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Color name
RGB 16 147 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 147 89 it is the complementary color RGB 239 108 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 147 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 147 89 shade: RGB 21 147 84, RGB 38 165 103, RGB 55 183 122, RGB 72 201 141 and RGB 89 219 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 147 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 147 89 shade: RGB 16 147 89, RGB 0 129 70, RGB 0 111 51, RGB 0 93 32 and RGB 0 75 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 147 89 shade: RGB 16 146 89, RGB 16 146 53, RGB 16 146 18, RGB 49 146 16 and RGB 84 146 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 147 89 shade: RGB 16 146 89, RGB 16 146 124, RGB 16 134 146, RGB 16 99 146 and RGB 16 63 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 147 89 shade matches the following richer shades: RGB 16 146 89 and RGB 3 160 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 147 89 shade: RGB 16 146 89, RGB 29 133 87, RGB 42 120 86, RGB 55 107 84 and RGB 69 94 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 147 89 shade: RGB 16 146 18, RGB 16 146 53, RGB 16 146 88, RGB 16 146 122 and RGB 16 135 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 147 89 shade: RGB 8 72 44, RGB 12 109 66, RGB 16 146 89, RGB 20 184 111 and RGB 24 221 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 147 89 shade: RGB 16 147 89, RGB 16 48 146 and RGB 146 35 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 147 89 shade: RGB 16 147 89, RGB 88 16 146 and RGB 146 88 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 147 89 shade: RGB 16 147 89, RGB 16 48 146, RGB 146 16 75 and RGB 146 114 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 147 89 shade: RGB 16 147 89, RGB 22 16 146, RGB 146 16 75 and RGB 140 146 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 39 / 42

HEX #109359

RGB 16 147 89

HSL 153.44, 0.8%, 0.32%

LAB 53.71, -46.52, 21.74

 

Complementary color

CMYK 0 / 55 / 31 / 6

HEX #EF6CA6

RGB 239 108 166

HSL 333.44, 0.8%, 0.68%

LAB 63.2, 56.35, -6.32

 

CMYK 86 / 0 / 43 / 42

HEX #159354

RGB 21 147 84

HSL 150, 0.75%, 0.33%

LAB 53.67, -47.11, 24.45

 

CMYK 77 / 0 / 38 / 35

HEX #26A567

RGB 38 165 103

HSL 150.71, 0.63%, 0.4%

LAB 60.16, -48.22, 22.75

 

CMYK 70 / 0 / 33 / 28

HEX #37B77A

RGB 55 183 122

HSL 151.41, 0.54%, 0.47%

LAB 66.58, -48.87, 21.21

 

CMYK 64 / 0 / 30 / 21

HEX #48C98D

RGB 72 201 141

HSL 152.09, 0.54%, 0.54%

LAB 72.94, -49.23, 19.82

 

CMYK 59 / 0 / 27 / 14

HEX #59DBA0

RGB 89 219 160

HSL 152.77, 0.64%, 0.6%

LAB 79.23, -49.39, 18.54

 

CMYK 89 / 0 / 39 / 42

HEX #109359

RGB 16 147 89

HSL 153.44, 0.8%, 0.32%

LAB 53.71, -46.52, 21.74

 

CMYK 100 / 0 / 46 / 49

HEX #008146

RGB 0 129 70

HSL 152.56, 1%, 0.25%

LAB 47.16, -44.72, 23.63

 

CMYK 100 / 0 / 54 / 56

HEX #006F33

RGB 0 111 51

HSL 147.57, 1%, 0.22%

LAB 40.59, -41.75, 25.75

 

CMYK 100 / 0 / 66 / 64

HEX #005D20

RGB 0 93 32

HSL 140.65, 1%, 0.18%

LAB 33.84, -38.42, 27.78

 

CMYK 100 / 0 / 83 / 71

HEX #004B0D

RGB 0 75 13

HSL 130.4, 1%, 0.15%

LAB 26.91, -34.51, 29.21

 

CMYK 89 / 0 / 39 / 43

HEX #109259

RGB 16 146 89

HSL 153.69, 0.8%, 0.32%

LAB 53.37, -46.14, 21.3

 

CMYK 89 / 0 / 64 / 43

HEX #109235

RGB 16 146 53

HSL 137.08, 0.8%, 0.32%

LAB 52.87, -52.19, 39.31

 

CMYK 89 / 0 / 88 / 43

HEX #109212

RGB 16 146 18

HSL 120.92, 0.8%, 0.32%

LAB 52.63, -55.14, 51.78

 

CMYK 66 / 0 / 89 / 43

HEX #319210

RGB 49 146 16

HSL 104.77, 0.8%, 0.32%

LAB 53.22, -50.07, 52.98

 

CMYK 42 / 0 / 89 / 43

HEX #549210

RGB 84 146 16

HSL 88.62, 0.8%, 0.32%

LAB 54.53, -39.78, 54.63

 

CMYK 89 / 0 / 39 / 43

HEX #109259

RGB 16 146 89

HSL 153.69, 0.8%, 0.32%

LAB 53.37, -46.14, 21.3

 

CMYK 89 / 0 / 15 / 43

HEX #10927C

RGB 16 146 124

HSL 169.85, 0.8%, 0.32%

LAB 54.16, -37.53, 2.55

 

CMYK 89 / 8 / 0 / 43

HEX #108692

RGB 16 134 146

HSL 185.54, 0.8%, 0.32%

LAB 50.96, -25.03, -14.94

 

CMYK 89 / 32 / 0 / 43

HEX #106392

RGB 16 99 146

HSL 201.69, 0.8%, 0.32%

LAB 39.76, -5.39, -32.27

 

CMYK 89 / 57 / 0 / 43

HEX #103F92

RGB 16 63 146

HSL 218.31, 0.8%, 0.32%

LAB 28.75, 18.48, -49.92

 

CMYK 89 / 0 / 39 / 43

HEX #109259

RGB 16 146 89

HSL 153.69, 0.8%, 0.32%

LAB 53.37, -46.14, 21.3

 

CMYK 98 / 0 / 44 / 37

HEX #03A05A

RGB 3 160 90

HSL 153.25, 0.96%, 0.32%

LAB 57.94, -51.83, 26.76

 

CMYK 89 / 0 / 39 / 43

HEX #109259

RGB 16 146 89

HSL 153.69, 0.8%, 0.32%

LAB 53.37, -46.14, 21.3

 

CMYK 78 / 0 / 35 / 48

HEX #1D8557

RGB 29 133 87

HSL 153.46, 0.64%, 0.32%

LAB 49.16, -40.08, 16.78

 

CMYK 65 / 0 / 28 / 53

HEX #2A7856

RGB 42 120 86

HSL 153.85, 0.48%, 0.32%

LAB 45.08, -32.44, 11.8

 

CMYK 49 / 0 / 21 / 58

HEX #376B54

RGB 55 107 84

HSL 153.46, 0.32%, 0.32%

LAB 41.16, -23.39, 7.57

 

CMYK 27 / 0 / 12 / 63

HEX #455E53

RGB 69 94 83

HSL 153.6, 0.15%, 0.32%

LAB 37.65, -11.98, 3.27

 

CMYK 89 / 0 / 88 / 43

HEX #109212

RGB 16 146 18

HSL 120.92, 0.8%, 0.32%

LAB 52.63, -55.14, 51.78

 

CMYK 89 / 0 / 64 / 43

HEX #109235

RGB 16 146 53

HSL 137.08, 0.8%, 0.32%

LAB 52.87, -52.19, 39.31

 

CMYK 89 / 0 / 40 / 43

HEX #109258

RGB 16 146 88

HSL 153.23, 0.8%, 0.32%

LAB 53.35, -46.35, 21.83

 

CMYK 89 / 0 / 16 / 43

HEX #10927A

RGB 16 146 122

HSL 168.92, 0.8%, 0.32%

LAB 54.1, -38.08, 3.63

 

CMYK 89 / 8 / 0 / 43

HEX #108792

RGB 16 135 146

HSL 185.08, 0.8%, 0.32%

LAB 51.28, -25.54, -14.45

 

CMYK 89 / 0 / 39 / 72

HEX #08482C

RGB 8 72 44

HSL 153.75, 0.8%, 0.16%

LAB 26.36, -26.83, 11.49

 

CMYK 89 / 0 / 39 / 57

HEX #0C6D42

RGB 12 109 66

HSL 153.4, 0.8%, 0.24%

LAB 40.26, -36.95, 16.85

 

CMYK 89 / 0 / 39 / 43

HEX #109259

RGB 16 146 89

HSL 153.69, 0.8%, 0.32%

LAB 53.37, -46.14, 21.3

 

CMYK 89 / 0 / 40 / 28

HEX #14B86F

RGB 20 184 111

HSL 153.29, 0.8%, 0.4%

LAB 66.2, -55.43, 26.46

 

CMYK 89 / 0 / 39 / 13

HEX #18DD86

RGB 24 221 134

HSL 153.5, 0.8%, 0.48%

LAB 78.24, -63.78, 30.5

 

CMYK 89 / 0 / 39 / 42

HEX #109359

RGB 16 147 89

HSL 153.44, 0.8%, 0.32%

LAB 53.71, -46.52, 21.74

 

CMYK 89 / 67 / 0 / 43

HEX #103092

RGB 16 48 146

HSL 225.23, 0.8%, 0.32%

LAB 24.64, 28.88, -56.64

 

CMYK 0 / 76 / 89 / 43

HEX #922310

RGB 146 35 16

HSL 8.77, 0.8%, 0.32%

LAB 32.59, 45.15, 38.69

 

CMYK 89 / 0 / 39 / 42

HEX #109359

RGB 16 147 89

HSL 153.44, 0.8%, 0.32%

LAB 53.71, -46.52, 21.74

 

CMYK 40 / 89 / 0 / 43

HEX #581092

RGB 88 16 146

HSL 273.23, 0.8%, 0.32%

LAB 25.32, 53.09, -55.28

 

CMYK 0 / 40 / 89 / 43

HEX #925810

RGB 146 88 16

HSL 33.23, 0.8%, 0.32%

LAB 42.96, 18.68, 47.09

 

CMYK 89 / 0 / 39 / 42

HEX #109359

RGB 16 147 89

HSL 153.44, 0.8%, 0.32%

LAB 53.71, -46.52, 21.74

 

CMYK 89 / 67 / 0 / 43

HEX #103092

RGB 16 48 146

HSL 225.23, 0.8%, 0.32%

LAB 24.64, 28.88, -56.64

 

CMYK 0 / 89 / 49 / 43

HEX #92104B

RGB 146 16 75

HSL 332.77, 0.8%, 0.32%

LAB 31.78, 53.68, 1.12

 

CMYK 0 / 22 / 89 / 43

HEX #927210

RGB 146 114 16

HSL 45.23, 0.8%, 0.32%

LAB 49.72, 3.68, 52.55

 

CMYK 89 / 0 / 39 / 42

HEX #109359

RGB 16 147 89

HSL 153.44, 0.8%, 0.32%

LAB 53.71, -46.52, 21.74

 

CMYK 85 / 89 / 0 / 43

HEX #161092

RGB 22 16 146

HSL 242.77, 0.8%, 0.32%

LAB 18.44, 47.33, -66.89

 

CMYK 0 / 89 / 49 / 43

HEX #92104B

RGB 146 16 75

HSL 332.77, 0.8%, 0.32%

LAB 31.78, 53.68, 1.12

 

CMYK 4 / 0 / 89 / 43

HEX #8C9210

RGB 140 146 16

HSL 62.77, 0.8%, 0.32%

LAB 58.2, -16.65, 59.17

 

Description

Color code: RGB 16 147 89 | qconv.com Color code: RGB 16 147 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 147 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 147 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 39 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 39% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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