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Color name
RGB 170 145 114

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 145 114 it is the complementary color RGB 85 110 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 145 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 145 114 shade: RGB 175 145 109, RGB 192 163 128, RGB 209 181 147, RGB 226 199 166 and RGB 243 217 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 145 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 145 114 shade: RGB 170 145 114, RGB 153 127 95, RGB 136 109 76, RGB 119 91 57 and RGB 102 73 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 145 114 shade: RGB 170 145 114, RGB 170 130 114, RGB 170 115 114 and RGB 170 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 145 114 shade: RGB 170 145 114, RGB 170 160 114, RGB 165 170 114, RGB 150 170 114 and RGB 135 170 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 145 114 shade matches the following richer shades: RGB 170 145 114, RGB 189 147 96, RGB 207 149 78, RGB 225 151 60 and RGB 243 153 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 145 114 shade: RGB 170 145 114, RGB 152 143 132, RGB 134 141 151, RGB 116 139 169 and RGB 98 138 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 145 114 shade: RGB 170 115 114, RGB 170 130 114, RGB 170 145 114, RGB 170 160 114 and RGB 166 170 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 145 114 shade: RGB 126 104 76, RGB 152 125 91, RGB 170 145 114, RGB 186 165 140 and RGB 201 185 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 145 114 shade: RGB 170 145 114, RGB 128 170 114 and RGB 123 114 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 145 114 shade: RGB 170 145 114, RGB 114 170 145 and RGB 145 114 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 145 114 shade: RGB 170 145 114, RGB 128 170 114, RGB 114 139 170 and RGB 156 114 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 145 114 shade: RGB 170 145 114, RGB 114 170 117, RGB 114 139 170 and RGB 170 114 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

Complementary color

CMYK 40 / 22 / 0 / 45

HEX #556E8D

RGB 85 110 141

HSL 213.21, 0.25%, 0.44%

LAB 45.64, -0.83, -19.91

 

CMYK 0 / 17 / 38 / 31

HEX #AF916D

RGB 175 145 109

HSL 32.73, 0.29%, 0.56%

LAB 62.06, 6.1, 23.33

 

CMYK 0 / 15 / 33 / 25

HEX #C0A380

RGB 192 163 128

HSL 32.81, 0.34%, 0.63%

LAB 68.72, 5.51, 22.15

 

CMYK 0 / 13 / 30 / 18

HEX #D1B593

RGB 209 181 147

HSL 32.9, 0.4%, 0.7%

LAB 75.27, 5, 21.05

 

CMYK 0 / 12 / 27 / 11

HEX #E2C7A6

RGB 226 199 166

HSL 33, 0.51%, 0.77%

LAB 81.71, 4.55, 20.03

 

CMYK 0 / 11 / 24 / 5

HEX #F3D9B9

RGB 243 217 185

HSL 33.1, 0.71%, 0.84%

LAB 88.06, 4.15, 19.06

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 0 / 17 / 38 / 40

HEX #997F5F

RGB 153 127 95

HSL 33.1, 0.23%, 0.49%

LAB 54.84, 5.28, 21.14

 

CMYK 0 / 20 / 44 / 47

HEX #886D4C

RGB 136 109 76

HSL 33, 0.28%, 0.42%

LAB 47.87, 6, 22.46

 

CMYK 0 / 24 / 52 / 53

HEX #775B39

RGB 119 91 57

HSL 32.9, 0.35%, 0.35%

LAB 40.73, 6.89, 23.92

 

CMYK 0 / 28 / 63 / 60

HEX #664926

RGB 102 73 38

HSL 32.81, 0.46%, 0.27%

LAB 33.41, 8.05, 25.52

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 0 / 24 / 33 / 33

HEX #AA8272

RGB 170 130 114

HSL 17.14, 0.25%, 0.56%

LAB 57.78, 13.09, 14.6

 

CMYK 0 / 32 / 33 / 33

HEX #AA7372

RGB 170 115 114

HSL 1.07, 0.25%, 0.56%

LAB 54.05, 21.57, 9.38

 

CMYK 0 / 33 / 33 / 33

HEX #AA7272

RGB 170 114 114

HSL 0, 0.25%, 0.56%

LAB 53.81, 22.13, 9.04

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 0 / 6 / 33 / 33

HEX #AAA072

RGB 170 160 114

HSL 49.29, 0.25%, 0.56%

LAB 65.67, -3.53, 25.33

 

CMYK 3 / 0 / 33 / 33

HEX #A5AA72

RGB 165 170 114

HSL 65.36, 0.25%, 0.56%

LAB 67.99, -10.87, 28.33

 

CMYK 12 / 0 / 33 / 33

HEX #96AA72

RGB 150 170 114

HSL 81.43, 0.25%, 0.56%

LAB 66.86, -16.77, 26.63

 

CMYK 21 / 0 / 33 / 33

HEX #87AA72

RGB 135 170 114

HSL 97.5, 0.25%, 0.56%

LAB 65.84, -22.44, 25.08

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 0 / 22 / 49 / 26

HEX #BD9360

RGB 189 147 96

HSL 32.9, 0.41%, 0.56%

LAB 63.78, 9.42, 32.95

 

CMYK 0 / 28 / 62 / 19

HEX #CF954E

RGB 207 149 78

HSL 33.02, 0.57%, 0.56%

LAB 65.99, 14.47, 45.4

 

CMYK 0 / 33 / 73 / 12

HEX #E1973C

RGB 225 151 60

HSL 33.09, 0.73%, 0.56%

LAB 68.36, 20, 56.95

 

CMYK 0 / 37 / 83 / 5

HEX #F3992A

RGB 243 153 42

HSL 33.13, 0.89%, 0.56%

LAB 70.87, 25.84, 66.98

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 0 / 6 / 13 / 40

HEX #988F84

RGB 152 143 132

HSL 33, 0.09%, 0.56%

LAB 59.88, 1.37, 7.04

 

CMYK 11 / 7 / 0 / 41

HEX #868D97

RGB 134 141 151

HSL 215.29, 0.08%, 0.56%

LAB 58.37, -0.45, -6.19

 

CMYK 31 / 18 / 0 / 34

HEX #748BA9

RGB 116 139 169

HSL 213.96, 0.24%, 0.56%

LAB 57.12, -0.91, -18.51

 

CMYK 48 / 26 / 0 / 27

HEX #628ABB

RGB 98 138 187

HSL 213.03, 0.4%, 0.56%

LAB 56.45, -0.27, -29.9

 

CMYK 0 / 32 / 33 / 33

HEX #AA7372

RGB 170 115 114

HSL 1.07, 0.25%, 0.56%

LAB 54.05, 21.57, 9.38

 

CMYK 0 / 24 / 33 / 33

HEX #AA8272

RGB 170 130 114

HSL 17.14, 0.25%, 0.56%

LAB 57.78, 13.09, 14.6

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 0 / 6 / 33 / 33

HEX #AAA072

RGB 170 160 114

HSL 49.29, 0.25%, 0.56%

LAB 65.67, -3.53, 25.33

 

CMYK 2 / 0 / 33 / 33

HEX #A6AA72

RGB 166 170 114

HSL 64.29, 0.25%, 0.56%

LAB 68.07, -10.47, 28.45

 

CMYK 0 / 17 / 40 / 51

HEX #7E684C

RGB 126 104 76

HSL 33.6, 0.25%, 0.4%

LAB 45.44, 4.53, 19.06

 

CMYK 0 / 18 / 40 / 40

HEX #987D5B

RGB 152 125 91

HSL 33.44, 0.25%, 0.48%

LAB 54.13, 5.5, 22.45

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 0 / 11 / 25 / 27

HEX #BAA58C

RGB 186 165 140

HSL 32.61, 0.25%, 0.64%

LAB 68.93, 3.69, 15.77

 

CMYK 0 / 8 / 17 / 21

HEX #C9B9A6

RGB 201 185 166

HSL 32.57, 0.24%, 0.72%

LAB 75.99, 2.55, 11.69

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 25 / 0 / 33 / 33

HEX #80AA72

RGB 128 170 114

HSL 105, 0.25%, 0.56%

LAB 65.4, -24.98, 24.42

 

CMYK 28 / 33 / 0 / 33

HEX #7B72AA

RGB 123 114 170

HSL 249.64, 0.25%, 0.56%

LAB 50.86, 16.19, -28.67

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 33 / 0 / 15 / 33

HEX #72AA91

RGB 114 170 145

HSL 153.21, 0.25%, 0.56%

LAB 65.26, -23.91, 7.08

 

CMYK 15 / 33 / 0 / 33

HEX #9172AA

RGB 145 114 170

HSL 273.21, 0.25%, 0.56%

LAB 52.9, 23.15, -25.34

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 25 / 0 / 33 / 33

HEX #80AA72

RGB 128 170 114

HSL 105, 0.25%, 0.56%

LAB 65.4, -24.98, 24.42

 

CMYK 33 / 18 / 0 / 33

HEX #728BAA

RGB 114 139 170

HSL 213.21, 0.25%, 0.56%

LAB 57.02, -1.25, -19.24

 

CMYK 8 / 33 / 0 / 33

HEX #9C72AA

RGB 156 114 170

HSL 285, 0.25%, 0.56%

LAB 54.03, 26.75, -23.51

 

CMYK 0 / 15 / 33 / 33

HEX #AA9172

RGB 170 145 114

HSL 33.21, 0.25%, 0.56%

LAB 61.66, 4.69, 19.94

 

CMYK 33 / 0 / 31 / 33

HEX #72AA75

RGB 114 170 117

HSL 123.21, 0.25%, 0.56%

LAB 64.65, -29.32, 21.65

 

CMYK 33 / 18 / 0 / 33

HEX #728BAA

RGB 114 139 170

HSL 213.21, 0.25%, 0.56%

LAB 57.02, -1.25, -19.24

 

CMYK 0 / 33 / 1 / 33

HEX #AA72A8

RGB 170 114 168

HSL 302.14, 0.25%, 0.56%

LAB 55.49, 31.01, -19.98

 

Description

Color code: RGB 170 145 114 | qconv.com Color code: RGB 170 145 114 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 145 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 145 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 33 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 33% 33% C M Y K

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Provide designers and agencies with accurate color values.

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