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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 6 133 it is the complementary color RGB 83 249 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 6 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 6 133 shade: RGB 177 6 128, RGB 194 24 147, RGB 211 42 166, RGB 228 60 185 and RGB 245 78 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 6 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 6 133 shade: RGB 172 6 133, RGB 155 0 114, RGB 138 0 95, RGB 121 0 76 and RGB 104 0 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 6 133 shade: RGB 172 6 133, RGB 172 6 88, RGB 172 6 43 and RGB 172 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 6 133 shade: RGB 172 6 133, RGB 166 6 172, RGB 121 6 172, RGB 76 6 172 and RGB 32 6 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 6 133 shade matches the following richer shades: RGB 172 6 133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 6 133 shade: RGB 172 6 133, RGB 157 20 125, RGB 143 35 117, RGB 128 49 110 and RGB 114 64 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 6 133 shade: RGB 122 6 172, RGB 166 6 172, RGB 172 6 133, RGB 172 6 89 and RGB 172 6 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 6 133 shade: RGB 92 3 71, RGB 132 4 102, RGB 172 6 133, RGB 212 7 164 and RGB 246 14 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 6 133 shade: RGB 172 6 133, RGB 172 78 6 and RGB 6 172 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 6 133 shade: RGB 172 6 133, RGB 133 172 6 and RGB 6 133 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 6 133 shade: RGB 172 6 133, RGB 172 78 6, RGB 6 172 44 and RGB 6 100 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 6 133 shade: RGB 172 6 133, RGB 172 127 6, RGB 6 172 44 and RGB 6 50 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

Complementary color

CMYK 67 / 0 / 51 / 2

HEX #53F97A

RGB 83 249 122

HSL 134.1, 0.93%, 0.65%

LAB 87.48, -68.39, 48.34

 

CMYK 0 / 97 / 28 / 31

HEX #B10680

RGB 177 6 128

HSL 317.19, 0.93%, 0.36%

LAB 39.64, 67.6, -20.33

 

CMYK 0 / 88 / 24 / 24

HEX #C21893

RGB 194 24 147

HSL 316.59, 0.78%, 0.43%

LAB 44.56, 71.03, -24.09

 

CMYK 0 / 80 / 21 / 17

HEX #D32AA6

RGB 211 42 166

HSL 315.98, 0.67%, 0.5%

LAB 49.81, 73.27, -27.08

 

CMYK 0 / 74 / 19 / 11

HEX #E43CB9

RGB 228 60 185

HSL 315.36, 0.76%, 0.56%

LAB 55.31, 74.59, -29.43

 

CMYK 0 / 68 / 17 / 4

HEX #F54ECC

RGB 245 78 204

HSL 314.73, 0.89%, 0.63%

LAB 60.98, 75.25, -31.31

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 100 / 26 / 39

HEX #9B0072

RGB 155 0 114

HSL 315.87, 1%, 0.3%

LAB 34.36, 62.15, -20.07

 

CMYK 0 / 100 / 31 / 46

HEX #8A005F

RGB 138 0 95

HSL 318.7, 1%, 0.27%

LAB 29.98, 56.38, -14.89

 

CMYK 0 / 100 / 37 / 53

HEX #79004C

RGB 121 0 76

HSL 322.31, 1%, 0.24%

LAB 25.52, 50.51, -9.43

 

CMYK 0 / 100 / 45 / 59

HEX #680039

RGB 104 0 57

HSL 327.12, 1%, 0.2%

LAB 20.97, 44.54, -3.59

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 97 / 49 / 33

HEX #AC0658

RGB 172 6 88

HSL 330.36, 0.93%, 0.35%

LAB 37.12, 62.54, 1.08

 

CMYK 0 / 97 / 75 / 33

HEX #AC062B

RGB 172 6 43

HSL 346.63, 0.93%, 0.35%

LAB 36.13, 59.83, 28.71

 

CMYK 0 / 97 / 97 / 33

HEX #AC0606

RGB 172 6 6

HSL 0, 0.93%, 0.35%

LAB 35.82, 58.97, 47.58

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 3 / 97 / 0 / 33

HEX #A606AC

RGB 166 6 172

HSL 297.83, 0.93%, 0.35%

LAB 39.94, 71.52, -46.75

 

CMYK 30 / 97 / 0 / 33

HEX #7906AC

RGB 121 6 172

HSL 281.57, 0.93%, 0.35%

LAB 32.2, 64.81, -59.66

 

CMYK 56 / 97 / 0 / 33

HEX #4C06AC

RGB 76 6 172

HSL 265.3, 0.93%, 0.35%

LAB 25.7, 60.11, -70.59

 

CMYK 81 / 97 / 0 / 33

HEX #2006AC

RGB 32 6 172

HSL 249.4, 0.93%, 0.35%

LAB 21.64, 57.86, -77.46

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 87 / 20 / 38

HEX #9D147D

RGB 157 20 125

HSL 314.01, 0.77%, 0.35%

LAB 36.27, 61.07, -24

 

CMYK 0 / 76 / 18 / 44

HEX #8F2375

RGB 143 35 117

HSL 314.44, 0.61%, 0.35%

LAB 34.65, 52.71, -21.69

 

CMYK 0 / 62 / 14 / 50

HEX #80316E

RGB 128 49 110

HSL 313.67, 0.45%, 0.35%

LAB 33.8, 41.74, -18.8

 

CMYK 0 / 44 / 11 / 55

HEX #724066

RGB 114 64 102

HSL 314.4, 0.28%, 0.35%

LAB 34.4, 27.66, -12.99

 

CMYK 29 / 97 / 0 / 33

HEX #7A06AC

RGB 122 6 172

HSL 281.93, 0.93%, 0.35%

LAB 32.36, 64.94, -59.39

 

CMYK 3 / 97 / 0 / 33

HEX #A606AC

RGB 166 6 172

HSL 297.83, 0.93%, 0.35%

LAB 39.94, 71.52, -46.75

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 97 / 48 / 33

HEX #AC0659

RGB 172 6 89

HSL 330, 0.93%, 0.35%

LAB 37.16, 62.63, 0.48

 

CMYK 0 / 97 / 74 / 33

HEX #AC062C

RGB 172 6 44

HSL 346.27, 0.93%, 0.35%

LAB 36.14, 59.87, 28.11

 

CMYK 0 / 97 / 23 / 64

HEX #5C0347

RGB 92 3 71

HSL 314.16, 0.94%, 0.19%

LAB 19.2, 42.62, -16.27

 

CMYK 0 / 97 / 23 / 48

HEX #840466

RGB 132 4 102

HSL 314.06, 0.94%, 0.27%

LAB 29.29, 55.32, -20.62

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 97 / 23 / 17

HEX #D407A4

RGB 212 7 164

HSL 314.05, 0.94%, 0.43%

LAB 48.04, 78.63, -28.62

 

CMYK 0 / 94 / 22 / 4

HEX #F60EBF

RGB 246 14 191

HSL 314.22, 0.93%, 0.51%

LAB 55.75, 87.69, -31.96

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 55 / 97 / 33

HEX #AC4E06

RGB 172 78 6

HSL 26.02, 0.93%, 0.35%

LAB 44.56, 35.2, 52.75

 

CMYK 97 / 0 / 16 / 33

HEX #06AC90

RGB 6 172 144

HSL 169.88, 0.93%, 0.35%

LAB 62.98, -43.7, 3.99

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 23 / 0 / 97 / 33

HEX #85AC06

RGB 133 172 6

HSL 74.1, 0.93%, 0.35%

LAB 65.36, -32.67, 66.15

 

CMYK 97 / 23 / 0 / 33

HEX #0685AC

RGB 6 133 172

HSL 194.1, 0.93%, 0.35%

LAB 51.6, -15.83, -29.05

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 55 / 97 / 33

HEX #AC4E06

RGB 172 78 6

HSL 26.02, 0.93%, 0.35%

LAB 44.56, 35.2, 52.75

 

CMYK 97 / 0 / 74 / 33

HEX #06AC2C

RGB 6 172 44

HSL 133.73, 0.93%, 0.35%

LAB 61.42, -61.81, 52.17

 

CMYK 97 / 42 / 0 / 33

HEX #0664AC

RGB 6 100 172

HSL 206.02, 0.93%, 0.35%

LAB 41.42, 3.86, -45.1

 

CMYK 0 / 97 / 23 / 33

HEX #AC0685

RGB 172 6 133

HSL 314.1, 0.93%, 0.35%

LAB 38.89, 67.17, -24.67

 

CMYK 0 / 26 / 97 / 33

HEX #AC7F06

RGB 172 127 6

HSL 43.73, 0.93%, 0.35%

LAB 56.05, 8.23, 60.64

 

CMYK 97 / 0 / 74 / 33

HEX #06AC2C

RGB 6 172 44

HSL 133.73, 0.93%, 0.35%

LAB 61.42, -61.81, 52.17

 

CMYK 97 / 71 / 0 / 33

HEX #0632AC

RGB 6 50 172

HSL 224.1, 0.93%, 0.35%

LAB 27.57, 37.21, -67.64

 

Description

Color code: RGB 172 6 133 | qconv.com Color code: RGB 172 6 133 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 6 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 6 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 23 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 23% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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