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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 77 255 it is the complementary color RGB 84 178 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 77 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 77 255 shade: RGB 176 77 250, RGB 193 95 255, RGB 210 113 255, RGB 227 131 255 and RGB 244 149 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 77 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 77 255 shade: RGB 171 77 255, RGB 154 59 236, RGB 137 41 217, RGB 120 23 198 and RGB 103 5 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 77 255 shade: RGB 170 76 255, RGB 218 76 255, RGB 255 76 242, RGB 255 76 194 and RGB 255 76 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 77 255 shade: RGB 170 76 255, RGB 122 76 255 and RGB 76 76 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 77 255 shade matches the following richer shades: RGB 170 76 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 77 255 shade: RGB 170 76 255, RGB 169 90 240, RGB 169 105 226, RGB 168 119 211 and RGB 167 134 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 77 255 shade: RGB 76 79 255, RGB 121 76 255, RGB 168 76 255, RGB 216 76 255 and RGB 255 76 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 77 255 shade: RGB 131 0 248, RGB 151 35 255, RGB 170 76 255, RGB 190 117 255 and RGB 209 159 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 77 255 shade: RGB 171 77 255, RGB 255 76 127 and RGB 76 255 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 77 255 shade: RGB 171 77 255, RGB 255 168 76 and RGB 76 255 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 77 255 shade: RGB 171 77 255, RGB 255 76 127, RGB 162 255 76 and RGB 76 255 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 77 255 shade: RGB 171 77 255, RGB 255 79 76, RGB 162 255 76 and RGB 76 252 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 70 / 0 / 0

HEX #AB4DFF

RGB 171 77 255

HSL 271.69, 1%, 0.65%

LAB 53.15, 68.65, -73.03

 

Complementary color

CMYK 53 / 0 / 100 / 30

HEX #54B200

RGB 84 178 0

HSL 91.69, 1%, 0.35%

LAB 64.74, -52.75, 65.38

 

CMYK 30 / 69 / 0 / 2

HEX #B04DFA

RGB 176 77 250

HSL 274.34, 0.95%, 0.64%

LAB 53.43, 68.48, -69.78

 

CMYK 24 / 63 / 0 / 0

HEX #C15FFF

RGB 193 95 255

HSL 276.75, 1%, 0.69%

LAB 58.73, 65.05, -63.88

 

CMYK 18 / 56 / 0 / 0

HEX #D271FF

RGB 210 113 255

HSL 280.99, 1%, 0.72%

LAB 63.94, 60.47, -55.44

 

CMYK 11 / 49 / 0 / 0

HEX #E383FF

RGB 227 131 255

HSL 286.45, 1%, 0.76%

LAB 69.32, 55.98, -46.82

 

CMYK 4 / 42 / 0 / 0

HEX #F495FF

RGB 244 149 255

HSL 293.77, 1%, 0.79%

LAB 74.79, 51.65, -38.11

 

CMYK 33 / 70 / 0 / 0

HEX #AB4DFF

RGB 171 77 255

HSL 271.69, 1%, 0.65%

LAB 53.15, 68.65, -73.03

 

CMYK 35 / 75 / 0 / 7

HEX #9A3BEC

RGB 154 59 236

HSL 272.2, 0.82%, 0.58%

LAB 47.05, 68.8, -72.43

 

CMYK 37 / 81 / 0 / 15

HEX #8929D9

RGB 137 41 217

HSL 272.73, 0.7%, 0.51%

LAB 41.08, 68.38, -71.45

 

CMYK 39 / 88 / 0 / 22

HEX #7817C6

RGB 120 23 198

HSL 273.26, 0.79%, 0.43%

LAB 35.37, 67.02, -69.88

 

CMYK 42 / 97 / 0 / 30

HEX #6705B3

RGB 103 5 179

HSL 273.79, 0.95%, 0.36%

LAB 30.03, 64.31, -67.52

 

CMYK 33 / 70 / 0 / 0

HEX #AA4CFF

RGB 170 76 255

HSL 271.51, 1%, 0.65%

LAB 52.88, 68.89, -73.48

 

CMYK 15 / 70 / 0 / 0

HEX #DA4CFF

RGB 218 76 255

HSL 287.6, 1%, 0.65%

LAB 59.25, 78.07, -62.88

 

CMYK 0 / 70 / 5 / 0

HEX #FF4CF2

RGB 255 76 242

HSL 304.36, 1%, 0.65%

LAB 64.03, 83.6, -47.74

 

CMYK 0 / 70 / 24 / 0

HEX #FF4CC2

RGB 255 76 194

HSL 320.45, 1%, 0.65%

LAB 61.93, 77.08, -24.01

 

CMYK 0 / 70 / 43 / 0

HEX #FF4C92

RGB 255 76 146

HSL 336.54, 1%, 0.65%

LAB 60.34, 71.89, 1.32

 

CMYK 33 / 70 / 0 / 0

HEX #AA4CFF

RGB 170 76 255

HSL 271.51, 1%, 0.65%

LAB 52.88, 68.89, -73.48

 

CMYK 52 / 70 / 0 / 0

HEX #7A4CFF

RGB 122 76 255

HSL 255.42, 1%, 0.65%

LAB 47.66, 60.9, -82.21

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 33 / 70 / 0 / 0

HEX #AA4CFF

RGB 170 76 255

HSL 271.51, 1%, 0.65%

LAB 52.88, 68.89, -73.48

 

CMYK 33 / 70 / 0 / 0

HEX #AA4CFF

RGB 170 76 255

HSL 271.51, 1%, 0.65%

LAB 52.88, 68.89, -73.48

 

CMYK 30 / 63 / 0 / 6

HEX #A95AF0

RGB 169 90 240

HSL 271.6, 0.83%, 0.65%

LAB 54.07, 58.9, -63.21

 

CMYK 25 / 54 / 0 / 11

HEX #A969E2

RGB 169 105 226

HSL 271.74, 0.68%, 0.65%

LAB 56.12, 48.01, -52.08

 

CMYK 20 / 44 / 0 / 17

HEX #A877D3

RGB 168 119 211

HSL 271.96, 0.51%, 0.65%

LAB 58.25, 36.65, -40.28

 

CMYK 15 / 32 / 0 / 23

HEX #A786C5

RGB 167 134 197

HSL 271.43, 0.35%, 0.65%

LAB 61.04, 24.72, -28.03

 

CMYK 70 / 69 / 0 / 0

HEX #4C4FFF

RGB 76 79 255

HSL 238.99, 1%, 0.65%

LAB 44.73, 53.5, -87.16

 

CMYK 53 / 70 / 0 / 0

HEX #794CFF

RGB 121 76 255

HSL 255.08, 1%, 0.65%

LAB 47.56, 60.75, -82.37

 

CMYK 34 / 70 / 0 / 0

HEX #A84CFF

RGB 168 76 255

HSL 270.84, 1%, 0.65%

LAB 52.63, 68.53, -73.89

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 0 / 70 / 4 / 0

HEX #FF4CF6

RGB 255 76 246

HSL 303.02, 1%, 0.65%

LAB 64.23, 84.2, -49.64

 

CMYK 47 / 100 / 0 / 3

HEX #8300F8

RGB 131 0 248

HSL 271.69, 1%, 0.49%

LAB 40.58, 81.96, -89.91

 

CMYK 41 / 86 / 0 / 0

HEX #9723FF

RGB 151 35 255

HSL 271.64, 1%, 0.57%

LAB 45.64, 80.02, -85.41

 

CMYK 33 / 70 / 0 / 0

HEX #AA4CFF

RGB 170 76 255

HSL 271.51, 1%, 0.65%

LAB 52.88, 68.89, -73.48

 

CMYK 25 / 54 / 0 / 0

HEX #BE75FF

RGB 190 117 255

HSL 271.74, 1%, 0.73%

LAB 62.41, 53.56, -58.01

 

CMYK 18 / 38 / 0 / 0

HEX #D19FFF

RGB 209 159 255

HSL 271.25, 1%, 0.81%

LAB 73.27, 36.24, -40.77

 

CMYK 33 / 70 / 0 / 0

HEX #AB4DFF

RGB 171 77 255

HSL 271.69, 1%, 0.65%

LAB 53.15, 68.65, -73.03

 

CMYK 0 / 70 / 50 / 0

HEX #FF4C7F

RGB 255 76 127

HSL 342.91, 1%, 0.65%

LAB 59.85, 70.26, 11.73

 

CMYK 70 / 0 / 62 / 0

HEX #4CFF61

RGB 76 255 97

HSL 127.04, 1%, 0.65%

LAB 88.88, -74.61, 61

 

CMYK 33 / 70 / 0 / 0

HEX #AB4DFF

RGB 171 77 255

HSL 271.69, 1%, 0.65%

LAB 53.15, 68.65, -73.03

 

CMYK 0 / 34 / 70 / 0

HEX #FFA84C

RGB 255 168 76

HSL 30.84, 1%, 0.65%

LAB 75.94, 24.24, 58.87

 

CMYK 70 / 0 / 34 / 0

HEX #4CFFA8

RGB 76 255 168

HSL 150.84, 1%, 0.65%

LAB 89.81, -64.04, 28.87

 

CMYK 33 / 70 / 0 / 0

HEX #AB4DFF

RGB 171 77 255

HSL 271.69, 1%, 0.65%

LAB 53.15, 68.65, -73.03

 

CMYK 0 / 70 / 50 / 0

HEX #FF4C7F

RGB 255 76 127

HSL 342.91, 1%, 0.65%

LAB 59.85, 70.26, 11.73

 

CMYK 36 / 0 / 70 / 0

HEX #A2FF4C

RGB 162 255 76

HSL 91.17, 1%, 0.65%

LAB 91.56, -54.78, 72.74

 

CMYK 70 / 0 / 20 / 0

HEX #4CFFCC

RGB 76 255 204

HSL 162.91, 1%, 0.65%

LAB 90.51, -56.45, 11.48

 

CMYK 33 / 70 / 0 / 0

HEX #AB4DFF

RGB 171 77 255

HSL 271.69, 1%, 0.65%

LAB 53.15, 68.65, -73.03

 

CMYK 0 / 69 / 70 / 0

HEX #FF4F4C

RGB 255 79 76

HSL 1.01, 1%, 0.65%

LAB 59.32, 66.03, 40.44

 

CMYK 36 / 0 / 70 / 0

HEX #A2FF4C

RGB 162 255 76

HSL 91.17, 1%, 0.65%

LAB 91.56, -54.78, 72.74

 

CMYK 70 / 1 / 0 / 0

HEX #4CFCFF

RGB 76 252 255

HSL 181.01, 1%, 0.65%

LAB 90.95, -42.23, -14.31

 

Description

Color code: RGB 171 77 255 | qconv.com Color code: RGB 171 77 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 77 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 77 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 70 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 70% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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