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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 177 6 it is the complementary color RGB 84 78 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 177 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 177 6 shade: RGB 176 177 1, RGB 193 195 20, RGB 210 213 39, RGB 227 231 58 and RGB 244 249 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 177 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 177 6 shade: RGB 171 177 6, RGB 154 159 0, RGB 137 141 0, RGB 120 123 0 and RGB 103 105 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 177 6 shade: RGB 171 177 6, RGB 177 137 6, RGB 177 91 6, RGB 177 45 6 and RGB 177 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 177 6 shade: RGB 171 177 6, RGB 125 177 6, RGB 79 177 6, RGB 33 177 6 and RGB 6 177 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 177 6 shade matches the following richer shades: RGB 171 177 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 177 6 shade: RGB 171 177 6, RGB 157 162 21, RGB 143 147 36, RGB 129 132 50 and RGB 115 117 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 177 6 shade: RGB 177 91 6, RGB 177 137 6, RGB 171 177 6, RGB 125 177 6 and RGB 80 177 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 177 6 shade: RGB 94 97 3, RGB 132 137 4, RGB 171 177 6, RGB 209 216 7 and RGB 238 246 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 177 6 shade: RGB 171 177 6, RGB 6 177 46 and RGB 114 6 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 177 6 shade: RGB 171 177 6, RGB 6 171 177 and RGB 177 6 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 177 6 shade: RGB 171 177 6, RGB 6 177 46, RGB 12 6 177 and RGB 177 6 137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 177 6 shade: RGB 171 177 6, RGB 6 177 97, RGB 12 6 177 and RGB 177 6 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

Complementary color

CMYK 66 / 69 / 0 / 2

HEX #544EF9

RGB 84 78 249

HSL 242.11, 0.93%, 0.64%

LAB 44.48, 53.04, -84.2

 

CMYK 1 / 0 / 99 / 31

HEX #B0B101

RGB 176 177 1

HSL 60.34, 0.99%, 0.35%

LAB 69.95, -16.82, 71.63

 

CMYK 1 / 0 / 90 / 24

HEX #C1C314

RGB 193 195 20

HSL 60.69, 0.81%, 0.42%

LAB 76.33, -18.23, 74.72

 

CMYK 1 / 0 / 82 / 16

HEX #D2D527

RGB 210 213 39

HSL 61.03, 0.69%, 0.49%

LAB 82.61, -19.45, 76.58

 

CMYK 2 / 0 / 75 / 9

HEX #E3E73A

RGB 227 231 58

HSL 61.39, 0.78%, 0.57%

LAB 88.82, -20.49, 77.37

 

CMYK 2 / 0 / 69 / 2

HEX #F4F94D

RGB 244 249 77

HSL 61.74, 0.93%, 0.64%

LAB 94.96, -21.37, 77.44

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 3 / 0 / 100 / 38

HEX #9A9F00

RGB 154 159 0

HSL 61.89, 1%, 0.31%

LAB 63.07, -17.38, 65.88

 

CMYK 3 / 0 / 100 / 45

HEX #898D00

RGB 137 141 0

HSL 61.7, 1%, 0.28%

LAB 56.45, -15.7, 60.39

 

CMYK 2 / 0 / 100 / 52

HEX #787B00

RGB 120 123 0

HSL 61.46, 1%, 0.24%

LAB 49.69, -13.97, 54.77

 

CMYK 2 / 0 / 100 / 59

HEX #676900

RGB 103 105 0

HSL 61.14, 1%, 0.21%

LAB 42.74, -12.19, 48.99

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 0 / 23 / 97 / 31

HEX #B18906

RGB 177 137 6

HSL 45.96, 0.93%, 0.36%

LAB 59.21, 4.96, 63.16

 

CMYK 0 / 49 / 97 / 31

HEX #B15B06

RGB 177 91 6

HSL 29.82, 0.93%, 0.36%

LAB 48.06, 30.43, 55.42

 

CMYK 0 / 75 / 97 / 31

HEX #B12D06

RGB 177 45 6

HSL 13.68, 0.93%, 0.36%

LAB 39.98, 51.6, 50.4

 

CMYK 0 / 97 / 97 / 31

HEX #B10606

RGB 177 6 6

HSL 0, 0.93%, 0.36%

LAB 36.91, 60.28, 48.75

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 29 / 0 / 97 / 31

HEX #7DB106

RGB 125 177 6

HSL 78.25, 0.93%, 0.36%

LAB 66.38, -38.13, 66.74

 

CMYK 55 / 0 / 97 / 31

HEX #4FB106

RGB 79 177 6

HSL 94.39, 0.93%, 0.36%

LAB 64.26, -53.69, 64.15

 

CMYK 81 / 0 / 97 / 31

HEX #21B106

RGB 33 177 6

HSL 110.53, 0.93%, 0.36%

LAB 63.16, -62.95, 62.81

 

CMYK 97 / 0 / 86 / 31

HEX #06B119

RGB 6 177 25

HSL 126.67, 0.93%, 0.36%

LAB 62.97, -64.48, 59.35

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 3 / 0 / 87 / 36

HEX #9DA215

RGB 157 162 21

HSL 62.13, 0.77%, 0.36%

LAB 64.21, -17.22, 63.61

 

CMYK 3 / 0 / 76 / 42

HEX #8F9324

RGB 143 147 36

HSL 62.16, 0.61%, 0.36%

LAB 58.82, -15.14, 54.25

 

CMYK 2 / 0 / 62 / 48

HEX #818432

RGB 129 132 50

HSL 62.2, 0.45%, 0.36%

LAB 53.38, -12.58, 42.66

 

CMYK 2 / 0 / 44 / 54

HEX #737541

RGB 115 117 65

HSL 62.31, 0.29%, 0.36%

LAB 47.94, -9.15, 28.35

 

CMYK 0 / 49 / 97 / 31

HEX #B15B06

RGB 177 91 6

HSL 29.82, 0.93%, 0.36%

LAB 48.06, 30.43, 55.42

 

CMYK 0 / 23 / 97 / 31

HEX #B18906

RGB 177 137 6

HSL 45.96, 0.93%, 0.36%

LAB 59.21, 4.96, 63.16

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 29 / 0 / 97 / 31

HEX #7DB106

RGB 125 177 6

HSL 78.25, 0.93%, 0.36%

LAB 66.38, -38.13, 66.74

 

CMYK 55 / 0 / 97 / 31

HEX #50B106

RGB 80 177 6

HSL 94.04, 0.93%, 0.36%

LAB 64.29, -53.41, 64.2

 

CMYK 3 / 0 / 97 / 62

HEX #5E6103

RGB 94 97 3

HSL 61.91, 0.94%, 0.2%

LAB 39.47, -11.99, 45.39

 

CMYK 4 / 0 / 97 / 46

HEX #848904

RGB 132 137 4

HSL 62.26, 0.94%, 0.28%

LAB 54.87, -15.8, 58.34

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 3 / 0 / 97 / 15

HEX #D1D807

RGB 209 216 7

HSL 62.01, 0.94%, 0.44%

LAB 83.27, -21.9, 82.09

 

CMYK 3 / 0 / 92 / 4

HEX #EEF613

RGB 238 246 19

HSL 62.11, 0.93%, 0.52%

LAB 93.51, -24.1, 89.69

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 97 / 0 / 74 / 31

HEX #06B12E

RGB 6 177 46

HSL 134.04, 0.93%, 0.36%

LAB 63.08, -63.11, 53.13

 

CMYK 36 / 97 / 0 / 31

HEX #7206B1

RGB 114 6 177

HSL 277.89, 0.93%, 0.36%

LAB 31.54, 64.94, -63.79

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 97 / 3 / 0 / 31

HEX #06ABB1

RGB 6 171 177

HSL 182.11, 0.93%, 0.36%

LAB 63.62, -33.56, -13.49

 

CMYK 0 / 97 / 3 / 31

HEX #B106AB

RGB 177 6 171

HSL 302.11, 0.93%, 0.36%

LAB 41.87, 73.23, -42.95

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 97 / 0 / 74 / 31

HEX #06B12E

RGB 6 177 46

HSL 134.04, 0.93%, 0.36%

LAB 63.08, -63.11, 53.13

 

CMYK 93 / 97 / 0 / 31

HEX #0C06B1

RGB 12 6 177

HSL 242.11, 0.93%, 0.36%

LAB 21.52, 58.8, -80.7

 

CMYK 0 / 97 / 23 / 31

HEX #B10689

RGB 177 6 137

HSL 314.04, 0.93%, 0.36%

LAB 40.05, 68.66, -25.25

 

CMYK 3 / 0 / 97 / 31

HEX #ABB106

RGB 171 177 6

HSL 62.11, 0.93%, 0.36%

LAB 69.55, -18.94, 70.56

 

CMYK 97 / 0 / 45 / 31

HEX #06B161

RGB 6 177 97

HSL 151.93, 0.93%, 0.36%

LAB 63.63, -56.33, 30.43

 

CMYK 93 / 97 / 0 / 31

HEX #0C06B1

RGB 12 6 177

HSL 242.11, 0.93%, 0.36%

LAB 21.52, 58.8, -80.7

 

CMYK 0 / 97 / 51 / 31

HEX #B10656

RGB 177 6 86

HSL 331.93, 0.93%, 0.36%

LAB 38.11, 63.55, 3.92

 

Description

Color code: RGB 171 177 6 | qconv.com Color code: RGB 171 177 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 177 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 177 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 97 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 97% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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