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Color name
RGB 168 114 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 114 97 it is the complementary color RGB 87 141 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 114 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 114 97 shade: RGB 173 114 92, RGB 190 132 111, RGB 207 150 130, RGB 224 168 149 and RGB 241 186 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 114 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 114 97 shade: RGB 168 114 97, RGB 151 96 78, RGB 134 78 59, RGB 117 60 40 and RGB 100 42 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 114 97 shade: RGB 168 114 97 and RGB 168 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 114 97 shade: RGB 168 114 97, RGB 168 133 97, RGB 168 152 97, RGB 164 168 97 and RGB 145 168 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 114 97 shade matches the following richer shades: RGB 168 114 97, RGB 187 103 77, RGB 207 93 57, RGB 227 83 37 and RGB 247 72 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 114 97 shade: RGB 168 114 97, RGB 148 124 116, RGB 128 134 136, RGB 108 145 156 and RGB 88 155 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 114 97 shade: RGB 168 97 118, RGB 168 97 99, RGB 168 113 97, RGB 168 132 97 and RGB 168 151 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 114 97 shade: RGB 117 77 64, RGB 144 95 79, RGB 168 114 97, RGB 182 137 123 and RGB 197 161 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 114 97 shade: RGB 168 114 97, RGB 137 168 97 and RGB 97 108 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 114 97 shade: RGB 168 114 97, RGB 97 168 113 and RGB 113 97 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 114 97 shade: RGB 168 114 97, RGB 137 168 97, RGB 97 151 168 and RGB 127 97 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 114 97 shade: RGB 168 114 97, RGB 116 168 97, RGB 97 151 168 and RGB 149 97 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

Complementary color

CMYK 45 / 11 / 0 / 38

HEX #578D9E

RGB 87 141 158

HSL 194.37, 0.29%, 0.48%

LAB 55.63, -13.21, -14.62

 

CMYK 0 / 34 / 47 / 32

HEX #AD725C

RGB 173 114 92

HSL 16.3, 0.33%, 0.52%

LAB 53.7, 20.71, 21.73

 

CMYK 0 / 31 / 42 / 25

HEX #BE846F

RGB 190 132 111

HSL 15.95, 0.38%, 0.59%

LAB 60.42, 19.7, 20.29

 

CMYK 0 / 28 / 37 / 19

HEX #CF9682

RGB 207 150 130

HSL 15.58, 0.45%, 0.66%

LAB 67.04, 18.82, 19.01

 

CMYK 0 / 25 / 33 / 12

HEX #E0A895

RGB 224 168 149

HSL 15.2, 0.55%, 0.73%

LAB 73.56, 18.04, 17.84

 

CMYK 0 / 23 / 30 / 5

HEX #F1BAA8

RGB 241 186 168

HSL 14.79, 0.72%, 0.8%

LAB 79.98, 17.35, 16.76

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 0 / 36 / 48 / 41

HEX #97604E

RGB 151 96 78

HSL 14.79, 0.32%, 0.45%

LAB 46.3, 20.27, 19.56

 

CMYK 0 / 42 / 56 / 47

HEX #864E3B

RGB 134 78 59

HSL 15.2, 0.39%, 0.38%

LAB 39.3, 21.52, 21.3

 

CMYK 0 / 49 / 66 / 54

HEX #753C28

RGB 117 60 40

HSL 15.58, 0.49%, 0.31%

LAB 32.18, 23, 23.36

 

CMYK 0 / 58 / 79 / 61

HEX #642A15

RGB 100 42 21

HSL 15.95, 0.65%, 0.24%

LAB 25.01, 24.7, 25.78

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 0 / 42 / 42 / 34

HEX #A86161

RGB 168 97 97

HSL 0, 0.29%, 0.52%

LAB 49.18, 28.74, 12.54

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 0 / 21 / 42 / 34

HEX #A88561

RGB 168 133 97

HSL 30.42, 0.29%, 0.52%

LAB 58, 8.46, 24.49

 

CMYK 0 / 10 / 42 / 34

HEX #A89861

RGB 168 152 97

HSL 46.48, 0.29%, 0.52%

LAB 63.05, -2.06, 31.06

 

CMYK 2 / 0 / 42 / 34

HEX #A4A861

RGB 164 168 97

HSL 63.38, 0.29%, 0.52%

LAB 67.1, -12.27, 36.12

 

CMYK 14 / 0 / 42 / 34

HEX #91A861

RGB 145 168 97

HSL 79.44, 0.29%, 0.52%

LAB 65.66, -19.94, 34

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 0 / 45 / 59 / 27

HEX #BB674D

RGB 187 103 77

HSL 14.18, 0.45%, 0.52%

LAB 52.73, 31.14, 29.39

 

CMYK 0 / 55 / 72 / 19

HEX #CF5D39

RGB 207 93 57

HSL 14.4, 0.61%, 0.52%

LAB 53.37, 42.86, 41.85

 

CMYK 0 / 63 / 84 / 11

HEX #E35325

RGB 227 83 37

HSL 14.53, 0.77%, 0.52%

LAB 54.71, 53.95, 53.96

 

CMYK 0 / 71 / 93 / 3

HEX #F74811

RGB 247 72 17

HSL 14.35, 0.93%, 0.52%

LAB 56.53, 64.45, 63.99

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 0 / 16 / 22 / 42

HEX #947C74

RGB 148 124 116

HSL 15, 0.13%, 0.52%

LAB 54, 7.92, 7.81

 

CMYK 6 / 1 / 0 / 47

HEX #808688

RGB 128 134 136

HSL 195, 0.03%, 0.52%

LAB 55.5, -1.79, -1.85

 

CMYK 31 / 7 / 0 / 39

HEX #6C919C

RGB 108 145 156

HSL 193.75, 0.2%, 0.52%

LAB 57.88, -10.03, -9.96

 

CMYK 50 / 12 / 0 / 31

HEX #589BB0

RGB 88 155 176

HSL 194.32, 0.36%, 0.52%

LAB 60.47, -15.44, -17.52

 

CMYK 0 / 42 / 30 / 34

HEX #A86176

RGB 168 97 118

HSL 342.25, 0.29%, 0.52%

LAB 49.72, 31.42, 0.76

 

CMYK 0 / 42 / 41 / 34

HEX #A86163

RGB 168 97 99

HSL 358.31, 0.29%, 0.52%

LAB 49.22, 28.97, 11.41

 

CMYK 0 / 33 / 42 / 34

HEX #A87161

RGB 168 113 97

HSL 13.52, 0.29%, 0.52%

LAB 52.95, 19.77, 17.72

 

CMYK 0 / 21 / 42 / 34

HEX #A88461

RGB 168 132 97

HSL 29.58, 0.29%, 0.52%

LAB 57.74, 9.02, 24.15

 

CMYK 0 / 10 / 42 / 34

HEX #A89761

RGB 168 151 97

HSL 45.63, 0.29%, 0.52%

LAB 62.78, -1.52, 30.71

 

CMYK 0 / 34 / 45 / 54

HEX #754D40

RGB 117 77 64

HSL 14.72, 0.29%, 0.35%

LAB 36.85, 15.21, 14.6

 

CMYK 0 / 34 / 45 / 44

HEX #905F4F

RGB 144 95 79

HSL 14.77, 0.29%, 0.44%

LAB 45.19, 17.99, 17.31

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 0 / 25 / 32 / 29

HEX #B6897B

RGB 182 137 123

HSL 14.24, 0.29%, 0.6%

LAB 61.02, 15.19, 14.18

 

CMYK 0 / 18 / 24 / 23

HEX #C5A196

RGB 197 161 150

HSL 14.04, 0.29%, 0.68%

LAB 69.16, 11.58, 10.72

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 18 / 0 / 42 / 34

HEX #89A861

RGB 137 168 97

HSL 86.2, 0.29%, 0.52%

LAB 65.11, -23.07, 33.19

 

CMYK 42 / 36 / 0 / 34

HEX #616CA8

RGB 97 108 168

HSL 230.7, 0.29%, 0.52%

LAB 47.1, 11.72, -33.54

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 42 / 0 / 33 / 34

HEX #61A871

RGB 97 168 113

HSL 133.52, 0.29%, 0.52%

LAB 63.13, -34.47, 21.62

 

CMYK 33 / 42 / 0 / 34

HEX #7161A8

RGB 113 97 168

HSL 253.52, 0.29%, 0.52%

LAB 45.48, 22.94, -35.99

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 18 / 0 / 42 / 34

HEX #89A861

RGB 137 168 97

HSL 86.2, 0.29%, 0.52%

LAB 65.11, -23.07, 33.19

 

CMYK 42 / 10 / 0 / 34

HEX #6197A8

RGB 97 151 168

HSL 194.37, 0.29%, 0.52%

LAB 59.44, -13.29, -14.52

 

CMYK 24 / 42 / 0 / 34

HEX #7F61A8

RGB 127 97 168

HSL 265.35, 0.29%, 0.52%

LAB 46.83, 27.06, -33.78

 

CMYK 0 / 32 / 42 / 34

HEX #A87261

RGB 168 114 97

HSL 14.37, 0.29%, 0.52%

LAB 53.19, 19.2, 18.06

 

CMYK 31 / 0 / 42 / 34

HEX #74A861

RGB 116 168 97

HSL 103.94, 0.29%, 0.52%

LAB 63.82, -30.85, 31.28

 

CMYK 42 / 10 / 0 / 34

HEX #6197A8

RGB 97 151 168

HSL 194.37, 0.29%, 0.52%

LAB 59.44, -13.29, -14.52

 

CMYK 11 / 42 / 0 / 34

HEX #9561A8

RGB 149 97 168

HSL 283.94, 0.29%, 0.52%

LAB 49.21, 33.79, -29.87

 

Description

Color code: RGB 168 114 97 | qconv.com Color code: RGB 168 114 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 114 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 114 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 42 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 42% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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