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Color name
RGB 172 146 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 146 112 it is the complementary color RGB 83 109 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 146 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 146 112 shade: RGB 177 146 107, RGB 194 164 126, RGB 211 182 145, RGB 228 200 164 and RGB 245 218 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 146 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 146 112 shade: RGB 172 146 112, RGB 155 128 93, RGB 138 110 74, RGB 121 92 55 and RGB 104 74 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 146 112 shade: RGB 173 146 112, RGB 173 130 112, RGB 173 114 112 and RGB 173 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 146 112 shade: RGB 173 146 112, RGB 173 163 112, RGB 166 173 112, RGB 150 173 112 and RGB 133 173 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 146 112 shade matches the following richer shades: RGB 173 146 112, RGB 191 149 94, RGB 209 151 76, RGB 227 154 58 and RGB 245 156 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 146 112 shade: RGB 173 146 112, RGB 154 144 130, RGB 136 141 148, RGB 118 139 166 and RGB 100 137 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 146 112 shade: RGB 173 114 112, RGB 173 130 112, RGB 173 146 112, RGB 173 162 112 and RGB 167 173 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 146 112 shade: RGB 128 105 74, RGB 155 126 89, RGB 173 146 112, RGB 188 166 138 and RGB 203 186 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 146 112 shade: RGB 172 146 112, RGB 126 173 112 and RGB 122 112 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 146 112 shade: RGB 172 146 112, RGB 112 173 146 and RGB 146 112 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 146 112 shade: RGB 172 146 112, RGB 126 173 112, RGB 112 138 173 and RGB 158 112 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 146 112 shade: RGB 172 146 112, RGB 112 173 116, RGB 112 138 173 and RGB 173 112 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 35 / 33

HEX #AC9270

RGB 172 146 112

HSL 34, 0.27%, 0.56%

LAB 62.08, 4.69, 21.65

 

Complementary color

CMYK 42 / 24 / 0 / 44

HEX #536D8F

RGB 83 109 143

HSL 214, 0.27%, 0.44%

LAB 45.3, -0.22, -21.64

 

CMYK 0 / 18 / 40 / 31

HEX #B1926B

RGB 177 146 107

HSL 33.43, 0.31%, 0.56%

LAB 62.48, 6.14, 25.04

 

CMYK 0 / 15 / 35 / 24

HEX #C2A47E

RGB 194 164 126

HSL 33.53, 0.36%, 0.63%

LAB 69.13, 5.52, 23.83

 

CMYK 0 / 14 / 31 / 17

HEX #D3B691

RGB 211 182 145

HSL 33.64, 0.43%, 0.7%

LAB 75.67, 4.99, 22.7

 

CMYK 0 / 12 / 28 / 11

HEX #E4C8A4

RGB 228 200 164

HSL 33.75, 0.54%, 0.77%

LAB 82.1, 4.52, 21.65

 

CMYK 0 / 11 / 25 / 4

HEX #F5DAB7

RGB 245 218 183

HSL 33.87, 0.76%, 0.84%

LAB 88.44, 4.11, 20.66

 

CMYK 0 / 15 / 35 / 33

HEX #AC9270

RGB 172 146 112

HSL 34, 0.27%, 0.56%

LAB 62.08, 4.69, 21.65

 

CMYK 0 / 17 / 40 / 39

HEX #9B805D

RGB 155 128 93

HSL 33.87, 0.25%, 0.49%

LAB 55.27, 5.32, 22.89

 

CMYK 0 / 20 / 46 / 46

HEX #8A6E4A

RGB 138 110 74

HSL 33.75, 0.3%, 0.42%

LAB 48.32, 6.07, 24.24

 

CMYK 0 / 24 / 55 / 53

HEX #795C37

RGB 121 92 55

HSL 33.64, 0.38%, 0.35%

LAB 41.21, 7.01, 25.72

 

CMYK 0 / 29 / 65 / 59

HEX #684A24

RGB 104 74 36

HSL 33.53, 0.49%, 0.27%

LAB 33.92, 8.23, 27.31

 

CMYK 0 / 16 / 35 / 32

HEX #AD9270

RGB 173 146 112

HSL 33.44, 0.27%, 0.56%

LAB 62.18, 5.1, 21.8

 

CMYK 0 / 25 / 35 / 32

HEX #AD8270

RGB 173 130 112

HSL 17.7, 0.27%, 0.56%

LAB 58.06, 14.05, 16.18

 

CMYK 0 / 34 / 35 / 32

HEX #AD7270

RGB 173 114 112

HSL 1.97, 0.27%, 0.56%

LAB 54.12, 23.06, 10.7

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 16 / 35 / 32

HEX #AD9270

RGB 173 146 112

HSL 33.44, 0.27%, 0.56%

LAB 62.18, 5.1, 21.8

 

CMYK 0 / 6 / 35 / 32

HEX #ADA370

RGB 173 163 112

HSL 50.16, 0.27%, 0.56%

LAB 66.71, -4.18, 27.84

 

CMYK 4 / 0 / 35 / 32

HEX #A6AD70

RGB 166 173 112

HSL 66.89, 0.27%, 0.56%

LAB 68.87, -12.3, 30.56

 

CMYK 13 / 0 / 35 / 32

HEX #96AD70

RGB 150 173 112

HSL 82.62, 0.27%, 0.56%

LAB 67.68, -18.58, 28.78

 

CMYK 23 / 0 / 35 / 32

HEX #85AD70

RGB 133 173 112

HSL 99.34, 0.27%, 0.56%

LAB 66.55, -24.97, 27.08

 

CMYK 0 / 16 / 35 / 32

HEX #AD9270

RGB 173 146 112

HSL 33.44, 0.27%, 0.56%

LAB 62.18, 5.1, 21.8

 

CMYK 0 / 22 / 51 / 25

HEX #BF955E

RGB 191 149 94

HSL 34.02, 0.43%, 0.56%

LAB 64.47, 8.98, 34.92

 

CMYK 0 / 28 / 64 / 18

HEX #D1974C

RGB 209 151 76

HSL 33.83, 0.59%, 0.56%

LAB 66.68, 14.1, 47.23

 

CMYK 0 / 32 / 74 / 11

HEX #E39A3A

RGB 227 154 58

HSL 34.08, 0.75%, 0.56%

LAB 69.29, 19.16, 58.8

 

CMYK 0 / 36 / 84 / 4

HEX #F59C27

RGB 245 156 39

HSL 34.08, 0.91%, 0.56%

LAB 71.78, 25.02, 68.81

 

CMYK 0 / 16 / 35 / 32

HEX #AD9270

RGB 173 146 112

HSL 33.44, 0.27%, 0.56%

LAB 62.18, 5.1, 21.8

 

CMYK 0 / 6 / 16 / 40

HEX #9A9082

RGB 154 144 130

HSL 35, 0.11%, 0.56%

LAB 60.27, 1.25, 8.77

 

CMYK 8 / 5 / 0 / 42

HEX #888D94

RGB 136 141 148

HSL 215, 0.05%, 0.56%

LAB 58.44, -0.38, -4.35

 

CMYK 29 / 16 / 0 / 35

HEX #768BA6

RGB 118 139 166

HSL 213.75, 0.21%, 0.56%

LAB 57.14, -1.07, -16.74

 

CMYK 46 / 26 / 0 / 27

HEX #6489B9

RGB 100 137 185

HSL 213.88, 0.38%, 0.56%

LAB 56.19, 0.22, -29.15

 

CMYK 0 / 34 / 35 / 32

HEX #AD7270

RGB 173 114 112

HSL 1.97, 0.27%, 0.56%

LAB 54.12, 23.06, 10.7

 

CMYK 0 / 25 / 35 / 32

HEX #AD8270

RGB 173 130 112

HSL 17.7, 0.27%, 0.56%

LAB 58.06, 14.05, 16.18

 

CMYK 0 / 16 / 35 / 32

HEX #AD9270

RGB 173 146 112

HSL 33.44, 0.27%, 0.56%

LAB 62.18, 5.1, 21.8

 

CMYK 0 / 6 / 35 / 32

HEX #ADA270

RGB 173 162 112

HSL 49.18, 0.27%, 0.56%

LAB 66.44, -3.64, 27.48

 

CMYK 3 / 0 / 35 / 32

HEX #A7AD70

RGB 167 173 112

HSL 65.9, 0.27%, 0.56%

LAB 68.95, -11.9, 30.67

 

CMYK 0 / 18 / 42 / 50

HEX #80694A

RGB 128 105 74

HSL 34.44, 0.27%, 0.4%

LAB 45.89, 4.57, 20.86

 

CMYK 0 / 19 / 43 / 39

HEX #9B7E59

RGB 155 126 89

HSL 33.64, 0.27%, 0.48%

LAB 54.67, 5.98, 24.34

 

CMYK 0 / 16 / 35 / 32

HEX #AD9270

RGB 173 146 112

HSL 33.44, 0.27%, 0.56%

LAB 62.18, 5.1, 21.8

 

CMYK 0 / 12 / 27 / 26

HEX #BCA68A

RGB 188 166 138

HSL 33.6, 0.27%, 0.64%

LAB 69.33, 3.64, 17.45

 

CMYK 0 / 8 / 19 / 20

HEX #CBBAA4

RGB 203 186 164

HSL 33.85, 0.27%, 0.72%

LAB 76.37, 2.46, 13.34

 

CMYK 0 / 15 / 35 / 33

HEX #AC9270

RGB 172 146 112

HSL 34, 0.27%, 0.56%

LAB 62.08, 4.69, 21.65

 

CMYK 27 / 0 / 35 / 32

HEX #7EAD70

RGB 126 173 112

HSL 106.23, 0.27%, 0.56%

LAB 66.13, -27.48, 26.45

 

CMYK 29 / 35 / 0 / 32

HEX #7A70AD

RGB 122 112 173

HSL 249.84, 0.27%, 0.56%

LAB 50.39, 17.86, -31.16

 

CMYK 0 / 15 / 35 / 33

HEX #AC9270

RGB 172 146 112

HSL 34, 0.27%, 0.56%

LAB 62.08, 4.69, 21.65

 

CMYK 35 / 0 / 16 / 32

HEX #70AD92

RGB 112 173 146

HSL 153.44, 0.27%, 0.56%

LAB 66.06, -25.8, 7.67

 

CMYK 16 / 35 / 0 / 32

HEX #9270AD

RGB 146 112 173

HSL 273.44, 0.27%, 0.56%

LAB 52.64, 25.32, -27.49

 

CMYK 0 / 15 / 35 / 33

HEX #AC9270

RGB 172 146 112

HSL 34, 0.27%, 0.56%

LAB 62.08, 4.69, 21.65

 

CMYK 27 / 0 / 35 / 32

HEX #7EAD70

RGB 126 173 112

HSL 106.23, 0.27%, 0.56%

LAB 66.13, -27.48, 26.45

 

CMYK 35 / 20 / 0 / 32

HEX #708AAD

RGB 112 138 173

HSL 214.43, 0.27%, 0.56%

LAB 56.72, -0.47, -21.42

 

CMYK 9 / 35 / 0 / 32

HEX #9E70AD

RGB 158 112 173

HSL 285.25, 0.27%, 0.56%

LAB 53.89, 29.18, -25.44

 

CMYK 0 / 15 / 35 / 33

HEX #AC9270

RGB 172 146 112

HSL 34, 0.27%, 0.56%

LAB 62.08, 4.69, 21.65

 

CMYK 35 / 0 / 33 / 32

HEX #70AD74

RGB 112 173 116

HSL 123.93, 0.27%, 0.56%

LAB 65.43, -31.58, 23.23

 

CMYK 35 / 20 / 0 / 32

HEX #708AAD

RGB 112 138 173

HSL 214.43, 0.27%, 0.56%

LAB 56.72, -0.47, -21.42

 

CMYK 0 / 35 / 2 / 32

HEX #AD70A9

RGB 173 112 169

HSL 303.93, 0.27%, 0.56%

LAB 55.42, 33.31, -20.64

 

Description

Color code: RGB 172 146 112 | qconv.com Color code: RGB 172 146 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 146 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 146 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 35% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Private Office Suite...
Link: http://advantedgebc-1.hs-sites.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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