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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 80 169 it is the complementary color RGB 87 175 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 80 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 80 169 shade: RGB 173 80 164, RGB 190 98 183, RGB 207 116 202, RGB 224 134 221 and RGB 241 152 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 80 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 80 169 shade: RGB 168 80 169, RGB 151 62 150, RGB 134 44 131, RGB 117 26 112 and RGB 100 8 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 80 169 shade: RGB 168 79 169, RGB 169 79 146, RGB 169 79 122, RGB 169 79 98 and RGB 169 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 80 169 shade: RGB 168 79 169, RGB 144 79 169, RGB 120 79 169, RGB 96 79 169 and RGB 79 79 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 80 169 shade matches the following richer shades: RGB 168 79 169, RGB 188 59 190, RGB 208 39 210 and RGB 228 19 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 80 169 shade: RGB 168 79 169, RGB 149 100 149, RGB 129 120 129, RGB 109 140 109 and RGB 89 160 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 80 169 shade: RGB 120 79 169, RGB 144 79 169, RGB 168 79 169, RGB 169 79 147 and RGB 169 79 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 80 169 shade: RGB 113 53 113, RGB 141 66 141, RGB 168 79 169, RGB 184 106 184 and RGB 197 134 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 80 169 shade: RGB 168 80 169, RGB 169 96 79 and RGB 79 169 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 80 169 shade: RGB 168 80 169, RGB 169 168 79 and RGB 79 169 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 80 169 shade: RGB 168 80 169, RGB 169 96 79, RGB 81 169 79 and RGB 79 153 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 80 169 shade: RGB 168 80 169, RGB 169 123 79, RGB 81 169 79 and RGB 79 126 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 53 / 0 / 34

HEX #A850A9

RGB 168 80 169

HSL 299.33, 0.36%, 0.49%

LAB 48.17, 48.73, -31.91

 

Complementary color

CMYK 50 / 0 / 51 / 31

HEX #57AF56

RGB 87 175 86

HSL 119.33, 0.36%, 0.51%

LAB 64.45, -44.78, 37.43

 

CMYK 0 / 54 / 5 / 32

HEX #AD50A4

RGB 173 80 164

HSL 305.81, 0.37%, 0.5%

LAB 48.64, 49.27, -28.18

 

CMYK 0 / 48 / 4 / 25

HEX #BE62B7

RGB 190 98 183

HSL 304.57, 0.41%, 0.56%

LAB 55.18, 48.66, -28.92

 

CMYK 0 / 44 / 2 / 19

HEX #CF74CA

RGB 207 116 202

HSL 303.3, 0.49%, 0.63%

LAB 61.67, 47.96, -29.53

 

CMYK 0 / 40 / 1 / 12

HEX #E086DD

RGB 224 134 221

HSL 302, 0.59%, 0.7%

LAB 68.11, 47.24, -30.04

 

CMYK 0 / 37 / 0 / 5

HEX #F198F0

RGB 241 152 240

HSL 300.67, 0.76%, 0.77%

LAB 74.48, 46.5, -30.49

 

CMYK 1 / 53 / 0 / 34

HEX #A850A9

RGB 168 80 169

HSL 299.33, 0.36%, 0.49%

LAB 48.17, 48.73, -31.91

 

CMYK 0 / 59 / 1 / 41

HEX #973E96

RGB 151 62 150

HSL 300.67, 0.42%, 0.42%

LAB 41.57, 49.18, -31.11

 

CMYK 0 / 67 / 2 / 47

HEX #862C83

RGB 134 44 131

HSL 302, 0.51%, 0.35%

LAB 35.02, 49.26, -29.98

 

CMYK 0 / 78 / 4 / 54

HEX #751A70

RGB 117 26 112

HSL 303.3, 0.64%, 0.28%

LAB 28.62, 48.58, -28.32

 

CMYK 0 / 92 / 7 / 61

HEX #64085D

RGB 100 8 93

HSL 304.57, 0.85%, 0.21%

LAB 22.56, 46.5, -25.75

 

CMYK 1 / 53 / 0 / 34

HEX #A84FA9

RGB 168 79 169

HSL 299.33, 0.36%, 0.49%

LAB 47.98, 49.22, -32.2

 

CMYK 0 / 53 / 14 / 34

HEX #A94F92

RGB 169 79 146

HSL 315.33, 0.36%, 0.49%

LAB 47.11, 45.52, -19.9

 

CMYK 0 / 53 / 28 / 34

HEX #A94F7A

RGB 169 79 122

HSL 331.33, 0.36%, 0.49%

LAB 46.22, 41.89, -6.78

 

CMYK 0 / 53 / 42 / 34

HEX #A94F62

RGB 169 79 98

HSL 347.33, 0.36%, 0.49%

LAB 45.51, 38.88, 6.8

 

CMYK 0 / 53 / 53 / 34

HEX #A94F4F

RGB 169 79 79

HSL 0, 0.36%, 0.49%

LAB 45.07, 36.96, 17.76

 

CMYK 1 / 53 / 0 / 34

HEX #A84FA9

RGB 168 79 169

HSL 299.33, 0.36%, 0.49%

LAB 47.98, 49.22, -32.2

 

CMYK 15 / 53 / 0 / 34

HEX #904FA9

RGB 144 79 169

HSL 283.33, 0.36%, 0.49%

LAB 44.78, 42.47, -37.46

 

CMYK 29 / 53 / 0 / 34

HEX #784FA9

RGB 120 79 169

HSL 267.33, 0.36%, 0.49%

LAB 41.92, 35.88, -42.18

 

CMYK 43 / 53 / 0 / 34

HEX #604FA9

RGB 96 79 169

HSL 251.33, 0.36%, 0.49%

LAB 39.48, 29.72, -46.21

 

CMYK 53 / 53 / 0 / 34

HEX #4F4FA9

RGB 79 79 169

HSL 240, 0.36%, 0.49%

LAB 38.05, 25.82, -48.59

 

CMYK 1 / 53 / 0 / 34

HEX #A84FA9

RGB 168 79 169

HSL 299.33, 0.36%, 0.49%

LAB 47.98, 49.22, -32.2

 

CMYK 1 / 69 / 0 / 25

HEX #BC3BBE

RGB 188 59 190

HSL 299.08, 0.53%, 0.49%

LAB 48.93, 66.5, -42.8

 

CMYK 1 / 81 / 0 / 18

HEX #D027D2

RGB 208 39 210

HSL 299.3, 0.69%, 0.49%

LAB 51.28, 79.52, -50.4

 

CMYK 1 / 92 / 0 / 10

HEX #E413E6

RGB 228 19 230

HSL 299.43, 0.85%, 0.49%

LAB 54.73, 89.12, -56.07

 

CMYK 1 / 53 / 0 / 34

HEX #A84FA9

RGB 168 79 169

HSL 299.33, 0.36%, 0.49%

LAB 47.98, 49.22, -32.2

 

CMYK 0 / 33 / 0 / 42

HEX #956495

RGB 149 100 149

HSL 300, 0.2%, 0.49%

LAB 49.1, 28.14, -18.86

 

CMYK 0 / 7 / 0 / 49

HEX #817881

RGB 129 120 129

HSL 300, 0.04%, 0.49%

LAB 51.48, 5.2, -3.67

 

CMYK 22 / 0 / 22 / 45

HEX #6D8C6D

RGB 109 140 109

HSL 120, 0.12%, 0.49%

LAB 55.19, -17.36, 13.06

 

CMYK 44 / 0 / 44 / 37

HEX #59A059

RGB 89 160 89

HSL 120, 0.29%, 0.49%

LAB 59.88, -37.32, 30.17

 

CMYK 29 / 53 / 0 / 34

HEX #784FA9

RGB 120 79 169

HSL 267.33, 0.36%, 0.49%

LAB 41.92, 35.88, -42.18

 

CMYK 15 / 53 / 0 / 34

HEX #904FA9

RGB 144 79 169

HSL 283.33, 0.36%, 0.49%

LAB 44.78, 42.47, -37.46

 

CMYK 1 / 53 / 0 / 34

HEX #A84FA9

RGB 168 79 169

HSL 299.33, 0.36%, 0.49%

LAB 47.98, 49.22, -32.2

 

CMYK 0 / 53 / 13 / 34

HEX #A94F93

RGB 169 79 147

HSL 314.67, 0.36%, 0.49%

LAB 47.15, 45.69, -20.44

 

CMYK 0 / 53 / 27 / 34

HEX #A94F7B

RGB 169 79 123

HSL 330.67, 0.36%, 0.49%

LAB 46.25, 42.03, -7.34

 

CMYK 0 / 53 / 0 / 56

HEX #713571

RGB 113 53 113

HSL 300, 0.36%, 0.33%

LAB 32.37, 35.65, -23.1

 

CMYK 0 / 53 / 0 / 45

HEX #8D428D

RGB 141 66 141

HSL 300, 0.36%, 0.41%

LAB 40.38, 42.72, -27.63

 

CMYK 1 / 53 / 0 / 34

HEX #A84FA9

RGB 168 79 169

HSL 299.33, 0.36%, 0.49%

LAB 47.98, 49.22, -32.2

 

CMYK 0 / 42 / 0 / 28

HEX #B86AB8

RGB 184 106 184

HSL 300, 0.35%, 0.57%

LAB 56.05, 42.9, -28.21

 

CMYK 1 / 32 / 0 / 22

HEX #C586C6

RGB 197 134 198

HSL 299.06, 0.36%, 0.65%

LAB 64.16, 34.55, -23.54

 

CMYK 1 / 53 / 0 / 34

HEX #A850A9

RGB 168 80 169

HSL 299.33, 0.36%, 0.49%

LAB 48.17, 48.73, -31.91

 

CMYK 0 / 43 / 53 / 34

HEX #A9604F

RGB 169 96 79

HSL 11.33, 0.36%, 0.49%

LAB 48.72, 27.84, 22.59

 

CMYK 53 / 0 / 22 / 34

HEX #4FA984

RGB 79 169 132

HSL 155.33, 0.36%, 0.49%

LAB 63.1, -35.92, 11.02

 

CMYK 1 / 53 / 0 / 34

HEX #A850A9

RGB 168 80 169

HSL 299.33, 0.36%, 0.49%

LAB 48.17, 48.73, -31.91

 

CMYK 0 / 1 / 53 / 34

HEX #A9A84F

RGB 169 168 79

HSL 59.33, 0.36%, 0.49%

LAB 67.28, -11.95, 45.45

 

CMYK 53 / 0 / 1 / 34

HEX #4FA9A8

RGB 79 169 168

HSL 179.33, 0.36%, 0.49%

LAB 64.05, -26.93, -7.68

 

CMYK 1 / 53 / 0 / 34

HEX #A850A9

RGB 168 80 169

HSL 299.33, 0.36%, 0.49%

LAB 48.17, 48.73, -31.91

 

CMYK 0 / 43 / 53 / 34

HEX #A9604F

RGB 169 96 79

HSL 11.33, 0.36%, 0.49%

LAB 48.72, 27.84, 22.59

 

CMYK 52 / 0 / 53 / 34

HEX #51A94F

RGB 81 169 79

HSL 118.67, 0.36%, 0.49%

LAB 62.24, -44.95, 38.17

 

CMYK 53 / 9 / 0 / 34

HEX #4F99A9

RGB 79 153 169

HSL 190.67, 0.36%, 0.49%

LAB 59.26, -18.44, -15.44

 

CMYK 1 / 53 / 0 / 34

HEX #A850A9

RGB 168 80 169

HSL 299.33, 0.36%, 0.49%

LAB 48.17, 48.73, -31.91

 

CMYK 0 / 27 / 53 / 34

HEX #A97B4F

RGB 169 123 79

HSL 29.33, 0.36%, 0.49%

LAB 55.24, 12.67, 30.95

 

CMYK 52 / 0 / 53 / 34

HEX #51A94F

RGB 81 169 79

HSL 118.67, 0.36%, 0.49%

LAB 62.24, -44.95, 38.17

 

CMYK 53 / 25 / 0 / 34

HEX #4F7EA9

RGB 79 126 169

HSL 208.67, 0.36%, 0.49%

LAB 51.21, -3.37, -27.78

 

Description

Color code: RGB 168 80 169 | qconv.com Color code: RGB 168 80 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 80 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 80 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 53 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 53% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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