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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 149 141 it is the complementary color RGB 85 106 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 149 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 149 141 shade: RGB 175 149 136, RGB 192 167 155, RGB 209 185 174, RGB 226 203 193 and RGB 243 221 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 149 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 149 141 shade: RGB 170 149 141, RGB 153 131 122, RGB 136 113 103, RGB 119 95 84 and RGB 102 77 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 149 141 shade: RGB 170 148 140, RGB 170 140 140 and RGB 170 140 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 149 141 shade: RGB 170 148 140, RGB 170 156 140, RGB 170 164 140, RGB 167 170 140 and RGB 159 170 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 149 141 shade matches the following richer shades: RGB 170 148 140, RGB 186 141 124, RGB 202 134 108, RGB 218 127 92 and RGB 234 120 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 149 141 shade: RGB 170 148 140, RGB 154 156 156, RGB 138 163 172, RGB 122 170 188 and RGB 106 177 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 149 141 shade: RGB 170 140 148, RGB 170 140 140, RGB 170 148 140, RGB 170 156 140 and RGB 170 164 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 149 141 shade: RGB 131 106 97, RGB 152 126 116, RGB 170 148 140, RGB 188 170 164 and RGB 205 192 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 149 141 shade: RGB 170 149 141, RGB 156 170 140 and RGB 140 144 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 149 141 shade: RGB 170 149 141, RGB 140 170 148 and RGB 148 140 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 149 141 shade: RGB 170 149 141, RGB 156 170 140, RGB 140 162 170 and RGB 154 140 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 149 141 shade: RGB 170 149 141, RGB 147 170 140, RGB 140 162 170 and RGB 163 140 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 17 / 33

HEX #AA958D

RGB 170 149 141

HSL 16.55, 0.15%, 0.61%

LAB 63.31, 6.45, 7.08

 

Complementary color

CMYK 25 / 7 / 0 / 55

HEX #556A72

RGB 85 106 114

HSL 196.55, 0.15%, 0.39%

LAB 43.44, -5.81, -7.05

 

CMYK 0 / 15 / 22 / 31

HEX #AF9588

RGB 175 149 136

HSL 20, 0.2%, 0.61%

LAB 63.66, 7.6, 10.45

 

CMYK 0 / 13 / 19 / 25

HEX #C0A79B

RGB 192 167 155

HSL 19.46, 0.23%, 0.68%

LAB 70.32, 7.16, 9.55

 

CMYK 0 / 11 / 17 / 18

HEX #D1B9AE

RGB 209 185 174

HSL 18.86, 0.28%, 0.75%

LAB 76.87, 6.77, 8.7

 

CMYK 0 / 10 / 15 / 11

HEX #E2CBC1

RGB 226 203 193

HSL 18.18, 0.36%, 0.82%

LAB 83.3, 6.42, 7.9

 

CMYK 0 / 9 / 13 / 5

HEX #F3DDD4

RGB 243 221 212

HSL 17.42, 0.56%, 0.89%

LAB 89.64, 6.1, 7.14

 

CMYK 0 / 12 / 17 / 33

HEX #AA958D

RGB 170 149 141

HSL 16.55, 0.15%, 0.61%

LAB 63.31, 6.45, 7.08

 

CMYK 0 / 14 / 20 / 40

HEX #99837A

RGB 153 131 122

HSL 17.42, 0.13%, 0.54%

LAB 56.5, 6.87, 7.96

 

CMYK 0 / 17 / 24 / 47

HEX #887167

RGB 136 113 103

HSL 18.18, 0.14%, 0.47%

LAB 49.52, 7.37, 8.92

 

CMYK 0 / 20 / 29 / 53

HEX #775F54

RGB 119 95 84

HSL 18.86, 0.17%, 0.4%

LAB 42.38, 7.95, 9.98

 

CMYK 0 / 25 / 36 / 60

HEX #664D41

RGB 102 77 65

HSL 19.46, 0.22%, 0.33%

LAB 35.03, 8.67, 11.18

 

CMYK 0 / 13 / 18 / 33

HEX #AA948C

RGB 170 148 140

HSL 16, 0.15%, 0.61%

LAB 63.03, 6.84, 7.23

 

CMYK 0 / 18 / 18 / 33

HEX #AA8C8C

RGB 170 140 140

HSL 0, 0.15%, 0.61%

LAB 60.95, 11.32, 4.25

 

CMYK 0 / 18 / 18 / 33

HEX #AA8C8C

RGB 170 140 140

HSL 0, 0.15%, 0.61%

LAB 60.95, 11.32, 4.25

 

CMYK 0 / 13 / 18 / 33

HEX #AA948C

RGB 170 148 140

HSL 16, 0.15%, 0.61%

LAB 63.03, 6.84, 7.23

 

CMYK 0 / 8 / 18 / 33

HEX #AA9C8C

RGB 170 156 140

HSL 32, 0.15%, 0.61%

LAB 65.13, 2.41, 10.23

 

CMYK 0 / 4 / 18 / 33

HEX #AAA48C

RGB 170 164 140

HSL 48, 0.15%, 0.61%

LAB 67.27, -1.96, 13.24

 

CMYK 2 / 0 / 18 / 33

HEX #A7AA8C

RGB 167 170 140

HSL 66, 0.15%, 0.61%

LAB 68.65, -6.33, 15.14

 

CMYK 6 / 0 / 18 / 33

HEX #9FAA8C

RGB 159 170 140

HSL 82, 0.15%, 0.61%

LAB 68.03, -9.34, 14.18

 

CMYK 0 / 13 / 18 / 33

HEX #AA948C

RGB 170 148 140

HSL 16, 0.15%, 0.61%

LAB 63.03, 6.84, 7.23

 

CMYK 0 / 24 / 33 / 27

HEX #BA8D7C

RGB 186 141 124

HSL 16.45, 0.31%, 0.61%

LAB 62.46, 14.69, 15.68

 

CMYK 0 / 34 / 47 / 21

HEX #CA866C

RGB 202 134 108

HSL 16.6, 0.47%, 0.61%

LAB 62.24, 23.12, 24.66

 

CMYK 0 / 42 / 58 / 15

HEX #DA7F5C

RGB 218 127 92

HSL 16.67, 0.63%, 0.61%

LAB 62.39, 31.87, 34.07

 

CMYK 0 / 49 / 68 / 8

HEX #EA784C

RGB 234 120 76

HSL 16.71, 0.79%, 0.61%

LAB 62.88, 40.68, 43.72

 

CMYK 0 / 13 / 18 / 33

HEX #AA948C

RGB 170 148 140

HSL 16, 0.15%, 0.61%

LAB 63.03, 6.84, 7.23

 

CMYK 1 / 0 / 0 / 39

HEX #9A9C9C

RGB 154 156 156

HSL 180, 0.01%, 0.61%

LAB 64.2, -0.72, -0.26

 

CMYK 20 / 5 / 0 / 33

HEX #8AA3AC

RGB 138 163 172

HSL 195.88, 0.17%, 0.61%

LAB 65.42, -6.67, -7.57

 

CMYK 35 / 10 / 0 / 26

HEX #7AAABC

RGB 122 170 188

HSL 196.36, 0.33%, 0.61%

LAB 66.91, -11.45, -14.34

 

CMYK 48 / 13 / 0 / 20

HEX #6AB1CC

RGB 106 177 204

HSL 196.53, 0.49%, 0.61%

LAB 68.66, -15.02, -20.62

 

CMYK 0 / 18 / 13 / 33

HEX #AA8C94

RGB 170 140 148

HSL 344, 0.15%, 0.61%

LAB 61.17, 12.66, 0.01

 

CMYK 0 / 18 / 18 / 33

HEX #AA8C8C

RGB 170 140 140

HSL 0, 0.15%, 0.61%

LAB 60.95, 11.32, 4.25

 

CMYK 0 / 13 / 18 / 33

HEX #AA948C

RGB 170 148 140

HSL 16, 0.15%, 0.61%

LAB 63.03, 6.84, 7.23

 

CMYK 0 / 8 / 18 / 33

HEX #AA9C8C

RGB 170 156 140

HSL 32, 0.15%, 0.61%

LAB 65.13, 2.41, 10.23

 

CMYK 0 / 4 / 18 / 33

HEX #AAA48C

RGB 170 164 140

HSL 48, 0.15%, 0.61%

LAB 67.27, -1.96, 13.24

 

CMYK 0 / 19 / 26 / 49

HEX #836A61

RGB 131 106 97

HSL 15.88, 0.15%, 0.45%

LAB 46.97, 8.47, 8.79

 

CMYK 0 / 17 / 24 / 40

HEX #987E74

RGB 152 126 116

HSL 16.67, 0.15%, 0.53%

LAB 54.93, 8.38, 9.18

 

CMYK 0 / 13 / 18 / 33

HEX #AA948C

RGB 170 148 140

HSL 16, 0.15%, 0.61%

LAB 63.03, 6.84, 7.23

 

CMYK 0 / 10 / 13 / 26

HEX #BCAAA4

RGB 188 170 164

HSL 15, 0.15%, 0.69%

LAB 70.95, 5.47, 5.44

 

CMYK 0 / 6 / 8 / 20

HEX #CDC0BC

RGB 205 192 188

HSL 14.12, 0.15%, 0.77%

LAB 78.64, 3.87, 3.64

 

CMYK 0 / 12 / 17 / 33

HEX #AA958D

RGB 170 149 141

HSL 16.55, 0.15%, 0.61%

LAB 63.31, 6.45, 7.08

 

CMYK 8 / 0 / 18 / 33

HEX #9CAA8C

RGB 156 170 140

HSL 88, 0.15%, 0.61%

LAB 67.81, -10.46, 13.83

 

CMYK 18 / 15 / 0 / 33

HEX #8C90AA

RGB 140 144 170

HSL 232, 0.15%, 0.61%

LAB 60.27, 4.12, -14.13

 

CMYK 0 / 12 / 17 / 33

HEX #AA958D

RGB 170 149 141

HSL 16.55, 0.15%, 0.61%

LAB 63.31, 6.45, 7.08

 

CMYK 18 / 0 / 13 / 33

HEX #8CAA94

RGB 140 170 148

HSL 136, 0.15%, 0.61%

LAB 66.87, -14.76, 7.94

 

CMYK 13 / 18 / 0 / 33

HEX #948CAA

RGB 148 140 170

HSL 256, 0.15%, 0.61%

LAB 59.85, 9.08, -14.71

 

CMYK 0 / 12 / 17 / 33

HEX #AA958D

RGB 170 149 141

HSL 16.55, 0.15%, 0.61%

LAB 63.31, 6.45, 7.08

 

CMYK 8 / 0 / 18 / 33

HEX #9CAA8C

RGB 156 170 140

HSL 88, 0.15%, 0.61%

LAB 67.81, -10.46, 13.83

 

CMYK 18 / 5 / 0 / 33

HEX #8CA2AA

RGB 140 162 170

HSL 196, 0.15%, 0.61%

LAB 65.21, -5.92, -6.73

 

CMYK 9 / 18 / 0 / 33

HEX #9A8CAA

RGB 154 140 170

HSL 268, 0.15%, 0.61%

LAB 60.36, 11.13, -13.88

 

CMYK 0 / 12 / 17 / 33

HEX #AA958D

RGB 170 149 141

HSL 16.55, 0.15%, 0.61%

LAB 63.31, 6.45, 7.08

 

CMYK 14 / 0 / 18 / 33

HEX #93AA8C

RGB 147 170 140

HSL 106, 0.15%, 0.61%

LAB 67.16, -13.76, 12.83

 

CMYK 18 / 5 / 0 / 33

HEX #8CA2AA

RGB 140 162 170

HSL 196, 0.15%, 0.61%

LAB 65.21, -5.92, -6.73

 

CMYK 4 / 18 / 0 / 33

HEX #A38CAA

RGB 163 140 170

HSL 286, 0.15%, 0.61%

LAB 61.17, 14.24, -12.58

 

Description

Color code: RGB 170 149 141 | qconv.com Color code: RGB 170 149 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 149 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 149 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 17% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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