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Color name
RGB 170 153 28

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 153 28 it is the complementary color RGB 85 102 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 153 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 153 28 shade: RGB 175 153 23, RGB 192 171 42, RGB 209 189 61, RGB 226 207 80 and RGB 243 225 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 153 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 153 28 shade: RGB 170 153 28, RGB 153 135 9, RGB 136 117 0, RGB 119 99 0 and RGB 102 81 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 153 28 shade: RGB 171 153 27, RGB 171 115 27, RGB 171 76 27, RGB 171 38 27 and RGB 171 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 153 28 shade: RGB 171 153 27, RGB 149 171 27, RGB 110 171 27, RGB 72 171 27 and RGB 33 171 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 153 28 shade matches the following richer shades: RGB 171 153 27 and RGB 187 166 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 153 28 shade: RGB 171 153 27, RGB 154 141 43, RGB 138 129 60, RGB 122 117 76 and RGB 106 104 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 153 28 shade: RGB 171 75 27, RGB 171 113 27, RGB 171 151 27, RGB 151 171 27 and RGB 113 171 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 153 28 shade: RGB 100 90 16, RGB 135 121 22, RGB 171 153 27, RGB 206 185 33 and RGB 222 203 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 153 28 shade: RGB 170 153 28, RGB 27 171 37 and RGB 94 27 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 153 28 shade: RGB 170 153 28, RGB 27 171 151 and RGB 151 27 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 153 28 shade: RGB 170 153 28, RGB 27 171 37, RGB 27 46 171 and RGB 171 27 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 153 28 shade: RGB 170 153 28, RGB 27 171 80, RGB 27 46 171 and RGB 171 27 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 84 / 33

HEX #AA991C

RGB 170 153 28

HSL 52.82, 0.72%, 0.39%

LAB 62.85, -6.49, 61.24

 

Complementary color

CMYK 63 / 55 / 0 / 11

HEX #5566E3

RGB 85 102 227

HSL 232.82, 0.72%, 0.61%

LAB 48.23, 31.8, -65.7

 

CMYK 0 / 13 / 87 / 31

HEX #AF9917

RGB 175 153 23

HSL 51.32, 0.77%, 0.39%

LAB 63.31, -4.37, 63.08

 

CMYK 0 / 11 / 78 / 25

HEX #C0AB2A

RGB 192 171 42

HSL 51.6, 0.64%, 0.46%

LAB 69.82, -5.77, 63.95

 

CMYK 0 / 10 / 71 / 18

HEX #D1BD3D

RGB 209 189 61

HSL 51.89, 0.62%, 0.53%

LAB 76.25, -6.95, 63.87

 

CMYK 0 / 8 / 65 / 11

HEX #E2CF50

RGB 226 207 80

HSL 52.19, 0.72%, 0.6%

LAB 82.58, -7.94, 63.27

 

CMYK 0 / 7 / 59 / 5

HEX #F3E163

RGB 243 225 99

HSL 52.5, 0.86%, 0.67%

LAB 88.83, -8.78, 62.39

 

CMYK 0 / 10 / 84 / 33

HEX #AA991C

RGB 170 153 28

HSL 52.82, 0.72%, 0.39%

LAB 62.85, -6.49, 61.24

 

CMYK 0 / 12 / 94 / 40

HEX #998709

RGB 153 135 9

HSL 52.5, 0.89%, 0.32%

LAB 56.21, -4.94, 59.35

 

CMYK 0 / 14 / 100 / 47

HEX #887500

RGB 136 117 0

HSL 51.62, 1%, 0.27%

LAB 49.44, -3.08, 55.27

 

CMYK 0 / 17 / 100 / 53

HEX #776300

RGB 119 99 0

HSL 49.92, 1%, 0.23%

LAB 42.53, -0.97, 49.56

 

CMYK 0 / 21 / 100 / 60

HEX #665100

RGB 102 81 0

HSL 47.65, 1%, 0.2%

LAB 35.42, 1.27, 43.69

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 0 / 33 / 84 / 33

HEX #AB731B

RGB 171 115 27

HSL 36.67, 0.73%, 0.39%

LAB 52.95, 14.94, 53.11

 

CMYK 0 / 56 / 84 / 33

HEX #AB4C1B

RGB 171 76 27

HSL 20.42, 0.73%, 0.39%

LAB 44.1, 36.24, 45.37

 

CMYK 0 / 78 / 84 / 33

HEX #AB261B

RGB 171 38 27

HSL 4.58, 0.73%, 0.39%

LAB 38.06, 52.42, 39.93

 

CMYK 0 / 84 / 84 / 33

HEX #AB1B1B

RGB 171 27 27

HSL 0, 0.73%, 0.39%

LAB 36.97, 55.51, 38.92

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 13 / 0 / 84 / 33

HEX #95AB1B

RGB 149 171 27

HSL 69.17, 0.73%, 0.39%

LAB 66.21, -25.04, 63.67

 

CMYK 36 / 0 / 84 / 33

HEX #6EAB1B

RGB 110 171 27

HSL 85.42, 0.73%, 0.39%

LAB 63.77, -40.65, 60.6

 

CMYK 58 / 0 / 84 / 33

HEX #48AB1B

RGB 72 171 27

HSL 101.25, 0.73%, 0.39%

LAB 62.15, -52.78, 58.55

 

CMYK 81 / 0 / 84 / 33

HEX #21AB1B

RGB 33 171 27

HSL 117.5, 0.73%, 0.39%

LAB 61.25, -60.44, 57.39

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 0 / 11 / 94 / 27

HEX #BBA60B

RGB 187 166 11

HSL 52.84, 0.89%, 0.39%

LAB 67.92, -6.12, 69.34

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 0 / 8 / 72 / 40

HEX #9A8D2B

RGB 154 141 43

HSL 52.97, 0.56%, 0.39%

LAB 58.13, -6.64, 51.3

 

CMYK 0 / 7 / 57 / 46

HEX #8A813C

RGB 138 129 60

HSL 53.08, 0.39%, 0.39%

LAB 53.42, -6.1, 38.06

 

CMYK 0 / 4 / 38 / 52

HEX #7A754C

RGB 122 117 76

HSL 53.48, 0.23%, 0.39%

LAB 48.74, -4.75, 23.33

 

CMYK 0 / 2 / 13 / 58

HEX #6A685C

RGB 106 104 92

HSL 51.43, 0.07%, 0.39%

LAB 43.85, -1.53, 7.04

 

CMYK 0 / 56 / 84 / 33

HEX #AB4B1B

RGB 171 75 27

HSL 20, 0.73%, 0.39%

LAB 43.9, 36.75, 45.2

 

CMYK 0 / 34 / 84 / 33

HEX #AB711B

RGB 171 113 27

HSL 35.83, 0.73%, 0.39%

LAB 52.45, 16.07, 52.68

 

CMYK 0 / 12 / 84 / 33

HEX #AB971B

RGB 171 151 27

HSL 51.67, 0.73%, 0.39%

LAB 62.4, -5, 61.16

 

CMYK 12 / 0 / 84 / 33

HEX #97AB1B

RGB 151 171 27

HSL 68.33, 0.73%, 0.39%

LAB 66.35, -24.18, 63.85

 

CMYK 34 / 0 / 84 / 33

HEX #71AB1B

RGB 113 171 27

HSL 84.17, 0.73%, 0.39%

LAB 63.93, -39.54, 60.81

 

CMYK 0 / 10 / 84 / 61

HEX #645A10

RGB 100 90 16

HSL 52.86, 0.72%, 0.23%

LAB 37.95, -4.59, 40.62

 

CMYK 0 / 10 / 84 / 47

HEX #877916

RGB 135 121 22

HSL 52.57, 0.72%, 0.31%

LAB 50.55, -5.29, 51.09

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 0 / 10 / 84 / 19

HEX #CEB921

RGB 206 185 33

HSL 52.72, 0.72%, 0.47%

LAB 74.78, -7.23, 71.31

 

CMYK 0 / 9 / 74 / 13

HEX #DECB3A

RGB 222 203 58

HSL 53.05, 0.71%, 0.55%

LAB 81.04, -8.71, 69.98

 

CMYK 0 / 10 / 84 / 33

HEX #AA991C

RGB 170 153 28

HSL 52.82, 0.72%, 0.39%

LAB 62.85, -6.49, 61.24

 

CMYK 84 / 0 / 78 / 33

HEX #1BAB25

RGB 27 171 37

HSL 124.17, 0.73%, 0.39%

LAB 61.21, -60.54, 54.43

 

CMYK 45 / 84 / 0 / 33

HEX #5E1BAB

RGB 94 27 171

HSL 267.92, 0.73%, 0.39%

LAB 29.67, 56.44, -63.36

 

CMYK 0 / 10 / 84 / 33

HEX #AA991C

RGB 170 153 28

HSL 52.82, 0.72%, 0.39%

LAB 62.85, -6.49, 61.24

 

CMYK 84 / 0 / 12 / 33

HEX #1BAB97

RGB 27 171 151

HSL 171.67, 0.73%, 0.39%

LAB 63.01, -40.2, 0.14

 

CMYK 12 / 84 / 0 / 33

HEX #971BAB

RGB 151 27 171

HSL 291.67, 0.73%, 0.39%

LAB 38.38, 65.47, -48.8

 

CMYK 0 / 10 / 84 / 33

HEX #AA991C

RGB 170 153 28

HSL 52.82, 0.72%, 0.39%

LAB 62.85, -6.49, 61.24

 

CMYK 84 / 0 / 78 / 33

HEX #1BAB25

RGB 27 171 37

HSL 124.17, 0.73%, 0.39%

LAB 61.21, -60.54, 54.43

 

CMYK 84 / 73 / 0 / 33

HEX #1B2EAB

RGB 27 46 171

HSL 232.08, 0.73%, 0.39%

LAB 27.09, 40.27, -67.8

 

CMYK 0 / 84 / 6 / 33

HEX #AB1BA1

RGB 171 27 161

HSL 304.17, 0.73%, 0.39%

LAB 41.24, 67.63, -38.04

 

CMYK 0 / 10 / 84 / 33

HEX #AA991C

RGB 170 153 28

HSL 52.82, 0.72%, 0.39%

LAB 62.85, -6.49, 61.24

 

CMYK 84 / 0 / 53 / 33

HEX #1BAB50

RGB 27 171 80

HSL 142.08, 0.73%, 0.39%

LAB 61.6, -55.77, 36.59

 

CMYK 84 / 73 / 0 / 33

HEX #1B2EAB

RGB 27 46 171

HSL 232.08, 0.73%, 0.39%

LAB 27.09, 40.27, -67.8

 

CMYK 0 / 84 / 31 / 33

HEX #AB1B76

RGB 171 27 118

HSL 322.08, 0.73%, 0.39%

LAB 39.16, 61.9, -14.95

 

Description

Color code: RGB 170 153 28 | qconv.com Color code: RGB 170 153 28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 153 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 153 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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