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Color name
RGB 172 72 57

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 72 57 it is the complementary color RGB 83 183 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 72 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 72 57 shade: RGB 177 72 52, RGB 194 90 71, RGB 211 108 90, RGB 228 126 109 and RGB 245 144 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 72 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 72 57 shade: RGB 172 72 57, RGB 155 54 38, RGB 138 36 19, RGB 121 18 0 and RGB 104 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 72 57 shade: RGB 172 72 57 and RGB 172 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 72 57 shade: RGB 172 72 57, RGB 172 103 57, RGB 172 134 57, RGB 172 165 57 and RGB 148 172 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 72 57 shade matches the following richer shades: RGB 172 72 57, RGB 190 58 38, RGB 209 44 20 and RGB 227 31 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 72 57 shade: RGB 172 72 57, RGB 153 86 75, RGB 134 99 94, RGB 116 113 113 and RGB 97 127 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 72 57 shade: RGB 172 57 105, RGB 172 57 74, RGB 172 70 57, RGB 172 101 57 and RGB 172 131 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 72 57 shade: RGB 110 46 36, RGB 141 59 47, RGB 172 72 57, RGB 195 91 75 and RGB 205 119 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 72 57 shade: RGB 172 72 57, RGB 135 172 57 and RGB 57 89 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 72 57 shade: RGB 172 72 57, RGB 57 172 70 and RGB 70 57 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 72 57 shade: RGB 172 72 57, RGB 135 172 57, RGB 57 158 172 and RGB 93 57 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 72 57 shade: RGB 172 72 57, RGB 101 172 57, RGB 57 158 172 and RGB 128 57 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

Complementary color

CMYK 58 / 8 / 0 / 22

HEX #53B7C6

RGB 83 183 198

HSL 187.83, 0.5%, 0.55%

LAB 69.31, -24.7, -16.41

 

CMYK 0 / 59 / 71 / 31

HEX #B14834

RGB 177 72 52

HSL 9.6, 0.55%, 0.45%

LAB 44.56, 41.56, 33.35

 

CMYK 0 / 54 / 63 / 24

HEX #C25A47

RGB 194 90 71

HSL 9.27, 0.5%, 0.52%

LAB 50.96, 40.22, 30.83

 

CMYK 0 / 49 / 57 / 17

HEX #D36C5A

RGB 211 108 90

HSL 8.93, 0.58%, 0.59%

LAB 57.38, 38.9, 28.63

 

CMYK 0 / 45 / 52 / 11

HEX #E47E6D

RGB 228 126 109

HSL 8.57, 0.69%, 0.66%

LAB 63.77, 37.65, 26.72

 

CMYK 0 / 41 / 48 / 4

HEX #F59080

RGB 245 144 128

HSL 8.21, 0.85%, 0.73%

LAB 70.12, 36.49, 25.03

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 65 / 75 / 39

HEX #9B3626

RGB 155 54 38

HSL 8.21, 0.61%, 0.38%

LAB 37.38, 41.21, 32.21

 

CMYK 0 / 74 / 86 / 46

HEX #8A2413

RGB 138 36 19

HSL 8.57, 0.76%, 0.31%

LAB 31.14, 42.15, 35.34

 

CMYK 0 / 85 / 100 / 53

HEX #791200

RGB 121 18 0

HSL 8.93, 1%, 0.24%

LAB 25.25, 42.23, 37.23

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 40 / 67 / 33

HEX #AC6739

RGB 172 103 57

HSL 24, 0.5%, 0.45%

LAB 50.41, 23.51, 37.14

 

CMYK 0 / 22 / 67 / 33

HEX #AC8639

RGB 172 134 57

HSL 40.17, 0.5%, 0.45%

LAB 58.15, 6.12, 45.76

 

CMYK 0 / 4 / 67 / 33

HEX #ACA539

RGB 172 165 57

HSL 56.35, 0.5%, 0.45%

LAB 66.5, -10.67, 54.58

 

CMYK 14 / 0 / 67 / 33

HEX #94AC39

RGB 148 172 57

HSL 72.52, 0.5%, 0.45%

LAB 66.59, -24.49, 54.08

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 69 / 80 / 25

HEX #BE3A26

RGB 190 58 38

HSL 7.89, 0.67%, 0.45%

LAB 44.39, 51.7, 41.52

 

CMYK 0 / 79 / 90 / 18

HEX #D12C14

RGB 209 44 20

HSL 7.62, 0.83%, 0.45%

LAB 46.19, 61.94, 52.78

 

CMYK 0 / 86 / 100 / 11

HEX #E31F01

RGB 227 31 1

HSL 7.96, 0.99%, 0.45%

LAB 48.65, 69.79, 61.73

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 44 / 51 / 40

HEX #99564B

RGB 153 86 75

HSL 8.46, 0.34%, 0.45%

LAB 44.14, 26.49, 18.51

 

CMYK 0 / 26 / 30 / 47

HEX #86635E

RGB 134 99 94

HSL 7.5, 0.18%, 0.45%

LAB 45.36, 13.39, 8.36

 

CMYK 0 / 3 / 3 / 55

HEX #747171

RGB 116 113 113

HSL 0, 0.01%, 0.45%

LAB 47.9, 1.15, 0.4

 

CMYK 26 / 3 / 0 / 49

HEX #617F83

RGB 97 127 131

HSL 187.06, 0.15%, 0.45%

LAB 51.1, -9.67, -5.67

 

CMYK 0 / 67 / 39 / 33

HEX #AC3969

RGB 172 57 105

HSL 334.96, 0.5%, 0.45%

LAB 42.33, 50.96, -2.05

 

CMYK 0 / 67 / 57 / 33

HEX #AC394A

RGB 172 57 74

HSL 351.13, 0.5%, 0.45%

LAB 41.52, 48.04, 16.13

 

CMYK 0 / 59 / 67 / 33

HEX #AC4639

RGB 172 70 57

HSL 6.78, 0.5%, 0.45%

LAB 43.43, 40.95, 28.91

 

CMYK 0 / 41 / 67 / 33

HEX #AC6539

RGB 172 101 57

HSL 22.96, 0.5%, 0.45%

LAB 49.95, 24.62, 36.61

 

CMYK 0 / 24 / 67 / 33

HEX #AC8339

RGB 172 131 57

HSL 38.61, 0.5%, 0.45%

LAB 57.37, 7.8, 44.91

 

CMYK 0 / 58 / 67 / 57

HEX #6E2E24

RGB 110 46 36

HSL 8.11, 0.51%, 0.29%

LAB 27.84, 27.64, 20.26

 

CMYK 0 / 58 / 67 / 45

HEX #8D3B2F

RGB 141 59 47

HSL 7.66, 0.5%, 0.37%

LAB 35.98, 33.99, 24.62

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 0 / 53 / 62 / 24

HEX #C35B4B

RGB 195 91 75

HSL 8, 0.5%, 0.53%

LAB 51.37, 40.37, 29.08

 

CMYK 0 / 42 / 48 / 20

HEX #CD776A

RGB 205 119 106

HSL 7.88, 0.5%, 0.61%

LAB 59.17, 32.22, 21.75

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 22 / 0 / 67 / 33

HEX #87AC39

RGB 135 172 57

HSL 79.3, 0.5%, 0.45%

LAB 65.71, -29.79, 52.88

 

CMYK 67 / 48 / 0 / 33

HEX #3959AC

RGB 57 89 172

HSL 223.3, 0.5%, 0.45%

LAB 39.57, 16.14, -48

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 67 / 0 / 59 / 33

HEX #39AC46

RGB 57 172 70

HSL 126.78, 0.5%, 0.45%

LAB 62.35, -53.03, 42.46

 

CMYK 59 / 67 / 0 / 33

HEX #4639AC

RGB 70 57 172

HSL 246.78, 0.5%, 0.45%

LAB 32.27, 38.76, -59.79

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 22 / 0 / 67 / 33

HEX #87AC39

RGB 135 172 57

HSL 79.3, 0.5%, 0.45%

LAB 65.71, -29.79, 52.88

 

CMYK 67 / 8 / 0 / 33

HEX #399EAC

RGB 57 158 172

HSL 187.3, 0.5%, 0.45%

LAB 60.16, -24.29, -15.84

 

CMYK 46 / 67 / 0 / 33

HEX #5D39AC

RGB 93 57 172

HSL 258.78, 0.5%, 0.45%

LAB 34.46, 42.88, -56.13

 

CMYK 0 / 58 / 67 / 33

HEX #AC4839

RGB 172 72 57

HSL 7.83, 0.5%, 0.45%

LAB 43.8, 39.98, 29.36

 

CMYK 41 / 0 / 67 / 33

HEX #65AC39

RGB 101 172 57

HSL 97.04, 0.5%, 0.45%

LAB 63.81, -42.42, 50.29

 

CMYK 67 / 8 / 0 / 33

HEX #399EAC

RGB 57 158 172

HSL 187.3, 0.5%, 0.45%

LAB 60.16, -24.29, -15.84

 

CMYK 26 / 67 / 0 / 33

HEX #8039AC

RGB 128 57 172

HSL 277.04, 0.5%, 0.45%

LAB 38.71, 50.29, -49.04

 

Description

Color code: RGB 172 72 57 | qconv.com Color code: RGB 172 72 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 72 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 72 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 67% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - HOME
Link: http://www.hogash-demo.com

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