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Color name
RGB 171 251 167

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 251 167 it is the complementary color RGB 84 4 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 251 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 251 167 shade: RGB 176 251 162, RGB 193 255 181, RGB 210 255 200, RGB 227 255 219 and RGB 244 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 251 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 251 167 shade: RGB 171 251 167, RGB 154 233 148, RGB 137 215 129, RGB 120 197 110 and RGB 103 179 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 251 167 shade: RGB 171 250 167, RGB 193 250 167, RGB 216 250 167, RGB 238 250 167 and RGB 250 240 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 251 167 shade: RGB 171 250 167, RGB 167 250 185, RGB 167 250 208, RGB 167 250 230 and RGB 167 248 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 251 167 shade matches the following richer shades: RGB 171 250 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 251 167 shade: RGB 171 250 167, RGB 178 243 174, RGB 184 236 182, RGB 191 228 189 and RGB 198 221 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 251 167 shade: RGB 216 250 167, RGB 193 250 167, RGB 171 250 167, RGB 167 250 185 and RGB 167 250 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 251 167 shade: RGB 96 247 88, RGB 133 249 127, RGB 171 250 167, RGB 208 252 206 and RGB 246 254 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 251 167 shade: RGB 171 251 167, RGB 167 238 250 and RGB 250 167 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 251 167 shade: RGB 171 251 167, RGB 167 171 250 and RGB 250 167 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 251 167 shade: RGB 171 251 167, RGB 167 238 250, RGB 246 167 250 and RGB 250 179 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 251 167 shade: RGB 171 251 167, RGB 167 213 250, RGB 246 167 250 and RGB 250 204 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 33 / 2

HEX #ABFBA7

RGB 171 251 167

HSL 117.14, 0.91%, 0.82%

LAB 91.88, -40.27, 32.72

 

Complementary color

CMYK 5 / 95 / 0 / 65

HEX #540458

RGB 84 4 88

HSL 297.14, 0.91%, 0.18%

LAB 18.7, 43.38, -28.76

 

CMYK 30 / 0 / 35 / 2

HEX #B0FBA2

RGB 176 251 162

HSL 110.56, 0.92%, 0.81%

LAB 92.06, -39.43, 35.5

 

CMYK 24 / 0 / 29 / 0

HEX #C1FFB5

RGB 193 255 181

HSL 110.27, 1%, 0.85%

LAB 94.4, -32.87, 29.27

 

CMYK 18 / 0 / 22 / 0

HEX #D2FFC8

RGB 210 255 200

HSL 109.09, 1%, 0.89%

LAB 95.74, -24.26, 21.66

 

CMYK 11 / 0 / 14 / 0

HEX #E3FFDB

RGB 227 255 219

HSL 106.67, 1%, 0.93%

LAB 97.21, -15.46, 14.18

 

CMYK 4 / 0 / 7 / 0

HEX #F4FFEE

RGB 244 255 238

HSL 98.82, 1%, 0.97%

LAB 98.8, -6.58, 6.86

 

CMYK 32 / 0 / 33 / 2

HEX #ABFBA7

RGB 171 251 167

HSL 117.14, 0.91%, 0.82%

LAB 91.88, -40.27, 32.72

 

CMYK 34 / 0 / 36 / 9

HEX #9AE994

RGB 154 233 148

HSL 115.76, 0.66%, 0.75%

LAB 85.65, -40.49, 33.85

 

CMYK 36 / 0 / 40 / 16

HEX #89D781

RGB 137 215 129

HSL 114.42, 0.52%, 0.67%

LAB 79.33, -40.7, 35.02

 

CMYK 39 / 0 / 44 / 23

HEX #78C56E

RGB 120 197 110

HSL 113.1, 0.43%, 0.6%

LAB 72.93, -40.89, 36.25

 

CMYK 42 / 0 / 49 / 30

HEX #67B35B

RGB 103 179 91

HSL 111.82, 0.37%, 0.53%

LAB 66.43, -41.02, 37.51

 

CMYK 32 / 0 / 33 / 2

HEX #ABFAA7

RGB 171 250 167

HSL 117.11, 0.89%, 0.82%

LAB 91.6, -39.82, 32.35

 

CMYK 23 / 0 / 33 / 2

HEX #C1FAA7

RGB 193 250 167

HSL 101.2, 0.89%, 0.82%

LAB 92.79, -32.64, 34.15

 

CMYK 14 / 0 / 33 / 2

HEX #D8FAA7

RGB 216 250 167

HSL 84.58, 0.89%, 0.82%

LAB 94.21, -24.63, 36.28

 

CMYK 5 / 0 / 33 / 2

HEX #EEFAA7

RGB 238 250 167

HSL 68.67, 0.89%, 0.82%

LAB 95.72, -16.62, 38.55

 

CMYK 0 / 4 / 33 / 2

HEX #FAF0A7

RGB 250 240 167

HSL 52.77, 0.89%, 0.82%

LAB 94.07, -7.2, 36.55

 

CMYK 32 / 0 / 33 / 2

HEX #ABFAA7

RGB 171 250 167

HSL 117.11, 0.89%, 0.82%

LAB 91.6, -39.82, 32.35

 

CMYK 33 / 0 / 26 / 2

HEX #A7FAB9

RGB 167 250 185

HSL 133.01, 0.89%, 0.82%

LAB 91.72, -38.1, 23.37

 

CMYK 33 / 0 / 17 / 2

HEX #A7FAD0

RGB 167 250 208

HSL 149.64, 0.89%, 0.82%

LAB 92.19, -33.88, 12.22

 

CMYK 33 / 0 / 8 / 2

HEX #A7FAE6

RGB 167 250 230

HSL 165.54, 0.89%, 0.82%

LAB 92.71, -29.4, 1.59

 

CMYK 33 / 1 / 0 / 2

HEX #A7F8FA

RGB 167 248 250

HSL 181.45, 0.89%, 0.82%

LAB 92.69, -24.02, -8.81

 

CMYK 32 / 0 / 33 / 2

HEX #ABFAA7

RGB 171 250 167

HSL 117.11, 0.89%, 0.82%

LAB 91.6, -39.82, 32.35

 

CMYK 32 / 0 / 33 / 2

HEX #ABFAA7

RGB 171 250 167

HSL 117.11, 0.89%, 0.82%

LAB 91.6, -39.82, 32.35

 

CMYK 27 / 0 / 28 / 5

HEX #B2F3AE

RGB 178 243 174

HSL 116.52, 0.74%, 0.82%

LAB 90.15, -33.31, 26.91

 

CMYK 22 / 0 / 23 / 7

HEX #B8ECB6

RGB 184 236 182

HSL 117.78, 0.59%, 0.82%

LAB 88.71, -26.75, 20.89

 

CMYK 16 / 0 / 17 / 11

HEX #BFE4BD

RGB 191 228 189

HSL 116.92, 0.42%, 0.82%

LAB 87.11, -19.35, 15.08

 

CMYK 10 / 0 / 11 / 13

HEX #C6DDC5

RGB 198 221 197

HSL 117.5, 0.26%, 0.82%

LAB 85.88, -12.08, 9.2

 

CMYK 14 / 0 / 33 / 2

HEX #D8FAA7

RGB 216 250 167

HSL 84.58, 0.89%, 0.82%

LAB 94.21, -24.63, 36.28

 

CMYK 23 / 0 / 33 / 2

HEX #C1FAA7

RGB 193 250 167

HSL 101.2, 0.89%, 0.82%

LAB 92.79, -32.64, 34.15

 

CMYK 32 / 0 / 33 / 2

HEX #ABFAA7

RGB 171 250 167

HSL 117.11, 0.89%, 0.82%

LAB 91.6, -39.82, 32.35

 

CMYK 33 / 0 / 26 / 2

HEX #A7FAB9

RGB 167 250 185

HSL 133.01, 0.89%, 0.82%

LAB 91.72, -38.1, 23.37

 

CMYK 33 / 0 / 17 / 2

HEX #A7FACF

RGB 167 250 207

HSL 148.92, 0.89%, 0.82%

LAB 92.17, -34.07, 12.71

 

CMYK 61 / 0 / 64 / 3

HEX #60F758

RGB 96 247 88

HSL 116.98, 0.91%, 0.66%

LAB 86.86, -69.13, 62.54

 

CMYK 47 / 0 / 49 / 2

HEX #85F97F

RGB 133 249 127

HSL 117.05, 0.91%, 0.74%

LAB 89.05, -56.35, 48.26

 

CMYK 32 / 0 / 33 / 2

HEX #ABFAA7

RGB 171 250 167

HSL 117.11, 0.89%, 0.82%

LAB 91.6, -39.82, 32.35

 

CMYK 17 / 0 / 18 / 1

HEX #D0FCCE

RGB 208 252 206

HSL 117.39, 0.88%, 0.9%

LAB 94.94, -22.49, 17.46

 

CMYK 3 / 0 / 3 / 0

HEX #F6FEF6

RGB 246 254 246

HSL 120, 0.8%, 0.98%

LAB 98.88, -4.03, 2.89

 

CMYK 32 / 0 / 33 / 2

HEX #ABFBA7

RGB 171 251 167

HSL 117.14, 0.91%, 0.82%

LAB 91.88, -40.27, 32.72

 

CMYK 33 / 5 / 0 / 2

HEX #A7EEFA

RGB 167 238 250

HSL 188.67, 0.89%, 0.82%

LAB 89.98, -19.11, -12.84

 

CMYK 0 / 33 / 18 / 2

HEX #FAA7CC

RGB 250 167 204

HSL 333.25, 0.89%, 0.82%

LAB 77.47, 35.67, -6.24

 

CMYK 32 / 0 / 33 / 2

HEX #ABFBA7

RGB 171 251 167

HSL 117.14, 0.91%, 0.82%

LAB 91.88, -40.27, 32.72

 

CMYK 33 / 32 / 0 / 2

HEX #A7ABFA

RGB 167 171 250

HSL 237.11, 0.89%, 0.82%

LAB 72.39, 16.5, -39.69

 

CMYK 0 / 33 / 32 / 2

HEX #FAA7AB

RGB 250 167 171

HSL 357.11, 0.89%, 0.82%

LAB 76.62, 31.11, 10.54

 

CMYK 32 / 0 / 33 / 2

HEX #ABFBA7

RGB 171 251 167

HSL 117.14, 0.91%, 0.82%

LAB 91.88, -40.27, 32.72

 

CMYK 33 / 5 / 0 / 2

HEX #A7EEFA

RGB 167 238 250

HSL 188.67, 0.89%, 0.82%

LAB 89.98, -19.11, -12.84

 

CMYK 2 / 33 / 0 / 2

HEX #F6A7FA

RGB 246 167 250

HSL 297.11, 0.89%, 0.82%

LAB 78.54, 42.05, -29.61

 

CMYK 0 / 28 / 33 / 2

HEX #FAB3A7

RGB 250 179 167

HSL 8.67, 0.89%, 0.82%

LAB 79.24, 24.3, 16.41

 

CMYK 32 / 0 / 33 / 2

HEX #ABFBA7

RGB 171 251 167

HSL 117.14, 0.91%, 0.82%

LAB 91.88, -40.27, 32.72

 

CMYK 33 / 15 / 0 / 2

HEX #A7D5FA

RGB 167 213 250

HSL 206.75, 0.89%, 0.82%

LAB 83.29, -6.35, -22.92

 

CMYK 2 / 33 / 0 / 2

HEX #F6A7FA

RGB 246 167 250

HSL 297.11, 0.89%, 0.82%

LAB 78.54, 42.05, -29.61

 

CMYK 0 / 18 / 33 / 2

HEX #FACCA7

RGB 250 204 167

HSL 26.75, 0.89%, 0.82%

LAB 85.15, 11.19, 24.57

 

Description

Color code: RGB 171 251 167 | qconv.com Color code: RGB 171 251 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 251 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 251 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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