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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 134 74 it is the complementary color RGB 86 121 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 134 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 134 74 shade: RGB 174 134 69, RGB 191 152 88, RGB 208 170 107, RGB 225 188 126 and RGB 242 206 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 134 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 134 74 shade: RGB 169 134 74, RGB 152 116 55, RGB 135 98 36, RGB 118 80 17 and RGB 101 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 134 74 shade: RGB 170 134 74, RGB 170 109 74, RGB 170 83 74 and RGB 170 74 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 134 74 shade: RGB 170 134 74, RGB 170 160 74, RGB 153 170 74, RGB 128 170 74 and RGB 102 170 74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 134 74 shade matches the following richer shades: RGB 170 134 74, RGB 189 140 54, RGB 209 145 35 and RGB 229 150 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 134 74 shade: RGB 170 134 74, RGB 150 129 94, RGB 130 124 114, RGB 110 119 134 and RGB 90 114 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 134 74 shade: RGB 170 82 74, RGB 170 108 74, RGB 170 133 74, RGB 170 158 74 and RGB 155 170 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 134 74 shade: RGB 112 89 49, RGB 141 112 62, RGB 170 134 74, RGB 186 154 99 and RGB 199 173 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 134 74 shade: RGB 169 134 74, RGB 92 170 74 and RGB 95 74 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 134 74 shade: RGB 169 134 74, RGB 74 170 133 and RGB 133 74 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 134 74 shade: RGB 169 134 74, RGB 92 170 74, RGB 74 111 170 and RGB 152 74 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 134 74 shade: RGB 169 134 74, RGB 74 170 85, RGB 74 111 170 and RGB 170 74 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 56 / 34

HEX #A9864A

RGB 169 134 74

HSL 37.89, 0.39%, 0.48%

LAB 58.02, 6.05, 37.03

 

Complementary color

CMYK 52 / 33 / 0 / 29

HEX #5679B5

RGB 86 121 181

HSL 217.89, 0.39%, 0.52%

LAB 50.67, 5.04, -35.53

 

CMYK 0 / 23 / 60 / 32

HEX #AE8645

RGB 174 134 69

HSL 37.14, 0.43%, 0.48%

LAB 58.49, 7.84, 40.3

 

CMYK 0 / 20 / 54 / 25

HEX #BF9858

RGB 191 152 88

HSL 37.28, 0.45%, 0.55%

LAB 65.15, 6.8, 38.91

 

CMYK 0 / 18 / 49 / 18

HEX #D0AA6B

RGB 208 170 107

HSL 37.43, 0.52%, 0.62%

LAB 71.7, 5.92, 37.56

 

CMYK 0 / 16 / 44 / 12

HEX #E1BC7E

RGB 225 188 126

HSL 37.58, 0.62%, 0.69%

LAB 78.16, 5.17, 36.26

 

CMYK 0 / 15 / 40 / 5

HEX #F2CE91

RGB 242 206 145

HSL 37.73, 0.79%, 0.76%

LAB 84.52, 4.53, 35.03

 

CMYK 0 / 21 / 56 / 34

HEX #A9864A

RGB 169 134 74

HSL 37.89, 0.39%, 0.48%

LAB 58.02, 6.05, 37.03

 

CMYK 0 / 24 / 64 / 40

HEX #987437

RGB 152 116 55

HSL 37.73, 0.47%, 0.41%

LAB 51.2, 7.16, 38.43

 

CMYK 0 / 27 / 73 / 47

HEX #876224

RGB 135 98 36

HSL 37.58, 0.58%, 0.34%

LAB 44.25, 8.54, 39.69

 

CMYK 0 / 32 / 86 / 54

HEX #765011

RGB 118 80 17

HSL 37.43, 0.75%, 0.26%

LAB 37.17, 10.29, 40.36

 

CMYK 0 / 39 / 100 / 60

HEX #653E00

RGB 101 62 0

HSL 36.83, 1%, 0.2%

LAB 29.94, 12.45, 39.82

 

CMYK 0 / 21 / 56 / 33

HEX #AA864A

RGB 170 134 74

HSL 37.5, 0.39%, 0.48%

LAB 58.12, 6.48, 37.18

 

CMYK 0 / 36 / 56 / 33

HEX #AA6D4A

RGB 170 109 74

HSL 21.88, 0.39%, 0.48%

LAB 51.81, 20.55, 29.45

 

CMYK 0 / 51 / 56 / 33

HEX #AA534A

RGB 170 83 74

HSL 5.63, 0.39%, 0.48%

LAB 45.94, 34.83, 21.94

 

CMYK 0 / 56 / 56 / 33

HEX #AA4A4A

RGB 170 74 74

HSL 0, 0.39%, 0.48%

LAB 44.14, 39.45, 19.58

 

CMYK 0 / 21 / 56 / 33

HEX #AA864A

RGB 170 134 74

HSL 37.5, 0.39%, 0.48%

LAB 58.12, 6.48, 37.18

 

CMYK 0 / 6 / 56 / 33

HEX #AAA04A

RGB 170 160 74

HSL 53.75, 0.39%, 0.48%

LAB 65.11, -7.72, 45.37

 

CMYK 10 / 0 / 56 / 33

HEX #99AA4A

RGB 153 170 74

HSL 70.63, 0.39%, 0.48%

LAB 66.53, -20.11, 46.63

 

CMYK 25 / 0 / 56 / 33

HEX #80AA4A

RGB 128 170 74

HSL 86.25, 0.39%, 0.48%

LAB 64.83, -30.14, 44.23

 

CMYK 40 / 0 / 56 / 33

HEX #66AA4A

RGB 102 170 74

HSL 102.5, 0.39%, 0.48%

LAB 63.4, -39.54, 42.2

 

CMYK 0 / 21 / 56 / 33

HEX #AA864A

RGB 170 134 74

HSL 37.5, 0.39%, 0.48%

LAB 58.12, 6.48, 37.18

 

CMYK 0 / 26 / 71 / 26

HEX #BD8C36

RGB 189 140 54

HSL 38.22, 0.56%, 0.48%

LAB 61.52, 10.16, 51.25

 

CMYK 0 / 31 / 83 / 18

HEX #D19123

RGB 209 145 35

HSL 37.93, 0.71%, 0.48%

LAB 64.9, 15.44, 62.53

 

CMYK 0 / 34 / 93 / 10

HEX #E5960F

RGB 229 150 15

HSL 37.85, 0.88%, 0.48%

LAB 68.39, 20.99, 71.12

 

CMYK 0 / 21 / 56 / 33

HEX #AA864A

RGB 170 134 74

HSL 37.5, 0.39%, 0.48%

LAB 58.12, 6.48, 37.18

 

CMYK 0 / 14 / 37 / 41

HEX #96815E

RGB 150 129 94

HSL 37.5, 0.23%, 0.48%

LAB 55.06, 2.75, 21.96

 

CMYK 0 / 5 / 12 / 49

HEX #827C72

RGB 130 124 114

HSL 37.5, 0.07%, 0.48%

LAB 52.26, 0.42, 6.27

 

CMYK 18 / 11 / 0 / 47

HEX #6E7786

RGB 110 119 134

HSL 217.5, 0.1%, 0.48%

LAB 49.77, 0.02, -9.33

 

CMYK 41 / 25 / 0 / 40

HEX #5A7299

RGB 90 114 153

HSL 217.14, 0.26%, 0.48%

LAB 47.63, 1.7, -23.92

 

CMYK 0 / 52 / 56 / 33

HEX #AA524A

RGB 170 82 74

HSL 5, 0.39%, 0.48%

LAB 45.74, 35.35, 21.67

 

CMYK 0 / 36 / 56 / 33

HEX #AA6C4A

RGB 170 108 74

HSL 21.25, 0.39%, 0.48%

LAB 51.57, 21.12, 29.15

 

CMYK 0 / 22 / 56 / 33

HEX #AA854A

RGB 170 133 74

HSL 36.88, 0.39%, 0.48%

LAB 57.86, 7.04, 36.87

 

CMYK 0 / 7 / 56 / 33

HEX #AA9E4A

RGB 170 158 74

HSL 52.5, 0.39%, 0.48%

LAB 64.56, -6.65, 44.74

 

CMYK 9 / 0 / 56 / 33

HEX #9BAA4A

RGB 155 170 74

HSL 69.38, 0.39%, 0.48%

LAB 66.68, -19.28, 46.84

 

CMYK 0 / 21 / 56 / 56

HEX #705931

RGB 112 89 49

HSL 38.1, 0.39%, 0.32%

LAB 39.26, 4.05, 26.53

 

CMYK 0 / 21 / 56 / 45

HEX #8D703E

RGB 141 112 62

HSL 37.97, 0.39%, 0.4%

LAB 49.01, 5.05, 31.87

 

CMYK 0 / 21 / 56 / 33

HEX #AA864A

RGB 170 134 74

HSL 37.5, 0.39%, 0.48%

LAB 58.12, 6.48, 37.18

 

CMYK 0 / 17 / 47 / 27

HEX #BA9A63

RGB 186 154 99

HSL 37.93, 0.39%, 0.56%

LAB 65.32, 4.62, 33.24

 

CMYK 0 / 13 / 36 / 22

HEX #C7AD80

RGB 199 173 128

HSL 38.03, 0.39%, 0.64%

LAB 71.95, 2.92, 26.61

 

CMYK 0 / 21 / 56 / 34

HEX #A9864A

RGB 169 134 74

HSL 37.89, 0.39%, 0.48%

LAB 58.02, 6.05, 37.03

 

CMYK 46 / 0 / 56 / 33

HEX #5CAA4A

RGB 92 170 74

HSL 108.75, 0.39%, 0.48%

LAB 62.94, -42.76, 41.55

 

CMYK 44 / 56 / 0 / 33

HEX #5F4AAA

RGB 95 74 170

HSL 253.13, 0.39%, 0.48%

LAB 38.26, 32.83, -48.79

 

CMYK 0 / 21 / 56 / 34

HEX #A9864A

RGB 169 134 74

HSL 37.89, 0.39%, 0.48%

LAB 58.02, 6.05, 37.03

 

CMYK 56 / 0 / 22 / 33

HEX #4AAA85

RGB 74 170 133

HSL 156.88, 0.39%, 0.48%

LAB 63.26, -37.3, 10.67

 

CMYK 22 / 56 / 0 / 33

HEX #854AAA

RGB 133 74 170

HSL 276.88, 0.39%, 0.48%

LAB 42.44, 42.38, -41.85

 

CMYK 0 / 21 / 56 / 34

HEX #A9864A

RGB 169 134 74

HSL 37.89, 0.39%, 0.48%

LAB 58.02, 6.05, 37.03

 

CMYK 46 / 0 / 56 / 33

HEX #5CAA4A

RGB 92 170 74

HSL 108.75, 0.39%, 0.48%

LAB 62.94, -42.76, 41.55

 

CMYK 56 / 35 / 0 / 33

HEX #4A6FAA

RGB 74 111 170

HSL 216.88, 0.39%, 0.48%

LAB 46.61, 4.83, -35.56

 

CMYK 11 / 56 / 0 / 33

HEX #984AAA

RGB 152 74 170

HSL 288.75, 0.39%, 0.48%

LAB 44.91, 47.47, -37.79

 

CMYK 0 / 21 / 56 / 34

HEX #A9864A

RGB 169 134 74

HSL 37.89, 0.39%, 0.48%

LAB 58.02, 6.05, 37.03

 

CMYK 56 / 0 / 50 / 33

HEX #4AAA55

RGB 74 170 85

HSL 126.88, 0.39%, 0.48%

LAB 62.39, -46.37, 35.28

 

CMYK 56 / 35 / 0 / 33

HEX #4A6FAA

RGB 74 111 170

HSL 216.88, 0.39%, 0.48%

LAB 46.61, 4.83, -35.56

 

CMYK 0 / 56 / 7 / 33

HEX #AA4A9E

RGB 170 74 158

HSL 307.5, 0.39%, 0.48%

LAB 46.86, 50.26, -27.43

 

Description

Color code: RGB 169 134 74 | qconv.com Color code: RGB 169 134 74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 134 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 134 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 56 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 56% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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