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Color name
RGB 170 124 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 124 58 it is the complementary color RGB 85 131 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 124 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 124 58 shade: RGB 175 124 53, RGB 192 142 72, RGB 209 160 91, RGB 226 178 110 and RGB 243 196 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 124 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 124 58 shade: RGB 170 124 58, RGB 153 106 39, RGB 136 88 20, RGB 119 70 1 and RGB 102 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 124 58 shade: RGB 170 124 58, RGB 170 94 58, RGB 170 64 58 and RGB 170 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 124 58 shade: RGB 170 124 58, RGB 170 155 58, RGB 156 170 58, RGB 126 170 58 and RGB 95 170 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 124 58 shade matches the following richer shades: RGB 170 124 58, RGB 189 128 39, RGB 208 131 21 and RGB 226 134 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 124 58 shade: RGB 170 124 58, RGB 152 121 77, RGB 133 118 95, RGB 115 114 114 and RGB 96 111 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 124 58 shade: RGB 170 64 58, RGB 170 94 58, RGB 170 124 58, RGB 170 154 58 and RGB 157 170 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 124 58 shade: RGB 109 79 37, RGB 140 102 48, RGB 170 124 58, RGB 193 145 76 and RGB 204 164 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 124 58 shade: RGB 170 124 58, RGB 82 170 58 and RGB 79 58 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 124 58 shade: RGB 170 124 58, RGB 58 170 124 and RGB 124 58 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 124 58 shade: RGB 170 124 58, RGB 82 170 58, RGB 58 105 170 and RGB 146 58 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 124 58 shade: RGB 170 124 58, RGB 58 170 67, RGB 58 105 170 and RGB 170 58 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

Complementary color

CMYK 57 / 34 / 0 / 23

HEX #5583C5

RGB 85 131 197

HSL 215.36, 0.49%, 0.55%

LAB 54.23, 3.99, -39.1

 

CMYK 0 / 29 / 70 / 31

HEX #AF7C35

RGB 175 124 53

HSL 34.92, 0.54%, 0.45%

LAB 55.87, 12.81, 45.3

 

CMYK 0 / 26 / 63 / 25

HEX #C08E48

RGB 192 142 72

HSL 35, 0.49%, 0.52%

LAB 62.52, 11.46, 43.96

 

CMYK 0 / 23 / 56 / 18

HEX #D1A05B

RGB 209 160 91

HSL 35.08, 0.56%, 0.59%

LAB 69.08, 10.32, 42.56

 

CMYK 0 / 21 / 51 / 11

HEX #E2B26E

RGB 226 178 110

HSL 35.17, 0.67%, 0.66%

LAB 75.54, 9.34, 41.18

 

CMYK 0 / 19 / 47 / 5

HEX #F3C481

RGB 243 196 129

HSL 35.26, 0.83%, 0.73%

LAB 81.9, 8.5, 39.86

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 0 / 31 / 75 / 40

HEX #996A27

RGB 153 106 39

HSL 35.26, 0.59%, 0.38%

LAB 48.54, 12.37, 43.38

 

CMYK 0 / 35 / 85 / 47

HEX #885814

RGB 136 88 20

HSL 35.17, 0.74%, 0.31%

LAB 41.63, 14.18, 44.05

 

CMYK 0 / 41 / 99 / 53

HEX #774601

RGB 119 70 1

HSL 35.08, 0.98%, 0.24%

LAB 34.61, 16.34, 43.83

 

CMYK 0 / 49 / 100 / 60

HEX #663400

RGB 102 52 0

HSL 30.59, 1%, 0.2%

LAB 27.52, 19.04, 37.93

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 0 / 45 / 66 / 33

HEX #AA5E3A

RGB 170 94 58

HSL 19.29, 0.49%, 0.45%

LAB 48.08, 27.71, 33.82

 

CMYK 0 / 62 / 66 / 33

HEX #AA403A

RGB 170 64 58

HSL 3.21, 0.49%, 0.45%

LAB 42.03, 43.12, 26.53

 

CMYK 0 / 66 / 66 / 33

HEX #AA3A3A

RGB 170 58 58

HSL 0, 0.49%, 0.45%

LAB 41.02, 45.82, 25.28

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 0 / 9 / 66 / 33

HEX #AA9B3A

RGB 170 155 58

HSL 51.96, 0.49%, 0.45%

LAB 63.59, -6.19, 51.06

 

CMYK 8 / 0 / 66 / 33

HEX #9CAA3A

RGB 156 170 58

HSL 67.5, 0.49%, 0.45%

LAB 66.61, -20.07, 53.87

 

CMYK 26 / 0 / 66 / 33

HEX #7EAA3A

RGB 126 170 58

HSL 83.57, 0.49%, 0.45%

LAB 64.56, -32.33, 51.08

 

CMYK 44 / 0 / 66 / 33

HEX #5FAA3A

RGB 95 170 58

HSL 100.18, 0.49%, 0.45%

LAB 62.92, -43.47, 48.83

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 0 / 32 / 79 / 26

HEX #BD8027

RGB 189 128 39

HSL 35.6, 0.66%, 0.45%

LAB 58.42, 16.12, 54.45

 

CMYK 0 / 37 / 90 / 18

HEX #D08315

RGB 208 131 21

HSL 35.29, 0.82%, 0.45%

LAB 61.39, 22.27, 63.6

 

CMYK 0 / 41 / 99 / 11

HEX #E28602

RGB 226 134 2

HSL 35.36, 0.98%, 0.45%

LAB 64.34, 28.08, 70.06

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 0 / 20 / 49 / 40

HEX #98794D

RGB 152 121 77

HSL 35.2, 0.33%, 0.45%

LAB 52.82, 6.22, 28.61

 

CMYK 0 / 11 / 29 / 48

HEX #85765F

RGB 133 118 95

HSL 36.32, 0.17%, 0.45%

LAB 50.42, 2, 14.81

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 16 / 0 / 48

HEX #606F84

RGB 96 111 132

HSL 215, 0.16%, 0.45%

LAB 46.34, -0.48, -13.42

 

CMYK 0 / 62 / 66 / 33

HEX #AA403A

RGB 170 64 58

HSL 3.21, 0.49%, 0.45%

LAB 42.03, 43.12, 26.53

 

CMYK 0 / 45 / 66 / 33

HEX #AA5E3A

RGB 170 94 58

HSL 19.29, 0.49%, 0.45%

LAB 48.08, 27.71, 33.82

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 0 / 9 / 66 / 33

HEX #AA9A3A

RGB 170 154 58

HSL 51.43, 0.49%, 0.45%

LAB 63.31, -5.65, 50.77

 

CMYK 8 / 0 / 66 / 33

HEX #9DAA3A

RGB 157 170 58

HSL 66.96, 0.49%, 0.45%

LAB 66.69, -19.65, 53.98

 

CMYK 0 / 28 / 66 / 57

HEX #6D4F25

RGB 109 79 37

HSL 35, 0.49%, 0.29%

LAB 35.94, 7.65, 29.24

 

CMYK 0 / 27 / 66 / 45

HEX #8C6630

RGB 140 102 48

HSL 35.22, 0.49%, 0.37%

LAB 46.03, 9.28, 35.81

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 0 / 25 / 61 / 24

HEX #C1914C

RGB 193 145 76

HSL 35.38, 0.49%, 0.53%

LAB 63.43, 10.53, 43.04

 

CMYK 0 / 20 / 48 / 20

HEX #CCA46B

RGB 204 164 107

HSL 35.26, 0.49%, 0.61%

LAB 69.79, 7.49, 35.05

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 52 / 0 / 66 / 33

HEX #52AA3A

RGB 82 170 58

HSL 107.14, 0.49%, 0.45%

LAB 62.38, -47.46, 48.09

 

CMYK 54 / 66 / 0 / 33

HEX #4F3AAA

RGB 79 58 170

HSL 251.25, 0.49%, 0.45%

LAB 33.12, 39.08, -57.19

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 66 / 0 / 27 / 33

HEX #3AAA7C

RGB 58 170 124

HSL 155.36, 0.49%, 0.45%

LAB 62.6, -42.58, 14.64

 

CMYK 27 / 66 / 0 / 33

HEX #7C3AAA

RGB 124 58 170

HSL 275.36, 0.49%, 0.45%

LAB 38.22, 48.44, -48.67

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 52 / 0 / 66 / 33

HEX #52AA3A

RGB 82 170 58

HSL 107.14, 0.49%, 0.45%

LAB 62.38, -47.46, 48.09

 

CMYK 66 / 38 / 0 / 33

HEX #3A69AA

RGB 58 105 170

HSL 214.82, 0.49%, 0.45%

LAB 44.1, 5.35, -39.59

 

CMYK 14 / 66 / 0 / 33

HEX #923AAA

RGB 146 58 170

HSL 287.14, 0.49%, 0.45%

LAB 41.28, 53.56, -43.6

 

CMYK 0 / 27 / 66 / 33

HEX #AA7C3A

RGB 170 124 58

HSL 35.36, 0.49%, 0.45%

LAB 55.35, 10.89, 42.13

 

CMYK 66 / 0 / 61 / 33

HEX #3AAA43

RGB 58 170 67

HSL 124.82, 0.49%, 0.45%

LAB 61.7, -52.47, 43.11

 

CMYK 66 / 38 / 0 / 33

HEX #3A69AA

RGB 58 105 170

HSL 214.82, 0.49%, 0.45%

LAB 44.1, 5.35, -39.59

 

CMYK 0 / 66 / 5 / 33

HEX #AA3AA1

RGB 170 58 161

HSL 304.82, 0.49%, 0.45%

LAB 44.44, 57.79, -33

 

Description

Color code: RGB 170 124 58 | qconv.com Color code: RGB 170 124 58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 124 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 124 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 66 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 66% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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