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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 225 204 it is the complementary color RGB 84 30 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 225 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 225 204 shade: RGB 176 225 199, RGB 193 243 218, RGB 210 255 237, RGB 227 255 255 and RGB 244 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 225 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 225 204 shade: RGB 171 225 204, RGB 154 207 185, RGB 137 189 166, RGB 120 171 147 and RGB 103 153 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 225 204 shade: RGB 172 225 204, RGB 172 225 190, RGB 172 225 176, RGB 182 225 172 and RGB 197 225 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 225 204 shade: RGB 172 225 204, RGB 172 225 218, RGB 172 217 225, RGB 172 203 225 and RGB 172 188 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 225 204 shade matches the following richer shades: RGB 172 225 204, RGB 163 234 206, RGB 154 243 208 and RGB 145 252 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 225 204 shade: RGB 172 225 204, RGB 181 216 202, RGB 190 207 200, RGB 199 198 198 and RGB 208 188 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 225 204 shade: RGB 172 225 176, RGB 172 225 190, RGB 172 225 204, RGB 172 225 218 and RGB 172 218 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 225 204 shade: RGB 111 203 167, RGB 142 214 186, RGB 172 225 204, RGB 202 236 223 and RGB 233 247 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 225 204 shade: RGB 171 225 204, RGB 172 183 225 and RGB 225 183 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 225 204 shade: RGB 171 225 204, RGB 204 172 225 and RGB 225 204 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 225 204 shade: RGB 171 225 204, RGB 172 183 225, RGB 225 172 193 and RGB 225 214 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 225 204 shade: RGB 171 225 204, RGB 177 172 225, RGB 225 172 193 and RGB 219 225 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 9 / 12

HEX #ABE1CC

RGB 171 225 204

HSL 156.67, 0.47%, 0.78%

LAB 85.44, -21.54, 4.65

 

Complementary color

CMYK 0 / 64 / 39 / 67

HEX #541E33

RGB 84 30 51

HSL 336.67, 0.47%, 0.22%

LAB 20.25, 27.5, -0.92

 

CMYK 22 / 0 / 12 / 12

HEX #B0E1C7

RGB 176 225 199

HSL 148.16, 0.45%, 0.79%

LAB 85.61, -20.95, 7.56

 

CMYK 21 / 0 / 10 / 5

HEX #C1F3DA

RGB 193 243 218

HSL 150, 0.68%, 0.85%

LAB 91.91, -20.81, 6.83

 

CMYK 18 / 0 / 7 / 0

HEX #D2FFED

RGB 210 255 237

HSL 156, 1%, 0.91%

LAB 96.55, -17.76, 3.84

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 24 / 0 / 9 / 12

HEX #ABE1CC

RGB 171 225 204

HSL 156.67, 0.47%, 0.78%

LAB 85.44, -21.54, 4.65

 

CMYK 26 / 0 / 11 / 19

HEX #9ACFB9

RGB 154 207 185

HSL 155.09, 0.36%, 0.71%

LAB 79.04, -21.71, 5.38

 

CMYK 28 / 0 / 12 / 26

HEX #89BDA6

RGB 137 189 166

HSL 153.46, 0.28%, 0.64%

LAB 72.54, -21.9, 6.15

 

CMYK 30 / 0 / 14 / 33

HEX #78AB93

RGB 120 171 147

HSL 151.76, 0.23%, 0.57%

LAB 65.92, -22.12, 6.97

 

CMYK 33 / 0 / 16 / 40

HEX #679980

RGB 103 153 128

HSL 150, 0.2%, 0.5%

LAB 59.18, -22.36, 7.85

 

CMYK 24 / 0 / 9 / 12

HEX #ACE1CC

RGB 172 225 204

HSL 156.23, 0.47%, 0.78%

LAB 85.49, -21.23, 4.74

 

CMYK 24 / 0 / 16 / 12

HEX #ACE1BE

RGB 172 225 190

HSL 140.38, 0.47%, 0.78%

LAB 85.17, -23.93, 11.64

 

CMYK 24 / 0 / 22 / 12

HEX #ACE1B0

RGB 172 225 176

HSL 124.53, 0.47%, 0.78%

LAB 84.87, -26.44, 18.56

 

CMYK 19 / 0 / 24 / 12

HEX #B6E1AC

RGB 182 225 172

HSL 108.68, 0.47%, 0.78%

LAB 85.39, -23.77, 21.45

 

CMYK 12 / 0 / 24 / 12

HEX #C5E1AC

RGB 197 225 172

HSL 91.7, 0.47%, 0.78%

LAB 86.35, -18.56, 22.93

 

CMYK 24 / 0 / 9 / 12

HEX #ACE1CC

RGB 172 225 204

HSL 156.23, 0.47%, 0.78%

LAB 85.49, -21.23, 4.74

 

CMYK 24 / 0 / 3 / 12

HEX #ACE1DA

RGB 172 225 218

HSL 172.08, 0.47%, 0.78%

LAB 85.85, -18.36, -2.13

 

CMYK 24 / 4 / 0 / 12

HEX #ACD9E1

RGB 172 217 225

HSL 189.06, 0.47%, 0.78%

LAB 83.88, -12.8, -8.74

 

CMYK 24 / 10 / 0 / 12

HEX #ACCBE1

RGB 172 203 225

HSL 204.91, 0.47%, 0.78%

LAB 80.13, -5.54, -14.33

 

CMYK 24 / 16 / 0 / 12

HEX #ACBCE1

RGB 172 188 225

HSL 221.89, 0.47%, 0.78%

LAB 76.18, 2.48, -20.3

 

CMYK 24 / 0 / 9 / 12

HEX #ACE1CC

RGB 172 225 204

HSL 156.23, 0.47%, 0.78%

LAB 85.49, -21.23, 4.74

 

CMYK 30 / 0 / 12 / 8

HEX #A3EACE

RGB 163 234 206

HSL 156.34, 0.63%, 0.78%

LAB 87.53, -27.91, 6.56

 

CMYK 37 / 0 / 14 / 5

HEX #9AF3D0

RGB 154 243 208

HSL 156.4, 0.79%, 0.78%

LAB 89.64, -34.28, 8.49

 

CMYK 42 / 0 / 17 / 1

HEX #91FCD2

RGB 145 252 210

HSL 156.45, 0.95%, 0.78%

LAB 91.82, -40.33, 10.52

 

CMYK 24 / 0 / 9 / 12

HEX #ACE1CC

RGB 172 225 204

HSL 156.23, 0.47%, 0.78%

LAB 85.49, -21.23, 4.74

 

CMYK 16 / 0 / 6 / 15

HEX #B5D8CA

RGB 181 216 202

HSL 156, 0.31%, 0.78%

LAB 83.55, -14.27, 3.05

 

CMYK 8 / 0 / 3 / 19

HEX #BECFC8

RGB 190 207 200

HSL 155.29, 0.15%, 0.78%

LAB 81.7, -7.07, 1.5

 

CMYK 0 / 1 / 1 / 22

HEX #C7C6C6

RGB 199 198 198

HSL 0, 0.01%, 0.78%

LAB 79.96, 0.35, 0.11

 

CMYK 0 / 10 / 6 / 18

HEX #D0BCC4

RGB 208 188 196

HSL 336, 0.18%, 0.78%

LAB 78.09, 8.46, -1.46

 

CMYK 24 / 0 / 22 / 12

HEX #ACE1B0

RGB 172 225 176

HSL 124.53, 0.47%, 0.78%

LAB 84.87, -26.44, 18.56

 

CMYK 24 / 0 / 16 / 12

HEX #ACE1BE

RGB 172 225 190

HSL 140.38, 0.47%, 0.78%

LAB 85.17, -23.93, 11.64

 

CMYK 24 / 0 / 9 / 12

HEX #ACE1CC

RGB 172 225 204

HSL 156.23, 0.47%, 0.78%

LAB 85.49, -21.23, 4.74

 

CMYK 24 / 0 / 3 / 12

HEX #ACE1DA

RGB 172 225 218

HSL 172.08, 0.47%, 0.78%

LAB 85.85, -18.36, -2.13

 

CMYK 24 / 3 / 0 / 12

HEX #ACDAE1

RGB 172 218 225

HSL 187.92, 0.47%, 0.78%

LAB 84.15, -13.32, -8.34

 

CMYK 45 / 0 / 18 / 20

HEX #6FCBA7

RGB 111 203 167

HSL 156.52, 0.47%, 0.62%

LAB 75.38, -35.87, 9.51

 

CMYK 34 / 0 / 13 / 16

HEX #8ED6BA

RGB 142 214 186

HSL 156.67, 0.47%, 0.7%

LAB 80.4, -28.53, 6.72

 

CMYK 24 / 0 / 9 / 12

HEX #ACE1CC

RGB 172 225 204

HSL 156.23, 0.47%, 0.78%

LAB 85.49, -21.23, 4.74

 

CMYK 14 / 0 / 6 / 7

HEX #CAECDF

RGB 202 236 223

HSL 157.06, 0.47%, 0.86%

LAB 90.72, -13.54, 2.58

 

CMYK 6 / 0 / 2 / 3

HEX #E9F7F1

RGB 233 247 241

HSL 154.29, 0.47%, 0.94%

LAB 96.08, -5.68, 1.28

 

CMYK 24 / 0 / 9 / 12

HEX #ABE1CC

RGB 171 225 204

HSL 156.67, 0.47%, 0.78%

LAB 85.44, -21.54, 4.65

 

CMYK 24 / 19 / 0 / 12

HEX #ACB7E1

RGB 172 183 225

HSL 227.55, 0.47%, 0.78%

LAB 74.87, 5.2, -22.29

 

CMYK 0 / 19 / 24 / 12

HEX #E1B7AC

RGB 225 183 172

HSL 12.45, 0.47%, 0.78%

LAB 77.79, 13.48, 11.3

 

CMYK 24 / 0 / 9 / 12

HEX #ABE1CC

RGB 171 225 204

HSL 156.67, 0.47%, 0.78%

LAB 85.44, -21.54, 4.65

 

CMYK 9 / 24 / 0 / 12

HEX #CCACE1

RGB 204 172 225

HSL 276.23, 0.47%, 0.78%

LAB 74.69, 21.29, -22.33

 

CMYK 0 / 9 / 24 / 12

HEX #E1CCAC

RGB 225 204 172

HSL 36.23, 0.47%, 0.78%

LAB 83, 2.39, 18.63

 

CMYK 24 / 0 / 9 / 12

HEX #ABE1CC

RGB 171 225 204

HSL 156.67, 0.47%, 0.78%

LAB 85.44, -21.54, 4.65

 

CMYK 24 / 19 / 0 / 12

HEX #ACB7E1

RGB 172 183 225

HSL 227.55, 0.47%, 0.78%

LAB 74.87, 5.2, -22.29

 

CMYK 0 / 24 / 14 / 12

HEX #E1ACC1

RGB 225 172 193

HSL 336.23, 0.47%, 0.78%

LAB 75.68, 22.58, -3.18

 

CMYK 0 / 5 / 24 / 12

HEX #E1D6AC

RGB 225 214 172

HSL 47.55, 0.47%, 0.78%

LAB 85.54, -2.79, 22.14

 

CMYK 24 / 0 / 9 / 12

HEX #ABE1CC

RGB 171 225 204

HSL 156.67, 0.47%, 0.78%

LAB 85.44, -21.54, 4.65

 

CMYK 21 / 24 / 0 / 12

HEX #B1ACE1

RGB 177 172 225

HSL 245.66, 0.47%, 0.78%

LAB 72.42, 12.78, -25.99

 

CMYK 0 / 24 / 14 / 12

HEX #E1ACC1

RGB 225 172 193

HSL 336.23, 0.47%, 0.78%

LAB 75.68, 22.58, -3.18

 

CMYK 3 / 0 / 24 / 12

HEX #DBE1AC

RGB 219 225 172

HSL 66.79, 0.47%, 0.78%

LAB 87.92, -10.61, 25.32

 

Description

Color code: RGB 171 225 204 | qconv.com Color code: RGB 171 225 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 225 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 225 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 9 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 9% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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