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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 49 197 it is the complementary color RGB 85 206 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 49 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 49 197 shade: RGB 175 49 192, RGB 192 67 211, RGB 209 85 230, RGB 226 103 249 and RGB 243 121 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 49 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 49 197 shade: RGB 170 49 197, RGB 153 31 178, RGB 136 13 159, RGB 119 0 140 and RGB 102 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 49 197 shade: RGB 169 48 195, RGB 195 48 183, RGB 195 48 143, RGB 195 48 103 and RGB 195 48 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 49 197 shade: RGB 169 48 195, RGB 129 48 195, RGB 89 48 195, RGB 50 48 195 and RGB 48 48 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 49 197 shade matches the following richer shades: RGB 169 48 195, RGB 181 29 215 and RGB 194 9 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 49 197 shade: RGB 169 48 195, RGB 156 68 176, RGB 143 88 156, RGB 131 108 136 and RGB 118 128 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 49 197 shade: RGB 90 48 195, RGB 129 48 195, RGB 168 48 195, RGB 195 48 183 and RGB 195 48 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 49 197 shade: RGB 112 32 129, RGB 140 40 162, RGB 169 48 195, RGB 185 75 210 and RGB 198 108 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 49 197 shade: RGB 170 49 197, RGB 195 51 48 and RGB 48 195 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 49 197 shade: RGB 170 49 197, RGB 195 168 48 and RGB 48 195 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 49 197 shade: RGB 170 49 197, RGB 195 51 48, RGB 75 195 48 and RGB 48 193 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 49 197 shade: RGB 170 49 197, RGB 195 95 48, RGB 75 195 48 and RGB 48 149 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 75 / 0 / 23

HEX #AA31C5

RGB 170 49 197

HSL 289.05, 0.6%, 0.48%

LAB 45.32, 67.39, -52.79

 

Complementary color

CMYK 59 / 0 / 72 / 19

HEX #55CE3A

RGB 85 206 58

HSL 109.05, 0.6%, 0.52%

LAB 73.79, -60.05, 60.13

 

CMYK 9 / 74 / 0 / 25

HEX #AF31C0

RGB 175 49 192

HSL 292.87, 0.59%, 0.47%

LAB 45.79, 67.5, -49.08

 

CMYK 9 / 68 / 0 / 17

HEX #C043D3

RGB 192 67 211

HSL 292.08, 0.62%, 0.55%

LAB 51.75, 68.06, -50.37

 

CMYK 9 / 63 / 0 / 10

HEX #D155E6

RGB 209 85 230

HSL 291.31, 0.74%, 0.62%

LAB 57.81, 68.12, -51.33

 

CMYK 9 / 59 / 0 / 2

HEX #E267F9

RGB 226 103 249

HSL 290.55, 0.92%, 0.69%

LAB 63.92, 67.85, -52.04

 

CMYK 5 / 53 / 0 / 0

HEX #F379FF

RGB 243 121 255

HSL 294.63, 1%, 0.74%

LAB 69.43, 65.03, -46.5

 

CMYK 14 / 75 / 0 / 23

HEX #AA31C5

RGB 170 49 197

HSL 289.05, 0.6%, 0.48%

LAB 45.32, 67.39, -52.79

 

CMYK 14 / 83 / 0 / 30

HEX #991FB2

RGB 153 31 178

HSL 289.8, 0.7%, 0.41%

LAB 39.52, 66.09, -51.11

 

CMYK 14 / 92 / 0 / 38

HEX #880D9F

RGB 136 13 159

HSL 290.55, 0.85%, 0.34%

LAB 34.04, 63.56, -48.72

 

CMYK 15 / 100 / 0 / 45

HEX #77008C

RGB 119 0 140

HSL 291, 1%, 0.27%

LAB 28.94, 59.47, -45.44

 

CMYK 16 / 100 / 0 / 53

HEX #660079

RGB 102 0 121

HSL 290.58, 1%, 0.24%

LAB 24.34, 53.44, -41.08

 

CMYK 13 / 75 / 0 / 24

HEX #A930C3

RGB 169 48 195

HSL 289.39, 0.6%, 0.48%

LAB 44.93, 67.16, -52.27

 

CMYK 0 / 75 / 6 / 24

HEX #C330B7

RGB 195 48 183

HSL 304.9, 0.6%, 0.48%

LAB 48.43, 70.52, -39.43

 

CMYK 0 / 75 / 27 / 24

HEX #C3308F

RGB 195 48 143

HSL 321.22, 0.6%, 0.48%

LAB 46.58, 65.01, -18.55

 

CMYK 0 / 75 / 47 / 24

HEX #C33067

RGB 195 48 103

HSL 337.55, 0.6%, 0.48%

LAB 45.21, 60.77, 3.89

 

CMYK 0 / 75 / 67 / 24

HEX #C33040

RGB 195 48 64

HSL 353.47, 0.6%, 0.48%

LAB 44.36, 58, 26.79

 

CMYK 13 / 75 / 0 / 24

HEX #A930C3

RGB 169 48 195

HSL 289.39, 0.6%, 0.48%

LAB 44.93, 67.16, -52.27

 

CMYK 34 / 75 / 0 / 24

HEX #8130C3

RGB 129 48 195

HSL 273.06, 0.6%, 0.48%

LAB 39.11, 59.67, -61.96

 

CMYK 54 / 75 / 0 / 24

HEX #5930C3

RGB 89 48 195

HSL 256.73, 0.6%, 0.48%

LAB 34.35, 53.34, -69.94

 

CMYK 74 / 75 / 0 / 24

HEX #3230C3

RGB 50 48 195

HSL 240.82, 0.6%, 0.48%

LAB 31.19, 48.97, -75.26

 

CMYK 75 / 75 / 0 / 24

HEX #3030C3

RGB 48 48 195

HSL 240, 0.6%, 0.48%

LAB 31.07, 48.81, -75.45

 

CMYK 13 / 75 / 0 / 24

HEX #A930C3

RGB 169 48 195

HSL 289.39, 0.6%, 0.48%

LAB 44.93, 67.16, -52.27

 

CMYK 16 / 87 / 0 / 16

HEX #B51DD7

RGB 181 29 215

HSL 289.03, 0.76%, 0.48%

LAB 46.46, 77.76, -61.26

 

CMYK 17 / 96 / 0 / 8

HEX #C209EB

RGB 194 9 235

HSL 289.12, 0.93%, 0.48%

LAB 49.08, 85.66, -68.28

 

CMYK 13 / 75 / 0 / 24

HEX #A930C3

RGB 169 48 195

HSL 289.39, 0.6%, 0.48%

LAB 44.93, 67.16, -52.27

 

CMYK 11 / 61 / 0 / 31

HEX #9C44B0

RGB 156 68 176

HSL 288.89, 0.44%, 0.48%

LAB 44.71, 52.64, -41.6

 

CMYK 8 / 44 / 0 / 39

HEX #8F589C

RGB 143 88 156

HSL 288.53, 0.28%, 0.48%

LAB 45.93, 34.44, -27.96

 

CMYK 4 / 21 / 0 / 47

HEX #836C88

RGB 131 108 136

HSL 289.29, 0.11%, 0.48%

LAB 48.67, 14.45, -11.98

 

CMYK 8 / 0 / 9 / 50

HEX #768074

RGB 118 128 116

HSL 110, 0.05%, 0.48%

LAB 52.45, -6.12, 5.25

 

CMYK 54 / 75 / 0 / 24

HEX #5A30C3

RGB 90 48 195

HSL 257.14, 0.6%, 0.48%

LAB 34.45, 53.47, -69.76

 

CMYK 34 / 75 / 0 / 24

HEX #8130C3

RGB 129 48 195

HSL 273.06, 0.6%, 0.48%

LAB 39.11, 59.67, -61.96

 

CMYK 14 / 75 / 0 / 24

HEX #A830C3

RGB 168 48 195

HSL 288.98, 0.6%, 0.48%

LAB 44.77, 66.96, -52.53

 

CMYK 0 / 75 / 6 / 24

HEX #C330B7

RGB 195 48 183

HSL 304.9, 0.6%, 0.48%

LAB 48.43, 70.52, -39.43

 

CMYK 0 / 75 / 26 / 24

HEX #C33090

RGB 195 48 144

HSL 320.82, 0.6%, 0.48%

LAB 46.62, 65.14, -19.09

 

CMYK 13 / 75 / 0 / 49

HEX #702081

RGB 112 32 129

HSL 289.48, 0.6%, 0.32%

LAB 29.57, 48.42, -37.62

 

CMYK 14 / 75 / 0 / 36

HEX #8C28A2

RGB 140 40 162

HSL 289.18, 0.6%, 0.4%

LAB 37.3, 57.89, -45.24

 

CMYK 13 / 75 / 0 / 24

HEX #A930C3

RGB 169 48 195

HSL 289.39, 0.6%, 0.48%

LAB 44.93, 67.16, -52.27

 

CMYK 12 / 64 / 0 / 18

HEX #B94BD2

RGB 185 75 210

HSL 288.89, 0.6%, 0.56%

LAB 51.84, 63.08, -49.73

 

CMYK 9 / 50 / 0 / 15

HEX #C66CDA

RGB 198 108 218

HSL 289.09, 0.6%, 0.64%

LAB 59.7, 52.43, -41.7

 

CMYK 14 / 75 / 0 / 23

HEX #AA31C5

RGB 170 49 197

HSL 289.05, 0.6%, 0.48%

LAB 45.32, 67.39, -52.79

 

CMYK 0 / 74 / 75 / 24

HEX #C33330

RGB 195 51 48

HSL 1.22, 0.6%, 0.48%

LAB 44.49, 56.25, 36.42

 

CMYK 75 / 0 / 44 / 24

HEX #30C36E

RGB 48 195 110

HSL 145.31, 0.6%, 0.48%

LAB 70.02, -56.76, 32.07

 

CMYK 14 / 75 / 0 / 23

HEX #AA31C5

RGB 170 49 197

HSL 289.05, 0.6%, 0.48%

LAB 45.32, 67.39, -52.79

 

CMYK 0 / 14 / 75 / 24

HEX #C3A830

RGB 195 168 48

HSL 48.98, 0.6%, 0.48%

LAB 69.34, -2.63, 61.56

 

CMYK 75 / 0 / 14 / 24

HEX #30C3A8

RGB 48 195 168

HSL 168.98, 0.6%, 0.48%

LAB 71.2, -43.98, 2.73

 

CMYK 14 / 75 / 0 / 23

HEX #AA31C5

RGB 170 49 197

HSL 289.05, 0.6%, 0.48%

LAB 45.32, 67.39, -52.79

 

CMYK 0 / 74 / 75 / 24

HEX #C33330

RGB 195 51 48

HSL 1.22, 0.6%, 0.48%

LAB 44.49, 56.25, 36.42

 

CMYK 62 / 0 / 75 / 24

HEX #4BC330

RGB 75 195 48

HSL 108.98, 0.6%, 0.48%

LAB 69.99, -59.31, 59.71

 

CMYK 75 / 1 / 0 / 24

HEX #30C1C3

RGB 48 193 195

HSL 180.82, 0.6%, 0.48%

LAB 71.36, -35.58, -11.78

 

CMYK 14 / 75 / 0 / 23

HEX #AA31C5

RGB 170 49 197

HSL 289.05, 0.6%, 0.48%

LAB 45.32, 67.39, -52.79

 

CMYK 0 / 51 / 75 / 24

HEX #C35F30

RGB 195 95 48

HSL 19.18, 0.6%, 0.48%

LAB 51.84, 36.81, 44.27

 

CMYK 62 / 0 / 75 / 24

HEX #4BC330

RGB 75 195 48

HSL 108.98, 0.6%, 0.48%

LAB 69.99, -59.31, 59.71

 

CMYK 75 / 24 / 0 / 24

HEX #3095C3

RGB 48 149 195

HSL 198.78, 0.6%, 0.48%

LAB 58.1, -13.24, -32.02

 

Description

Color code: RGB 170 49 197 | qconv.com Color code: RGB 170 49 197 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 49 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 49 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 75 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 75% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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