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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 212 224 it is the complementary color RGB 87 43 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 212 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 212 224 shade: RGB 173 212 219, RGB 190 230 238, RGB 207 248 255, RGB 224 255 255 and RGB 241 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 212 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 212 224 shade: RGB 168 212 224, RGB 151 194 205, RGB 134 176 186, RGB 117 158 167 and RGB 100 140 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 212 224 shade: RGB 168 212 223, RGB 168 197 223, RGB 168 182 223, RGB 170 168 223 and RGB 184 168 223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 212 224 shade: RGB 168 212 223, RGB 168 197 223, RGB 168 182 223 and RGB 168 168 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 212 224 shade matches the following richer shades: RGB 168 212 223, RGB 159 217 233, RGB 149 222 242 and RGB 140 228 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 212 224 shade: RGB 168 212 223, RGB 178 206 214, RGB 187 201 204, RGB 197 195 195 and RGB 206 190 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 212 224 shade: RGB 168 223 205, RGB 168 223 220, RGB 168 212 223, RGB 168 198 223 and RGB 168 183 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 212 224 shade: RGB 108 181 202, RGB 138 197 212, RGB 168 212 223, RGB 199 227 234 and RGB 229 242 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 212 224 shade: RGB 168 212 224, RGB 190 168 223 and RGB 223 212 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 212 224 shade: RGB 168 212 224, RGB 223 168 212 and RGB 212 223 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 212 224 shade: RGB 168 212 224, RGB 190 168 223, RGB 223 179 168 and RGB 201 223 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 212 224 shade: RGB 168 212 224, RGB 207 168 223, RGB 223 179 168 and RGB 185 223 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 5 / 0 / 12

HEX #A8D4E0

RGB 168 212 224

HSL 192.86, 0.47%, 0.77%

LAB 82.27, -11.65, -10.63

 

Complementary color

CMYK 0 / 51 / 64 / 66

HEX #572B1F

RGB 87 43 31

HSL 12.86, 0.47%, 0.23%

LAB 23.18, 18.99, 16.85

 

CMYK 21 / 3 / 0 / 14

HEX #ADD4DB

RGB 173 212 219

HSL 189.13, 0.39%, 0.77%

LAB 82.42, -11.25, -7.7

 

CMYK 20 / 3 / 0 / 7

HEX #BEE6EE

RGB 190 230 238

HSL 190, 0.59%, 0.84%

LAB 88.79, -11.23, -8.2

 

CMYK 19 / 3 / 0 / 0

HEX #CFF8FF

RGB 207 248 255

HSL 188.75, 1%, 0.91%

LAB 95, -11.64, -7.73

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 25 / 5 / 0 / 12

HEX #A8D4E0

RGB 168 212 224

HSL 192.86, 0.47%, 0.77%

LAB 82.27, -11.65, -10.63

 

CMYK 26 / 5 / 0 / 20

HEX #97C2CD

RGB 151 194 205

HSL 192.22, 0.35%, 0.7%

LAB 75.8, -11.65, -10.17

 

CMYK 28 / 5 / 0 / 27

HEX #86B0BA

RGB 134 176 186

HSL 191.54, 0.27%, 0.63%

LAB 69.23, -11.67, -9.69

 

CMYK 30 / 5 / 0 / 35

HEX #759EA7

RGB 117 158 167

HSL 190.8, 0.22%, 0.56%

LAB 62.53, -11.69, -9.2

 

CMYK 32 / 5 / 0 / 42

HEX #648C94

RGB 100 140 148

HSL 190, 0.19%, 0.49%

LAB 55.69, -11.71, -8.7

 

CMYK 25 / 5 / 0 / 13

HEX #A8D4DF

RGB 168 212 223

HSL 192, 0.46%, 0.77%

LAB 82.24, -11.87, -10.14

 

CMYK 25 / 12 / 0 / 13

HEX #A8C5DF

RGB 168 197 223

HSL 208.36, 0.46%, 0.77%

LAB 78.22, -4.02, -16.16

 

CMYK 25 / 18 / 0 / 13

HEX #A8B6DF

RGB 168 182 223

HSL 224.73, 0.46%, 0.77%

LAB 74.26, 4.07, -22.16

 

CMYK 24 / 25 / 0 / 13

HEX #AAA8DF

RGB 170 168 223

HSL 242.18, 0.46%, 0.77%

LAB 70.79, 12.41, -27.45

 

CMYK 17 / 25 / 0 / 13

HEX #B8A8DF

RGB 184 168 223

HSL 257.45, 0.46%, 0.77%

LAB 71.91, 16.72, -25.63

 

CMYK 25 / 5 / 0 / 13

HEX #A8D4DF

RGB 168 212 223

HSL 192, 0.46%, 0.77%

LAB 82.24, -11.87, -10.14

 

CMYK 25 / 12 / 0 / 13

HEX #A8C5DF

RGB 168 197 223

HSL 208.36, 0.46%, 0.77%

LAB 78.22, -4.02, -16.16

 

CMYK 25 / 18 / 0 / 13

HEX #A8B6DF

RGB 168 182 223

HSL 224.73, 0.46%, 0.77%

LAB 74.26, 4.07, -22.16

 

CMYK 25 / 25 / 0 / 13

HEX #A8A8DF

RGB 168 168 223

HSL 240, 0.46%, 0.77%

LAB 70.63, 11.81, -27.7

 

CMYK 25 / 5 / 0 / 13

HEX #A8D4DF

RGB 168 212 223

HSL 192, 0.46%, 0.77%

LAB 82.24, -11.87, -10.14

 

CMYK 32 / 7 / 0 / 9

HEX #9FD9E9

RGB 159 217 233

HSL 192.97, 0.63%, 0.77%

LAB 83.38, -14.71, -13.81

 

CMYK 38 / 8 / 0 / 5

HEX #95DEF2

RGB 149 222 242

HSL 192.9, 0.78%, 0.77%

LAB 84.51, -17.72, -16.94

 

CMYK 44 / 10 / 0 / 1

HEX #8CE4FC

RGB 140 228 252

HSL 192.86, 0.95%, 0.77%

LAB 86.05, -20.39, -19.92

 

CMYK 25 / 5 / 0 / 13

HEX #A8D4DF

RGB 168 212 223

HSL 192, 0.46%, 0.77%

LAB 82.24, -11.87, -10.14

 

CMYK 17 / 4 / 0 / 16

HEX #B2CED6

RGB 178 206 214

HSL 193.33, 0.31%, 0.77%

LAB 81, -7.66, -7.12

 

CMYK 8 / 1 / 0 / 20

HEX #BBC9CC

RGB 187 201 204

HSL 190.59, 0.14%, 0.77%

LAB 80.01, -4.16, -3.14

 

CMYK 0 / 1 / 1 / 23

HEX #C5C3C3

RGB 197 195 195

HSL 0, 0.02%, 0.77%

LAB 78.95, 0.7, 0.24

 

CMYK 0 / 8 / 10 / 19

HEX #CEBEB9

RGB 206 190 185

HSL 14.29, 0.18%, 0.77%

LAB 78.14, 4.79, 4.55

 

CMYK 25 / 0 / 8 / 13

HEX #A8DFCD

RGB 168 223 205

HSL 160.36, 0.46%, 0.77%

LAB 84.74, -21.27, 3.1

 

CMYK 25 / 0 / 1 / 13

HEX #A8DFDC

RGB 168 223 220

HSL 176.73, 0.46%, 0.77%

LAB 85.13, -18.12, -4.26

 

CMYK 25 / 5 / 0 / 13

HEX #A8D4DF

RGB 168 212 223

HSL 192, 0.46%, 0.77%

LAB 82.24, -11.87, -10.14

 

CMYK 25 / 11 / 0 / 13

HEX #A8C6DF

RGB 168 198 223

HSL 207.27, 0.46%, 0.77%

LAB 78.49, -4.55, -15.76

 

CMYK 25 / 18 / 0 / 13

HEX #A8B7DF

RGB 168 183 223

HSL 223.64, 0.46%, 0.77%

LAB 74.52, 3.53, -21.76

 

CMYK 47 / 10 / 0 / 21

HEX #6CB5CA

RGB 108 181 202

HSL 193.4, 0.47%, 0.61%

LAB 69.82, -17.21, -17.74

 

CMYK 35 / 7 / 0 / 17

HEX #8AC5D4

RGB 138 197 212

HSL 192.16, 0.46%, 0.69%

LAB 76.12, -15.25, -13.55

 

CMYK 25 / 5 / 0 / 13

HEX #A8D4DF

RGB 168 212 223

HSL 192, 0.46%, 0.77%

LAB 82.24, -11.87, -10.14

 

CMYK 15 / 3 / 0 / 8

HEX #C7E3EA

RGB 199 227 234

HSL 192, 0.45%, 0.85%

LAB 88.46, -7.77, -6.52

 

CMYK 7 / 1 / 0 / 4

HEX #E5F2F5

RGB 229 242 245

HSL 191.25, 0.44%, 0.93%

LAB 94.63, -3.71, -2.93

 

CMYK 25 / 5 / 0 / 12

HEX #A8D4E0

RGB 168 212 224

HSL 192.86, 0.47%, 0.77%

LAB 82.27, -11.65, -10.63

 

CMYK 15 / 25 / 0 / 13

HEX #BEA8DF

RGB 190 168 223

HSL 264, 0.46%, 0.77%

LAB 72.42, 18.61, -24.82

 

CMYK 0 / 5 / 25 / 13

HEX #DFD4A8

RGB 223 212 168

HSL 48, 0.46%, 0.77%

LAB 84.79, -3.06, 23.18

 

CMYK 25 / 5 / 0 / 12

HEX #A8D4E0

RGB 168 212 224

HSL 192.86, 0.47%, 0.77%

LAB 82.27, -11.65, -10.63

 

CMYK 0 / 25 / 5 / 13

HEX #DFA8D4

RGB 223 168 212

HSL 312, 0.46%, 0.77%

LAB 75.11, 27.26, -14.43

 

CMYK 5 / 0 / 25 / 13

HEX #D4DFA8

RGB 212 223 168

HSL 72, 0.46%, 0.77%

LAB 86.8, -12.74, 25.79

 

CMYK 25 / 5 / 0 / 12

HEX #A8D4E0

RGB 168 212 224

HSL 192.86, 0.47%, 0.77%

LAB 82.27, -11.65, -10.63

 

CMYK 15 / 25 / 0 / 13

HEX #BEA8DF

RGB 190 168 223

HSL 264, 0.46%, 0.77%

LAB 72.42, 18.61, -24.82

 

CMYK 0 / 20 / 25 / 13

HEX #DFB3A8

RGB 223 179 168

HSL 12, 0.46%, 0.77%

LAB 76.53, 14.3, 11.65

 

CMYK 10 / 0 / 25 / 13

HEX #C9DFA8

RGB 201 223 168

HSL 84, 0.46%, 0.77%

LAB 86.02, -16.74, 24.59

 

CMYK 25 / 5 / 0 / 12

HEX #A8D4E0

RGB 168 212 224

HSL 192.86, 0.47%, 0.77%

LAB 82.27, -11.65, -10.63

 

CMYK 7 / 25 / 0 / 13

HEX #CFA8DF

RGB 207 168 223

HSL 282.55, 0.46%, 0.77%

LAB 73.93, 24.04, -22.36

 

CMYK 0 / 20 / 25 / 13

HEX #DFB3A8

RGB 223 179 168

HSL 12, 0.46%, 0.77%

LAB 76.53, 14.3, 11.65

 

CMYK 17 / 0 / 25 / 13

HEX #B9DFA8

RGB 185 223 168

HSL 101.45, 0.46%, 0.77%

LAB 84.95, -22.41, 22.96

 

Description

Color code: RGB 168 212 224 | qconv.com Color code: RGB 168 212 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 212 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 212 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 5 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 5% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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