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Color name
RGB 172 187 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 187 80 it is the complementary color RGB 83 68 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 187 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 187 80 shade: RGB 177 187 75, RGB 194 205 94, RGB 211 223 113, RGB 228 241 132 and RGB 245 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 187 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 187 80 shade: RGB 172 187 80, RGB 155 169 61, RGB 138 151 42, RGB 121 133 23 and RGB 104 115 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 187 80 shade: RGB 171 186 78, RGB 186 172 78, RGB 186 143 78, RGB 186 114 78 and RGB 186 85 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 187 80 shade: RGB 171 186 78, RGB 142 186 78, RGB 113 186 78, RGB 84 186 78 and RGB 78 186 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 187 80 shade matches the following richer shades: RGB 171 186 78, RGB 185 206 58, RGB 199 226 39 and RGB 214 245 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 187 80 shade: RGB 171 186 78, RGB 157 166 98, RGB 142 146 118, RGB 128 127 138 and RGB 114 107 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 187 80 shade: RGB 186 143 78, RGB 186 172 78, RGB 172 186 78, RGB 143 186 78 and RGB 114 186 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 187 80 shade: RGB 120 131 51, RGB 147 161 62, RGB 171 186 78, RGB 185 198 108 and RGB 199 209 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 187 80 shade: RGB 172 187 80, RGB 78 186 114 and RGB 157 78 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 187 80 shade: RGB 172 187 80, RGB 78 172 186 and RGB 186 78 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 187 80 shade: RGB 172 187 80, RGB 78 186 114, RGB 93 78 186 and RGB 186 78 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 187 80 shade: RGB 172 187 80, RGB 78 186 146, RGB 93 78 186 and RGB 186 78 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 57 / 27

HEX #ACBB50

RGB 172 187 80

HSL 68.41, 0.44%, 0.52%

LAB 72.82, -20.31, 51.37

 

Complementary color

CMYK 53 / 61 / 0 / 31

HEX #5344AF

RGB 83 68 175

HSL 248.41, 0.44%, 0.48%

LAB 36.12, 35.41, -55.27

 

CMYK 5 / 0 / 60 / 27

HEX #B1BB4B

RGB 177 187 75

HSL 65.36, 0.45%, 0.51%

LAB 73.15, -18.63, 54.08

 

CMYK 5 / 0 / 54 / 20

HEX #C2CD5E

RGB 194 205 94

HSL 65.95, 0.53%, 0.59%

LAB 79.58, -19.13, 53.11

 

CMYK 5 / 0 / 49 / 13

HEX #D3DF71

RGB 211 223 113

HSL 66.55, 0.63%, 0.66%

LAB 85.91, -19.54, 52.04

 

CMYK 5 / 0 / 45 / 5

HEX #E4F184

RGB 228 241 132

HSL 67.16, 0.8%, 0.73%

LAB 92.16, -19.87, 50.92

 

CMYK 4 / 0 / 41 / 0

HEX #F5FF97

RGB 245 255 151

HSL 65.77, 1%, 0.8%

LAB 97.3, -18.23, 48.49

 

CMYK 8 / 0 / 57 / 27

HEX #ACBB50

RGB 172 187 80

HSL 68.41, 0.44%, 0.52%

LAB 72.82, -20.31, 51.37

 

CMYK 8 / 0 / 64 / 34

HEX #9BA93D

RGB 155 169 61

HSL 67.78, 0.47%, 0.45%

LAB 66.28, -19.79, 52.23

 

CMYK 9 / 0 / 72 / 41

HEX #8A972A

RGB 138 151 42

HSL 67.16, 0.56%, 0.38%

LAB 59.62, -19.11, 52.7

 

CMYK 9 / 0 / 83 / 48

HEX #798517

RGB 121 133 23

HSL 66.55, 0.71%, 0.31%

LAB 52.84, -18.22, 52.32

 

CMYK 10 / 0 / 97 / 55

HEX #687304

RGB 104 115 4

HSL 65.95, 0.93%, 0.23%

LAB 45.92, -17.05, 50.49

 

CMYK 8 / 0 / 58 / 27

HEX #ABBA4E

RGB 171 186 78

HSL 68.33, 0.44%, 0.52%

LAB 72.45, -20.38, 51.84

 

CMYK 0 / 8 / 58 / 27

HEX #BAAC4E

RGB 186 172 78

HSL 52.22, 0.44%, 0.52%

LAB 69.82, -6.89, 49.22

 

CMYK 0 / 23 / 58 / 27

HEX #BA8F4E

RGB 186 143 78

HSL 36.11, 0.44%, 0.52%

LAB 62.2, 8.76, 40.39

 

CMYK 0 / 39 / 58 / 27

HEX #BA724E

RGB 186 114 78

HSL 20, 0.44%, 0.52%

LAB 55.1, 24.82, 31.76

 

CMYK 0 / 54 / 58 / 27

HEX #BA554E

RGB 186 85 78

HSL 3.89, 0.44%, 0.52%

LAB 48.87, 40.22, 23.85

 

CMYK 8 / 0 / 58 / 27

HEX #ABBA4E

RGB 171 186 78

HSL 68.33, 0.44%, 0.52%

LAB 72.45, -20.38, 51.84

 

CMYK 24 / 0 / 58 / 27

HEX #8EBA4E

RGB 142 186 78

HSL 84.44, 0.44%, 0.52%

LAB 70.47, -31.94, 49.07

 

CMYK 39 / 0 / 58 / 27

HEX #71BA4E

RGB 113 186 78

HSL 100.56, 0.44%, 0.52%

LAB 68.88, -42.36, 46.83

 

CMYK 55 / 0 / 58 / 27

HEX #54BA4E

RGB 84 186 78

HSL 116.67, 0.44%, 0.52%

LAB 67.69, -51.01, 45.14

 

CMYK 58 / 0 / 45 / 27

HEX #4EBA66

RGB 78 186 102

HSL 133.33, 0.44%, 0.52%

LAB 67.8, -49.17, 33.45

 

CMYK 8 / 0 / 58 / 27

HEX #ABBA4E

RGB 171 186 78

HSL 68.33, 0.44%, 0.52%

LAB 72.45, -20.38, 51.84

 

CMYK 10 / 0 / 72 / 19

HEX #B9CE3A

RGB 185 206 58

HSL 68.51, 0.6%, 0.52%

LAB 78.9, -25.7, 66.91

 

CMYK 12 / 0 / 83 / 11

HEX #C7E227

RGB 199 226 39

HSL 68.66, 0.76%, 0.52%

LAB 85.34, -30.21, 78.58

 

CMYK 13 / 0 / 92 / 4

HEX #D6F513

RGB 214 245 19

HSL 68.23, 0.92%, 0.52%

LAB 91.53, -33.37, 87.41

 

CMYK 8 / 0 / 58 / 27

HEX #ABBA4E

RGB 171 186 78

HSL 68.33, 0.44%, 0.52%

LAB 72.45, -20.38, 51.84

 

CMYK 5 / 0 / 41 / 35

HEX #9DA662

RGB 157 166 98

HSL 67.94, 0.28%, 0.52%

LAB 66, -13.98, 34.1

 

CMYK 3 / 0 / 19 / 43

HEX #8E9276

RGB 142 146 118

HSL 68.57, 0.11%, 0.52%

LAB 59.54, -6.52, 14.38

 

CMYK 7 / 8 / 0 / 46

HEX #807F8A

RGB 128 127 138

HSL 245.45, 0.04%, 0.52%

LAB 53.6, 2.64, -5.81

 

CMYK 27 / 32 / 0 / 38

HEX #726B9D

RGB 114 107 157

HSL 248.4, 0.2%, 0.52%

LAB 47.66, 14.24, -26.1

 

CMYK 0 / 23 / 58 / 27

HEX #BA8F4E

RGB 186 143 78

HSL 36.11, 0.44%, 0.52%

LAB 62.2, 8.76, 40.39

 

CMYK 0 / 8 / 58 / 27

HEX #BAAC4E

RGB 186 172 78

HSL 52.22, 0.44%, 0.52%

LAB 69.82, -6.89, 49.22

 

CMYK 8 / 0 / 58 / 27

HEX #ACBA4E

RGB 172 186 78

HSL 67.78, 0.44%, 0.52%

LAB 72.52, -19.97, 51.94

 

CMYK 23 / 0 / 58 / 27

HEX #8FBA4E

RGB 143 186 78

HSL 83.89, 0.44%, 0.52%

LAB 70.53, -31.55, 49.16

 

CMYK 39 / 0 / 58 / 27

HEX #72BA4E

RGB 114 186 78

HSL 100, 0.44%, 0.52%

LAB 68.93, -42.02, 46.9

 

CMYK 8 / 0 / 61 / 49

HEX #788333

RGB 120 131 51

HSL 68.25, 0.44%, 0.36%

LAB 52.36, -15.95, 40.86

 

CMYK 9 / 0 / 61 / 37

HEX #93A13E

RGB 147 161 62

HSL 68.48, 0.44%, 0.44%

LAB 63.38, -19.04, 48.49

 

CMYK 8 / 0 / 58 / 27

HEX #ABBA4E

RGB 171 186 78

HSL 68.33, 0.44%, 0.52%

LAB 72.45, -20.38, 51.84

 

CMYK 7 / 0 / 45 / 22

HEX #B9C66C

RGB 185 198 108

HSL 68.67, 0.44%, 0.6%

LAB 77.15, -17.95, 43.39

 

CMYK 5 / 0 / 34 / 18

HEX #C7D18A

RGB 199 209 138

HSL 68.45, 0.44%, 0.68%

LAB 81.61, -14.58, 34.14

 

CMYK 8 / 0 / 57 / 27

HEX #ACBB50

RGB 172 187 80

HSL 68.41, 0.44%, 0.52%

LAB 72.82, -20.31, 51.37

 

CMYK 58 / 0 / 39 / 27

HEX #4EBA72

RGB 78 186 114

HSL 140, 0.44%, 0.52%

LAB 67.99, -47.13, 27.45

 

CMYK 16 / 58 / 0 / 27

HEX #9D4EBA

RGB 157 78 186

HSL 283.89, 0.44%, 0.52%

LAB 47.19, 50.09, -43.52

 

CMYK 8 / 0 / 57 / 27

HEX #ACBB50

RGB 172 187 80

HSL 68.41, 0.44%, 0.52%

LAB 72.82, -20.31, 51.37

 

CMYK 58 / 8 / 0 / 27

HEX #4EACBA

RGB 78 172 186

HSL 187.78, 0.44%, 0.52%

LAB 65.49, -23.56, -15.56

 

CMYK 0 / 58 / 8 / 27

HEX #BA4EAC

RGB 186 78 172

HSL 307.78, 0.44%, 0.52%

LAB 50.53, 55.25, -29.8

 

CMYK 8 / 0 / 57 / 27

HEX #ACBB50

RGB 172 187 80

HSL 68.41, 0.44%, 0.52%

LAB 72.82, -20.31, 51.37

 

CMYK 58 / 0 / 39 / 27

HEX #4EBA72

RGB 78 186 114

HSL 140, 0.44%, 0.52%

LAB 67.99, -47.13, 27.45

 

CMYK 50 / 58 / 0 / 27

HEX #5D4EBA

RGB 93 78 186

HSL 248.33, 0.44%, 0.52%

LAB 40.12, 34.78, -55.24

 

CMYK 0 / 58 / 19 / 27

HEX #BA4E96

RGB 186 78 150

HSL 320, 0.44%, 0.52%

LAB 49.6, 51.8, -18.24

 

CMYK 8 / 0 / 57 / 27

HEX #ACBB50

RGB 172 187 80

HSL 68.41, 0.44%, 0.52%

LAB 72.82, -20.31, 51.37

 

CMYK 58 / 0 / 22 / 27

HEX #4EBA92

RGB 78 186 146

HSL 157.78, 0.44%, 0.52%

LAB 68.62, -40.61, 11.11

 

CMYK 50 / 58 / 0 / 27

HEX #5D4EBA

RGB 93 78 186

HSL 248.33, 0.44%, 0.52%

LAB 40.12, 34.78, -55.24

 

CMYK 0 / 58 / 37 / 27

HEX #BA4E76

RGB 186 78 118

HSL 337.78, 0.44%, 0.52%

LAB 48.51, 47.54, -0.69

 

Description

Color code: RGB 172 187 80 | qconv.com Color code: RGB 172 187 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 187 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 187 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 57 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 57% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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