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Color name
RGB 170 112 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 112 129 it is the complementary color RGB 85 143 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 112 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 112 129 shade: RGB 175 112 124, RGB 192 130 143, RGB 209 148 162, RGB 226 166 181 and RGB 243 184 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 112 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 112 129 shade: RGB 170 112 129, RGB 153 94 110, RGB 136 76 91, RGB 119 58 72 and RGB 102 40 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 112 129 shade: RGB 168 111 128, RGB 168 111 112 and RGB 168 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 112 129 shade: RGB 168 111 128, RGB 168 111 143, RGB 168 111 159, RGB 163 111 168 and RGB 147 111 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 112 129 shade matches the following richer shades: RGB 168 111 128, RGB 187 92 120, RGB 206 74 113, RGB 224 55 105 and RGB 243 37 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 112 129 shade: RGB 168 111 128, RGB 150 130 136, RGB 131 148 143, RGB 113 167 151 and RGB 94 185 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 112 129 shade: RGB 168 111 159, RGB 168 111 144, RGB 168 111 128, RGB 168 111 113 and RGB 168 124 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 112 129 shade: RGB 123 74 88, RGB 149 89 107, RGB 168 111 128, RGB 184 137 151 and RGB 199 163 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 112 129 shade: RGB 170 112 129, RGB 168 163 111 and RGB 111 151 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 112 129 shade: RGB 170 112 129, RGB 128 168 111 and RGB 111 128 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 112 129 shade: RGB 170 112 129, RGB 168 163 111, RGB 111 168 151 and RGB 111 117 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 112 129 shade: RGB 170 112 129, RGB 157 168 111, RGB 111 168 151 and RGB 123 111 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 24 / 33

HEX #AA7081

RGB 170 112 129

HSL 342.41, 0.25%, 0.55%

LAB 53.73, 25.41, 0.13

 

Complementary color

CMYK 41 / 0 / 12 / 44

HEX #558F7E

RGB 85 143 126

HSL 162.41, 0.25%, 0.45%

LAB 55.16, -23.16, 3.09

 

CMYK 0 / 36 / 29 / 31

HEX #AF707C

RGB 175 112 124

HSL 348.57, 0.28%, 0.56%

LAB 54.19, 26.58, 3.81

 

CMYK 0 / 32 / 26 / 25

HEX #C0828F

RGB 192 130 143

HSL 347.42, 0.33%, 0.63%

LAB 60.92, 25.74, 2.79

 

CMYK 0 / 29 / 22 / 18

HEX #D194A2

RGB 209 148 162

HSL 346.23, 0.4%, 0.7%

LAB 67.53, 24.98, 1.86

 

CMYK 0 / 27 / 20 / 11

HEX #E2A6B5

RGB 226 166 181

HSL 345, 0.51%, 0.77%

LAB 74.05, 24.29, 1.02

 

CMYK 0 / 24 / 18 / 5

HEX #F3B8C8

RGB 243 184 200

HSL 343.73, 0.71%, 0.84%

LAB 80.46, 23.66, 0.24

 

CMYK 0 / 34 / 24 / 33

HEX #AA7081

RGB 170 112 129

HSL 342.41, 0.25%, 0.55%

LAB 53.73, 25.41, 0.13

 

CMYK 0 / 39 / 28 / 40

HEX #995E6E

RGB 153 94 110

HSL 343.73, 0.24%, 0.48%

LAB 46.85, 26.27, 1.15

 

CMYK 0 / 44 / 33 / 47

HEX #884C5B

RGB 136 76 91

HSL 345, 0.28%, 0.42%

LAB 39.85, 27.22, 2.35

 

CMYK 0 / 51 / 39 / 53

HEX #773A48

RGB 119 58 72

HSL 346.23, 0.34%, 0.35%

LAB 32.74, 28.24, 3.83

 

CMYK 0 / 61 / 48 / 60

HEX #662835

RGB 102 40 53

HSL 347.42, 0.44%, 0.28%

LAB 25.56, 29.24, 5.77

 

CMYK 0 / 34 / 24 / 34

HEX #A86F80

RGB 168 111 128

HSL 342.11, 0.25%, 0.55%

LAB 53.22, 25.06, -0.05

 

CMYK 0 / 34 / 33 / 34

HEX #A86F70

RGB 168 111 112

HSL 358.95, 0.25%, 0.55%

LAB 52.8, 22.77, 8.75

 

CMYK 0 / 34 / 34 / 34

HEX #A86F6F

RGB 168 111 111

HSL 0, 0.25%, 0.55%

LAB 52.78, 22.64, 9.3

 

CMYK 0 / 34 / 24 / 34

HEX #A86F80

RGB 168 111 128

HSL 342.11, 0.25%, 0.55%

LAB 53.22, 25.06, -0.05

 

CMYK 0 / 34 / 15 / 34

HEX #A86F8F

RGB 168 111 143

HSL 326.32, 0.25%, 0.55%

LAB 53.68, 27.48, -8.18

 

CMYK 0 / 34 / 5 / 34

HEX #A86F9F

RGB 168 111 159

HSL 309.47, 0.25%, 0.55%

LAB 54.24, 30.31, -16.69

 

CMYK 3 / 34 / 0 / 34

HEX #A36FA8

RGB 163 111 168

HSL 294.74, 0.25%, 0.55%

LAB 54.01, 30.36, -22.32

 

CMYK 13 / 34 / 0 / 34

HEX #936FA8

RGB 147 111 168

HSL 277.89, 0.25%, 0.55%

LAB 52.29, 25.1, -25.12

 

CMYK 0 / 34 / 24 / 34

HEX #A86F80

RGB 168 111 128

HSL 342.11, 0.25%, 0.55%

LAB 53.22, 25.06, -0.05

 

CMYK 0 / 51 / 36 / 27

HEX #BB5C78

RGB 187 92 120

HSL 342.32, 0.41%, 0.55%

LAB 51.35, 41.23, 2.27

 

CMYK 0 / 64 / 45 / 19

HEX #CE4A71

RGB 206 74 113

HSL 342.27, 0.57%, 0.55%

LAB 50.93, 55.23, 6.24

 

CMYK 0 / 75 / 53 / 12

HEX #E03769

RGB 224 55 105

HSL 342.25, 0.73%, 0.55%

LAB 51.38, 66.77, 12.15

 

CMYK 0 / 85 / 60 / 5

HEX #F32561

RGB 243 37 97

HSL 342.52, 0.9%, 0.55%

LAB 53.21, 75.68, 20.07

 

CMYK 0 / 34 / 24 / 34

HEX #A86F80

RGB 168 111 128

HSL 342.11, 0.25%, 0.55%

LAB 53.22, 25.06, -0.05

 

CMYK 0 / 13 / 9 / 41

HEX #968288

RGB 150 130 136

HSL 342, 0.09%, 0.55%

LAB 56.31, 8.68, -0.43

 

CMYK 11 / 0 / 3 / 42

HEX #83948F

RGB 131 148 143

HSL 162.35, 0.07%, 0.55%

LAB 59.88, -7.1, 0.57

 

CMYK 32 / 0 / 10 / 35

HEX #71A797

RGB 113 167 151

HSL 162.22, 0.23%, 0.55%

LAB 64.47, -21.39, 2.6

 

CMYK 49 / 0 / 14 / 27

HEX #5EB99F

RGB 94 185 159

HSL 162.86, 0.39%, 0.55%

LAB 69.17, -33.54, 4.87

 

CMYK 0 / 34 / 5 / 34

HEX #A86F9F

RGB 168 111 159

HSL 309.47, 0.25%, 0.55%

LAB 54.24, 30.31, -16.69

 

CMYK 0 / 34 / 14 / 34

HEX #A86F90

RGB 168 111 144

HSL 325.26, 0.25%, 0.55%

LAB 53.72, 27.65, -8.72

 

CMYK 0 / 34 / 24 / 34

HEX #A86F80

RGB 168 111 128

HSL 342.11, 0.25%, 0.55%

LAB 53.22, 25.06, -0.05

 

CMYK 0 / 34 / 33 / 34

HEX #A86F71

RGB 168 111 113

HSL 357.89, 0.25%, 0.55%

LAB 52.82, 22.9, 8.2

 

CMYK 0 / 26 / 34 / 34

HEX #A87C6F

RGB 168 124 111

HSL 13.68, 0.25%, 0.55%

LAB 55.98, 15.27, 13.79

 

CMYK 0 / 40 / 28 / 52

HEX #7B4A58

RGB 123 74 88

HSL 342.86, 0.25%, 0.39%

LAB 37.5, 22.82, 0.61

 

CMYK 0 / 40 / 28 / 42

HEX #95596B

RGB 149 89 107

HSL 342, 0.25%, 0.47%

LAB 45.08, 27.14, 0.32

 

CMYK 0 / 34 / 24 / 34

HEX #A86F80

RGB 168 111 128

HSL 342.11, 0.25%, 0.55%

LAB 53.22, 25.06, -0.05

 

CMYK 0 / 26 / 18 / 28

HEX #B88997

RGB 184 137 151

HSL 342.13, 0.25%, 0.63%

LAB 61.93, 20.08, -0.42

 

CMYK 0 / 18 / 13 / 22

HEX #C7A3AD

RGB 199 163 173

HSL 343.33, 0.24%, 0.71%

LAB 70.42, 14.84, -0.18

 

CMYK 0 / 34 / 24 / 33

HEX #AA7081

RGB 170 112 129

HSL 342.41, 0.25%, 0.55%

LAB 53.73, 25.41, 0.13

 

CMYK 0 / 3 / 34 / 34

HEX #A8A36F

RGB 168 163 111

HSL 54.74, 0.25%, 0.55%

LAB 66.26, -6.34, 27.71

 

CMYK 34 / 10 / 0 / 34

HEX #6F97A8

RGB 111 151 168

HSL 197.89, 0.25%, 0.55%

LAB 60.19, -9.4, -13.31

 

CMYK 0 / 34 / 24 / 33

HEX #AA7081

RGB 170 112 129

HSL 342.41, 0.25%, 0.55%

LAB 53.73, 25.41, 0.13

 

CMYK 24 / 0 / 34 / 34

HEX #80A86F

RGB 128 168 111

HSL 102.11, 0.25%, 0.55%

LAB 64.76, -24.46, 25.18

 

CMYK 34 / 24 / 0 / 34

HEX #6F80A8

RGB 111 128 168

HSL 222.11, 0.25%, 0.55%

LAB 53.65, 3.7, -23.27

 

CMYK 0 / 34 / 24 / 33

HEX #AA7081

RGB 170 112 129

HSL 342.41, 0.25%, 0.55%

LAB 53.73, 25.41, 0.13

 

CMYK 0 / 3 / 34 / 34

HEX #A8A36F

RGB 168 163 111

HSL 54.74, 0.25%, 0.55%

LAB 66.26, -6.34, 27.71

 

CMYK 34 / 0 / 10 / 34

HEX #6FA897

RGB 111 168 151

HSL 162.11, 0.25%, 0.55%

LAB 64.66, -22.5, 2.87

 

CMYK 34 / 30 / 0 / 34

HEX #6F75A8

RGB 111 117 168

HSL 233.68, 0.25%, 0.55%

LAB 50.6, 10.23, -27.98

 

CMYK 0 / 34 / 24 / 33

HEX #AA7081

RGB 170 112 129

HSL 342.41, 0.25%, 0.55%

LAB 53.73, 25.41, 0.13

 

CMYK 7 / 0 / 34 / 34

HEX #9DA86F

RGB 157 168 111

HSL 71.58, 0.25%, 0.55%

LAB 66.76, -13.4, 28.2

 

CMYK 34 / 0 / 10 / 34

HEX #6FA897

RGB 111 168 151

HSL 162.11, 0.25%, 0.55%

LAB 64.66, -22.5, 2.87

 

CMYK 27 / 34 / 0 / 34

HEX #7B6FA8

RGB 123 111 168

HSL 252.63, 0.25%, 0.55%

LAB 49.99, 17.47, -28.87

 

Description

Color code: RGB 170 112 129 | qconv.com Color code: RGB 170 112 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 112 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 112 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 24 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 24% 33% C M Y K

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Provide designers and agencies with accurate color values.

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