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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 136 27 it is the complementary color RGB 84 119 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 136 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 136 27 shade: RGB 176 136 22, RGB 193 154 41, RGB 210 172 60, RGB 227 190 79 and RGB 244 208 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 136 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 136 27 shade: RGB 171 136 27, RGB 154 118 8, RGB 137 100 0, RGB 120 82 0 and RGB 103 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 136 27 shade: RGB 172 136 26, RGB 172 97 26, RGB 172 58 26 and RGB 172 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 136 27 shade: RGB 172 136 26, RGB 168 172 26, RGB 129 172 26, RGB 89 172 26 and RGB 50 172 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 136 27 shade matches the following richer shades: RGB 172 136 26 and RGB 188 145 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 136 27 shade: RGB 172 136 26, RGB 155 128 42, RGB 139 120 59, RGB 123 111 75 and RGB 107 103 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 136 27 shade: RGB 172 58 26, RGB 172 97 26, RGB 172 135 26, RGB 169 172 26 and RGB 130 172 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 136 27 shade: RGB 100 80 15, RGB 136 108 21, RGB 172 136 26, RGB 207 165 32 and RGB 224 183 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 136 27 shade: RGB 171 136 27, RGB 34 172 26 and RGB 77 26 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 136 27 shade: RGB 171 136 27, RGB 26 172 135 and RGB 135 26 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 136 27 shade: RGB 171 136 27, RGB 34 172 26, RGB 26 63 172 and RGB 164 26 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 136 27 shade: RGB 171 136 27, RGB 26 172 63, RGB 26 63 172 and RGB 172 26 135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 84 / 33

HEX #AB881B

RGB 171 136 27

HSL 45.42, 0.73%, 0.39%

LAB 58.36, 3.19, 57.75

 

Complementary color

CMYK 63 / 48 / 0 / 11

HEX #5477E4

RGB 84 119 228

HSL 225.42, 0.73%, 0.61%

LAB 52.6, 21.47, -59.23

 

CMYK 0 / 23 / 88 / 31

HEX #B08816

RGB 176 136 22

HSL 44.42, 0.78%, 0.39%

LAB 58.88, 5.34, 59.77

 

CMYK 0 / 20 / 79 / 24

HEX #C19A29

RGB 193 154 41

HSL 44.61, 0.65%, 0.46%

LAB 65.44, 3.71, 60.34

 

CMYK 0 / 18 / 71 / 18

HEX #D2AC3C

RGB 210 172 60

HSL 44.8, 0.63%, 0.53%

LAB 71.92, 2.34, 59.99

 

CMYK 0 / 16 / 65 / 11

HEX #E3BE4F

RGB 227 190 79

HSL 45, 0.73%, 0.6%

LAB 78.3, 1.17, 59.17

 

CMYK 0 / 15 / 60 / 4

HEX #F4D062

RGB 244 208 98

HSL 45.21, 0.87%, 0.67%

LAB 84.6, 0.17, 58.13

 

CMYK 0 / 20 / 84 / 33

HEX #AB881B

RGB 171 136 27

HSL 45.42, 0.73%, 0.39%

LAB 58.36, 3.19, 57.75

 

CMYK 0 / 23 / 95 / 40

HEX #9A7608

RGB 154 118 8

HSL 45.21, 0.9%, 0.32%

LAB 51.66, 5, 56.16

 

CMYK 0 / 27 / 100 / 46

HEX #896400

RGB 137 100 0

HSL 43.8, 1%, 0.27%

LAB 44.85, 7.17, 52.12

 

CMYK 0 / 32 / 100 / 53

HEX #785200

RGB 120 82 0

HSL 41, 1%, 0.24%

LAB 37.89, 9.61, 46.42

 

CMYK 0 / 38 / 100 / 60

HEX #674000

RGB 103 64 0

HSL 37.28, 1%, 0.2%

LAB 30.76, 12.21, 40.55

 

CMYK 0 / 21 / 85 / 33

HEX #AC881A

RGB 172 136 26

HSL 45.21, 0.74%, 0.39%

LAB 58.47, 3.62, 58.17

 

CMYK 0 / 44 / 85 / 33

HEX #AC611A

RGB 172 97 26

HSL 29.18, 0.74%, 0.39%

LAB 48.75, 25.42, 49.9

 

CMYK 0 / 66 / 85 / 33

HEX #AC3A1A

RGB 172 58 26

HSL 13.15, 0.74%, 0.39%

LAB 41.01, 45.14, 43.15

 

CMYK 0 / 85 / 85 / 33

HEX #AC1A1A

RGB 172 26 26

HSL 0, 0.74%, 0.39%

LAB 37.09, 56.01, 39.64

 

CMYK 0 / 21 / 85 / 33

HEX #AC881A

RGB 172 136 26

HSL 45.21, 0.74%, 0.39%

LAB 58.47, 3.62, 58.17

 

CMYK 2 / 0 / 85 / 33

HEX #A8AC1A

RGB 168 172 26

HSL 61.64, 0.74%, 0.39%

LAB 67.95, -17.36, 65.96

 

CMYK 25 / 0 / 85 / 33

HEX #81AC1A

RGB 129 172 26

HSL 77.67, 0.74%, 0.39%

LAB 65.16, -33.82, 62.48

 

CMYK 48 / 0 / 85 / 33

HEX #59AC1A

RGB 89 172 26

HSL 94.11, 0.74%, 0.39%

LAB 63.1, -48.28, 59.88

 

CMYK 71 / 0 / 85 / 33

HEX #32AC1A

RGB 50 172 26

HSL 110.14, 0.74%, 0.39%

LAB 61.88, -58.14, 58.33

 

CMYK 0 / 21 / 85 / 33

HEX #AC881A

RGB 172 136 26

HSL 45.21, 0.74%, 0.39%

LAB 58.47, 3.62, 58.17

 

CMYK 0 / 23 / 95 / 26

HEX #BC910A

RGB 188 145 10

HSL 45.51, 0.9%, 0.39%

LAB 62.48, 5.61, 65.48

 

CMYK 0 / 21 / 85 / 33

HEX #AC881A

RGB 172 136 26

HSL 45.21, 0.74%, 0.39%

LAB 58.47, 3.62, 58.17

 

CMYK 0 / 17 / 73 / 39

HEX #9B802A

RGB 155 128 42

HSL 45.66, 0.57%, 0.39%

LAB 54.63, 0.94, 48.27

 

CMYK 0 / 14 / 58 / 45

HEX #8B783B

RGB 139 120 59

HSL 45.75, 0.4%, 0.39%

LAB 50.96, -0.69, 35.74

 

CMYK 0 / 10 / 39 / 52

HEX #7B6F4B

RGB 123 111 75

HSL 45, 0.24%, 0.39%

LAB 47.09, -1, 21.77

 

CMYK 0 / 4 / 15 / 58

HEX #6B675B

RGB 107 103 91

HSL 45, 0.08%, 0.39%

LAB 43.63, -0.71, 7.33

 

CMYK 0 / 66 / 85 / 33

HEX #AC3A1A

RGB 172 58 26

HSL 13.15, 0.74%, 0.39%

LAB 41.01, 45.14, 43.15

 

CMYK 0 / 44 / 85 / 33

HEX #AC611A

RGB 172 97 26

HSL 29.18, 0.74%, 0.39%

LAB 48.75, 25.42, 49.9

 

CMYK 0 / 22 / 85 / 33

HEX #AC871A

RGB 172 135 26

HSL 44.79, 0.74%, 0.39%

LAB 58.2, 4.17, 57.94

 

CMYK 2 / 0 / 85 / 33

HEX #A9AC1A

RGB 169 172 26

HSL 61.23, 0.74%, 0.39%

LAB 68.03, -16.92, 66.06

 

CMYK 24 / 0 / 85 / 33

HEX #82AC1A

RGB 130 172 26

HSL 77.26, 0.74%, 0.39%

LAB 65.22, -33.42, 62.56

 

CMYK 0 / 20 / 85 / 61

HEX #64500F

RGB 100 80 15

HSL 45.88, 0.74%, 0.23%

LAB 34.97, 1.35, 38.32

 

CMYK 0 / 21 / 85 / 47

HEX #886C15

RGB 136 108 21

HSL 45.39, 0.73%, 0.31%

LAB 46.99, 2.54, 48.37

 

CMYK 0 / 21 / 85 / 33

HEX #AC881A

RGB 172 136 26

HSL 45.21, 0.74%, 0.39%

LAB 58.47, 3.62, 58.17

 

CMYK 0 / 20 / 85 / 19

HEX #CFA520

RGB 207 165 32

HSL 45.6, 0.73%, 0.47%

LAB 69.67, 3.7, 67.35

 

CMYK 0 / 18 / 75 / 12

HEX #E0B739

RGB 224 183 57

HSL 45.27, 0.73%, 0.55%

LAB 76.08, 2.43, 65.68

 

CMYK 0 / 20 / 84 / 33

HEX #AB881B

RGB 171 136 27

HSL 45.42, 0.73%, 0.39%

LAB 58.36, 3.19, 57.75

 

CMYK 80 / 0 / 85 / 33

HEX #22AC1A

RGB 34 172 26

HSL 116.71, 0.74%, 0.39%

LAB 61.58, -60.67, 57.96

 

CMYK 55 / 85 / 0 / 33

HEX #4D1AAC

RGB 77 26 172

HSL 260.96, 0.74%, 0.39%

LAB 27.56, 54.99, -67.51

 

CMYK 0 / 20 / 84 / 33

HEX #AB881B

RGB 171 136 27

HSL 45.42, 0.73%, 0.39%

LAB 58.36, 3.19, 57.75

 

CMYK 85 / 0 / 22 / 33

HEX #1AAC87

RGB 26 172 135

HSL 164.79, 0.74%, 0.39%

LAB 62.91, -44.95, 8.91

 

CMYK 22 / 85 / 0 / 33

HEX #871AAC

RGB 135 26 172

HSL 284.79, 0.74%, 0.39%

LAB 35.73, 63.13, -53.82

 

CMYK 0 / 20 / 84 / 33

HEX #AB881B

RGB 171 136 27

HSL 45.42, 0.73%, 0.39%

LAB 58.36, 3.19, 57.75

 

CMYK 80 / 0 / 85 / 33

HEX #22AC1A

RGB 34 172 26

HSL 116.71, 0.74%, 0.39%

LAB 61.58, -60.67, 57.96

 

CMYK 85 / 63 / 0 / 33

HEX #1A3FAC

RGB 26 63 172

HSL 224.79, 0.74%, 0.39%

LAB 31.24, 29.64, -61.58

 

CMYK 5 / 85 / 0 / 33

HEX #A41AAC

RGB 164 26 172

HSL 296.71, 0.74%, 0.39%

LAB 40.59, 68.23, -45.73

 

CMYK 0 / 20 / 84 / 33

HEX #AB881B

RGB 171 136 27

HSL 45.42, 0.73%, 0.39%

LAB 58.36, 3.19, 57.75

 

CMYK 85 / 0 / 63 / 33

HEX #1AAC3F

RGB 26 172 63

HSL 135.21, 0.74%, 0.39%

LAB 61.73, -58.51, 44.8

 

CMYK 85 / 63 / 0 / 33

HEX #1A3FAC

RGB 26 63 172

HSL 224.79, 0.74%, 0.39%

LAB 31.24, 29.64, -61.58

 

CMYK 0 / 85 / 22 / 33

HEX #AC1A87

RGB 172 26 135

HSL 315.21, 0.74%, 0.39%

LAB 40.01, 64.42, -24.15

 

Description

Color code: RGB 171 136 27 | qconv.com Color code: RGB 171 136 27 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 136 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 136 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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