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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 163 37 it is the complementary color RGB 85 92 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 163 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 163 37 shade: RGB 175 163 32, RGB 192 181 51, RGB 209 199 70, RGB 226 217 89 and RGB 243 235 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 163 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 163 37 shade: RGB 170 163 37, RGB 153 145 18, RGB 136 127 0, RGB 119 109 0 and RGB 102 91 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 163 37 shade: RGB 171 164 37, RGB 171 128 37, RGB 171 92 37, RGB 171 56 37 and RGB 171 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 163 37 shade: RGB 171 164 37, RGB 142 171 37, RGB 106 171 37, RGB 70 171 37 and RGB 37 171 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 163 37 shade matches the following richer shades: RGB 171 164 37, RGB 188 179 20 and RGB 205 194 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 163 37 shade: RGB 171 164 37, RGB 154 149 54, RGB 137 134 71, RGB 120 119 88 and RGB 103 103 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 163 37 shade: RGB 171 91 37, RGB 171 126 37, RGB 171 162 37, RGB 144 171 37 and RGB 109 171 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 163 37 shade: RGB 103 99 22, RGB 137 131 30, RGB 171 164 37, RGB 205 196 45 and RGB 215 208 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 163 37 shade: RGB 170 163 37, RGB 37 171 55 and RGB 109 37 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 163 37 shade: RGB 170 163 37, RGB 37 171 162 and RGB 162 37 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 163 37 shade: RGB 170 163 37, RGB 37 171 55, RGB 37 46 171 and RGB 171 37 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 163 37 shade: RGB 170 163 37, RGB 37 171 95, RGB 37 46 171 and RGB 171 37 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 78 / 33

HEX #AAA325

RGB 170 163 37

HSL 56.84, 0.64%, 0.41%

LAB 65.65, -11.48, 61.04

 

Complementary color

CMYK 61 / 58 / 0 / 15

HEX #555CDA

RGB 85 92 218

HSL 236.84, 0.64%, 0.59%

LAB 45.15, 34.96, -65.6

 

CMYK 0 / 7 / 82 / 31

HEX #AFA320

RGB 175 163 32

HSL 54.97, 0.69%, 0.41%

LAB 66.07, -9.43, 63.07

 

CMYK 0 / 6 / 73 / 25

HEX #C0B533

RGB 192 181 51

HSL 55.32, 0.58%, 0.48%

LAB 72.56, -10.61, 63.45

 

CMYK 0 / 5 / 67 / 18

HEX #D1C746

RGB 209 199 70

HSL 55.68, 0.6%, 0.55%

LAB 78.95, -11.59, 63.1

 

CMYK 0 / 4 / 61 / 11

HEX #E2D959

RGB 226 217 89

HSL 56.06, 0.7%, 0.62%

LAB 85.26, -12.41, 62.36

 

CMYK 0 / 3 / 56 / 5

HEX #F3EB6C

RGB 243 235 108

HSL 56.44, 0.85%, 0.69%

LAB 91.48, -13.1, 61.42

 

CMYK 0 / 4 / 78 / 33

HEX #AAA325

RGB 170 163 37

HSL 56.84, 0.64%, 0.41%

LAB 65.65, -11.48, 61.04

 

CMYK 0 / 5 / 88 / 40

HEX #999112

RGB 153 145 18

HSL 56.44, 0.79%, 0.34%

LAB 59.04, -10.19, 59.89

 

CMYK 0 / 7 / 100 / 47

HEX #887F00

RGB 136 127 0

HSL 56.03, 1%, 0.27%

LAB 52.3, -8.64, 57.32

 

CMYK 0 / 8 / 100 / 53

HEX #776D00

RGB 119 109 0

HSL 54.96, 1%, 0.23%

LAB 45.44, -6.71, 51.63

 

CMYK 0 / 11 / 100 / 60

HEX #665B00

RGB 102 91 0

HSL 53.53, 1%, 0.2%

LAB 38.39, -4.69, 45.79

 

CMYK 0 / 4 / 78 / 33

HEX #ABA425

RGB 171 164 37

HSL 56.87, 0.64%, 0.41%

LAB 66.01, -11.56, 61.4

 

CMYK 0 / 25 / 78 / 33

HEX #AB8025

RGB 171 128 37

HSL 40.75, 0.64%, 0.41%

LAB 56.32, 8, 52.51

 

CMYK 0 / 46 / 78 / 33

HEX #AB5C25

RGB 171 92 37

HSL 24.63, 0.64%, 0.41%

LAB 47.55, 28.12, 44.1

 

CMYK 0 / 67 / 78 / 33

HEX #AB3825

RGB 171 56 37

HSL 8.51, 0.64%, 0.41%

LAB 40.61, 46, 37.08

 

CMYK 0 / 78 / 78 / 33

HEX #AB2525

RGB 171 37 37

HSL 0, 0.64%, 0.41%

LAB 38.05, 53.05, 34.4

 

CMYK 0 / 4 / 78 / 33

HEX #ABA425

RGB 171 164 37

HSL 56.87, 0.64%, 0.41%

LAB 66.01, -11.56, 61.4

 

CMYK 17 / 0 / 78 / 33

HEX #8EAB25

RGB 142 171 37

HSL 72.99, 0.64%, 0.41%

LAB 65.76, -27.61, 60.33

 

CMYK 38 / 0 / 78 / 33

HEX #6AAB25

RGB 106 171 37

HSL 89.1, 0.64%, 0.41%

LAB 63.61, -41.64, 57.56

 

CMYK 59 / 0 / 78 / 33

HEX #46AB25

RGB 70 171 37

HSL 105.22, 0.64%, 0.41%

LAB 62.14, -52.76, 55.64

 

CMYK 78 / 0 / 76 / 33

HEX #25AB29

RGB 37 171 41

HSL 121.79, 0.64%, 0.41%

LAB 61.38, -59.03, 53.3

 

CMYK 0 / 4 / 78 / 33

HEX #ABA425

RGB 171 164 37

HSL 56.87, 0.64%, 0.41%

LAB 66.01, -11.56, 61.4

 

CMYK 0 / 5 / 89 / 26

HEX #BCB314

RGB 188 179 20

HSL 56.79, 0.81%, 0.41%

LAB 71.54, -12.31, 70.78

 

CMYK 0 / 5 / 99 / 20

HEX #CDC203

RGB 205 194 3

HSL 56.73, 0.97%, 0.41%

LAB 77.02, -12.75, 77.69

 

CMYK 0 / 4 / 78 / 33

HEX #ABA425

RGB 171 164 37

HSL 56.87, 0.64%, 0.41%

LAB 66.01, -11.56, 61.4

 

CMYK 0 / 3 / 65 / 40

HEX #9A9536

RGB 154 149 54

HSL 57, 0.48%, 0.41%

LAB 60.45, -10.3, 49.07

 

CMYK 0 / 2 / 48 / 46

HEX #898647

RGB 137 134 71

HSL 57.27, 0.32%, 0.41%

LAB 54.89, -8.27, 34.1

 

CMYK 0 / 1 / 27 / 53

HEX #787758

RGB 120 119 88

HSL 58.13, 0.15%, 0.41%

LAB 49.36, -5.07, 17.24

 

CMYK 2 / 2 / 0 / 59

HEX #676769

RGB 103 103 105

HSL 240, 0.01%, 0.41%

LAB 43.66, 0.42, -1.13

 

CMYK 0 / 47 / 78 / 33

HEX #AB5B25

RGB 171 91 37

HSL 24.18, 0.64%, 0.41%

LAB 47.33, 28.66, 43.88

 

CMYK 0 / 26 / 78 / 33

HEX #AB7E25

RGB 171 126 37

HSL 39.85, 0.64%, 0.41%

LAB 55.8, 9.11, 52.02

 

CMYK 0 / 5 / 78 / 33

HEX #ABA225

RGB 171 162 37

HSL 55.97, 0.64%, 0.41%

LAB 65.46, -10.51, 60.9

 

CMYK 16 / 0 / 78 / 33

HEX #90AB25

RGB 144 171 37

HSL 72.09, 0.64%, 0.41%

LAB 65.9, -26.77, 60.51

 

CMYK 36 / 0 / 78 / 33

HEX #6DAB25

RGB 109 171 37

HSL 87.76, 0.64%, 0.41%

LAB 63.76, -40.56, 57.75

 

CMYK 0 / 4 / 79 / 60

HEX #676316

RGB 103 99 22

HSL 57.04, 0.65%, 0.25%

LAB 41, -8.09, 41.34

 

CMYK 0 / 4 / 78 / 46

HEX #89831E

RGB 137 131 30

HSL 56.64, 0.64%, 0.33%

LAB 53.65, -9.57, 51.33

 

CMYK 0 / 4 / 78 / 33

HEX #ABA425

RGB 171 164 37

HSL 56.87, 0.64%, 0.41%

LAB 66.01, -11.56, 61.4

 

CMYK 0 / 4 / 78 / 20

HEX #CDC42D

RGB 205 196 45

HSL 56.63, 0.64%, 0.49%

LAB 77.67, -12.92, 70.51

 

CMYK 0 / 3 / 65 / 16

HEX #D7D04B

RGB 215 208 75

HSL 57, 0.64%, 0.57%

LAB 81.87, -13.33, 64.28

 

CMYK 0 / 4 / 78 / 33

HEX #AAA325

RGB 170 163 37

HSL 56.84, 0.64%, 0.41%

LAB 65.65, -11.48, 61.04

 

CMYK 78 / 0 / 68 / 33

HEX #25AB37

RGB 37 171 55

HSL 128.06, 0.64%, 0.41%

LAB 61.48, -57.79, 48.03

 

CMYK 36 / 78 / 0 / 33

HEX #6D25AB

RGB 109 37 171

HSL 272.24, 0.64%, 0.41%

LAB 32.95, 55.05, -57.91

 

CMYK 0 / 4 / 78 / 33

HEX #AAA325

RGB 170 163 37

HSL 56.84, 0.64%, 0.41%

LAB 65.65, -11.48, 61.04

 

CMYK 78 / 0 / 5 / 33

HEX #25ABA2

RGB 37 171 162

HSL 175.97, 0.64%, 0.41%

LAB 63.45, -36.17, -5.34

 

CMYK 5 / 78 / 0 / 33

HEX #A225AB

RGB 162 37 171

HSL 295.97, 0.64%, 0.41%

LAB 41.13, 64.94, -44.29

 

CMYK 0 / 4 / 78 / 33

HEX #AAA325

RGB 170 163 37

HSL 56.84, 0.64%, 0.41%

LAB 65.65, -11.48, 61.04

 

CMYK 78 / 0 / 68 / 33

HEX #25AB37

RGB 37 171 55

HSL 128.06, 0.64%, 0.41%

LAB 61.48, -57.79, 48.03

 

CMYK 78 / 73 / 0 / 33

HEX #252EAB

RGB 37 46 171

HSL 235.97, 0.64%, 0.41%

LAB 27.54, 40.99, -67.05

 

CMYK 0 / 78 / 11 / 33

HEX #AB2599

RGB 171 37 153

HSL 308.06, 0.64%, 0.41%

LAB 41.66, 63.97, -32.56

 

CMYK 0 / 4 / 78 / 33

HEX #AAA325

RGB 170 163 37

HSL 56.84, 0.64%, 0.41%

LAB 65.65, -11.48, 61.04

 

CMYK 78 / 0 / 44 / 33

HEX #25AB5F

RGB 37 171 95

HSL 145.97, 0.64%, 0.41%

LAB 61.95, -52.14, 29.37

 

CMYK 78 / 73 / 0 / 33

HEX #252EAB

RGB 37 46 171

HSL 235.97, 0.64%, 0.41%

LAB 27.54, 40.99, -67.05

 

CMYK 0 / 78 / 34 / 33

HEX #AB2571

RGB 171 37 113

HSL 325.97, 0.64%, 0.41%

LAB 39.87, 58.72, -10.73

 

Description

Color code: RGB 170 163 37 | qconv.com Color code: RGB 170 163 37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 163 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 163 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 78% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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