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Color name
RGB 172 157 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 157 89 it is the complementary color RGB 83 98 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 157 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 157 89 shade: RGB 177 157 84, RGB 194 175 103, RGB 211 193 122, RGB 228 211 141 and RGB 245 229 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 157 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 157 89 shade: RGB 172 157 89, RGB 155 139 70, RGB 138 121 51, RGB 121 103 32 and RGB 104 85 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 157 89 shade: RGB 171 156 88, RGB 171 134 88, RGB 171 111 88, RGB 171 89 88 and RGB 171 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 157 89 shade: RGB 171 156 88, RGB 163 171 88, RGB 141 171 88, RGB 119 171 88 and RGB 97 171 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 157 89 shade matches the following richer shades: RGB 171 156 88, RGB 191 169 68, RGB 211 182 48, RGB 231 195 28 and RGB 252 208 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 157 89 shade: RGB 171 156 88, RGB 151 143 109, RGB 130 130 129, RGB 110 117 149 and RGB 90 104 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 157 89 shade: RGB 171 112 88, RGB 171 134 88, RGB 171 156 88, RGB 164 171 88 and RGB 142 171 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 157 89 shade: RGB 118 107 59, RGB 145 132 73, RGB 171 156 88, RGB 185 172 116 and RGB 198 188 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 157 89 shade: RGB 172 157 89, RGB 88 171 90 and RGB 123 88 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 157 89 shade: RGB 172 157 89, RGB 88 171 156 and RGB 156 88 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 157 89 shade: RGB 172 157 89, RGB 88 171 90, RGB 88 103 171 and RGB 171 88 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 157 89 shade: RGB 172 157 89, RGB 88 171 114, RGB 88 103 171 and RGB 171 88 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 48 / 33

HEX #AC9D59

RGB 172 157 89

HSL 49.16, 0.33%, 0.51%

LAB 64.65, -3.92, 37.36

 

Complementary color

CMYK 50 / 41 / 0 / 35

HEX #5362A6

RGB 83 98 166

HSL 229.16, 0.33%, 0.49%

LAB 43.25, 13.7, -38.49

 

CMYK 0 / 11 / 53 / 31

HEX #B19D54

RGB 177 157 84

HSL 47.1, 0.37%, 0.51%

LAB 65.04, -2.25, 40.51

 

CMYK 0 / 10 / 47 / 24

HEX #C2AF67

RGB 194 175 103

HSL 47.47, 0.43%, 0.58%

LAB 71.63, -2.93, 39.24

 

CMYK 0 / 9 / 42 / 17

HEX #D3C17A

RGB 211 193 122

HSL 47.87, 0.5%, 0.65%

LAB 78.11, -3.5, 38

 

CMYK 0 / 7 / 38 / 11

HEX #E4D38D

RGB 228 211 141

HSL 48.28, 0.62%, 0.72%

LAB 84.49, -3.98, 36.8

 

CMYK 0 / 7 / 35 / 4

HEX #F5E5A0

RGB 245 229 160

HSL 48.71, 0.81%, 0.79%

LAB 90.77, -4.4, 35.66

 

CMYK 0 / 9 / 48 / 33

HEX #AC9D59

RGB 172 157 89

HSL 49.16, 0.33%, 0.51%

LAB 64.65, -3.92, 37.36

 

CMYK 0 / 10 / 55 / 39

HEX #9B8B46

RGB 155 139 70

HSL 48.71, 0.38%, 0.44%

LAB 57.92, -3.22, 38.64

 

CMYK 0 / 12 / 63 / 46

HEX #8A7933

RGB 138 121 51

HSL 48.28, 0.46%, 0.37%

LAB 51.06, -2.35, 39.86

 

CMYK 0 / 15 / 74 / 53

HEX #796720

RGB 121 103 32

HSL 47.87, 0.58%, 0.3%

LAB 44.05, -1.23, 40.8

 

CMYK 0 / 18 / 88 / 59

HEX #68550D

RGB 104 85 13

HSL 47.47, 0.78%, 0.23%

LAB 36.87, 0.25, 40.85

 

CMYK 0 / 9 / 49 / 33

HEX #AB9C58

RGB 171 156 88

HSL 49.16, 0.33%, 0.51%

LAB 64.27, -3.9, 37.4

 

CMYK 0 / 22 / 49 / 33

HEX #AB8658

RGB 171 134 88

HSL 33.25, 0.33%, 0.51%

LAB 58.43, 8.21, 30.08

 

CMYK 0 / 35 / 49 / 33

HEX #AB6F58

RGB 171 111 88

HSL 16.63, 0.33%, 0.51%

LAB 52.65, 21.16, 22.6

 

CMYK 0 / 48 / 49 / 33

HEX #AB5958

RGB 171 89 88

HSL 0.72, 0.33%, 0.51%

LAB 47.63, 33.31, 15.86

 

CMYK 0 / 49 / 49 / 33

HEX #AB5858

RGB 171 88 88

HSL 0, 0.33%, 0.51%

LAB 47.42, 33.85, 15.57

 

CMYK 0 / 9 / 49 / 33

HEX #AB9C58

RGB 171 156 88

HSL 49.16, 0.33%, 0.51%

LAB 64.27, -3.9, 37.4

 

CMYK 5 / 0 / 49 / 33

HEX #A3AB58

RGB 163 171 88

HSL 65.78, 0.33%, 0.51%

LAB 67.74, -15.18, 41.46

 

CMYK 18 / 0 / 49 / 33

HEX #8DAB58

RGB 141 171 88

HSL 81.69, 0.33%, 0.51%

LAB 66.13, -24.08, 39.13

 

CMYK 30 / 0 / 49 / 33

HEX #77AB58

RGB 119 171 88

HSL 97.59, 0.33%, 0.51%

LAB 64.77, -32.4, 37.15

 

CMYK 43 / 0 / 49 / 33

HEX #61AB58

RGB 97 171 88

HSL 113.49, 0.33%, 0.51%

LAB 63.65, -39.83, 35.52

 

CMYK 0 / 9 / 49 / 33

HEX #AB9C58

RGB 171 156 88

HSL 49.16, 0.33%, 0.51%

LAB 64.27, -3.9, 37.4

 

CMYK 0 / 12 / 64 / 25

HEX #BFA944

RGB 191 169 68

HSL 49.27, 0.49%, 0.51%

LAB 69.38, -3.85, 53.41

 

CMYK 0 / 14 / 77 / 17

HEX #D3B630

RGB 211 182 48

HSL 49.33, 0.65%, 0.51%

LAB 74.52, -3.02, 66.92

 

CMYK 0 / 16 / 88 / 9

HEX #E7C31C

RGB 231 195 28

HSL 49.36, 0.81%, 0.51%

LAB 79.67, -1.67, 77.35

 

CMYK 0 / 17 / 97 / 1

HEX #FCD007

RGB 252 208 7

HSL 49.22, 0.98%, 0.51%

LAB 84.91, 0.41, 84.96

 

CMYK 0 / 9 / 49 / 33

HEX #AB9C58

RGB 171 156 88

HSL 49.16, 0.33%, 0.51%

LAB 64.27, -3.9, 37.4

 

CMYK 0 / 5 / 28 / 41

HEX #978F6D

RGB 151 143 109

HSL 48.57, 0.17%, 0.51%

LAB 59.28, -2.64, 19.2

 

CMYK 0 / 0 / 1 / 49

HEX #828281

RGB 130 130 129

HSL 60, 0%, 0.51%

LAB 54.34, -0.19, 0.53

 

CMYK 26 / 21 / 0 / 42

HEX #6E7595

RGB 110 117 149

HSL 229.23, 0.16%, 0.51%

LAB 49.75, 4.89, -18.2

 

CMYK 47 / 38 / 0 / 34

HEX #5A68A9

RGB 90 104 169

HSL 229.37, 0.31%, 0.51%

LAB 45.55, 12.65, -36.59

 

CMYK 0 / 35 / 49 / 33

HEX #AB7058

RGB 171 112 88

HSL 17.35, 0.33%, 0.51%

LAB 52.9, 20.6, 22.91

 

CMYK 0 / 22 / 49 / 33

HEX #AB8658

RGB 171 134 88

HSL 33.25, 0.33%, 0.51%

LAB 58.43, 8.21, 30.08

 

CMYK 0 / 9 / 49 / 33

HEX #AB9C58

RGB 171 156 88

HSL 49.16, 0.33%, 0.51%

LAB 64.27, -3.9, 37.4

 

CMYK 4 / 0 / 49 / 33

HEX #A4AB58

RGB 164 171 88

HSL 65.06, 0.33%, 0.51%

LAB 67.82, -14.77, 41.57

 

CMYK 17 / 0 / 49 / 33

HEX #8EAB58

RGB 142 171 88

HSL 80.96, 0.33%, 0.51%

LAB 66.2, -23.69, 39.23

 

CMYK 0 / 9 / 50 / 54

HEX #766B3B

RGB 118 107 59

HSL 48.81, 0.33%, 0.35%

LAB 45.2, -2.78, 28.32

 

CMYK 0 / 9 / 50 / 43

HEX #918449

RGB 145 132 73

HSL 49.17, 0.33%, 0.43%

LAB 55.08, -3.46, 33.44

 

CMYK 0 / 9 / 49 / 33

HEX #AB9C58

RGB 171 156 88

HSL 49.16, 0.33%, 0.51%

LAB 64.27, -3.9, 37.4

 

CMYK 0 / 7 / 37 / 27

HEX #B9AC74

RGB 185 172 116

HSL 48.7, 0.33%, 0.59%

LAB 70.23, -3.63, 30.51

 

CMYK 0 / 5 / 28 / 22

HEX #C6BC8F

RGB 198 188 143

HSL 49.09, 0.33%, 0.67%

LAB 76.04, -3.52, 24.09

 

CMYK 0 / 9 / 48 / 33

HEX #AC9D59

RGB 172 157 89

HSL 49.16, 0.33%, 0.51%

LAB 64.65, -3.92, 37.36

 

CMYK 49 / 0 / 47 / 33

HEX #58AB5A

RGB 88 171 90

HSL 121.45, 0.33%, 0.51%

LAB 63.29, -42.25, 33.97

 

CMYK 28 / 49 / 0 / 33

HEX #7B58AB

RGB 123 88 171

HSL 265.3, 0.33%, 0.51%

LAB 44.42, 31.97, -39.37

 

CMYK 0 / 9 / 48 / 33

HEX #AC9D59

RGB 172 157 89

HSL 49.16, 0.33%, 0.51%

LAB 64.65, -3.92, 37.36

 

CMYK 49 / 0 / 9 / 33

HEX #58AB9C

RGB 88 171 156

HSL 169.16, 0.33%, 0.51%

LAB 64.64, -29.02, -0.07

 

CMYK 9 / 49 / 0 / 33

HEX #9C58AB

RGB 156 88 171

HSL 289.16, 0.33%, 0.51%

LAB 48.24, 41.51, -33.08

 

CMYK 0 / 9 / 48 / 33

HEX #AC9D59

RGB 172 157 89

HSL 49.16, 0.33%, 0.51%

LAB 64.65, -3.92, 37.36

 

CMYK 49 / 0 / 47 / 33

HEX #58AB5A

RGB 88 171 90

HSL 121.45, 0.33%, 0.51%

LAB 63.29, -42.25, 33.97

 

CMYK 49 / 40 / 0 / 33

HEX #5867AB

RGB 88 103 171

HSL 229.16, 0.33%, 0.51%

LAB 45.24, 13.39, -38.26

 

CMYK 0 / 49 / 1 / 33

HEX #AB58A9

RGB 171 88 169

HSL 301.45, 0.33%, 0.51%

LAB 50.1, 45.57, -28.87

 

CMYK 0 / 9 / 48 / 33

HEX #AC9D59

RGB 172 157 89

HSL 49.16, 0.33%, 0.51%

LAB 64.65, -3.92, 37.36

 

CMYK 49 / 0 / 33 / 33

HEX #58AB72

RGB 88 171 114

HSL 138.8, 0.33%, 0.51%

LAB 63.68, -38.23, 21.77

 

CMYK 49 / 40 / 0 / 33

HEX #5867AB

RGB 88 103 171

HSL 229.16, 0.33%, 0.51%

LAB 45.24, 13.39, -38.26

 

CMYK 0 / 49 / 15 / 33

HEX #AB5891

RGB 171 88 145

HSL 318.8, 0.33%, 0.51%

LAB 49.11, 41.4, -16.22

 

Description

Color code: RGB 172 157 89 | qconv.com Color code: RGB 172 157 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 157 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 157 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 48 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 48% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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