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Color name
RGB 170 38 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 38 92 it is the complementary color RGB 85 217 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 38 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 38 92 shade: RGB 175 38 87, RGB 192 56 106, RGB 209 74 125, RGB 226 92 144 and RGB 243 110 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 38 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 38 92 shade: RGB 170 38 92, RGB 153 20 73, RGB 136 2 54, RGB 119 0 35 and RGB 102 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 38 92 shade: RGB 170 38 92, RGB 170 38 57 and RGB 170 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 38 92 shade: RGB 170 38 92, RGB 170 38 128, RGB 170 38 163, RGB 141 38 170 and RGB 106 38 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 38 92 shade matches the following richer shades: RGB 170 38 92, RGB 187 21 89 and RGB 204 4 86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 38 92 shade: RGB 170 38 92, RGB 153 55 95, RGB 136 72 98, RGB 119 89 101 and RGB 102 106 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 38 92 shade: RGB 170 38 163, RGB 170 38 128, RGB 170 38 93, RGB 170 38 58 and RGB 170 54 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 38 92 shade: RGB 103 23 56, RGB 136 31 74, RGB 170 38 92, RGB 204 46 110 and RGB 214 77 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 38 92 shade: RGB 170 38 92, RGB 170 141 38 and RGB 38 146 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 38 92 shade: RGB 170 38 92, RGB 93 170 38 and RGB 38 93 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 38 92 shade: RGB 170 38 92, RGB 170 141 38, RGB 38 170 115 and RGB 38 67 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 38 92 shade: RGB 170 38 92, RGB 159 170 38, RGB 38 170 115 and RGB 49 38 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

Complementary color

CMYK 61 / 0 / 25 / 15

HEX #55D9A3

RGB 85 217 163

HSL 155.45, 0.63%, 0.59%

LAB 78.58, -48.71, 16.04

 

CMYK 0 / 78 / 50 / 31

HEX #AF2657

RGB 175 38 87

HSL 338.54, 0.64%, 0.42%

LAB 39.9, 56.92, 5.79

 

CMYK 0 / 71 / 45 / 25

HEX #C0386A

RGB 192 56 106

HSL 337.94, 0.55%, 0.49%

LAB 45.74, 57.44, 2.72

 

CMYK 0 / 65 / 40 / 18

HEX #D14A7D

RGB 209 74 125

HSL 337.33, 0.59%, 0.55%

LAB 51.76, 57.36, 0.3

 

CMYK 0 / 59 / 36 / 11

HEX #E25C90

RGB 226 92 144

HSL 336.72, 0.7%, 0.62%

LAB 57.88, 56.94, -1.67

 

CMYK 0 / 55 / 33 / 5

HEX #F36EA3

RGB 243 110 163

HSL 336.09, 0.85%, 0.69%

LAB 64.04, 56.32, -3.3

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 0 / 87 / 52 / 40

HEX #991449

RGB 153 20 73

HSL 336.09, 0.77%, 0.34%

LAB 33.46, 54.51, 5.05

 

CMYK 0 / 99 / 60 / 47

HEX #880236

RGB 136 2 54

HSL 336.72, 0.97%, 0.27%

LAB 28.23, 51.83, 9.84

 

CMYK 0 / 100 / 71 / 53

HEX #770023

RGB 119 0 35

HSL 342.35, 1%, 0.23%

LAB 23.81, 46.7, 16.29

 

CMYK 0 / 100 / 84 / 60

HEX #660010

RGB 102 0 16

HSL 350.59, 1%, 0.2%

LAB 19.48, 41.3, 22.88

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 0 / 78 / 66 / 33

HEX #AA2639

RGB 170 38 57

HSL 351.36, 0.63%, 0.41%

LAB 38.25, 53.35, 22.41

 

CMYK 0 / 78 / 78 / 33

HEX #AA2626

RGB 170 38 38

HSL 0, 0.63%, 0.41%

LAB 37.97, 52.46, 33.68

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 0 / 78 / 25 / 33

HEX #AA2680

RGB 170 38 128

HSL 319.09, 0.63%, 0.41%

LAB 40.4, 59.99, -19.27

 

CMYK 0 / 78 / 4 / 33

HEX #AA26A3

RGB 170 38 163

HSL 303.18, 0.63%, 0.41%

LAB 42.12, 65, -37.86

 

CMYK 17 / 78 / 0 / 33

HEX #8D26AA

RGB 141 38 170

HSL 286.82, 0.63%, 0.41%

LAB 37.75, 60.31, -49.3

 

CMYK 38 / 78 / 0 / 33

HEX #6A26AA

RGB 106 38 170

HSL 270.91, 0.63%, 0.41%

LAB 32.6, 53.91, -57.9

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 0 / 89 / 52 / 27

HEX #BB1559

RGB 187 21 89

HSL 335.42, 0.8%, 0.41%

LAB 40.93, 64.2, 6.32

 

CMYK 0 / 98 / 58 / 20

HEX #CC0456

RGB 204 4 86

HSL 335.4, 0.96%, 0.41%

LAB 43.65, 70.05, 12.53

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 0 / 64 / 38 / 40

HEX #99375F

RGB 153 55 95

HSL 335.51, 0.47%, 0.41%

LAB 38.43, 44.7, -1.9

 

CMYK 0 / 47 / 28 / 47

HEX #884862

RGB 136 72 98

HSL 335.63, 0.31%, 0.41%

LAB 39.16, 30.49, -3.02

 

CMYK 0 / 25 / 15 / 53

HEX #775965

RGB 119 89 101

HSL 336, 0.14%, 0.41%

LAB 41.23, 14.4, -2.08

 

CMYK 4 / 0 / 2 / 58

HEX #666A68

RGB 102 106 104

HSL 150, 0.02%, 0.41%

LAB 44.42, -1.95, 0.58

 

CMYK 0 / 78 / 4 / 33

HEX #AA26A3

RGB 170 38 163

HSL 303.18, 0.63%, 0.41%

LAB 42.12, 65, -37.86

 

CMYK 0 / 78 / 25 / 33

HEX #AA2680

RGB 170 38 128

HSL 319.09, 0.63%, 0.41%

LAB 40.4, 59.99, -19.27

 

CMYK 0 / 78 / 45 / 33

HEX #AA265D

RGB 170 38 93

HSL 335, 0.63%, 0.41%

LAB 39.11, 56.07, 0.72

 

CMYK 0 / 78 / 66 / 33

HEX #AA263A

RGB 170 38 58

HSL 350.91, 0.63%, 0.41%

LAB 38.27, 53.41, 21.81

 

CMYK 0 / 68 / 78 / 33

HEX #AA3626

RGB 170 54 38

HSL 7.27, 0.63%, 0.41%

LAB 40.12, 46.53, 35.97

 

CMYK 0 / 78 / 46 / 60

HEX #671738

RGB 103 23 56

HSL 335.25, 0.63%, 0.25%

LAB 22.94, 37.82, -0.03

 

CMYK 0 / 77 / 46 / 47

HEX #881F4A

RGB 136 31 74

HSL 335.43, 0.63%, 0.33%

LAB 31.13, 46.82, 0.59

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 0 / 77 / 46 / 20

HEX #CC2E6E

RGB 204 46 110

HSL 335.7, 0.63%, 0.49%

LAB 46.87, 64.44, 2.17

 

CMYK 0 / 64 / 38 / 16

HEX #D64D85

RGB 214 77 133

HSL 335.47, 0.63%, 0.57%

LAB 53.27, 58.49, -2.17

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 0 / 17 / 78 / 33

HEX #AA8D26

RGB 170 141 38

HSL 46.82, 0.63%, 0.41%

LAB 59.65, 0.37, 55.21

 

CMYK 78 / 14 / 0 / 33

HEX #2692AA

RGB 38 146 170

HSL 190.91, 0.63%, 0.41%

LAB 55.96, -21.27, -21.14

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 45 / 0 / 78 / 33

HEX #5DAA26

RGB 93 170 38

HSL 95, 0.63%, 0.41%

LAB 62.69, -45.61, 56.15

 

CMYK 78 / 45 / 0 / 33

HEX #265DAA

RGB 38 93 170

HSL 215, 0.63%, 0.41%

LAB 39.82, 10.01, -46.46

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 0 / 17 / 78 / 33

HEX #AA8D26

RGB 170 141 38

HSL 46.82, 0.63%, 0.41%

LAB 59.65, 0.37, 55.21

 

CMYK 78 / 0 / 32 / 33

HEX #26AA73

RGB 38 170 115

HSL 155, 0.63%, 0.41%

LAB 62, -47.64, 18.7

 

CMYK 78 / 61 / 0 / 33

HEX #2643AA

RGB 38 67 170

HSL 226.82, 0.63%, 0.41%

LAB 32.54, 27.29, -58.24

 

CMYK 0 / 78 / 46 / 33

HEX #AA265C

RGB 170 38 92

HSL 335.45, 0.63%, 0.41%

LAB 39.08, 55.98, 1.31

 

CMYK 6 / 0 / 78 / 33

HEX #9FAA26

RGB 159 170 38

HSL 65, 0.63%, 0.41%

LAB 66.72, -19.85, 61.36

 

CMYK 78 / 0 / 32 / 33

HEX #26AA73

RGB 38 170 115

HSL 155, 0.63%, 0.41%

LAB 62, -47.64, 18.7

 

CMYK 71 / 78 / 0 / 33

HEX #3126AA

RGB 49 38 170

HSL 245, 0.63%, 0.41%

LAB 26.57, 46.22, -68.03

 

Description

Color code: RGB 170 38 92 | qconv.com Color code: RGB 170 38 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 38 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 38 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 46 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 46% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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