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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 113 11 it is the complementary color RGB 84 142 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 113 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 113 11 shade: RGB 176 113 6, RGB 193 131 25, RGB 210 149 44, RGB 227 167 63 and RGB 244 185 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 113 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 113 11 shade: RGB 171 113 11, RGB 154 95 0, RGB 137 77 0, RGB 120 59 0 and RGB 103 41 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 113 11 shade: RGB 172 114 11, RGB 172 70 11, RGB 172 26 11 and RGB 172 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 113 11 shade: RGB 172 114 11, RGB 172 157 11, RGB 144 172 11, RGB 100 172 11 and RGB 56 172 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 113 11 shade matches the following richer shades: RGB 172 114 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 113 11 shade: RGB 172 114 11, RGB 157 109 25, RGB 142 105 40, RGB 128 101 55 and RGB 113 97 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 113 11 shade: RGB 172 27 11, RGB 172 70 11, RGB 172 113 11, RGB 172 156 11 and RGB 145 172 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 113 11 shade: RGB 95 62 6, RGB 133 88 8, RGB 172 114 11, RGB 211 139 13 and RGB 240 162 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 113 11 shade: RGB 171 113 11, RGB 37 172 11 and RGB 48 11 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 113 11 shade: RGB 171 113 11, RGB 11 172 113 and RGB 113 11 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 113 11 shade: RGB 171 113 11, RGB 37 172 11, RGB 11 70 172 and RGB 145 11 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 113 11 shade: RGB 171 113 11, RGB 11 172 32, RGB 11 70 172 and RGB 172 11 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 94 / 33

HEX #AB710B

RGB 171 113 11

HSL 38.25, 0.88%, 0.36%

LAB 52.39, 15.71, 57.02

 

Complementary color

CMYK 66 / 42 / 0 / 4

HEX #548EF4

RGB 84 142 244

HSL 218.25, 0.88%, 0.64%

LAB 59.67, 12.96, -56.8

 

CMYK 0 / 36 / 97 / 31

HEX #B07106

RGB 176 113 6

HSL 37.76, 0.93%, 0.36%

LAB 53.01, 17.89, 58.71

 

CMYK 0 / 32 / 87 / 24

HEX #C18319

RGB 193 131 25

HSL 37.86, 0.77%, 0.43%

LAB 59.56, 15.8, 60.33

 

CMYK 0 / 29 / 79 / 18

HEX #D2952C

RGB 210 149 44

HSL 37.95, 0.65%, 0.5%

LAB 66.04, 14, 60.5

 

CMYK 0 / 26 / 72 / 11

HEX #E3A73F

RGB 227 167 63

HSL 38.05, 0.75%, 0.57%

LAB 72.45, 12.45, 59.88

 

CMYK 0 / 24 / 66 / 4

HEX #F4B952

RGB 244 185 82

HSL 38.15, 0.88%, 0.64%

LAB 78.78, 11.1, 58.87

 

CMYK 0 / 34 / 94 / 33

HEX #AB710B

RGB 171 113 11

HSL 38.25, 0.88%, 0.36%

LAB 52.39, 15.71, 57.02

 

CMYK 0 / 38 / 100 / 40

HEX #9A5F00

RGB 154 95 0

HSL 37.01, 1%, 0.3%

LAB 45.71, 18.02, 53.73

 

CMYK 0 / 44 / 100 / 46

HEX #894D00

RGB 137 77 0

HSL 33.72, 1%, 0.27%

LAB 38.94, 20.59, 48.24

 

CMYK 0 / 51 / 100 / 53

HEX #783B00

RGB 120 59 0

HSL 29.5, 1%, 0.24%

LAB 32.08, 23.24, 42.67

 

CMYK 0 / 60 / 100 / 60

HEX #672900

RGB 103 41 0

HSL 23.88, 1%, 0.2%

LAB 25.17, 25.83, 35.87

 

CMYK 0 / 34 / 94 / 33

HEX #AC720B

RGB 172 114 11

HSL 38.39, 0.88%, 0.36%

LAB 52.76, 15.6, 57.35

 

CMYK 0 / 59 / 94 / 33

HEX #AC460B

RGB 172 70 11

HSL 21.99, 0.88%, 0.36%

LAB 43.03, 39.28, 50.41

 

CMYK 0 / 85 / 94 / 33

HEX #AC1A0B

RGB 172 26 11

HSL 5.59, 0.88%, 0.36%

LAB 36.99, 55.73, 46.4

 

CMYK 0 / 94 / 94 / 33

HEX #AC0B0B

RGB 172 11 11

HSL 0, 0.88%, 0.36%

LAB 36.05, 58.42, 45.81

 

CMYK 0 / 34 / 94 / 33

HEX #AC720B

RGB 172 114 11

HSL 38.39, 0.88%, 0.36%

LAB 52.76, 15.6, 57.35

 

CMYK 0 / 9 / 94 / 33

HEX #AC9D0B

RGB 172 157 11

HSL 54.41, 0.88%, 0.36%

LAB 64.09, -8.09, 65.83

 

CMYK 16 / 0 / 94 / 33

HEX #90AC0B

RGB 144 172 11

HSL 70.43, 0.88%, 0.36%

LAB 66.1, -28.02, 66.42

 

CMYK 42 / 0 / 94 / 33

HEX #64AC0B

RGB 100 172 11

HSL 86.83, 0.88%, 0.36%

LAB 63.54, -45.11, 63.29

 

CMYK 67 / 0 / 94 / 33

HEX #38AC0B

RGB 56 172 11

HSL 103.23, 0.88%, 0.36%

LAB 61.97, -57.48, 61.36

 

CMYK 0 / 34 / 94 / 33

HEX #AC720B

RGB 172 114 11

HSL 38.39, 0.88%, 0.36%

LAB 52.76, 15.6, 57.35

 

CMYK 0 / 34 / 94 / 33

HEX #AC720B

RGB 172 114 11

HSL 38.39, 0.88%, 0.36%

LAB 52.76, 15.6, 57.35

 

CMYK 0 / 31 / 84 / 38

HEX #9D6D19

RGB 157 109 25

HSL 38.18, 0.73%, 0.36%

LAB 49.71, 11.92, 50.33

 

CMYK 0 / 26 / 72 / 44

HEX #8E6928

RGB 142 105 40

HSL 38.24, 0.56%, 0.36%

LAB 46.98, 7.95, 40.89

 

CMYK 0 / 21 / 57 / 50

HEX #806537

RGB 128 101 55

HSL 37.81, 0.4%, 0.36%

LAB 44.48, 4.91, 29.9

 

CMYK 0 / 14 / 38 / 56

HEX #716146

RGB 113 97 70

HSL 37.67, 0.23%, 0.36%

LAB 42, 2.14, 17.79

 

CMYK 0 / 84 / 94 / 33

HEX #AC1B0B

RGB 172 27 11

HSL 5.96, 0.88%, 0.36%

LAB 37.08, 55.49, 46.45

 

CMYK 0 / 59 / 94 / 33

HEX #AC460B

RGB 172 70 11

HSL 21.99, 0.88%, 0.36%

LAB 43.03, 39.28, 50.41

 

CMYK 0 / 34 / 94 / 33

HEX #AC710B

RGB 172 113 11

HSL 38.01, 0.88%, 0.36%

LAB 52.51, 16.16, 57.17

 

CMYK 0 / 9 / 94 / 33

HEX #AC9C0B

RGB 172 156 11

HSL 54.04, 0.88%, 0.36%

LAB 63.81, -7.56, 65.62

 

CMYK 16 / 0 / 94 / 33

HEX #91AC0B

RGB 145 172 11

HSL 70.06, 0.88%, 0.36%

LAB 66.17, -27.6, 66.5

 

CMYK 0 / 35 / 94 / 63

HEX #5F3E06

RGB 95 62 6

HSL 37.75, 0.88%, 0.2%

LAB 29.14, 9.65, 36.39

 

CMYK 0 / 34 / 94 / 48

HEX #855808

RGB 133 88 8

HSL 38.4, 0.89%, 0.28%

LAB 41.19, 12.46, 47.22

 

CMYK 0 / 34 / 94 / 33

HEX #AC720B

RGB 172 114 11

HSL 38.39, 0.88%, 0.36%

LAB 52.76, 15.6, 57.35

 

CMYK 0 / 34 / 94 / 17

HEX #D38B0D

RGB 211 139 13

HSL 38.18, 0.88%, 0.44%

LAB 63.63, 19.12, 67.04

 

CMYK 0 / 33 / 90 / 6

HEX #F0A219

RGB 240 162 25

HSL 38.23, 0.88%, 0.52%

LAB 72.52, 19.46, 72.83

 

CMYK 0 / 34 / 94 / 33

HEX #AB710B

RGB 171 113 11

HSL 38.25, 0.88%, 0.36%

LAB 52.39, 15.71, 57.02

 

CMYK 78 / 0 / 94 / 33

HEX #25AC0B

RGB 37 172 11

HSL 110.31, 0.88%, 0.36%

LAB 61.59, -60.81, 60.88

 

CMYK 72 / 94 / 0 / 33

HEX #300BAC

RGB 48 11 172

HSL 253.79, 0.88%, 0.36%

LAB 23.16, 57.29, -74.9

 

CMYK 0 / 34 / 94 / 33

HEX #AB710B

RGB 171 113 11

HSL 38.25, 0.88%, 0.36%

LAB 52.39, 15.71, 57.02

 

CMYK 94 / 0 / 34 / 33

HEX #0BAC71

RGB 11 172 113

HSL 158.01, 0.88%, 0.36%

LAB 62.31, -51.11, 20.17

 

CMYK 34 / 94 / 0 / 33

HEX #710BAC

RGB 113 11 172

HSL 278.01, 0.88%, 0.36%

LAB 31.18, 63.04, -61.38

 

CMYK 0 / 34 / 94 / 33

HEX #AB710B

RGB 171 113 11

HSL 38.25, 0.88%, 0.36%

LAB 52.39, 15.71, 57.02

 

CMYK 78 / 0 / 94 / 33

HEX #25AC0B

RGB 37 172 11

HSL 110.31, 0.88%, 0.36%

LAB 61.59, -60.81, 60.88

 

CMYK 94 / 59 / 0 / 33

HEX #0B46AC

RGB 11 70 172

HSL 218.01, 0.88%, 0.36%

LAB 32.77, 24.06, -59.1

 

CMYK 16 / 94 / 0 / 33

HEX #910BAC

RGB 145 11 172

HSL 289.94, 0.88%, 0.36%

LAB 36.44, 67.57, -52.59

 

CMYK 0 / 34 / 94 / 33

HEX #AB710B

RGB 171 113 11

HSL 38.25, 0.88%, 0.36%

LAB 52.39, 15.71, 57.02

 

CMYK 94 / 0 / 81 / 33

HEX #0BAC20

RGB 11 172 32

HSL 127.83, 0.88%, 0.36%

LAB 61.38, -62.42, 56.07

 

CMYK 94 / 59 / 0 / 33

HEX #0B46AC

RGB 11 70 172

HSL 218.01, 0.88%, 0.36%

LAB 32.77, 24.06, -59.1

 

CMYK 0 / 94 / 12 / 33

HEX #AC0B97

RGB 172 11 151

HSL 307.83, 0.88%, 0.36%

LAB 39.99, 68.97, -33.97

 

Description

Color code: RGB 171 113 11 | qconv.com Color code: RGB 171 113 11 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 113 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 113 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 94 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 94% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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