 61.94, -25.27, 20.16

 

CMYK 46 / 0 / 48 / 29

HEX #61B45E

RGB 97 180 94

HSL 117.91, 0.36%, 0.54%

LAB 66.51, -42.86, 36.05

 

CMYK 22 / 39 / 0 / 33

HEX #8568AA

RGB 133 104 170

HSL 266.36, 0.28%, 0.54%

LAB 49.24, 25.22, -31.13

 

CMYK 12 / 39 / 0 / 33

HEX #9668AA

RGB 150 104 170

HSL 281.82, 0.28%, 0.54%

LAB 51.02, 30.55, -28.22

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 0 / 39 / 9 / 33

HEX #AA689B

RGB 170 104 155

HSL 313.64, 0.28%, 0.54%

LAB 52.74, 34.16, -16.6

 

CMYK 0 / 39 / 19 / 33

HEX #AA6889

RGB 170 104 137

HSL 330, 0.28%, 0.54%

LAB 52.12, 31.13, -6.95

 

CMYK 2 / 44 / 0 / 52

HEX #79457B

RGB 121 69 123

HSL 297.78, 0.28%, 0.38%

LAB 37.39, 31.31, -21.45

 

CMYK 1 / 44 / 0 / 42

HEX #935495

RGB 147 84 149

HSL 298.15, 0.28%, 0.46%

LAB 45.24, 36.51, -24.83

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 1 / 29 / 0 / 27

HEX #B783B9

RGB 183 131 185

HSL 297.78, 0.28%, 0.62%

LAB 61.48, 29.12, -20.43

 

CMYK 1 / 22 / 0 / 22

HEX #C69DC8

RGB 198 157 200

HSL 297.21, 0.28%, 0.7%

LAB 69.68, 22.62, -16.26

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 0 / 32 / 39 / 33

HEX #AA7368

RGB 170 115 104

HSL 10, 0.28%, 0.54%

LAB 53.82, 20.29, 14.89

 

CMYK 39 / 0 / 16 / 33

HEX #68AA8E

RGB 104 170 142

HSL 154.55, 0.28%, 0.54%

LAB 64.68, -27.55, 7.86

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 0 / 1 / 39 / 33

HEX #AAA868

RGB 170 168 104

HSL 58.18, 0.28%, 0.54%

LAB 67.69, -9.02, 33.32

 

CMYK 39 / 0 / 1 / 33

HEX #68AAA8

RGB 104 170 168

HSL 178.18, 0.28%, 0.54%

LAB 65.37, -21.45, -5.61

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 0 / 32 / 39 / 33

HEX #AA7368

RGB 170 115 104

HSL 10, 0.28%, 0.54%

LAB 53.82, 20.29, 14.89

 

CMYK 37 / 0 / 39 / 33

HEX #6BAA68

RGB 107 170 104

HSL 117.27, 0.28%, 0.54%

LAB 64.06, -33.79, 27.8

 

CMYK 39 / 6 / 0 / 33

HEX #689FAA

RGB 104 159 170

HSL 190, 0.28%, 0.54%

LAB 62.2, -15.18, -11.45

 

CMYK 1 / 39 / 0 / 33

HEX #A868AA

RGB 168 104 170

HSL 298.18, 0.28%, 0.54%

LAB 53.09, 36.29, -24.85

 

CMYK 0 / 21 / 39 / 33

HEX #AA8768

RGB 170 135 104

HSL 28.18, 0.28%, 0.54%

LAB 58.86, 9, 21.75

 

CMYK 37 / 0 / 39 / 33

HEX #6BAA68

RGB 107 170 104

HSL 117.27, 0.28%, 0.54%

LAB 64.06, -33.79, 27.8

 

CMYK 39 / 18 / 0 / 33

HEX #688BAA

RGB 104 139 170

HSL 208.18, 0.28%, 0.54%

LAB 56.4, -4.15, -20.25

 

Description

Color code: RGB 168 104 170 | qconv.com Color code: RGB 168 104 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 104 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 104 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 39 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 39% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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