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Color name
RGB 170 140 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 140 151 it is the complementary color RGB 85 115 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 140 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 140 151 shade: RGB 175 140 146, RGB 192 158 165, RGB 209 176 184, RGB 226 194 203 and RGB 243 212 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 140 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 140 151 shade: RGB 170 140 151, RGB 153 122 132, RGB 136 104 113, RGB 119 86 94 and RGB 102 68 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 140 151 shade: RGB 170 140 151, RGB 170 140 143 and RGB 170 140 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 140 151 shade: RGB 170 140 151, RGB 170 140 159, RGB 170 140 167, RGB 165 140 170 and RGB 157 140 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 140 151 shade matches the following richer shades: RGB 170 140 151, RGB 186 124 147, RGB 202 108 142, RGB 218 92 138 and RGB 234 76 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 140 151 shade: RGB 170 140 151, RGB 154 156 155, RGB 138 172 160, RGB 122 188 164 and RGB 106 204 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 140 151 shade: RGB 170 140 167, RGB 170 140 159, RGB 170 140 151, RGB 170 140 143 and RGB 170 145 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 140 151 shade: RGB 131 97 109, RGB 152 116 130, RGB 170 140 151, RGB 188 164 173 and RGB 205 188 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 140 151 shade: RGB 170 140 151, RGB 170 165 140 and RGB 140 163 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 140 151 shade: RGB 170 140 151, RGB 151 170 140 and RGB 140 151 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 140 151 shade: RGB 170 140 151, RGB 170 165 140, RGB 140 170 159 and RGB 140 145 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 140 151 shade: RGB 170 140 151, RGB 166 170 140, RGB 140 170 159 and RGB 144 140 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

Complementary color

CMYK 26 / 0 / 10 / 55

HEX #557368

RGB 85 115 104

HSL 158, 0.15%, 0.39%

LAB 45.9, -13.37, 2.57

 

CMYK 0 / 20 / 17 / 31

HEX #AF8C92

RGB 175 140 146

HSL 349.71, 0.18%, 0.62%

LAB 61.61, 14.21, 1.85

 

CMYK 0 / 18 / 14 / 25

HEX #C09EA5

RGB 192 158 165

HSL 347.65, 0.21%, 0.69%

LAB 68.3, 13.69, 1.09

 

CMYK 0 / 16 / 12 / 18

HEX #D1B0B8

RGB 209 176 184

HSL 345.45, 0.26%, 0.75%

LAB 74.87, 13.22, 0.37

 

CMYK 0 / 14 / 10 / 11

HEX #E2C2CB

RGB 226 194 203

HSL 343.13, 0.36%, 0.82%

LAB 81.33, 12.8, -0.31

 

CMYK 0 / 13 / 9 / 5

HEX #F3D4DE

RGB 243 212 222

HSL 340.65, 0.56%, 0.89%

LAB 87.69, 12.41, -0.95

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 0 / 20 / 14 / 40

HEX #997A84

RGB 153 122 132

HSL 340.65, 0.13%, 0.54%

LAB 54.4, 13.71, -0.86

 

CMYK 0 / 24 / 17 / 47

HEX #886871

RGB 136 104 113

HSL 343.13, 0.13%, 0.47%

LAB 47.4, 14.3, -0.09

 

CMYK 0 / 28 / 21 / 53

HEX #77565E

RGB 119 86 94

HSL 345.45, 0.16%, 0.4%

LAB 40.22, 14.99, 0.77

 

CMYK 0 / 33 / 26 / 60

HEX #66444B

RGB 102 68 75

HSL 347.65, 0.2%, 0.33%

LAB 32.85, 15.79, 1.75

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 0 / 18 / 16 / 33

HEX #AA8C8F

RGB 170 140 143

HSL 354, 0.15%, 0.61%

LAB 61.03, 11.82, 2.66

 

CMYK 0 / 18 / 18 / 33

HEX #AA8C8C

RGB 170 140 140

HSL 0, 0.15%, 0.61%

LAB 60.95, 11.32, 4.25

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 0 / 18 / 6 / 33

HEX #AA8C9F

RGB 170 140 159

HSL 322, 0.15%, 0.61%

LAB 61.49, 14.62, -5.79

 

CMYK 0 / 18 / 2 / 33

HEX #AA8CA7

RGB 170 140 167

HSL 306, 0.15%, 0.61%

LAB 61.73, 16.12, -9.97

 

CMYK 3 / 18 / 0 / 33

HEX #A58CAA

RGB 165 140 170

HSL 290, 0.15%, 0.61%

LAB 61.36, 14.94, -12.28

 

CMYK 8 / 18 / 0 / 33

HEX #9D8CAA

RGB 157 140 170

HSL 274, 0.15%, 0.61%

LAB 60.63, 12.16, -13.45

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 0 / 33 / 21 / 27

HEX #BA7C93

RGB 186 124 147

HSL 337.74, 0.31%, 0.61%

LAB 58.94, 27.43, -2.49

 

CMYK 0 / 47 / 30 / 21

HEX #CA6C8E

RGB 202 108 142

HSL 338.3, 0.47%, 0.61%

LAB 57.3, 41.06, -1.76

 

CMYK 0 / 58 / 37 / 15

HEX #DA5C8A

RGB 218 92 138

HSL 338.1, 0.63%, 0.61%

LAB 56.48, 53.74, -0.35

 

CMYK 0 / 68 / 43 / 8

HEX #EA4C86

RGB 234 76 134

HSL 337.97, 0.79%, 0.61%

LAB 56.47, 64.87, 2.3

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 1 / 0 / 1 / 39

HEX #9A9C9B

RGB 154 156 155

HSL 150, 0.01%, 0.61%

LAB 64.17, -0.91, 0.26

 

CMYK 20 / 0 / 7 / 33

HEX #8AACA0

RGB 138 172 160

HSL 158.82, 0.17%, 0.61%

LAB 67.61, -14.09, 2.34

 

CMYK 35 / 0 / 13 / 26

HEX #7ABCA4

RGB 122 188 164

HSL 158.18, 0.33%, 0.61%

LAB 71.41, -26.37, 5.51

 

CMYK 48 / 0 / 18 / 20

HEX #6ACCA8

RGB 106 204 168

HSL 157.96, 0.49%, 0.61%

LAB 75.5, -37.37, 9.12

 

CMYK 0 / 18 / 2 / 33

HEX #AA8CA7

RGB 170 140 167

HSL 306, 0.15%, 0.61%

LAB 61.73, 16.12, -9.97

 

CMYK 0 / 18 / 6 / 33

HEX #AA8C9F

RGB 170 140 159

HSL 322, 0.15%, 0.61%

LAB 61.49, 14.62, -5.79

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 0 / 18 / 16 / 33

HEX #AA8C8F

RGB 170 140 143

HSL 354, 0.15%, 0.61%

LAB 61.03, 11.82, 2.66

 

CMYK 0 / 15 / 18 / 33

HEX #AA918C

RGB 170 145 140

HSL 10, 0.15%, 0.61%

LAB 62.25, 8.52, 6.11

 

CMYK 0 / 26 / 17 / 49

HEX #83616D

RGB 131 97 109

HSL 338.82, 0.15%, 0.45%

LAB 44.91, 15.78, -1.39

 

CMYK 0 / 24 / 14 / 40

HEX #987482

RGB 152 116 130

HSL 336.67, 0.15%, 0.53%

LAB 52.71, 16.44, -2.2

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 0 / 13 / 8 / 26

HEX #BCA4AD

RGB 188 164 173

HSL 337.5, 0.15%, 0.69%

LAB 69.65, 10.3, -1.42

 

CMYK 0 / 8 / 5 / 20

HEX #CDBCC2

RGB 205 188 194

HSL 338.82, 0.15%, 0.77%

LAB 77.78, 7.05, -0.85

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 0 / 3 / 18 / 33

HEX #AAA58C

RGB 170 165 140

HSL 50, 0.15%, 0.61%

LAB 67.54, -2.5, 13.62

 

CMYK 18 / 4 / 0 / 33

HEX #8CA3AA

RGB 140 163 170

HSL 194, 0.15%, 0.61%

LAB 65.49, -6.47, -6.32

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 11 / 0 / 18 / 33

HEX #97AA8C

RGB 151 170 140

HSL 98, 0.15%, 0.61%

LAB 67.44, -12.3, 13.27

 

CMYK 18 / 11 / 0 / 33

HEX #8C97AA

RGB 140 151 170

HSL 218, 0.15%, 0.61%

LAB 62.18, 0.16, -11.26

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 0 / 3 / 18 / 33

HEX #AAA58C

RGB 170 165 140

HSL 50, 0.15%, 0.61%

LAB 67.54, -2.5, 13.62

 

CMYK 18 / 0 / 6 / 33

HEX #8CAA9F

RGB 140 170 159

HSL 158, 0.15%, 0.61%

LAB 67.15, -12.57, 2.24

 

CMYK 18 / 15 / 0 / 33

HEX #8C91AA

RGB 140 145 170

HSL 230, 0.15%, 0.61%

LAB 60.54, 3.55, -13.72

 

CMYK 0 / 18 / 11 / 33

HEX #AA8C97

RGB 170 140 151

HSL 338, 0.15%, 0.61%

LAB 61.25, 13.18, -1.58

 

CMYK 2 / 0 / 18 / 33

HEX #A6AA8C

RGB 166 170 140

HSL 68, 0.15%, 0.61%

LAB 68.57, -6.71, 15.01

 

CMYK 18 / 0 / 6 / 33

HEX #8CAA9F

RGB 140 170 159

HSL 158, 0.15%, 0.61%

LAB 67.15, -12.57, 2.24

 

CMYK 15 / 18 / 0 / 33

HEX #908CAA

RGB 144 140 170

HSL 248, 0.15%, 0.61%

LAB 59.51, 7.73, -15.24

 

Description

Color code: RGB 170 140 151 | qconv.com Color code: RGB 170 140 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 140 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 140 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 11 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 11% 33% C M Y K

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Provide designers and agencies with accurate color values.

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