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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 104 203 it is the complementary color RGB 84 151 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 104 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 104 203 shade: RGB 176 104 198, RGB 193 122 217, RGB 210 140 236, RGB 227 158 255 and RGB 244 176 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 104 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 104 203 shade: RGB 171 104 203, RGB 154 86 184, RGB 137 68 165, RGB 120 50 146 and RGB 103 32 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 104 203 shade: RGB 170 103 202, RGB 197 103 202, RGB 202 103 181, RGB 202 103 154 and RGB 202 103 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 104 203 shade: RGB 170 103 202, RGB 143 103 202, RGB 116 103 202 and RGB 103 103 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 104 203 shade matches the following richer shades: RGB 170 103 202, RGB 176 86 219, RGB 182 70 235 and RGB 188 53 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 104 203 shade: RGB 170 103 202, RGB 164 119 186, RGB 159 136 169, RGB 153 152 153 and RGB 147 169 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 104 203 shade: RGB 116 103 202, RGB 143 103 202, RGB 169 103 202, RGB 196 103 202 and RGB 202 103 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 104 203 shade: RGB 131 56 166, RGB 153 72 192, RGB 170 103 202, RGB 187 133 213 and RGB 204 164 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 104 203 shade: RGB 171 104 203, RGB 202 103 116 and RGB 103 202 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 104 203 shade: RGB 171 104 203, RGB 202 169 103 and RGB 103 202 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 104 203 shade: RGB 171 104 203, RGB 202 103 116, RGB 136 202 103 and RGB 103 202 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 104 203 shade: RGB 171 104 203, RGB 202 119 103, RGB 136 202 103 and RGB 103 186 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 49 / 0 / 20

HEX #AB68CB

RGB 171 104 203

HSL 280.61, 0.49%, 0.6%

LAB 54.94, 43.96, -40.93

 

Complementary color

CMYK 44 / 0 / 66 / 41

HEX #549734

RGB 84 151 52

HSL 100.61, 0.49%, 0.4%

LAB 56.35, -39.62, 44.16

 

CMYK 11 / 47 / 0 / 22

HEX #B068C6

RGB 176 104 198

HSL 285.96, 0.45%, 0.59%

LAB 55.29, 44.32, -37.49

 

CMYK 11 / 44 / 0 / 15

HEX #C17AD9

RGB 193 122 217

HSL 284.84, 0.56%, 0.66%

LAB 61.88, 43.54, -37.76

 

CMYK 11 / 41 / 0 / 7

HEX #D28CEC

RGB 210 140 236

HSL 283.75, 0.72%, 0.74%

LAB 68.4, 42.77, -37.99

 

CMYK 11 / 38 / 0 / 0

HEX #E39EFF

RGB 227 158 255

HSL 282.68, 1%, 0.81%

LAB 74.83, 42.03, -38.2

 

CMYK 4 / 31 / 0 / 0

HEX #F4B0FF

RGB 244 176 255

HSL 291.65, 1%, 0.85%

LAB 80.46, 37.64, -29.36

 

CMYK 16 / 49 / 0 / 20

HEX #AB68CB

RGB 171 104 203

HSL 280.61, 0.49%, 0.6%

LAB 54.94, 43.96, -40.93

 

CMYK 16 / 53 / 0 / 28

HEX #9A56B8

RGB 154 86 184

HSL 281.63, 0.41%, 0.53%

LAB 48.24, 44.75, -40.7

 

CMYK 17 / 59 / 0 / 35

HEX #8944A5

RGB 137 68 165

HSL 282.68, 0.42%, 0.46%

LAB 41.48, 45.47, -40.37

 

CMYK 18 / 66 / 0 / 43

HEX #783292

RGB 120 50 146

HSL 283.75, 0.49%, 0.38%

LAB 34.7, 45.99, -39.86

 

CMYK 19 / 75 / 0 / 50

HEX #67207F

RGB 103 32 127

HSL 284.84, 0.6%, 0.31%

LAB 27.98, 46.02, -39

 

CMYK 16 / 49 / 0 / 21

HEX #AA67CA

RGB 170 103 202

HSL 280.61, 0.48%, 0.6%

LAB 54.56, 44, -40.96

 

CMYK 2 / 49 / 0 / 21

HEX #C567CA

RGB 197 103 202

HSL 296.97, 0.48%, 0.6%

LAB 57.88, 51.62, -35.52

 

CMYK 0 / 49 / 10 / 21

HEX #CA67B5

RGB 202 103 181

HSL 312.73, 0.48%, 0.6%

LAB 57.65, 49.42, -23.82

 

CMYK 0 / 49 / 24 / 21

HEX #CA679A

RGB 202 103 154

HSL 329.09, 0.48%, 0.6%

LAB 56.67, 45.27, -9.68

 

CMYK 0 / 49 / 37 / 21

HEX #CA677F

RGB 202 103 127

HSL 345.45, 0.48%, 0.6%

LAB 55.88, 41.75, 4.94

 

CMYK 16 / 49 / 0 / 21

HEX #AA67CA

RGB 170 103 202

HSL 280.61, 0.48%, 0.6%

LAB 54.56, 44, -40.96

 

CMYK 29 / 49 / 0 / 21

HEX #8F67CA

RGB 143 103 202

HSL 264.24, 0.48%, 0.6%

LAB 51.62, 36.58, -45.81

 

CMYK 43 / 49 / 0 / 21

HEX #7467CA

RGB 116 103 202

HSL 247.88, 0.48%, 0.6%

LAB 49.1, 29.66, -49.97

 

CMYK 49 / 49 / 0 / 21

HEX #6767CA

RGB 103 103 202

HSL 240, 0.48%, 0.6%

LAB 48.07, 26.61, -51.68

 

CMYK 16 / 49 / 0 / 21

HEX #AA67CA

RGB 170 103 202

HSL 280.61, 0.48%, 0.6%

LAB 54.56, 44, -40.96

 

CMYK 20 / 61 / 0 / 14

HEX #B056DB

RGB 176 86 219

HSL 280.6, 0.65%, 0.6%

LAB 52.95, 57.8, -53.14

 

CMYK 23 / 70 / 0 / 8

HEX #B646EB

RGB 182 70 235

HSL 280.73, 0.8%, 0.6%

LAB 52.2, 69.38, -63.33

 

CMYK 25 / 79 / 0 / 1

HEX #BC35FC

RGB 188 53 252

HSL 280.7, 0.97%, 0.6%

LAB 52.14, 79.7, -72.91

 

CMYK 16 / 49 / 0 / 21

HEX #AA67CA

RGB 170 103 202

HSL 280.61, 0.48%, 0.6%

LAB 54.56, 44, -40.96

 

CMYK 12 / 36 / 0 / 27

HEX #A477BA

RGB 164 119 186

HSL 280.3, 0.33%, 0.6%

LAB 56.71, 29.89, -28.5

 

CMYK 6 / 20 / 0 / 34

HEX #9F88A9

RGB 159 136 169

HSL 281.82, 0.16%, 0.6%

LAB 59.75, 14.93, -14.19

 

CMYK 0 / 1 / 0 / 40

HEX #999899

RGB 153 152 153

HSL 300, 0%, 0.6%

LAB 62.95, 0.56, -0.4

 

CMYK 13 / 0 / 20 / 34

HEX #93A988

RGB 147 169 136

HSL 100, 0.16%, 0.6%

LAB 66.79, -13.93, 14.52

 

CMYK 43 / 49 / 0 / 21

HEX #7467CA

RGB 116 103 202

HSL 247.88, 0.48%, 0.6%

LAB 49.1, 29.66, -49.97

 

CMYK 29 / 49 / 0 / 21

HEX #8F67CA

RGB 143 103 202

HSL 264.24, 0.48%, 0.6%

LAB 51.62, 36.58, -45.81

 

CMYK 16 / 49 / 0 / 21

HEX #A967CA

RGB 169 103 202

HSL 280, 0.48%, 0.6%

LAB 54.45, 43.72, -41.15

 

CMYK 3 / 49 / 0 / 21

HEX #C467CA

RGB 196 103 202

HSL 296.36, 0.48%, 0.6%

LAB 57.75, 51.34, -35.73

 

CMYK 0 / 49 / 10 / 21

HEX #CA67B6

RGB 202 103 182

HSL 312.12, 0.48%, 0.6%

LAB 57.69, 49.59, -24.34

 

CMYK 21 / 66 / 0 / 35

HEX #8338A6

RGB 131 56 166

HSL 280.91, 0.5%, 0.44%

LAB 38.56, 50.11, -45.69

 

CMYK 20 / 63 / 0 / 25

HEX #9948C0

RGB 153 72 192

HSL 280.5, 0.49%, 0.52%

LAB 45.92, 53.31, -49.05

 

CMYK 16 / 49 / 0 / 21

HEX #AA67CA

RGB 170 103 202

HSL 280.61, 0.48%, 0.6%

LAB 54.56, 44, -40.96

 

CMYK 12 / 38 / 0 / 16

HEX #BB85D5

RGB 187 133 213

HSL 280.5, 0.49%, 0.68%

LAB 63.46, 34.95, -33.11

 

CMYK 9 / 27 / 0 / 12

HEX #CCA4E0

RGB 204 164 224

HSL 280, 0.49%, 0.76%

LAB 72.74, 25.47, -24.75

 

CMYK 16 / 49 / 0 / 20

HEX #AB68CB

RGB 171 104 203

HSL 280.61, 0.49%, 0.6%

LAB 54.94, 43.96, -40.93

 

CMYK 0 / 49 / 43 / 21

HEX #CA6774

RGB 202 103 116

HSL 352.12, 0.48%, 0.6%

LAB 55.6, 40.51, 10.99

 

CMYK 49 / 0 / 36 / 21

HEX #67CA81

RGB 103 202 129

HSL 135.76, 0.48%, 0.6%

LAB 74, -44.97, 27.74

 

CMYK 16 / 49 / 0 / 20

HEX #AB68CB

RGB 171 104 203

HSL 280.61, 0.49%, 0.6%

LAB 54.94, 43.96, -40.93

 

CMYK 0 / 16 / 49 / 21

HEX #CAA967

RGB 202 169 103

HSL 40, 0.48%, 0.6%

LAB 70.81, 3.59, 38.38

 

CMYK 49 / 0 / 16 / 21

HEX #67CAA9

RGB 103 202 169

HSL 160, 0.48%, 0.6%

LAB 74.82, -36.96, 7.59

 

CMYK 16 / 49 / 0 / 20

HEX #AB68CB

RGB 171 104 203

HSL 280.61, 0.49%, 0.6%

LAB 54.94, 43.96, -40.93

 

CMYK 0 / 49 / 43 / 21

HEX #CA6774

RGB 202 103 116

HSL 352.12, 0.48%, 0.6%

LAB 55.6, 40.51, 10.99

 

CMYK 33 / 0 / 49 / 21

HEX #88CA67

RGB 136 202 103

HSL 100, 0.48%, 0.6%

LAB 75.11, -38.75, 42.63

 

CMYK 49 / 0 / 6 / 21

HEX #67CABD

RGB 103 202 189

HSL 172.12, 0.48%, 0.6%

LAB 75.33, -32.22, -2.47

 

CMYK 16 / 49 / 0 / 20

HEX #AB68CB

RGB 171 104 203

HSL 280.61, 0.49%, 0.6%

LAB 54.94, 43.96, -40.93

 

CMYK 0 / 41 / 49 / 21

HEX #CA7767

RGB 202 119 103

HSL 9.7, 0.48%, 0.6%

LAB 58.72, 30.76, 22.79

 

CMYK 33 / 0 / 49 / 21

HEX #88CA67

RGB 136 202 103

HSL 100, 0.48%, 0.6%

LAB 75.11, -38.75, 42.63

 

CMYK 49 / 8 / 0 / 21

HEX #67BACA

RGB 103 186 202

HSL 189.7, 0.48%, 0.6%

LAB 71.05, -20.95, -15.9

 

Description

Color code: RGB 171 104 203 | qconv.com Color code: RGB 171 104 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 104 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 104 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 49 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 49% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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