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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 97 111 it is the complementary color RGB 85 158 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 97 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 97 111 shade: RGB 175 97 106, RGB 192 115 125, RGB 209 133 144, RGB 226 151 163 and RGB 243 169 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 97 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 97 111 shade: RGB 170 97 111, RGB 153 79 92, RGB 136 61 73, RGB 119 43 54 and RGB 102 25 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 97 111 shade: RGB 169 95 109 and RGB 169 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 97 111 shade: RGB 169 95 109, RGB 169 95 129, RGB 169 95 149, RGB 169 95 169 and RGB 149 95 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 97 111 shade matches the following richer shades: RGB 169 95 109, RGB 189 76 97, RGB 208 56 85, RGB 228 36 73 and RGB 248 16 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 97 111 shade: RGB 169 95 109, RGB 149 115 122, RGB 129 135 134, RGB 109 155 146 and RGB 90 175 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 97 111 shade: RGB 169 95 149, RGB 169 95 130, RGB 169 95 110, RGB 169 100 95 and RGB 169 120 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 97 111 shade: RGB 118 63 74, RGB 145 78 91, RGB 169 95 109, RGB 183 122 134 and RGB 198 149 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 97 111 shade: RGB 170 97 111, RGB 169 169 95 and RGB 95 139 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 97 111 shade: RGB 170 97 111, RGB 110 169 95 and RGB 95 110 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 97 111 shade: RGB 170 97 111, RGB 169 169 95, RGB 95 169 154 and RGB 95 95 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 97 111 shade: RGB 170 97 111, RGB 147 169 95, RGB 95 169 154 and RGB 117 95 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 35 / 33

HEX #AA616F

RGB 170 97 111

HSL 348.49, 0.3%, 0.52%

LAB 49.79, 31.23, 5.09

 

Complementary color

CMYK 46 / 0 / 9 / 38

HEX #559E90

RGB 85 158 144

HSL 168.49, 0.3%, 0.48%

LAB 60.25, -26.35, 0.23

 

CMYK 0 / 45 / 39 / 31

HEX #AF616A

RGB 175 97 106

HSL 353.08, 0.33%, 0.53%

LAB 50.34, 32.5, 8.94

 

CMYK 0 / 40 / 35 / 25

HEX #C0737D

RGB 192 115 125

HSL 352.21, 0.38%, 0.6%

LAB 57.03, 31.51, 7.57

 

CMYK 0 / 36 / 31 / 18

HEX #D18590

RGB 209 133 144

HSL 351.32, 0.45%, 0.67%

LAB 63.63, 30.59, 6.38

 

CMYK 0 / 33 / 28 / 11

HEX #E297A3

RGB 226 151 163

HSL 350.4, 0.56%, 0.74%

LAB 70.14, 29.75, 5.31

 

CMYK 0 / 30 / 25 / 5

HEX #F3A9B6

RGB 243 169 182

HSL 349.46, 0.76%, 0.81%

LAB 76.56, 28.97, 4.35

 

CMYK 0 / 43 / 35 / 33

HEX #AA616F

RGB 170 97 111

HSL 348.49, 0.3%, 0.52%

LAB 49.79, 31.23, 5.09

 

CMYK 0 / 48 / 40 / 40

HEX #994F5C

RGB 153 79 92

HSL 349.46, 0.32%, 0.45%

LAB 42.97, 32.23, 6.53

 

CMYK 0 / 55 / 46 / 47

HEX #883D49

RGB 136 61 73

HSL 350.4, 0.38%, 0.39%

LAB 36.09, 33.27, 8.32

 

CMYK 0 / 64 / 55 / 53

HEX #772B36

RGB 119 43 54

HSL 351.32, 0.47%, 0.32%

LAB 29.2, 34.23, 10.62

 

CMYK 0 / 75 / 66 / 60

HEX #661923

RGB 102 25 35

HSL 352.21, 0.61%, 0.25%

LAB 22.45, 34.79, 13.79

 

CMYK 0 / 44 / 36 / 34

HEX #A95F6D

RGB 169 95 109

HSL 348.65, 0.3%, 0.52%

LAB 49.16, 31.69, 5.36

 

CMYK 0 / 44 / 44 / 34

HEX #A95F5F

RGB 169 95 95

HSL 0, 0.3%, 0.52%

LAB 48.82, 30.01, 13.25

 

CMYK 0 / 44 / 36 / 34

HEX #A95F6D

RGB 169 95 109

HSL 348.65, 0.3%, 0.52%

LAB 49.16, 31.69, 5.36

 

CMYK 0 / 44 / 24 / 34

HEX #A95F81

RGB 169 95 129

HSL 332.43, 0.3%, 0.52%

LAB 49.74, 34.47, -5.75

 

CMYK 0 / 44 / 12 / 34

HEX #A95F95

RGB 169 95 149

HSL 316.22, 0.3%, 0.52%

LAB 50.44, 37.69, -16.59

 

CMYK 0 / 44 / 0 / 34

HEX #A95FA9

RGB 169 95 169

HSL 300, 0.3%, 0.52%

LAB 51.25, 41.3, -27.1

 

CMYK 12 / 44 / 0 / 34

HEX #955FA9

RGB 149 95 169

HSL 283.78, 0.3%, 0.52%

LAB 48.81, 35.13, -31.09

 

CMYK 0 / 44 / 36 / 34

HEX #A95F6D

RGB 169 95 109

HSL 348.65, 0.3%, 0.52%

LAB 49.16, 31.69, 5.36

 

CMYK 0 / 60 / 49 / 26

HEX #BD4C61

RGB 189 76 97

HSL 348.85, 0.46%, 0.52%

LAB 48.07, 47.27, 11.47

 

CMYK 0 / 73 / 59 / 18

HEX #D03855

RGB 208 56 85

HSL 348.55, 0.62%, 0.52%

LAB 48.13, 60.46, 19.37

 

CMYK 0 / 84 / 68 / 11

HEX #E42449

RGB 228 36 73

HSL 348.44, 0.78%, 0.52%

LAB 49.78, 70.79, 29.51

 

CMYK 0 / 94 / 75 / 3

HEX #F8103D

RGB 248 16 61

HSL 348.36, 0.94%, 0.52%

LAB 52.58, 78.28, 40.85

 

CMYK 0 / 44 / 36 / 34

HEX #A95F6D

RGB 169 95 109

HSL 348.65, 0.3%, 0.52%

LAB 49.16, 31.69, 5.36

 

CMYK 0 / 23 / 18 / 42

HEX #95737A

RGB 149 115 122

HSL 347.65, 0.14%, 0.52%

LAB 51.9, 14.5, 1.29

 

CMYK 4 / 0 / 1 / 47

HEX #818786

RGB 129 135 134

HSL 170, 0.02%, 0.52%

LAB 55.8, -2.4, -0.24

 

CMYK 30 / 0 / 6 / 39

HEX #6D9B92

RGB 109 155 146

HSL 168.26, 0.19%, 0.52%

LAB 60.58, -17.52, -0.28

 

CMYK 49 / 0 / 10 / 31

HEX #5AAF9E

RGB 90 175 158

HSL 168, 0.35%, 0.52%

LAB 65.98, -29.98, 0.78

 

CMYK 0 / 44 / 12 / 34

HEX #A95F95

RGB 169 95 149

HSL 316.22, 0.3%, 0.52%

LAB 50.44, 37.69, -16.59

 

CMYK 0 / 44 / 23 / 34

HEX #A95F82

RGB 169 95 130

HSL 331.62, 0.3%, 0.52%

LAB 49.78, 34.62, -6.3

 

CMYK 0 / 44 / 35 / 34

HEX #A95F6E

RGB 169 95 110

HSL 347.84, 0.3%, 0.52%

LAB 49.19, 31.81, 4.8

 

CMYK 0 / 41 / 44 / 34

HEX #A9645F

RGB 169 100 95

HSL 4.05, 0.3%, 0.52%

LAB 49.95, 27.25, 14.82

 

CMYK 0 / 29 / 44 / 34

HEX #A9785F

RGB 169 120 95

HSL 20.27, 0.3%, 0.52%

LAB 54.76, 15.99, 21.33

 

CMYK 0 / 47 / 37 / 54

HEX #763F4A

RGB 118 63 74

HSL 348, 0.3%, 0.35%

LAB 33.78, 25.25, 4.02

 

CMYK 0 / 46 / 37 / 43

HEX #914E5B

RGB 145 78 91

HSL 348.36, 0.3%, 0.44%

LAB 41.57, 29.59, 5

 

CMYK 0 / 44 / 36 / 34

HEX #A95F6D

RGB 169 95 109

HSL 348.65, 0.3%, 0.52%

LAB 49.16, 31.69, 5.36

 

CMYK 0 / 33 / 27 / 28

HEX #B77A86

RGB 183 122 134

HSL 348.2, 0.3%, 0.6%

LAB 57.76, 25.47, 3.26

 

CMYK 0 / 25 / 20 / 22

HEX #C6959E

RGB 198 149 158

HSL 348.98, 0.3%, 0.68%

LAB 66.5, 19.75, 2.45

 

CMYK 0 / 43 / 35 / 33

HEX #AA616F

RGB 170 97 111

HSL 348.49, 0.3%, 0.52%

LAB 49.79, 31.23, 5.09

 

CMYK 0 / 0 / 44 / 34

HEX #A9A95F

RGB 169 169 95

HSL 60, 0.3%, 0.52%

LAB 67.75, -10.95, 38.05

 

CMYK 44 / 18 / 0 / 34

HEX #5F8BA9

RGB 95 139 169

HSL 204.32, 0.3%, 0.52%

LAB 55.85, -6.88, -20.56

 

CMYK 0 / 43 / 35 / 33

HEX #AA616F

RGB 170 97 111

HSL 348.49, 0.3%, 0.52%

LAB 49.79, 31.23, 5.09

 

CMYK 35 / 0 / 44 / 34

HEX #6EA95F

RGB 110 169 95

HSL 107.84, 0.3%, 0.52%

LAB 63.77, -33.68, 32.2

 

CMYK 44 / 35 / 0 / 34

HEX #5F6EA9

RGB 95 110 169

HSL 227.84, 0.3%, 0.52%

LAB 47.56, 10.25, -33.41

 

CMYK 0 / 43 / 35 / 33

HEX #AA616F

RGB 170 97 111

HSL 348.49, 0.3%, 0.52%

LAB 49.79, 31.23, 5.09

 

CMYK 0 / 0 / 44 / 34

HEX #A9A95F

RGB 169 169 95

HSL 60, 0.3%, 0.52%

LAB 67.75, -10.95, 38.05

 

CMYK 44 / 0 / 9 / 34

HEX #5FA99A

RGB 95 169 154

HSL 167.84, 0.3%, 0.52%

LAB 64.28, -26.77, 0.54

 

CMYK 44 / 44 / 0 / 34

HEX #5F5FA9

RGB 95 95 169

HSL 240, 0.3%, 0.52%

LAB 43.48, 19.54, -39.84

 

CMYK 0 / 43 / 35 / 33

HEX #AA616F

RGB 170 97 111

HSL 348.49, 0.3%, 0.52%

LAB 49.79, 31.23, 5.09

 

CMYK 13 / 0 / 44 / 34

HEX #93A95F

RGB 147 169 95

HSL 77.84, 0.3%, 0.52%

LAB 66.06, -19.9, 35.58

 

CMYK 44 / 0 / 9 / 34

HEX #5FA99A

RGB 95 169 154

HSL 167.84, 0.3%, 0.52%

LAB 64.28, -26.77, 0.54

 

CMYK 31 / 44 / 0 / 34

HEX #755FA9

RGB 117 95 169

HSL 257.84, 0.3%, 0.52%

LAB 45.4, 25.57, -36.68

 

Description

Color code: RGB 170 97 111 | qconv.com Color code: RGB 170 97 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 97 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 97 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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