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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 70 169 it is the complementary color RGB 84 185 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 70 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 70 169 shade: RGB 176 70 164, RGB 193 88 183, RGB 210 106 202, RGB 227 124 221 and RGB 244 142 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 70 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 70 169 shade: RGB 171 70 169, RGB 154 52 150, RGB 137 34 131, RGB 120 16 112 and RGB 103 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 70 169 shade: RGB 170 69 168, RGB 170 69 141, RGB 170 69 113, RGB 170 69 86 and RGB 170 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 70 169 shade: RGB 170 69 168, RGB 145 69 170, RGB 117 69 170, RGB 90 69 170 and RGB 69 69 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 70 169 shade matches the following richer shades: RGB 170 69 168, RGB 189 50 186, RGB 208 30 205 and RGB 228 11 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 70 169 shade: RGB 170 69 168, RGB 150 88 149, RGB 131 108 130, RGB 112 127 112 and RGB 92 147 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 70 169 shade: RGB 118 69 170, RGB 145 69 170, RGB 170 69 168, RGB 170 69 141 and RGB 170 69 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 70 169 shade: RGB 111 45 110, RGB 140 57 139, RGB 170 69 168, RGB 188 92 186 and RGB 200 121 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 70 169 shade: RGB 171 70 169, RGB 170 91 69 and RGB 69 170 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 70 169 shade: RGB 171 70 169, RGB 168 170 69 and RGB 69 168 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 70 169 shade: RGB 171 70 169, RGB 170 91 69, RGB 69 170 71 and RGB 69 148 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 70 169 shade: RGB 171 70 169, RGB 170 121 69, RGB 69 170 71 and RGB 69 118 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 1 / 33

HEX #AB46A9

RGB 171 70 169

HSL 301.19, 0.42%, 0.47%

LAB 46.85, 54.29, -33.96

 

Complementary color

CMYK 55 / 0 / 54 / 27

HEX #54B956

RGB 84 185 86

HSL 121.19, 0.42%, 0.53%

LAB 67.47, -49.63, 41.08

 

CMYK 0 / 60 / 7 / 31

HEX #B046A4

RGB 176 70 164

HSL 306.79, 0.43%, 0.48%

LAB 47.35, 54.78, -30.15

 

CMYK 0 / 54 / 5 / 24

HEX #C158B7

RGB 193 88 183

HSL 305.71, 0.46%, 0.55%

LAB 53.75, 54.41, -31.12

 

CMYK 0 / 50 / 4 / 18

HEX #D26ACA

RGB 210 106 202

HSL 304.62, 0.54%, 0.62%

LAB 60.14, 53.85, -31.88

 

CMYK 0 / 45 / 3 / 11

HEX #E37CDD

RGB 227 124 221

HSL 303.5, 0.65%, 0.69%

LAB 66.49, 53.2, -32.5

 

CMYK 0 / 42 / 2 / 4

HEX #F48EF0

RGB 244 142 240

HSL 302.35, 0.82%, 0.76%

LAB 72.81, 52.49, -33.04

 

CMYK 0 / 59 / 1 / 33

HEX #AB46A9

RGB 171 70 169

HSL 301.19, 0.42%, 0.47%

LAB 46.85, 54.29, -33.96

 

CMYK 0 / 66 / 3 / 40

HEX #9A3496

RGB 154 52 150

HSL 302.35, 0.5%, 0.4%

LAB 40.46, 54.34, -32.84

 

CMYK 0 / 75 / 4 / 46

HEX #892283

RGB 137 34 131

HSL 303.5, 0.6%, 0.34%

LAB 34.19, 53.77, -31.26

 

CMYK 0 / 87 / 7 / 53

HEX #781070

RGB 120 16 112

HSL 304.62, 0.76%, 0.27%

LAB 28.2, 52.06, -28.94

 

CMYK 0 / 100 / 10 / 60

HEX #67005D

RGB 103 0 93

HSL 305.83, 1%, 0.2%

LAB 22.56, 48.9, -25.71

 

CMYK 0 / 59 / 1 / 33

HEX #AA45A8

RGB 170 69 168

HSL 301.19, 0.42%, 0.47%

LAB 46.48, 54.3, -33.94

 

CMYK 0 / 59 / 17 / 33

HEX #AA458D

RGB 170 69 141

HSL 317.23, 0.42%, 0.47%

LAB 45.26, 49.85, -19.73

 

CMYK 0 / 59 / 34 / 33

HEX #AA4571

RGB 170 69 113

HSL 333.86, 0.42%, 0.47%

LAB 44.23, 45.94, -4.24

 

CMYK 0 / 59 / 49 / 33

HEX #AA4556

RGB 170 69 86

HSL 349.9, 0.42%, 0.47%

LAB 43.47, 42.96, 11.31

 

CMYK 0 / 59 / 59 / 33

HEX #AA4545

RGB 170 69 69

HSL 0, 0.42%, 0.47%

LAB 43.11, 41.51, 21.26

 

CMYK 0 / 59 / 1 / 33

HEX #AA45A8

RGB 170 69 168

HSL 301.19, 0.42%, 0.47%

LAB 46.48, 54.3, -33.94

 

CMYK 15 / 59 / 0 / 33

HEX #9145AA

RGB 145 69 170

HSL 285.15, 0.42%, 0.47%

LAB 43.03, 48.12, -40.82

 

CMYK 31 / 59 / 0 / 33

HEX #7545AA

RGB 117 69 170

HSL 268.51, 0.42%, 0.47%

LAB 39.48, 41.02, -46.7

 

CMYK 47 / 59 / 0 / 33

HEX #5A45AA

RGB 90 69 170

HSL 252.48, 0.42%, 0.47%

LAB 36.62, 34.73, -51.46

 

CMYK 59 / 59 / 0 / 33

HEX #4545AA

RGB 69 69 170

HSL 240, 0.42%, 0.47%

LAB 34.85, 30.52, -54.4

 

CMYK 0 / 59 / 1 / 33

HEX #AA45A8

RGB 170 69 168

HSL 301.19, 0.42%, 0.47%

LAB 46.48, 54.3, -33.94

 

CMYK 0 / 74 / 2 / 26

HEX #BD32BA

RGB 189 50 186

HSL 301.29, 0.58%, 0.47%

LAB 47.81, 69.09, -42.23

 

CMYK 0 / 86 / 1 / 18

HEX #D01ECD

RGB 208 30 205

HSL 301.01, 0.75%, 0.47%

LAB 50.39, 80.55, -48.96

 

CMYK 0 / 95 / 2 / 11

HEX #E40BE0

RGB 228 11 224

HSL 301.11, 0.91%, 0.47%

LAB 54.15, 88.97, -53.61

 

CMYK 0 / 59 / 1 / 33

HEX #AA45A8

RGB 170 69 168

HSL 301.19, 0.42%, 0.47%

LAB 46.48, 54.3, -33.94

 

CMYK 0 / 41 / 1 / 41

HEX #965895

RGB 150 88 149

HSL 300.97, 0.26%, 0.47%

LAB 46.49, 35.26, -22.86

 

CMYK 0 / 18 / 1 / 49

HEX #836C82

RGB 131 108 130

HSL 302.61, 0.1%, 0.47%

LAB 48.46, 13.21, -8.73

 

CMYK 12 / 0 / 12 / 50

HEX #707F70

RGB 112 127 112

HSL 120, 0.06%, 0.47%

LAB 51.6, -8.6, 6.3

 

CMYK 37 / 0 / 37 / 42

HEX #5C935D

RGB 92 147 93

HSL 121.09, 0.23%, 0.47%

LAB 56.02, -29.7, 23.02

 

CMYK 31 / 59 / 0 / 33

HEX #7645AA

RGB 118 69 170

HSL 269.11, 0.42%, 0.47%

LAB 39.6, 41.27, -46.5

 

CMYK 15 / 59 / 0 / 33

HEX #9145AA

RGB 145 69 170

HSL 285.15, 0.42%, 0.47%

LAB 43.03, 48.12, -40.82

 

CMYK 0 / 59 / 1 / 33

HEX #AA45A8

RGB 170 69 168

HSL 301.19, 0.42%, 0.47%

LAB 46.48, 54.3, -33.94

 

CMYK 0 / 59 / 17 / 33

HEX #AA458D

RGB 170 69 141

HSL 317.23, 0.42%, 0.47%

LAB 45.26, 49.85, -19.73

 

CMYK 0 / 59 / 33 / 33

HEX #AA4572

RGB 170 69 114

HSL 333.27, 0.42%, 0.47%

LAB 44.26, 46.06, -4.8

 

CMYK 0 / 59 / 1 / 56

HEX #6F2D6E

RGB 111 45 110

HSL 300.91, 0.42%, 0.31%

LAB 30.36, 38.63, -24.37

 

CMYK 0 / 59 / 1 / 45

HEX #8C398B

RGB 140 57 139

HSL 300.72, 0.42%, 0.39%

LAB 38.49, 46.5, -29.38

 

CMYK 0 / 59 / 1 / 33

HEX #AA45A8

RGB 170 69 168

HSL 301.19, 0.42%, 0.47%

LAB 46.48, 54.3, -33.94

 

CMYK 0 / 51 / 1 / 26

HEX #BC5CBA

RGB 188 92 186

HSL 301.25, 0.42%, 0.55%

LAB 53.91, 51.6, -32.64

 

CMYK 0 / 40 / 1 / 22

HEX #C879C6

RGB 200 121 198

HSL 301.52, 0.42%, 0.63%

LAB 61.68, 42.5, -27.32

 

CMYK 0 / 59 / 1 / 33

HEX #AB46A9

RGB 171 70 169

HSL 301.19, 0.42%, 0.47%

LAB 46.85, 54.29, -33.96

 

CMYK 0 / 46 / 59 / 33

HEX #AA5B45

RGB 170 91 69

HSL 13.07, 0.42%, 0.47%

LAB 47.57, 30.14, 26.97

 

CMYK 59 / 0 / 23 / 33

HEX #45AA83

RGB 69 170 131

HSL 156.83, 0.42%, 0.47%

LAB 63.06, -38.84, 11.46

 

CMYK 0 / 59 / 1 / 33

HEX #AB46A9

RGB 171 70 169

HSL 301.19, 0.42%, 0.47%

LAB 46.85, 54.29, -33.96

 

CMYK 1 / 0 / 59 / 33

HEX #A8AA45

RGB 168 170 69

HSL 61.19, 0.42%, 0.47%

LAB 67.65, -14.2, 50.51

 

CMYK 59 / 1 / 0 / 33

HEX #45A8AA

RGB 69 168 170

HSL 181.19, 0.42%, 0.47%

LAB 63.49, -27.85, -9.68

 

CMYK 0 / 59 / 1 / 33

HEX #AB46A9

RGB 171 70 169

HSL 301.19, 0.42%, 0.47%

LAB 46.85, 54.29, -33.96

 

CMYK 0 / 46 / 59 / 33

HEX #AA5B45

RGB 170 91 69

HSL 13.07, 0.42%, 0.47%

LAB 47.57, 30.14, 26.97

 

CMYK 59 / 0 / 58 / 33

HEX #45AA47

RGB 69 170 71

HSL 121.19, 0.42%, 0.47%

LAB 62.06, -49.5, 41.73

 

CMYK 59 / 13 / 0 / 33

HEX #4594AA

RGB 69 148 170

HSL 193.07, 0.42%, 0.47%

LAB 57.41, -17.56, -18.85

 

CMYK 0 / 59 / 1 / 33

HEX #AB46A9

RGB 171 70 169

HSL 301.19, 0.42%, 0.47%

LAB 46.85, 54.29, -33.96

 

CMYK 0 / 29 / 59 / 33

HEX #AA7945

RGB 170 121 69

HSL 30.89, 0.42%, 0.47%

LAB 54.71, 13.38, 35.73

 

CMYK 59 / 0 / 58 / 33

HEX #45AA47

RGB 69 170 71

HSL 121.19, 0.42%, 0.47%

LAB 62.06, -49.5, 41.73

 

CMYK 59 / 31 / 0 / 33

HEX #4576AA

RGB 69 118 170

HSL 210.89, 0.42%, 0.47%

LAB 48.42, -0.5, -32.75

 

Description

Color code: RGB 171 70 169 | qconv.com Color code: RGB 171 70 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 70 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 70 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 1 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 1% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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