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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 213 127 it is the complementary color RGB 84 42 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 213 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 213 127 shade: RGB 176 213 122, RGB 193 231 141, RGB 210 249 160, RGB 227 255 179 and RGB 244 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 213 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 213 127 shade: RGB 171 213 127, RGB 154 195 108, RGB 137 177 89, RGB 120 159 70 and RGB 103 141 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 213 127 shade: RGB 171 213 127, RGB 194 213 127, RGB 213 209 127, RGB 213 186 127 and RGB 213 163 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 213 127 shade: RGB 171 213 127, RGB 148 213 127, RGB 127 213 130, RGB 127 213 153 and RGB 127 213 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 213 127 shade matches the following richer shades: RGB 171 213 127, RGB 172 227 114, RGB 172 240 100 and RGB 172 254 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 213 127 shade: RGB 171 213 127, RGB 171 200 141, RGB 171 186 155, RGB 170 172 168 and RGB 170 159 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 213 127 shade: RGB 213 209 127, RGB 195 213 127, RGB 172 213 127, RGB 149 213 127 and RGB 127 213 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 213 127 shade: RGB 131 193 65, RGB 151 203 96, RGB 171 213 127, RGB 192 223 159 and RGB 212 233 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 213 127 shade: RGB 171 213 127, RGB 127 213 186 and RGB 213 127 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 213 127 shade: RGB 171 213 127, RGB 127 172 213 and RGB 213 127 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 213 127 shade: RGB 171 213 127, RGB 127 213 186, RGB 169 127 213 and RGB 213 127 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 213 127 shade: RGB 171 213 127, RGB 127 213 212, RGB 169 127 213 and RGB 213 127 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

Complementary color

CMYK 34 / 67 / 0 / 50

HEX #542A80

RGB 84 42 128

HSL 269.3, 0.51%, 0.33%

LAB 27.02, 37.13, -41.32

 

CMYK 17 / 0 / 43 / 16

HEX #B0D57A

RGB 176 213 122

HSL 84.4, 0.52%, 0.66%

LAB 80.86, -27.21, 40.94

 

CMYK 16 / 0 / 39 / 9

HEX #C1E78D

RGB 193 231 141

HSL 85.33, 0.65%, 0.73%

LAB 87.2, -27.22, 39.8

 

CMYK 16 / 0 / 36 / 2

HEX #D2F9A0

RGB 210 249 160

HSL 86.29, 0.88%, 0.8%

LAB 93.45, -27.21, 38.69

 

CMYK 11 / 0 / 30 / 0

HEX #E3FFB3

RGB 227 255 179

HSL 82.11, 1%, 0.85%

LAB 96.45, -21.5, 33.41

 

CMYK 4 / 0 / 22 / 0

HEX #F4FFC6

RGB 244 255 198

HSL 71.58, 1%, 0.89%

LAB 97.97, -12.82, 26.09

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 21 / 0 / 45 / 24

HEX #9AC36C

RGB 154 195 108

HSL 88.28, 0.42%, 0.59%

LAB 74.18, -28.46, 39.23

 

CMYK 23 / 0 / 50 / 31

HEX #89B159

RGB 137 177 89

HSL 87.27, 0.36%, 0.52%

LAB 67.64, -28.45, 40.41

 

CMYK 25 / 0 / 56 / 38

HEX #789F46

RGB 120 159 70

HSL 86.29, 0.39%, 0.45%

LAB 60.99, -28.37, 41.56

 

CMYK 27 / 0 / 64 / 45

HEX #678D33

RGB 103 141 51

HSL 85.33, 0.47%, 0.38%

LAB 54.21, -28.19, 42.55

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 9 / 0 / 40 / 16

HEX #C2D57F

RGB 194 213 127

HSL 73.26, 0.51%, 0.67%

LAB 82.16, -19.81, 40.34

 

CMYK 0 / 2 / 40 / 16

HEX #D5D17F

RGB 213 209 127

HSL 57.21, 0.51%, 0.67%

LAB 82.53, -10.39, 41.11

 

CMYK 0 / 13 / 40 / 16

HEX #D5BA7F

RGB 213 186 127

HSL 41.16, 0.51%, 0.67%

LAB 76.56, 1.51, 33.45

 

CMYK 0 / 23 / 40 / 16

HEX #D5A37F

RGB 213 163 127

HSL 25.12, 0.51%, 0.67%

LAB 70.78, 13.8, 25.83

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 31 / 0 / 40 / 16

HEX #94D57F

RGB 148 213 127

HSL 105.35, 0.51%, 0.67%

LAB 79.28, -36.51, 36.08

 

CMYK 40 / 0 / 39 / 16

HEX #7FD582

RGB 127 213 130

HSL 122.09, 0.51%, 0.67%

LAB 78.29, -42.76, 33.07

 

CMYK 40 / 0 / 28 / 16

HEX #7FD599

RGB 127 213 153

HSL 138.14, 0.51%, 0.67%

LAB 78.69, -38.87, 21.69

 

CMYK 40 / 0 / 17 / 16

HEX #7FD5B0

RGB 127 213 176

HSL 154.19, 0.51%, 0.67%

LAB 79.18, -34.36, 10.2

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 24 / 0 / 50 / 11

HEX #ACE372

RGB 172 227 114

HSL 89.2, 0.67%, 0.67%

LAB 84.44, -36.11, 49.19

 

CMYK 28 / 0 / 58 / 6

HEX #ACF064

RGB 172 240 100

HSL 89.14, 0.82%, 0.67%

LAB 87.97, -43.27, 59.65

 

CMYK 32 / 0 / 66 / 0

HEX #ACFE57

RGB 172 254 87

HSL 89.46, 0.99%, 0.67%

LAB 91.84, -50.26, 69.16

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 15 / 0 / 30 / 22

HEX #ABC88D

RGB 171 200 141

HSL 89.49, 0.35%, 0.67%

LAB 77.21, -20.18, 26.39

 

CMYK 8 / 0 / 17 / 27

HEX #ABBA9B

RGB 171 186 155

HSL 89.03, 0.18%, 0.67%

LAB 73.64, -10.83, 13.99

 

CMYK 1 / 0 / 2 / 33

HEX #AAACA8

RGB 170 172 168

HSL 90, 0.02%, 0.67%

LAB 70.09, -1.46, 1.8

 

CMYK 7 / 13 / 0 / 29

HEX #AA9FB6

RGB 170 159 182

HSL 268.7, 0.14%, 0.67%

LAB 67.07, 8.41, -10.43

 

CMYK 0 / 2 / 40 / 16

HEX #D5D17F

RGB 213 209 127

HSL 57.21, 0.51%, 0.67%

LAB 82.53, -10.39, 41.11

 

CMYK 8 / 0 / 40 / 16

HEX #C3D57F

RGB 195 213 127

HSL 72.56, 0.51%, 0.67%

LAB 82.23, -19.42, 40.45

 

CMYK 19 / 0 / 40 / 16

HEX #ACD57F

RGB 172 213 127

HSL 88.6, 0.51%, 0.67%

LAB 80.68, -28.07, 38.16

 

CMYK 30 / 0 / 40 / 16

HEX #95D57F

RGB 149 213 127

HSL 104.65, 0.51%, 0.67%

LAB 79.33, -36.17, 36.16

 

CMYK 40 / 0 / 39 / 16

HEX #7FD581

RGB 127 213 129

HSL 121.4, 0.51%, 0.67%

LAB 78.28, -42.91, 33.56

 

CMYK 32 / 0 / 66 / 24

HEX #83C141

RGB 131 193 65

HSL 89.06, 0.51%, 0.51%

LAB 71.79, -40.32, 55.96

 

CMYK 26 / 0 / 53 / 20

HEX #97CB60

RGB 151 203 96

HSL 89.16, 0.51%, 0.59%

LAB 76.15, -34.68, 47.45

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 14 / 0 / 29 / 13

HEX #C0DF9F

RGB 192 223 159

HSL 89.06, 0.5%, 0.75%

LAB 85.24, -21.3, 28.09

 

CMYK 9 / 0 / 18 / 9

HEX #D4E9BE

RGB 212 233 190

HSL 89.3, 0.49%, 0.83%

LAB 89.86, -14.44, 18.61

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 40 / 0 / 13 / 16

HEX #7FD5BA

RGB 127 213 186

HSL 161.16, 0.51%, 0.67%

LAB 79.41, -32.21, 5.21

 

CMYK 0 / 40 / 3 / 16

HEX #D57FCE

RGB 213 127 206

HSL 304.88, 0.51%, 0.67%

LAB 64.79, 44.82, -26.91

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 40 / 19 / 0 / 16

HEX #7FACD5

RGB 127 172 213

HSL 208.6, 0.51%, 0.67%

LAB 68.62, -4.62, -25.53

 

CMYK 0 / 40 / 19 / 16

HEX #D57FAC

RGB 213 127 172

HSL 328.6, 0.51%, 0.67%

LAB 63.59, 39.2, -9.54

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 40 / 0 / 13 / 16

HEX #7FD5BA

RGB 127 213 186

HSL 161.16, 0.51%, 0.67%

LAB 79.41, -32.21, 5.21

 

CMYK 21 / 40 / 0 / 16

HEX #A97FD5

RGB 169 127 213

HSL 269.3, 0.51%, 0.67%

LAB 60.26, 32.91, -38.23

 

CMYK 0 / 40 / 27 / 16

HEX #D57F9B

RGB 213 127 155

HSL 340.47, 0.51%, 0.67%

LAB 63.09, 36.73, -0.61

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 40 / 0 / 0 / 16

HEX #7FD5D4

RGB 127 213 212

HSL 179.3, 0.51%, 0.67%

LAB 80.1, -26.17, -7.68

 

CMYK 21 / 40 / 0 / 16

HEX #A97FD5

RGB 169 127 213

HSL 269.3, 0.51%, 0.67%

LAB 60.26, 32.91, -38.23

 

CMYK 0 / 40 / 39 / 16

HEX #D57F81

RGB 213 127 129

HSL 358.6, 0.51%, 0.67%

LAB 62.43, 33.45, 13.28

 

Description

Color code: RGB 171 213 127 | qconv.com Color code: RGB 171 213 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 213 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 213 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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