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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 156 129 it is the complementary color RGB 84 99 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 156 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 156 129 shade: RGB 176 156 124, RGB 193 174 143, RGB 210 192 162, RGB 227 210 181 and RGB 244 228 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 156 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 156 129 shade: RGB 171 156 129, RGB 154 138 110, RGB 137 120 91, RGB 120 102 72 and RGB 103 84 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 156 129 shade: RGB 171 156 129, RGB 171 145 129, RGB 171 133 129 and RGB 171 129 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 156 129 shade: RGB 171 156 129, RGB 171 167 129, RGB 163 171 129, RGB 152 171 129 and RGB 141 171 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 156 129 shade matches the following richer shades: RGB 171 156 129, RGB 188 161 112, RGB 205 166 95, RGB 222 170 78 and RGB 239 175 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 156 129 shade: RGB 171 156 129, RGB 154 151 146, RGB 137 146 163, RGB 120 141 180 and RGB 103 137 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 156 129 shade: RGB 171 133 129, RGB 171 144 129, RGB 171 156 129, RGB 171 167 129 and RGB 164 171 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 156 129 shade: RGB 131 115 87, RGB 154 136 104, RGB 171 156 129, RGB 187 175 154 and RGB 204 195 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 156 129 shade: RGB 171 156 129, RGB 136 171 129 and RGB 139 129 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 156 129 shade: RGB 171 156 129, RGB 129 171 156 and RGB 156 129 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 156 129 shade: RGB 171 156 129, RGB 136 171 129, RGB 129 144 171 and RGB 164 129 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 156 129 shade: RGB 171 156 129, RGB 129 171 135, RGB 129 144 171 and RGB 171 129 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

Complementary color

CMYK 33 / 21 / 0 / 51

HEX #54637E

RGB 84 99 126

HSL 218.57, 0.2%, 0.41%

LAB 41.71, 1.26, -16.94

 

CMYK 0 / 11 / 30 / 31

HEX #B09C7C

RGB 176 156 124

HSL 36.92, 0.25%, 0.59%

LAB 65.33, 2.39, 19.48

 

CMYK 0 / 10 / 26 / 24

HEX #C1AE8F

RGB 193 174 143

HSL 37.2, 0.29%, 0.66%

LAB 71.96, 1.98, 18.42

 

CMYK 0 / 9 / 23 / 18

HEX #D2C0A2

RGB 210 192 162

HSL 37.5, 0.35%, 0.73%

LAB 78.47, 1.62, 17.44

 

CMYK 0 / 7 / 20 / 11

HEX #E3D2B5

RGB 227 210 181

HSL 37.83, 0.45%, 0.8%

LAB 84.87, 1.3, 16.51

 

CMYK 0 / 7 / 18 / 4

HEX #F4E4C8

RGB 244 228 200

HSL 38.18, 0.67%, 0.87%

LAB 91.18, 1.01, 15.63

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 0 / 10 / 29 / 40

HEX #9A8A6E

RGB 154 138 110

HSL 38.18, 0.18%, 0.52%

LAB 58.2, 1.51, 17.21

 

CMYK 0 / 12 / 34 / 46

HEX #89785B

RGB 137 120 91

HSL 37.83, 0.2%, 0.45%

LAB 51.27, 1.97, 18.36

 

CMYK 0 / 15 / 40 / 53

HEX #786648

RGB 120 102 72

HSL 37.5, 0.25%, 0.38%

LAB 44.18, 2.55, 19.63

 

CMYK 0 / 18 / 49 / 60

HEX #675435

RGB 103 84 53

HSL 37.2, 0.32%, 0.31%

LAB 36.89, 3.28, 21.03

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 0 / 15 / 25 / 33

HEX #AB9181

RGB 171 145 129

HSL 22.86, 0.2%, 0.59%

LAB 62.08, 7.2, 12.1

 

CMYK 0 / 22 / 25 / 33

HEX #AB8581

RGB 171 133 129

HSL 5.71, 0.2%, 0.59%

LAB 58.99, 13.93, 7.73

 

CMYK 0 / 25 / 25 / 33

HEX #AB8181

RGB 171 129 129

HSL 0, 0.2%, 0.59%

LAB 57.98, 16.19, 6.3

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 0 / 2 / 25 / 33

HEX #ABA781

RGB 171 167 129

HSL 54.29, 0.2%, 0.59%

LAB 67.93, -4.85, 20.22

 

CMYK 5 / 0 / 25 / 33

HEX #A3AB81

RGB 163 171 129

HSL 71.43, 0.2%, 0.59%

LAB 68.39, -10.09, 20.74

 

CMYK 11 / 0 / 25 / 33

HEX #98AB81

RGB 152 171 129

HSL 87.14, 0.2%, 0.59%

LAB 67.57, -14.28, 19.48

 

CMYK 18 / 0 / 25 / 33

HEX #8DAB81

RGB 141 171 129

HSL 102.86, 0.2%, 0.59%

LAB 66.8, -18.35, 18.31

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 0 / 14 / 40 / 26

HEX #BCA170

RGB 188 161 112

HSL 38.68, 0.36%, 0.59%

LAB 67.54, 3.04, 29.18

 

CMYK 0 / 19 / 54 / 20

HEX #CDA65F

RGB 205 166 95

HSL 38.73, 0.52%, 0.59%

LAB 70.23, 5.74, 41.83

 

CMYK 0 / 23 / 65 / 13

HEX #DEAA4E

RGB 222 170 78

HSL 38.33, 0.69%, 0.59%

LAB 72.78, 9.54, 53.48

 

CMYK 0 / 27 / 74 / 6

HEX #EFAF3D

RGB 239 175 61

HSL 38.43, 0.85%, 0.59%

LAB 75.67, 13.22, 64.31

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 0 / 2 / 5 / 40

HEX #9A9792

RGB 154 151 146

HSL 37.5, 0.04%, 0.59%

LAB 62.57, 0.16, 3.01

 

CMYK 16 / 10 / 0 / 36

HEX #8992A3

RGB 137 146 163

HSL 219.23, 0.12%, 0.59%

LAB 60.36, 0.4, -10.05

 

CMYK 33 / 22 / 0 / 29

HEX #788DB4

RGB 120 141 180

HSL 219, 0.29%, 0.59%

LAB 58.36, 2.02, -22.86

 

CMYK 48 / 30 / 0 / 23

HEX #6789C5

RGB 103 137 197

HSL 218.3, 0.45%, 0.59%

LAB 56.89, 4.55, -34.87

 

CMYK 0 / 22 / 25 / 33

HEX #AB8581

RGB 171 133 129

HSL 5.71, 0.2%, 0.59%

LAB 58.99, 13.93, 7.73

 

CMYK 0 / 16 / 25 / 33

HEX #AB9081

RGB 171 144 129

HSL 21.43, 0.2%, 0.59%

LAB 61.82, 7.75, 11.74

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 0 / 2 / 25 / 33

HEX #ABA781

RGB 171 167 129

HSL 54.29, 0.2%, 0.59%

LAB 67.93, -4.85, 20.22

 

CMYK 4 / 0 / 25 / 33

HEX #A4AB81

RGB 164 171 129

HSL 70, 0.2%, 0.59%

LAB 68.46, -9.7, 20.86

 

CMYK 0 / 12 / 34 / 49

HEX #837357

RGB 131 115 87

HSL 38.18, 0.2%, 0.43%

LAB 49.22, 1.75, 17.8

 

CMYK 0 / 12 / 32 / 40

HEX #9A8868

RGB 154 136 104

HSL 38.4, 0.2%, 0.51%

LAB 57.54, 1.79, 19.7

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 0 / 6 / 18 / 27

HEX #BBAF9A

RGB 187 175 154

HSL 38.18, 0.2%, 0.67%

LAB 71.93, 0.78, 12.31

 

CMYK 0 / 4 / 12 / 20

HEX #CCC3B3

RGB 204 195 179

HSL 38.4, 0.2%, 0.75%

LAB 79.11, 0.42, 9.15

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 20 / 0 / 25 / 33

HEX #88AB81

RGB 136 171 129

HSL 110, 0.2%, 0.59%

LAB 66.48, -20.15, 17.81

 

CMYK 19 / 25 / 0 / 33

HEX #8B81AB

RGB 139 129 171

HSL 254.29, 0.2%, 0.59%

LAB 56.22, 12.66, -20.87

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 25 / 0 / 9 / 33

HEX #81AB9C

RGB 129 171 156

HSL 158.57, 0.2%, 0.59%

LAB 66.67, -17.35, 3.12

 

CMYK 9 / 25 / 0 / 33

HEX #9C81AB

RGB 156 129 171

HSL 278.57, 0.2%, 0.59%

LAB 57.76, 18.33, -18.38

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 20 / 0 / 25 / 33

HEX #88AB81

RGB 136 171 129

HSL 110, 0.2%, 0.59%

LAB 66.48, -20.15, 17.81

 

CMYK 25 / 16 / 0 / 33

HEX #8190AB

RGB 129 144 171

HSL 218.57, 0.2%, 0.59%

LAB 59.48, 0.78, -15.97

 

CMYK 4 / 25 / 0 / 33

HEX #A481AB

RGB 164 129 171

HSL 290, 0.2%, 0.59%

LAB 58.54, 21.06, -17.12

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 25 / 0 / 21 / 33

HEX #81AB87

RGB 129 171 135

HSL 128.57, 0.2%, 0.59%

LAB 66.17, -21.52, 14.02

 

CMYK 25 / 16 / 0 / 33

HEX #8190AB

RGB 129 144 171

HSL 218.57, 0.2%, 0.59%

LAB 59.48, 0.78, -15.97

 

CMYK 0 / 25 / 4 / 33

HEX #AB81A5

RGB 171 129 165

HSL 308.57, 0.2%, 0.59%

LAB 59.04, 22.32, -12.85

 

Description

Color code: RGB 171 156 129 | qconv.com Color code: RGB 171 156 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 156 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 156 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 25 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 25% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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