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Color name
RGB 172 72 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 72 172 it is the complementary color RGB 83 183 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 72 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 72 172 shade: RGB 177 72 167, RGB 194 90 186, RGB 211 108 205, RGB 228 126 224 and RGB 245 144 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 72 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 72 172 shade: RGB 172 72 172, RGB 155 54 153, RGB 138 36 134, RGB 121 18 115 and RGB 104 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 72 172 shade: RGB 172 72 172, RGB 172 72 145, RGB 172 72 118, RGB 172 72 91 and RGB 172 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 72 172 shade: RGB 172 72 172, RGB 145 72 172, RGB 118 72 172, RGB 91 72 172 and RGB 72 72 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 72 172 shade matches the following richer shades: RGB 172 72 172, RGB 192 52 192, RGB 212 32 212 and RGB 231 12 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 72 172 shade: RGB 172 72 172, RGB 152 92 152, RGB 132 111 132, RGB 113 131 113 and RGB 93 151 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 72 172 shade: RGB 119 72 172, RGB 145 72 172, RGB 172 72 172, RGB 172 72 145 and RGB 172 72 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 72 172 shade: RGB 114 47 114, RGB 143 60 143, RGB 172 72 172, RGB 188 97 188 and RGB 201 126 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 72 172 shade: RGB 172 72 172, RGB 172 92 72 and RGB 72 172 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 72 172 shade: RGB 172 72 172, RGB 172 172 72 and RGB 72 172 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 72 172 shade: RGB 172 72 172, RGB 172 92 72, RGB 72 172 72 and RGB 72 152 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 72 172 shade: RGB 172 72 172, RGB 172 122 72, RGB 72 172 72 and RGB 72 122 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

Complementary color

CMYK 55 / 0 / 55 / 28

HEX #53B753

RGB 83 183 83

HSL 120, 0.41%, 0.52%

LAB 66.77, -49.49, 41.68

 

CMYK 0 / 59 / 6 / 31

HEX #B148A7

RGB 177 72 167

HSL 305.71, 0.42%, 0.49%

LAB 47.97, 54.66, -30.95

 

CMYK 0 / 54 / 4 / 24

HEX #C25ABA

RGB 194 90 186

HSL 304.62, 0.46%, 0.56%

LAB 54.37, 54.26, -31.86

 

CMYK 0 / 49 / 3 / 17

HEX #D36CCD

RGB 211 108 205

HSL 303.5, 0.54%, 0.63%

LAB 60.77, 53.68, -32.59

 

CMYK 0 / 45 / 2 / 11

HEX #E47EE0

RGB 228 126 224

HSL 302.35, 0.65%, 0.69%

LAB 67.12, 53.01, -33.18

 

CMYK 0 / 41 / 1 / 4

HEX #F590F3

RGB 245 144 243

HSL 301.19, 0.83%, 0.76%

LAB 73.44, 52.31, -33.69

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 65 / 1 / 39

HEX #9B3699

RGB 155 54 153

HSL 301.19, 0.48%, 0.41%

LAB 41.07, 54.29, -33.67

 

CMYK 0 / 74 / 3 / 46

HEX #8A2486

RGB 138 36 134

HSL 302.35, 0.59%, 0.34%

LAB 34.77, 53.82, -32.19

 

CMYK 0 / 85 / 5 / 53

HEX #791273

RGB 121 18 115

HSL 303.5, 0.74%, 0.27%

LAB 28.73, 52.28, -30.01

 

CMYK 0 / 100 / 8 / 59

HEX #680060

RGB 104 0 96

HSL 304.62, 1%, 0.2%

LAB 22.96, 49.55, -27.06

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 58 / 16 / 33

HEX #AC4891

RGB 172 72 145

HSL 316.2, 0.41%, 0.48%

LAB 46.24, 49.66, -20.59

 

CMYK 0 / 58 / 31 / 33

HEX #AC4876

RGB 172 72 118

HSL 332.4, 0.41%, 0.48%

LAB 45.24, 45.8, -5.76

 

CMYK 0 / 58 / 47 / 33

HEX #AC485B

RGB 172 72 91

HSL 348.6, 0.41%, 0.48%

LAB 44.46, 42.7, 9.67

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 16 / 58 / 0 / 33

HEX #9148AC

RGB 145 72 172

HSL 283.8, 0.41%, 0.48%

LAB 43.7, 47.04, -40.94

 

CMYK 31 / 58 / 0 / 33

HEX #7648AC

RGB 118 72 172

HSL 267.6, 0.41%, 0.48%

LAB 40.35, 40.11, -46.48

 

CMYK 47 / 58 / 0 / 33

HEX #5B48AC

RGB 91 72 172

HSL 251.4, 0.41%, 0.48%

LAB 37.55, 33.73, -51.14

 

CMYK 58 / 58 / 0 / 33

HEX #4848AC

RGB 72 72 172

HSL 240, 0.41%, 0.48%

LAB 35.97, 29.84, -53.77

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 73 / 0 / 25

HEX #C034C0

RGB 192 52 192

HSL 300, 0.57%, 0.48%

LAB 48.84, 70.07, -44.06

 

CMYK 0 / 85 / 0 / 17

HEX #D420D4

RGB 212 32 212

HSL 300, 0.74%, 0.48%

LAB 51.59, 81.95, -51.02

 

CMYK 0 / 95 / 0 / 9

HEX #E70CE7

RGB 231 12 231

HSL 300, 0.9%, 0.48%

LAB 55.09, 90.37, -56.03

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 39 / 0 / 40

HEX #985C98

RGB 152 92 152

HSL 300, 0.25%, 0.48%

LAB 47.75, 34.27, -22.68

 

CMYK 0 / 16 / 0 / 48

HEX #846F84

RGB 132 111 132

HSL 300, 0.09%, 0.48%

LAB 49.42, 12.22, -8.47

 

CMYK 14 / 0 / 14 / 49

HEX #718371

RGB 113 131 113

HSL 120, 0.07%, 0.48%

LAB 52.88, -10.26, 7.55

 

CMYK 38 / 0 / 38 / 41

HEX #5D975D

RGB 93 151 93

HSL 120, 0.24%, 0.48%

LAB 57.32, -31.28, 24.74

 

CMYK 31 / 58 / 0 / 33

HEX #7748AC

RGB 119 72 172

HSL 268.2, 0.41%, 0.48%

LAB 40.47, 40.36, -46.29

 

CMYK 16 / 58 / 0 / 33

HEX #9148AC

RGB 145 72 172

HSL 283.8, 0.41%, 0.48%

LAB 43.7, 47.04, -40.94

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 58 / 16 / 33

HEX #AC4891

RGB 172 72 145

HSL 316.2, 0.41%, 0.48%

LAB 46.24, 49.66, -20.59

 

CMYK 0 / 58 / 31 / 33

HEX #AC4877

RGB 172 72 119

HSL 331.8, 0.41%, 0.48%

LAB 45.27, 45.93, -6.32

 

CMYK 0 / 59 / 0 / 55

HEX #722F72

RGB 114 47 114

HSL 300, 0.42%, 0.32%

LAB 31.41, 39.28, -25.23

 

CMYK 0 / 58 / 0 / 44

HEX #8F3C8F

RGB 143 60 143

HSL 300, 0.41%, 0.4%

LAB 39.67, 46.64, -29.94

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 48 / 0 / 26

HEX #BC61BC

RGB 188 97 188

HSL 300, 0.4%, 0.56%

LAB 54.94, 49.48, -32.19

 

CMYK 0 / 37 / 0 / 21

HEX #C97EC9

RGB 201 126 201

HSL 300, 0.41%, 0.64%

LAB 62.97, 40.71, -27.01

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 47 / 58 / 33

HEX #AC5C48

RGB 172 92 72

HSL 12, 0.41%, 0.48%

LAB 48.12, 30.64, 25.99

 

CMYK 58 / 0 / 23 / 33

HEX #48AC84

RGB 72 172 132

HSL 156, 0.41%, 0.48%

LAB 63.79, -38.86, 11.96

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 0 / 58 / 33

HEX #ACAC48

RGB 172 172 72

HSL 60, 0.41%, 0.48%

LAB 68.57, -13.31, 50.25

 

CMYK 58 / 0 / 0 / 33

HEX #48ACAC

RGB 72 172 172

HSL 180, 0.41%, 0.48%

LAB 64.85, -28.69, -8.75

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 47 / 58 / 33

HEX #AC5C48

RGB 172 92 72

HSL 12, 0.41%, 0.48%

LAB 48.12, 30.64, 25.99

 

CMYK 58 / 0 / 58 / 33

HEX #48AC48

RGB 72 172 72

HSL 120, 0.41%, 0.48%

LAB 62.8, -49.41, 42.15

 

CMYK 58 / 12 / 0 / 33

HEX #4898AC

RGB 72 152 172

HSL 192, 0.41%, 0.48%

LAB 58.8, -18.49, -17.86

 

CMYK 0 / 58 / 0 / 33

HEX #AC48AC

RGB 172 72 172

HSL 300, 0.41%, 0.48%

LAB 47.47, 54.18, -34.73

 

CMYK 0 / 29 / 58 / 33

HEX #AC7A48

RGB 172 122 72

HSL 30, 0.41%, 0.48%

LAB 55.23, 13.92, 34.82

 

CMYK 58 / 0 / 58 / 33

HEX #48AC48

RGB 72 172 72

HSL 120, 0.41%, 0.48%

LAB 62.8, -49.41, 42.15

 

CMYK 58 / 29 / 0 / 33

HEX #487AAC

RGB 72 122 172

HSL 210, 0.41%, 0.48%

LAB 49.83, -1.6, -31.69

 

Description

Color code: RGB 172 72 172 | qconv.com Color code: RGB 172 72 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 72 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 72 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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