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Color name
RGB 171 61 63

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 61 63 it is the complementary color RGB 84 194 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 61 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 61 63 shade: RGB 176 61 58, RGB 193 79 77, RGB 210 97 96, RGB 227 115 115 and RGB 244 133 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 61 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 61 63 shade: RGB 171 61 63, RGB 154 43 44, RGB 137 25 25, RGB 120 7 6 and RGB 103 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 61 63 shade: RGB 168 60 62 and RGB 168 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 61 63 shade: RGB 168 60 62, RGB 168 60 91, RGB 168 60 120, RGB 168 60 150 and RGB 158 60 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 61 63 shade matches the following richer shades: RGB 168 60 62, RGB 187 42 44, RGB 205 23 26 and RGB 224 5 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 61 63 shade: RGB 168 60 62, RGB 150 79 80, RGB 131 97 98, RGB 112 116 116 and RGB 94 135 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 61 63 shade: RGB 168 60 121, RGB 168 60 93, RGB 168 60 64, RGB 168 85 60 and RGB 168 114 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 61 63 shade: RGB 108 38 40, RGB 138 49 51, RGB 168 60 62, RGB 191 79 81 and RGB 202 109 111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 61 63 shade: RGB 171 61 63, RGB 150 168 60 and RGB 60 107 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 61 63 shade: RGB 171 61 63, RGB 64 168 60 and RGB 60 64 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 61 63 shade: RGB 171 61 63, RGB 150 168 60, RGB 60 168 165 and RGB 78 60 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 61 63 shade: RGB 171 61 63, RGB 118 168 60, RGB 60 168 165 and RGB 111 60 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 63 / 33

HEX #AB3D3F

RGB 171 61 63

HSL 358.91, 0.47%, 0.45%

LAB 41.77, 45.17, 23.22

 

Complementary color

CMYK 57 / 0 / 1 / 24

HEX #54C2C0

RGB 84 194 192

HSL 178.91, 0.47%, 0.55%

LAB 72.41, -31.58, -8.48

 

CMYK 0 / 65 / 67 / 31

HEX #B03D3A

RGB 176 61 58

HSL 1.53, 0.5%, 0.46%

LAB 42.57, 46.59, 27.43

 

CMYK 0 / 59 / 60 / 24

HEX #C14F4D

RGB 193 79 77

HSL 1.03, 0.48%, 0.53%

LAB 48.84, 45.62, 24.62

 

CMYK 0 / 54 / 54 / 18

HEX #D26160

RGB 210 97 96

HSL 0.53, 0.56%, 0.6%

LAB 55.17, 44.53, 22.28

 

CMYK 0 / 49 / 49 / 11

HEX #E37373

RGB 227 115 115

HSL 0, 0.67%, 0.67%

LAB 61.51, 43.41, 20.28

 

CMYK 0 / 45 / 45 / 4

HEX #F48586

RGB 244 133 134

HSL 359.46, 0.83%, 0.74%

LAB 67.82, 42.33, 18.56

 

CMYK 0 / 64 / 63 / 33

HEX #AB3D3F

RGB 171 61 63

HSL 358.91, 0.47%, 0.45%

LAB 41.77, 45.17, 23.22

 

CMYK 0 / 72 / 71 / 40

HEX #9A2B2C

RGB 154 43 44

HSL 359.46, 0.56%, 0.39%

LAB 35.56, 45.83, 26.5

 

CMYK 0 / 82 / 82 / 46

HEX #891919

RGB 137 25 25

HSL 0, 0.69%, 0.32%

LAB 29.62, 45.82, 30.48

 

CMYK 0 / 94 / 95 / 53

HEX #780706

RGB 120 7 6

HSL 0.53, 0.9%, 0.25%

LAB 24.19, 44.56, 33.68

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 64 / 63 / 34

HEX #A83C3E

RGB 168 60 62

HSL 358.89, 0.47%, 0.45%

LAB 41.06, 44.5, 22.82

 

CMYK 0 / 64 / 64 / 34

HEX #A83C3C

RGB 168 60 60

HSL 0, 0.47%, 0.45%

LAB 41.03, 44.37, 24

 

CMYK 0 / 64 / 63 / 34

HEX #A83C3E

RGB 168 60 62

HSL 358.89, 0.47%, 0.45%

LAB 41.06, 44.5, 22.82

 

CMYK 0 / 64 / 46 / 34

HEX #A83C5B

RGB 168 60 91

HSL 342.78, 0.47%, 0.45%

LAB 41.71, 46.92, 5.68

 

CMYK 0 / 64 / 29 / 34

HEX #A83C78

RGB 168 60 120

HSL 326.67, 0.47%, 0.45%

LAB 42.63, 50.29, -10.96

 

CMYK 0 / 64 / 11 / 34

HEX #A83C96

RGB 168 60 150

HSL 310, 0.47%, 0.45%

LAB 43.88, 54.67, -27.3

 

CMYK 6 / 64 / 0 / 34

HEX #9E3CA8

RGB 158 60 168

HSL 294.44, 0.47%, 0.45%

LAB 43.25, 55.2, -39.16

 

CMYK 0 / 64 / 63 / 34

HEX #A83C3E

RGB 168 60 62

HSL 358.89, 0.47%, 0.45%

LAB 41.06, 44.5, 22.82

 

CMYK 0 / 78 / 76 / 27

HEX #BB2A2C

RGB 187 42 44

HSL 359.17, 0.63%, 0.45%

LAB 41.85, 56.6, 35.38

 

CMYK 0 / 89 / 87 / 20

HEX #CD171A

RGB 205 23 26

HSL 359.01, 0.8%, 0.45%

LAB 43.75, 65.65, 48.04

 

CMYK 0 / 98 / 96 / 12

HEX #E00509

RGB 224 5 9

HSL 358.9, 0.96%, 0.45%

LAB 46.94, 72.29, 58.37

 

CMYK 0 / 64 / 63 / 34

HEX #A83C3E

RGB 168 60 62

HSL 358.89, 0.47%, 0.45%

LAB 41.06, 44.5, 22.82

 

CMYK 0 / 47 / 47 / 41

HEX #964F50

RGB 150 79 80

HSL 359.15, 0.31%, 0.45%

LAB 42.24, 29.69, 12.82

 

CMYK 0 / 26 / 25 / 49

HEX #836162

RGB 131 97 98

HSL 358.24, 0.15%, 0.45%

LAB 44.6, 13.95, 4.82

 

CMYK 3 / 0 / 0 / 55

HEX #707474

RGB 112 116 116

HSL 180, 0.02%, 0.45%

LAB 48.51, -1.51, -0.53

 

CMYK 30 / 0 / 1 / 47

HEX #5E8786

RGB 94 135 134

HSL 178.54, 0.18%, 0.45%

LAB 53.42, -14.31, -4.02

 

CMYK 0 / 64 / 28 / 34

HEX #A83C79

RGB 168 60 121

HSL 326.11, 0.47%, 0.45%

LAB 42.67, 50.42, -11.52

 

CMYK 0 / 64 / 45 / 34

HEX #A83C5D

RGB 168 60 93

HSL 341.67, 0.47%, 0.45%

LAB 41.76, 47.13, 4.51

 

CMYK 0 / 64 / 62 / 34

HEX #A83C40

RGB 168 60 64

HSL 357.78, 0.47%, 0.45%

LAB 41.1, 44.64, 21.64

 

CMYK 0 / 49 / 64 / 34

HEX #A8553C

RGB 168 85 60

HSL 13.89, 0.47%, 0.45%

LAB 45.84, 31.91, 29.95

 

CMYK 0 / 32 / 64 / 34

HEX #A8723C

RGB 168 114 60

HSL 30, 0.47%, 0.45%

LAB 52.6, 15.79, 37.95

 

CMYK 0 / 65 / 63 / 58

HEX #6C2628

RGB 108 38 40

HSL 358.29, 0.48%, 0.29%

LAB 25.94, 31.36, 15.19

 

CMYK 0 / 64 / 63 / 46

HEX #8A3133

RGB 138 49 51

HSL 358.65, 0.48%, 0.37%

LAB 33.65, 38.07, 19.09

 

CMYK 0 / 64 / 63 / 34

HEX #A83C3E

RGB 168 60 62

HSL 358.89, 0.47%, 0.45%

LAB 41.06, 44.5, 22.82

 

CMYK 0 / 59 / 58 / 25

HEX #BF4F51

RGB 191 79 81

HSL 358.93, 0.47%, 0.53%

LAB 48.59, 45.2, 21.86

 

CMYK 0 / 46 / 45 / 21

HEX #CA6D6F

RGB 202 109 111

HSL 358.71, 0.47%, 0.61%

LAB 56.72, 36.87, 15.47

 

CMYK 0 / 64 / 63 / 33

HEX #AB3D3F

RGB 171 61 63

HSL 358.91, 0.47%, 0.45%

LAB 41.77, 45.17, 23.22

 

CMYK 11 / 0 / 64 / 34

HEX #96A83C

RGB 150 168 60

HSL 70, 0.47%, 0.45%

LAB 65.6, -21.46, 51.83

 

CMYK 64 / 36 / 0 / 34

HEX #3C6BA8

RGB 60 107 168

HSL 213.89, 0.47%, 0.45%

LAB 44.66, 3.76, -37.51

 

CMYK 0 / 64 / 63 / 33

HEX #AB3D3F

RGB 171 61 63

HSL 358.91, 0.47%, 0.45%

LAB 41.77, 45.17, 23.22

 

CMYK 62 / 0 / 64 / 34

HEX #40A83C

RGB 64 168 60

HSL 117.78, 0.47%, 0.45%

LAB 61.15, -51.21, 45.7

 

CMYK 64 / 62 / 0 / 34

HEX #3C40A8

RGB 60 64 168

HSL 237.78, 0.47%, 0.45%

LAB 32.82, 31.48, -56.54

 

CMYK 0 / 64 / 63 / 33

HEX #AB3D3F

RGB 171 61 63

HSL 358.91, 0.47%, 0.45%

LAB 41.77, 45.17, 23.22

 

CMYK 11 / 0 / 64 / 34

HEX #96A83C

RGB 150 168 60

HSL 70, 0.47%, 0.45%

LAB 65.6, -21.46, 51.83

 

CMYK 64 / 0 / 2 / 34

HEX #3CA8A5

RGB 60 168 165

HSL 178.33, 0.47%, 0.45%

LAB 63.08, -30.84, -7.51

 

CMYK 54 / 64 / 0 / 34

HEX #4E3CA8

RGB 78 60 168

HSL 250, 0.47%, 0.45%

LAB 33.3, 37.09, -55.69

 

CMYK 0 / 64 / 63 / 33

HEX #AB3D3F

RGB 171 61 63

HSL 358.91, 0.47%, 0.45%

LAB 41.77, 45.17, 23.22

 

CMYK 30 / 0 / 64 / 34

HEX #76A83C

RGB 118 168 60

HSL 87.78, 0.47%, 0.45%

LAB 63.49, -34.31, 48.94

 

CMYK 64 / 0 / 2 / 34

HEX #3CA8A5

RGB 60 168 165

HSL 178.33, 0.47%, 0.45%

LAB 63.08, -30.84, -7.51

 

CMYK 34 / 64 / 0 / 34

HEX #6F3CA8

RGB 111 60 168

HSL 268.33, 0.47%, 0.45%

LAB 36.81, 43.98, -49.83

 

Description

Color code: RGB 171 61 63 | qconv.com Color code: RGB 171 61 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 61 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 61 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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