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Color name
RGB 172 69 11

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 69 11 it is the complementary color RGB 83 186 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 69 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 69 11 shade: RGB 177 69 6, RGB 194 87 25, RGB 211 105 44, RGB 228 123 63 and RGB 245 141 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 69 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 69 11 shade: RGB 172 69 11, RGB 155 51 0, RGB 138 33 0, RGB 121 15 0 and RGB 104 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 69 11 shade: RGB 172 69 11, RGB 172 25 11 and RGB 172 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 69 11 shade: RGB 172 69 11, RGB 172 112 11, RGB 172 156 11, RGB 145 172 11 and RGB 101 172 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 69 11 shade matches the following richer shades: RGB 172 69 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 69 11 shade: RGB 172 69 11, RGB 157 73 25, RGB 142 77 40, RGB 128 81 55 and RGB 113 85 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 69 11 shade: RGB 172 11 40, RGB 172 24 11, RGB 172 67 11, RGB 172 110 11 and RGB 172 153 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 69 11 shade: RGB 95 38 6, RGB 133 53 8, RGB 172 69 11, RGB 211 84 13 and RGB 240 103 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 69 11 shade: RGB 172 69 11, RGB 83 172 11 and RGB 11 19 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 69 11 shade: RGB 172 69 11, RGB 11 172 67 and RGB 67 11 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 69 11 shade: RGB 172 69 11, RGB 83 172 11, RGB 11 116 172 and RGB 99 11 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 69 11 shade: RGB 172 69 11, RGB 35 172 11, RGB 11 116 172 and RGB 148 11 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

Complementary color

CMYK 66 / 24 / 0 / 4

HEX #53BAF4

RGB 83 186 244

HSL 201.61, 0.88%, 0.64%

LAB 71.89, -12.24, -37.56

 

CMYK 0 / 61 / 97 / 31

HEX #B14506

RGB 177 69 6

HSL 22.11, 0.93%, 0.36%

LAB 43.68, 41.61, 52.6

 

CMYK 0 / 55 / 87 / 24

HEX #C25719

RGB 194 87 25

HSL 22.01, 0.77%, 0.43%

LAB 49.92, 39.71, 52.59

 

CMYK 0 / 50 / 79 / 17

HEX #D3692C

RGB 211 105 44

HSL 21.92, 0.65%, 0.5%

LAB 56.22, 37.87, 51.33

 

CMYK 0 / 46 / 72 / 11

HEX #E47B3F

RGB 228 123 63

HSL 21.82, 0.75%, 0.57%

LAB 62.52, 36.15, 49.63

 

CMYK 0 / 42 / 67 / 4

HEX #F58D52

RGB 245 141 82

HSL 21.72, 0.89%, 0.64%

LAB 68.8, 34.58, 47.84

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 0 / 67 / 100 / 39

HEX #9B3300

RGB 155 51 0

HSL 19.74, 1%, 0.3%

LAB 36.62, 41.57, 48.47

 

CMYK 0 / 76 / 100 / 46

HEX #8A2100

RGB 138 33 0

HSL 14.35, 1%, 0.27%

LAB 30.62, 42.9, 43.18

 

CMYK 0 / 88 / 100 / 53

HEX #790F00

RGB 121 15 0

HSL 7.44, 1%, 0.24%

LAB 24.97, 43.03, 36.96

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 0 / 85 / 94 / 33

HEX #AC190B

RGB 172 25 11

HSL 5.22, 0.88%, 0.36%

LAB 36.91, 55.96, 46.35

 

CMYK 0 / 94 / 94 / 33

HEX #AC0B0B

RGB 172 11 11

HSL 0, 0.88%, 0.36%

LAB 36.05, 58.42, 45.81

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 0 / 35 / 94 / 33

HEX #AC700B

RGB 172 112 11

HSL 37.64, 0.88%, 0.36%

LAB 52.27, 16.72, 56.99

 

CMYK 0 / 9 / 94 / 33

HEX #AC9C0B

RGB 172 156 11

HSL 54.04, 0.88%, 0.36%

LAB 63.81, -7.56, 65.62

 

CMYK 16 / 0 / 94 / 33

HEX #91AC0B

RGB 145 172 11

HSL 70.06, 0.88%, 0.36%

LAB 66.17, -27.6, 66.5

 

CMYK 41 / 0 / 94 / 33

HEX #65AC0B

RGB 101 172 11

HSL 86.46, 0.88%, 0.36%

LAB 63.59, -44.76, 63.35

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 0 / 54 / 84 / 38

HEX #9D4919

RGB 157 73 25

HSL 21.82, 0.73%, 0.36%

LAB 41.22, 32.07, 42.82

 

CMYK 0 / 46 / 72 / 44

HEX #8E4D28

RGB 142 77 40

HSL 21.76, 0.56%, 0.36%

LAB 39.93, 24.16, 33.31

 

CMYK 0 / 37 / 57 / 50

HEX #805137

RGB 128 81 55

HSL 21.37, 0.4%, 0.36%

LAB 39.16, 16.76, 23.34

 

CMYK 0 / 25 / 38 / 56

HEX #715546

RGB 113 85 70

HSL 20.93, 0.23%, 0.36%

LAB 38.64, 9.36, 13.24

 

CMYK 0 / 94 / 77 / 33

HEX #AC0B28

RGB 172 11 40

HSL 349.19, 0.88%, 0.36%

LAB 36.3, 59.12, 30.76

 

CMYK 0 / 86 / 94 / 33

HEX #AC180B

RGB 172 24 11

HSL 4.84, 0.88%, 0.36%

LAB 36.83, 56.18, 46.3

 

CMYK 0 / 61 / 94 / 33

HEX #AC430B

RGB 172 67 11

HSL 20.87, 0.88%, 0.36%

LAB 42.47, 40.72, 50.03

 

CMYK 0 / 36 / 94 / 33

HEX #AC6E0B

RGB 172 110 11

HSL 36.89, 0.88%, 0.36%

LAB 51.78, 17.85, 56.63

 

CMYK 0 / 11 / 94 / 33

HEX #AC990B

RGB 172 153 11

HSL 52.92, 0.88%, 0.36%

LAB 62.99, -5.96, 65

 

CMYK 0 / 60 / 94 / 63

HEX #5F2606

RGB 95 38 6

HSL 21.57, 0.88%, 0.2%

LAB 23.11, 24.18, 30.9

 

CMYK 0 / 60 / 94 / 48

HEX #853508

RGB 133 53 8

HSL 21.6, 0.89%, 0.28%

LAB 33.03, 32.26, 41.19

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 0 / 60 / 94 / 17

HEX #D3540D

RGB 211 84 13

HSL 21.52, 0.88%, 0.44%

LAB 52.08, 47.37, 59.09

 

CMYK 0 / 57 / 90 / 6

HEX #F06719

RGB 240 103 25

HSL 21.77, 0.88%, 0.52%

LAB 60.16, 49.42, 63.61

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 52 / 0 / 94 / 33

HEX #53AC0B

RGB 83 172 11

HSL 93.17, 0.88%, 0.36%

LAB 62.82, -50.59, 62.4

 

CMYK 94 / 89 / 0 / 33

HEX #0B13AC

RGB 11 19 172

HSL 237.02, 0.88%, 0.36%

LAB 22, 53.65, -76.88

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 94 / 0 / 61 / 33

HEX #0BAC43

RGB 11 172 67

HSL 140.87, 0.88%, 0.36%

LAB 61.64, -59.13, 42.85

 

CMYK 61 / 94 / 0 / 33

HEX #430BAC

RGB 67 11 172

HSL 260.87, 0.88%, 0.36%

LAB 24.99, 58.43, -71.81

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 52 / 0 / 94 / 33

HEX #53AC0B

RGB 83 172 11

HSL 93.17, 0.88%, 0.36%

LAB 62.82, -50.59, 62.4

 

CMYK 94 / 33 / 0 / 33

HEX #0B74AC

RGB 11 116 172

HSL 200.87, 0.88%, 0.36%

LAB 46.37, -5.83, -37.25

 

CMYK 42 / 94 / 0 / 33

HEX #630BAC

RGB 99 11 172

HSL 272.8, 0.88%, 0.36%

LAB 29.08, 61.37, -64.9

 

CMYK 0 / 60 / 94 / 33

HEX #AC450B

RGB 172 69 11

HSL 21.61, 0.88%, 0.36%

LAB 42.84, 39.76, 50.28

 

CMYK 80 / 0 / 94 / 33

HEX #23AC0B

RGB 35 172 11

HSL 111.06, 0.88%, 0.36%

LAB 61.56, -61.09, 60.84

 

CMYK 94 / 33 / 0 / 33

HEX #0B74AC

RGB 11 116 172

HSL 200.87, 0.88%, 0.36%

LAB 46.37, -5.83, -37.25

 

CMYK 14 / 94 / 0 / 33

HEX #940BAC

RGB 148 11 172

HSL 291.06, 0.88%, 0.36%

LAB 36.96, 68.04, -51.73

 

Description

Color code: RGB 172 69 11 | qconv.com Color code: RGB 172 69 11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 69 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 69 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 94 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 94% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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