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Color name
RGB 168 112 93

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 112 93 it is the complementary color RGB 87 143 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 112 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 112 93 shade: RGB 173 112 88, RGB 190 130 107, RGB 207 148 126, RGB 224 166 145 and RGB 241 184 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 112 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 112 93 shade: RGB 168 112 93, RGB 151 94 74, RGB 134 76 55, RGB 117 58 36 and RGB 100 40 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 112 93 shade: RGB 167 111 92 and RGB 167 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 112 93 shade: RGB 167 111 92, RGB 167 131 92, RGB 167 151 92, RGB 162 167 92 and RGB 142 167 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 112 93 shade matches the following richer shades: RGB 167 111 92, RGB 187 101 72, RGB 207 91 52, RGB 228 81 31 and RGB 248 71 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 112 93 shade: RGB 167 111 92, RGB 147 121 112, RGB 127 131 132, RGB 106 141 153 and RGB 86 151 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 112 93 shade: RGB 167 92 113, RGB 167 92 93, RGB 167 111 92, RGB 167 131 92 and RGB 167 151 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 112 93 shade: RGB 115 75 62, RGB 142 93 76, RGB 167 111 92, RGB 181 135 119 and RGB 196 158 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 112 93 shade: RGB 168 112 93, RGB 133 167 92 and RGB 92 103 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 112 93 shade: RGB 168 112 93, RGB 92 167 111 and RGB 111 92 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 112 93 shade: RGB 168 112 93, RGB 133 167 92, RGB 92 148 167 and RGB 126 92 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 112 93 shade: RGB 168 112 93, RGB 111 167 92, RGB 92 148 167 and RGB 148 92 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 45 / 34

HEX #A8705D

RGB 168 112 93

HSL 15.2, 0.3%, 0.51%

LAB 52.62, 19.88, 19.6

 

Complementary color

CMYK 46 / 12 / 0 / 36

HEX #578FA2

RGB 87 143 162

HSL 195.2, 0.3%, 0.49%

LAB 56.37, -13.18, -15.79

 

CMYK 0 / 35 / 49 / 32

HEX #AD7058

RGB 173 112 88

HSL 16.94, 0.34%, 0.51%

LAB 53.14, 21.43, 23.29

 

CMYK 0 / 32 / 44 / 25

HEX #BE826B

RGB 190 130 107

HSL 16.63, 0.39%, 0.58%

LAB 59.87, 20.36, 21.79

 

CMYK 0 / 29 / 39 / 19

HEX #CF947E

RGB 207 148 126

HSL 16.3, 0.46%, 0.65%

LAB 66.48, 19.44, 20.46

 

CMYK 0 / 26 / 35 / 12

HEX #E0A691

RGB 224 166 145

HSL 15.95, 0.56%, 0.72%

LAB 73, 18.62, 19.24

 

CMYK 0 / 24 / 32 / 5

HEX #F1B8A4

RGB 241 184 164

HSL 15.58, 0.73%, 0.79%

LAB 79.42, 17.9, 18.13

 

CMYK 0 / 33 / 45 / 34

HEX #A8705D

RGB 168 112 93

HSL 15.2, 0.3%, 0.51%

LAB 52.62, 19.88, 19.6

 

CMYK 0 / 38 / 51 / 41

HEX #975E4A

RGB 151 94 74

HSL 15.58, 0.34%, 0.44%

LAB 45.74, 21.01, 21.18

 

CMYK 0 / 43 / 59 / 47

HEX #864C37

RGB 134 76 55

HSL 15.95, 0.42%, 0.37%

LAB 38.75, 22.33, 23

 

CMYK 0 / 50 / 69 / 54

HEX #753A24

RGB 117 58 36

HSL 16.3, 0.53%, 0.3%

LAB 31.66, 23.87, 25.14

 

CMYK 0 / 60 / 83 / 61

HEX #642811

RGB 100 40 17

HSL 16.63, 0.71%, 0.23%

LAB 24.54, 25.63, 27.57

 

CMYK 0 / 34 / 45 / 35

HEX #A76F5C

RGB 167 111 92

HSL 15.2, 0.3%, 0.51%

LAB 52.24, 19.92, 19.64

 

CMYK 0 / 45 / 45 / 35

HEX #A75C5C

RGB 167 92 92

HSL 0, 0.3%, 0.51%

LAB 47.81, 30.54, 13.61

 

CMYK 0 / 34 / 45 / 35

HEX #A76F5C

RGB 167 111 92

HSL 15.2, 0.3%, 0.51%

LAB 52.24, 19.92, 19.64

 

CMYK 0 / 22 / 45 / 35

HEX #A7835C

RGB 167 131 92

HSL 31.2, 0.3%, 0.51%

LAB 57.29, 8.61, 26.33

 

CMYK 0 / 10 / 45 / 35

HEX #A7975C

RGB 167 151 92

HSL 47.2, 0.3%, 0.51%

LAB 62.61, -2.48, 33.15

 

CMYK 3 / 0 / 45 / 35

HEX #A2A75C

RGB 162 167 92

HSL 64, 0.3%, 0.51%

LAB 66.59, -13.11, 38.02

 

CMYK 15 / 0 / 45 / 35

HEX #8EA75C

RGB 142 167 92

HSL 80, 0.3%, 0.51%

LAB 65.09, -21.23, 35.83

 

CMYK 0 / 34 / 45 / 35

HEX #A76F5C

RGB 167 111 92

HSL 15.2, 0.3%, 0.51%

LAB 52.24, 19.92, 19.64

 

CMYK 0 / 46 / 61 / 27

HEX #BB6548

RGB 187 101 72

HSL 15.13, 0.46%, 0.51%

LAB 52.22, 31.84, 31.58

 

CMYK 0 / 56 / 75 / 19

HEX #CF5B34

RGB 207 91 52

HSL 15.1, 0.62%, 0.51%

LAB 52.94, 43.61, 43.99

 

CMYK 0 / 64 / 86 / 11

HEX #E4511F

RGB 228 81 31

HSL 15.23, 0.78%, 0.51%

LAB 54.53, 55, 56.36

 

CMYK 0 / 71 / 96 / 3

HEX #F8470B

RGB 248 71 11

HSL 15.19, 0.94%, 0.51%

LAB 56.57, 65.06, 65.53

 

CMYK 0 / 34 / 45 / 35

HEX #A76F5C

RGB 167 111 92

HSL 15.2, 0.3%, 0.51%

LAB 52.24, 19.92, 19.64

 

CMYK 0 / 18 / 24 / 42

HEX #937970

RGB 147 121 112

HSL 15.43, 0.14%, 0.51%

LAB 53, 8.62, 8.71

 

CMYK 4 / 1 / 0 / 48

HEX #7F8384

RGB 127 131 132

HSL 192, 0.02%, 0.51%

LAB 54.46, -1.27, -1.06

 

CMYK 31 / 8 / 0 / 40

HEX #6A8D99

RGB 106 141 153

HSL 195.32, 0.19%, 0.51%

LAB 56.5, -9.18, -10.33

 

CMYK 50 / 13 / 0 / 32

HEX #5697AD

RGB 86 151 173

HSL 195.17, 0.35%, 0.51%

LAB 59.09, -14.62, -17.93

 

CMYK 0 / 45 / 32 / 35

HEX #A75C71

RGB 167 92 113

HSL 343.2, 0.3%, 0.51%

LAB 48.34, 33.1, 1.74

 

CMYK 0 / 45 / 44 / 35

HEX #A75C5D

RGB 167 92 93

HSL 359.2, 0.3%, 0.51%

LAB 47.83, 30.65, 13.04

 

CMYK 0 / 34 / 45 / 35

HEX #A76F5C

RGB 167 111 92

HSL 15.2, 0.3%, 0.51%

LAB 52.24, 19.92, 19.64

 

CMYK 0 / 22 / 45 / 35

HEX #A7835C

RGB 167 131 92

HSL 31.2, 0.3%, 0.51%

LAB 57.29, 8.61, 26.33

 

CMYK 0 / 10 / 45 / 35

HEX #A7975C

RGB 167 151 92

HSL 47.2, 0.3%, 0.51%

LAB 62.61, -2.48, 33.15

 

CMYK 0 / 35 / 46 / 55

HEX #734B3E

RGB 115 75 62

HSL 14.72, 0.3%, 0.35%

LAB 36.03, 15.3, 14.68

 

CMYK 0 / 35 / 46 / 44

HEX #8E5D4C

RGB 142 93 76

HSL 15.45, 0.3%, 0.43%

LAB 44.38, 17.96, 17.97

 

CMYK 0 / 34 / 45 / 35

HEX #A76F5C

RGB 167 111 92

HSL 15.2, 0.3%, 0.51%

LAB 52.24, 19.92, 19.64

 

CMYK 0 / 25 / 34 / 29

HEX #B58777

RGB 181 135 119

HSL 15.48, 0.3%, 0.59%

LAB 60.32, 15.38, 15.46

 

CMYK 0 / 19 / 26 / 23

HEX #C49E92

RGB 196 158 146

HSL 14.4, 0.3%, 0.67%

LAB 68.22, 12.26, 11.59

 

CMYK 0 / 33 / 45 / 34

HEX #A8705D

RGB 168 112 93

HSL 15.2, 0.3%, 0.51%

LAB 52.62, 19.88, 19.6

 

CMYK 20 / 0 / 45 / 35

HEX #85A75C

RGB 133 167 92

HSL 87.2, 0.3%, 0.51%

LAB 64.48, -24.74, 34.94

 

CMYK 45 / 38 / 0 / 35

HEX #5C67A7

RGB 92 103 167

HSL 231.2, 0.3%, 0.51%

LAB 45.31, 13.17, -35.78

 

CMYK 0 / 33 / 45 / 34

HEX #A8705D

RGB 168 112 93

HSL 15.2, 0.3%, 0.51%

LAB 52.62, 19.88, 19.6

 

CMYK 45 / 0 / 34 / 35

HEX #5CA76F

RGB 92 167 111

HSL 135.2, 0.3%, 0.51%

LAB 62.56, -35.86, 21.9

 

CMYK 34 / 45 / 0 / 35

HEX #6F5CA7

RGB 111 92 167

HSL 255.2, 0.3%, 0.51%

LAB 43.98, 25.14, -37.78

 

CMYK 0 / 33 / 45 / 34

HEX #A8705D

RGB 168 112 93

HSL 15.2, 0.3%, 0.51%

LAB 52.62, 19.88, 19.6

 

CMYK 20 / 0 / 45 / 35

HEX #85A75C

RGB 133 167 92

HSL 87.2, 0.3%, 0.51%

LAB 64.48, -24.74, 34.94

 

CMYK 45 / 11 / 0 / 35

HEX #5C94A7

RGB 92 148 167

HSL 195.2, 0.3%, 0.51%

LAB 58.27, -13.23, -15.74

 

CMYK 25 / 45 / 0 / 35

HEX #7E5CA7

RGB 126 92 167

HSL 267.2, 0.3%, 0.51%

LAB 45.47, 29.47, -35.33

 

CMYK 0 / 33 / 45 / 34

HEX #A8705D

RGB 168 112 93

HSL 15.2, 0.3%, 0.51%

LAB 52.62, 19.88, 19.6

 

CMYK 34 / 0 / 45 / 35

HEX #6FA75C

RGB 111 167 92

HSL 104.8, 0.3%, 0.51%

LAB 63.17, -32.83, 33.01

 

CMYK 45 / 11 / 0 / 35

HEX #5C94A7

RGB 92 148 167

HSL 195.2, 0.3%, 0.51%

LAB 58.27, -13.23, -15.74

 

CMYK 11 / 45 / 0 / 35

HEX #945CA7

RGB 148 92 167

HSL 284.8, 0.3%, 0.51%

LAB 47.93, 36.08, -31.3

 

Description

Color code: RGB 168 112 93 | qconv.com Color code: RGB 168 112 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 112 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 112 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 45 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 45% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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