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Color name
RGB 170 146 48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 146 48 it is the complementary color RGB 85 109 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 146 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 146 48 shade: RGB 175 146 43, RGB 192 164 62, RGB 209 182 81, RGB 226 200 100 and RGB 243 218 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 146 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 146 48 shade: RGB 170 146 48, RGB 153 128 29, RGB 136 110 10, RGB 119 92 0 and RGB 102 74 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 146 48 shade: RGB 171 146 48, RGB 171 113 48, RGB 171 80 48 and RGB 171 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 146 48 shade: RGB 171 146 48, RGB 162 171 48, RGB 128 171 48, RGB 95 171 48 and RGB 62 171 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 146 48 shade matches the following richer shades: RGB 171 146 48, RGB 188 157 30 and RGB 206 168 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 146 48 shade: RGB 171 146 48, RGB 153 136 65, RGB 135 125 83, RGB 117 114 101 and RGB 100 103 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 146 48 shade: RGB 171 80 48, RGB 171 113 48, RGB 171 146 48, RGB 162 171 48 and RGB 130 171 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 146 48 shade: RGB 106 91 30, RGB 138 119 39, RGB 171 146 48, RGB 200 172 60 and RGB 209 186 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 146 48 shade: RGB 170 146 48, RGB 48 171 48 and RGB 97 48 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 146 48 shade: RGB 170 146 48, RGB 48 171 146 and RGB 146 48 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 146 48 shade: RGB 170 146 48, RGB 48 171 48, RGB 48 72 171 and RGB 171 48 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 146 48 shade: RGB 170 146 48, RGB 48 171 85, RGB 48 72 171 and RGB 171 48 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 72 / 33

HEX #AA9230

RGB 170 146 48

HSL 48.2, 0.56%, 0.43%

LAB 61.06, -1.9, 52.7

 

Complementary color

CMYK 59 / 47 / 0 / 19

HEX #556DCF

RGB 85 109 207

HSL 228.2, 0.56%, 0.57%

LAB 48.73, 20.75, -53.55

 

CMYK 0 / 17 / 75 / 31

HEX #AF922B

RGB 175 146 43

HSL 46.82, 0.61%, 0.43%

LAB 61.52, 0.1, 55.29

 

CMYK 0 / 15 / 68 / 25

HEX #C0A43E

RGB 192 164 62

HSL 47.08, 0.51%, 0.5%

LAB 68.1, -1.12, 54.7

 

CMYK 0 / 13 / 61 / 18

HEX #D1B651

RGB 209 182 81

HSL 47.34, 0.58%, 0.57%

LAB 74.58, -2.14, 53.73

 

CMYK 0 / 12 / 56 / 11

HEX #E2C864

RGB 226 200 100

HSL 47.62, 0.68%, 0.64%

LAB 80.96, -3, 52.61

 

CMYK 0 / 10 / 51 / 5

HEX #F3DA77

RGB 243 218 119

HSL 47.9, 0.84%, 0.71%

LAB 87.26, -3.73, 51.42

 

CMYK 0 / 14 / 72 / 33

HEX #AA9230

RGB 170 146 48

HSL 48.2, 0.56%, 0.43%

LAB 61.06, -1.9, 52.7

 

CMYK 0 / 16 / 81 / 40

HEX #99801D

RGB 153 128 29

HSL 47.9, 0.68%, 0.36%

LAB 54.34, -0.56, 52.88

 

CMYK 0 / 19 / 93 / 47

HEX #886E0A

RGB 136 110 10

HSL 47.62, 0.86%, 0.29%

LAB 47.51, 1.1, 51.73

 

CMYK 0 / 23 / 100 / 53

HEX #775C00

RGB 119 92 0

HSL 46.39, 1%, 0.23%

LAB 40.53, 3.15, 48.16

 

CMYK 0 / 27 / 100 / 60

HEX #664A00

RGB 102 74 0

HSL 43.53, 1%, 0.2%

LAB 33.4, 5.54, 42.29

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 0 / 34 / 72 / 33

HEX #AB7130

RGB 171 113 48

HSL 31.71, 0.56%, 0.43%

LAB 52.6, 16.94, 44.06

 

CMYK 0 / 53 / 72 / 33

HEX #AB5030

RGB 171 80 48

HSL 15.61, 0.56%, 0.43%

LAB 45.09, 35.03, 35.92

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 5 / 0 / 72 / 33

HEX #A2AB30

RGB 162 171 48

HSL 64.39, 0.56%, 0.43%

LAB 67.29, -18.6, 58.6

 

CMYK 25 / 0 / 72 / 33

HEX #80AB30

RGB 128 171 48

HSL 80.98, 0.56%, 0.43%

LAB 64.91, -32.71, 55.45

 

CMYK 44 / 0 / 72 / 33

HEX #5FAB30

RGB 95 171 48

HSL 97.07, 0.56%, 0.43%

LAB 63.15, -44.7, 53.11

 

CMYK 64 / 0 / 72 / 33

HEX #3EAB30

RGB 62 171 48

HSL 113.17, 0.56%, 0.43%

LAB 61.97, -53.89, 51.52

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 0 / 16 / 84 / 26

HEX #BC9D1E

RGB 188 157 30

HSL 48.23, 0.72%, 0.43%

LAB 65.67, -0.5, 63.77

 

CMYK 0 / 18 / 94 / 19

HEX #CEA80C

RGB 206 168 12

HSL 48.25, 0.89%, 0.43%

LAB 70.28, 1.29, 71.79

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 0 / 11 / 58 / 40

HEX #998841

RGB 153 136 65

HSL 48.41, 0.4%, 0.43%

LAB 56.84, -2.88, 39.87

 

CMYK 0 / 7 / 39 / 47

HEX #877D53

RGB 135 125 83

HSL 48.46, 0.24%, 0.43%

LAB 52.33, -2.77, 24.29

 

CMYK 0 / 3 / 14 / 54

HEX #757265

RGB 117 114 101

HSL 48.75, 0.07%, 0.43%

LAB 47.95, -1.3, 7.62

 

CMYK 16 / 13 / 0 / 53

HEX #646777

RGB 100 103 119

HSL 230.53, 0.09%, 0.43%

LAB 43.86, 2.44, -9.33

 

CMYK 0 / 53 / 72 / 33

HEX #AB5030

RGB 171 80 48

HSL 15.61, 0.56%, 0.43%

LAB 45.09, 35.03, 35.92

 

CMYK 0 / 34 / 72 / 33

HEX #AB7130

RGB 171 113 48

HSL 31.71, 0.56%, 0.43%

LAB 52.6, 16.94, 44.06

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 5 / 0 / 72 / 33

HEX #A2AB30

RGB 162 171 48

HSL 64.39, 0.56%, 0.43%

LAB 67.29, -18.6, 58.6

 

CMYK 24 / 0 / 72 / 33

HEX #82AB30

RGB 130 171 48

HSL 80, 0.56%, 0.43%

LAB 65.03, -31.92, 55.61

 

CMYK 0 / 14 / 72 / 58

HEX #6A5B1E

RGB 106 91 30

HSL 48.16, 0.56%, 0.27%

LAB 38.97, -1.52, 36.03

 

CMYK 0 / 14 / 72 / 46

HEX #8A7727

RGB 138 119 39

HSL 48.48, 0.56%, 0.35%

LAB 50.39, -2, 44.71

 

CMYK 0 / 15 / 72 / 33

HEX #AB9230

RGB 171 146 48

HSL 47.8, 0.56%, 0.43%

LAB 61.16, -1.45, 52.83

 

CMYK 0 / 14 / 70 / 22

HEX #C8AC3C

RGB 200 172 60

HSL 48, 0.56%, 0.51%

LAB 70.95, -2, 58.7

 

CMYK 0 / 11 / 56 / 18

HEX #D1BA5C

RGB 209 186 92

HSL 48.21, 0.56%, 0.59%

LAB 75.73, -3.43, 49.92

 

CMYK 0 / 14 / 72 / 33

HEX #AA9230

RGB 170 146 48

HSL 48.2, 0.56%, 0.43%

LAB 61.06, -1.9, 52.7

 

CMYK 72 / 0 / 72 / 33

HEX #30AB30

RGB 48 171 48

HSL 120, 0.56%, 0.43%

LAB 61.63, -56.72, 51.06

 

CMYK 43 / 72 / 0 / 33

HEX #6130AB

RGB 97 48 171

HSL 263.9, 0.56%, 0.43%

LAB 33.13, 48.08, -57.69

 

CMYK 0 / 14 / 72 / 33

HEX #AA9230

RGB 170 146 48

HSL 48.2, 0.56%, 0.43%

LAB 61.06, -1.9, 52.7

 

CMYK 72 / 0 / 15 / 33

HEX #30AB92

RGB 48 171 146

HSL 167.8, 0.56%, 0.43%

LAB 63.2, -39.26, 3.26

 

CMYK 15 / 72 / 0 / 33

HEX #9230AB

RGB 146 48 171

HSL 287.8, 0.56%, 0.43%

LAB 39.86, 57.92, -46.47

 

CMYK 0 / 14 / 72 / 33

HEX #AA9230

RGB 170 146 48

HSL 48.2, 0.56%, 0.43%

LAB 61.06, -1.9, 52.7

 

CMYK 72 / 0 / 72 / 33

HEX #30AB30

RGB 48 171 48

HSL 120, 0.56%, 0.43%

LAB 61.63, -56.72, 51.06

 

CMYK 72 / 58 / 0 / 33

HEX #3048AB

RGB 48 72 171

HSL 228.29, 0.56%, 0.43%

LAB 34.4, 25.57, -55.78

 

CMYK 0 / 72 / 0 / 33

HEX #AB30AB

RGB 171 48 171

HSL 300, 0.56%, 0.43%

LAB 43.82, 63.39, -39.92

 

CMYK 0 / 14 / 72 / 33

HEX #AA9230

RGB 170 146 48

HSL 48.2, 0.56%, 0.43%

LAB 61.06, -1.9, 52.7

 

CMYK 72 / 0 / 50 / 33

HEX #30AB55

RGB 48 171 85

HSL 138.05, 0.56%, 0.43%

LAB 62.01, -52.21, 34.65

 

CMYK 72 / 58 / 0 / 33

HEX #3048AB

RGB 48 72 171

HSL 228.29, 0.56%, 0.43%

LAB 34.4, 25.57, -55.78

 

CMYK 0 / 72 / 22 / 33

HEX #AB3086

RGB 171 48 134

HSL 318.05, 0.56%, 0.43%

LAB 41.99, 57.76, -20.49

 

Description

Color code: RGB 170 146 48 | qconv.com Color code: RGB 170 146 48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 146 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 146 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 72% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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